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Featured, Music

The Top 10 Best Songs By Trey Songz

When Trey Songz first arrived on the scene in 2005, he was introduced by the legendary Troy Taylor and heralded by none other than Aretha Franklin. Over the next decade and a half, “Trigga” would transform from a young, soulful crooner into one of the most dominant forces in contemporary R&B. Known for his incredible vocal runs, undeniable charisma, and the ability to bridge the gap between classic soul and modern hip-hop, Trey has built a catalog that defines an entire era of the genre. While his “Mr. Steal Your Girl” persona often takes center stage, his true legacy lies in his versatility. Whether he’s delivering a raw, vulnerable ballad or a high-energy club anthem, Trey’s impact on R&B is undeniable. We’ve selected the essential tracks that showcase the very best of Trey Songz. Click Here For Our Other Top 10 Lists | Click Here For Our Most Recent Interview With Trey Songz “Gotta Go” (from the “I Gotta Make It” album) Before the platinum plaques and sold-out arenas, “Gotta Go” established Trey as a serious vocalist. This mid-tempo groove, with its nostalgic aura and soaring harmonies, showcased a level of maturity that was rare for a debut artist. It remains a fan favorite and a reminder of the raw soul that started his journey. “Can’t Help But Wait” (from the “Trey Day” album) This was the moment Trey Songz became a household name. Produced by Stargate, “Can’t Help But Wait” is a masterclass in R&B storytelling. The song’s relatability and Trey’s earnest delivery earned him a Grammy nomination and solidified his place as the next big thing in the genre. “I Invented Sex” (featuring Drake) (from the “Ready” album) In 2009, Trey and a rising Drake changed the sonic landscape of R&B with this track. “I Invented Sex” introduced a darker, more atmospheric sound that would define much of the next decade. It’s a smooth, confident record that leaned into Trey’s growing “playboy” persona while maintaining his vocal excellence. “Can’t Be Friends” (from the “Passion, Pain & Pleasure” album) Arguably his most powerful vocal performance, “Can’t Be Friends” is a raw look at the aftermath of a breakup. Stripping away the flashy production, Trey relies on his voice to convey the pain of a love that can’t simply transition into a friendship. It is widely considered one of the best R&B ballads of the 2010s. “Neighbors Know My Name” (from the “Ready” album) This track is the quintessential Trey Songz “bedroom anthem.” With its infectious hook and playful lyrics, it became a cultural staple. It perfectly balances his southern charm with the polished R&B sound that made the Ready album a modern classic. “Say Aah” (featuring Fabolous) (from the “Ready” album) While Trey is a master of the slow jam, “Say Aah” proved he could own the club as well. This collaboration with Fabolous became a massive crossover hit, dominating radio and parties for years. It showed his ability to craft a “party” record without losing his R&B identity. “Love Faces” (from the “Passion, Pain & Pleasure” album) “Love Faces” is Trey Songz at his most seductive. The lush production and intricate vocal arrangements highlight his growth as a musician. It’s a sophisticated record that remains a high point in his discography for those who appreciate the “grown and sexy” side of his music. “Slow Motion” (from the “Trigga” album) Late in his career, Trey reminded everyone how well he knows how to make a slow jam. “Slow Motion” is a hypnotic, stripped-back track that focuses on his tone and pacing. It became one of his biggest hits in years, proving his longevity in a rapidly changing R&B environment. “Heart Attack” (from the “Chapter V” album) Teaming up with Rico Love and Benny Blanco, Trey delivered a grand, cinematic ballad with “Heart Attack.” The song deals with the “toxic” side of love that feels like both a blessing and a curse. His vocal intensity on the hook makes this one of the most memorable tracks from his Chapter V era. “Gotta Make It” (featuring Twista) (from the “I Gotta Make It” album) The song that started it all. “Gotta Make It” was more than just a debut single; it was a mission statement. Featuring a signature double-time verse from Twista, the track highlighted Trey’s ambition and his distinct Virginia “soul” that would carry him to the top of the charts. Honorable Mentions: * “Bottoms Up” (feat. Nicki Minaj) (from the Passion, Pain & Pleasure album) * “Na Na” (from the Trigga album) * “Jupiter Love” (from the Ready album) * “Panty Droppa” (from the Ready album) * “Last Time” (from the Trey Day album)

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Featured, Music

The Top 10 Best Chris Brown Songs

When discussing the most influential forces in 21st-century R&B, Chris Brown is a name that dominates the conversation. Bursting onto the scene as a teenager with infectious energy and elite dancing, he eventually evolved into one of the most prolific hitmakers in music history. With a discography that spans over a thousand songs, his ability to pivot between pure R&B, pop, hip-hop, and dance music is almost unparalleled. While he is often celebrated for his high-octane performances, his core strength has always been his ear for melody and his growth as a vocalist. From the bubblegum soul of his debut to the experimental “Indigo” era, we’ve selected the essential tracks that define the “Breezy” legacy. Click Here For Our Other Top 10 Lists “Yo (Excuse Me Miss)” (from the “Chris Brown” album) If “Run It!” introduced him to the world, “Yo (Excuse Me Miss)” made him a superstar. Produced by Dre & Vidal, this track perfectly captured the “young love” essence of the mid-2000s. It’s a smooth, mid-tempo groove that highlighted Chris’s natural charisma and cemented his place as the heir apparent to the R&B throne. “No Guidance” (featuring Drake) (from the “Indigo” album) After years of rumored tension, the collaboration between Chris Brown and Drake lived up to every bit of the hype. “No Guidance” is a masterclass in modern R&B production—atmospheric, moody, and incredibly catchy. It became one of the biggest hits of his career, proving he could still dominate the charts over a decade into his journey. “With You” (from the “Exclusive” album) Chris took a more acoustic, pop-leaning approach with “With You,” and the result was a global anthem. Stargate’s production provided a simple yet effective backdrop for one of Chris’s most sincere vocal performances. It remains a wedding staple and a testament to his ability to cross over without losing his soulful core. “Fine China” (from the “X” album) “Fine China” was a bold artistic statement. Moving away from the EDM sounds that dominated the early 2010s, Chris leaned into a retro-soul aesthetic that paid clear homage to Michael Jackson and Stevie Wonder. With its live instrumentation and soaring vocals, it is arguably one of the most “musically pure” songs in his entire catalog. “Take You Down” (from the “Exclusive” album) This is the moment Chris Brown officially transitioned from the “boy next door” to an R&B heartthrob. “Take You Down” is a sultry, heavy-hitting ballad that became a blueprint for his more mature records. Its impact on the R&B charts and its status as a fan favorite during his live shows cannot be overstated. “Deuces” (featuring Tyga & Kevin McCall) (from the “Fan of a Fan” mixtape) Released during a pivotal moment in his career, “Deuces” was a cultural phenomenon. It spearheaded the “mixtape era” for R&B artists, blending a laid-back West Coast vibe with a dismissive, catchy hook. It reminded everyone that Chris could dictate the sound of the streets just as easily as the sound of the radio. “New Flame” (featuring Usher & Rick Ross) (from the “X” album) Collaborating with your idol is one thing, but holding your own alongside him is another. “New Flame” saw Chris and Usher trade smooth vocals over a lush, mid-tempo beat. It felt like a passing of the torch and a celebration of R&B excellence all at once. “Say Goodbye” (from the “Chris Brown” album) A classic “breakup” song is a requirement for any R&B great, and “Say Goodbye” is Chris’s contribution to the pantheon. Featured on the Step Up soundtrack, this Bryan-Michael Cox-produced ballad showed a level of emotional depth that was rare for an artist so young at the time. “Don’t Judge Me” (from the “Fortune” album) In “Don’t Judge Me,” Chris offered a rare moment of vulnerability and transparency. The stripped-back, cinematic production allows his voice to take center stage as he asks for grace regarding his past mistakes. It’s a powerful, resonant record that stands out as one of his best vocal displays. “Grass Is Greener” (from the “Heartbreak on a Full Moon” album) From his massive 45-track opus, “Grass Is Greener” stands out for its storytelling and relatability. It captures the regret of a relationship gone wrong with a melody that stays in your head long after the track ends. It represents the “Heartbreak” era perfectly—toxic, melodic, and undeniably soulful. Honorable Mentions: * “Run It!” (from the Chris Brown album) * “Back To Sleep” (from the Royalty album) * “Loyal” (from the X album) * “Under The Influence” (from the Indigo album) * “Poppin’” (from the Chris Brown album) Would you like me to put together a similar list for another R&B powerhouse like Usher or Trey Songz?

U.S._Immigration_and_Customs_Enforcement_(ICE)_Enforcement_and_Removal_Operations'_(ERO)_officers_in_West_Palm_Beach,_Florida_on_February_14,_2025_-_19
Featured, News

ICE Is The Real Criminal Threat, Not Undocumented...

In this dystopian hellscape created by the MAGA-movement and nutless Republicans, armed gang members ride through neighborhoods looking for people to kidnap. In Minneapolis on Wednesday, they killed a woman, Renee Nicole Good, 37, a mother of three. A gentle soul, which I can say without pause, because she was a poet. All poets have gentle souls. She was trying to get away from the armed gang harassing her when they opened fire on her. The gang’s OGs have already started spinning a tale about cars being used as weapons and factions of people learning to drive recklessly to take them out. It’s a story as old as time, this war between gangs and the communities that they terrorize, but this is different. Immigration and Customs Enforcement (ICE) is a federally funded gang that slides into communities and tears families apart, and they do so with impunity. It is worse than the Crips or Gangster Disciples because ICE is backed by America’s lifeblood, racism, and a racist White House that implored them to make their bones. Racism drives this administration. It’s the spine of Project 2025, the playbook of Trump’s White House. It’s the foundational tenet for ICE’s harassment, kidnapping, and capture of working immigrants who are simply trying to make a way for themselves and their families while navigating an increasingly hostile U.S. immigration system. The U.S. Supreme Court is in on it, too. They allow ICE to racially profile those whom they decide to stop and question. Racism is the sole reason that the Immigration and Customs Enforcement (ICE) went from a terror-fighting faction of the Department of Homeland Security to those that create said terror. ICE was created in the post-9/11 haze and sold to the public as a necessary evil to protect us from shadowy threats. Two decades later, its actual résumé reads like a rap sheet: family separations, warrantless arrests, deaths in custody, medical neglect, sexual abuse allegations, and now—yet again—gun violence. Remember, most gangs start with good intentions. The Crips were formed to protect neighborhood youth against other, more violent gangs. See what the Crips are on now. Details of the tragedy are still being sorted, but the pattern is familiar: a heavily armed law-enforcement presence, escalating force, and yet another civilian harmed in the name of “public safety.” The script never changes—only the zip code does. “Federal agents have shot people 14 times since last January, killing at least four; on multiple occasions, officers shot at people observing ICE raids and people attempting to drive away,” the Trace notes. At what point do we admit that the people claiming to stop crime are, in fact, committing it? Because let’s be clear: snatching people off the street in unmarked vehicles is not “enforcement.” That’s kidnapping with a PR team. Detaining people indefinitely without charges isn’t “border security.” That’s incarceration without due process. Shooting civilians during routine operations isn’t “keeping the peace.” That’s state violence, full stop. Because ICE isn’t preventing harm; they’re creating it. They are rolling up on unsuspecting people masked up, carrying large weapons, and shouting demands. That’s gang behavior. And to be frank, all of this is a show of force that isn’t even warranted, as crossing a border without papers is a civil violation, not a violent crime. If ICE were a person, they would be locked up, considering they would’ve been charged with unlawful detention, excessive force, obstruction of legal counsel, and gross negligence that has resulted in death. If anyone did even a portion of that, we wouldn’t be debating semantics—we’d be calling a lawyer. ICE doesn’t get to be both the perpetrator and the victim. They don’t get to hop out of tinted-windowed vehicles, guns at the ready, and then claim that the person fleeing this lawless gang endangered their lives by trying to get to safety. But that’s America at work, where the brown face can be charged for hurting the white fist. These agents are not de-escalators. They are not community protectors. They are trained to treat human beings as threats first and ask questions later. When that mindset collides with real neighborhoods and real people, they get hurt. And this is the quiet part that never gets said out loud: all gang structure is to feed an ecosystem of terrorism that thrives off fear and, more importantly, money. Everyone has to kick up to the big homies when they hit a lick, and so does ICE. This anarchic band of hoods kidnapping people is to feed a private prison system that profits off those in custody. There are bed mandates. Quotas. Contracts. When your budget depends on keeping cages full, you stop caring whether the people inside them pose any danger. You just need them compliant—or gone. Which brings us back to the central scam: ICE does not make communities safer. Immigrants—documented or undocumented—are statistically less likely to commit violent crimes than native-born citizens. ICE knows this. Politicians know this. But fear is more useful than facts, especially when elections need winning, and dog whistles need blowing. So the world’s most dangerous crew is ICE. They are neighborhood police with crack strength. And they don’t care. They will show up at courthouses, hospitals, graduations, and birthday parties just to rip families apart because they pledged allegiance to their gang and got jumped in. And they’re the criminals they claim to be looking for. And that’s the uncomfortable truth America keeps dodging: the most dangerous criminals in this country don’t always come from the hood. Sometimes they come with badges, guns, and a talking point about “law and order,” leaving blood, trauma, and broken families in their wake—and daring us to pretend that’s justice. SEE ALSO: Woman Shot And Killed By ICE During Crackdown In Minneapolis ICE Agents Invade Minneapolis Hospital With No Warrant  

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Music

FLO Releases New Single “Recently Deleted”

FLO continues their historic run with the release of “Recently Deleted,” a soul-stirring new fan track out now via Island Records. The release serves as the centerpiece for Access All Areas: Unlocked, an expanded version of their debut album that now brings three previously physical-exclusive bonus tracks—”Conceited,” “Say Less,” and “Do Too Much”—to all streaming platforms. The drop comes at a milestone moment for the trio, whose debut recently became the first project by a British girl group in 20 years to earn a GRAMMY nomination (Best Progressive R&B Album). Described by the group as a “passionate R&B moment” with a “grown narrative,” the track is a gift to a global fanbase that helped the group achieve the highest-charting album for a British R&B girl group in over two decades. From a record-breaking North American tour to a sold-out homecoming at London’s O2 Brixton, FLO is officially setting the gold standard for the modern girl group. The post FLO Releases New Single “Recently Deleted” appeared first on New R&B Music, Songs & Interviews | YouKnowIGotSoul.com.

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Featured, Music

Tank Releases Video For Latest Single “Control”

Tank is ending 2025 on a high note with the premiere of the official music video for “CONTROL.” Marking his first major move under a new global partnership with BMG, the video showcases a sleek, intentional side of the R&B General. Directed by Danil Demichev, the visual centers Tank’s commanding presence amidst sharp, modern choreography, signaling a sophisticated new chapter in his storied career. The release caps off a landmark year that saw Tank conquer Broadway with a celebrated run in Alicia Keys’ Hell’s Kitchen. Between his stage success and making history by tying Usher and Charlie Wilson for the most No. 1s on Billboard’s Adult R&B Airplay chart (via his feature on Aaliyah’s “Gone”), Tank remains an immovable force in the industry. Whether he is breaking the internet with the R&B Money Podcast or delivering show-stopping performances on the Tamron Hall Show, “CONTROL” proves that Tank’s influence is only expanding. The post Tank Releases Video For Latest Single “Control” appeared first on New R&B Music, Songs & Interviews | YouKnowIGotSoul.com.

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Featured, News

Why A ‘Hillbilly’ Vice President, Not Trump, Was...

At a Turning Point USA event in Phoenix, Vice President JD Vance, the self-appointed “hillbilly” who made it out the mud, told white Americans they no longer have to “apologize for being white.” After Vance’s remarks, much of the media coverage fixated on crowd reaction, viral outrage, and whether the comment was provocative or racist, with outlets describing applause and backlash. The coverage treats the remark like a culture-war skirmish or a spicy soundbite meant to rile liberals and thrill conservatives. Was it divisive? Was it provocative? Was it just red-meat rhetoric for the base? But we need to be interrogating the deeper political calculus behind the message. The one real question we should be asking has been politely avoided: why was this man chosen to say it, on that stage, at this moment? Because the power of the line, which is not new, doesn’t come from its originality, but from its messenger. Those words could never have carried the same weight coming from Donald Trump. He is too rich, too cartoonishly gilded, and too insulated from the daily humiliations of working-class life. He smells like inheritance, bankruptcy lawyers, and gold-plated toilets. White Americans already know Trump doesn’t apologize to anyone for anything because that’s his brand. Coming from him, the remark would have sounded like exactly what it was: a billionaire dismissing accountability from the safety of unearned power. But coming from JD Vance, those words hit different. Vance is the perfect vessel because he is not supposed to be the villain in this story about American decline. He’s supposed to be the proof that the American story still works. He’s the poor white kid who survived Appalachia and clawed his way out of generational precarity. He escaped addiction and instability and sits among elite power without fully shedding the aesthetic of struggle or indicting the system that chewed up everyone he left behind. Appalachia was gutted by corporations, poisoned by industry, abandoned by policy, and exploited by capital. If anyone has standing to name the real villains, it is him. But instead, he stood on that stage and offered absolution to angry white folks. He doesn’t look like a robber baron. He doesn’t sound like a hedge fund vampire. He doesn’t wear his privilege in gold leaf. He arrives coded as earned, not inherited. And that’s precisely why he can say things Donald Trump can’t say without exposing the scam. Vance is the walking proof-of-concept for the lie at the heart of white grievance politics. His biography does the dirty work for him. His mere presence tells struggling white Americans: See? The system isn’t broken. I made it. And if you didn’t, that failure isn’t about class warfare, corporate theft, union busting, or billionaires hollowing out your town. Nope, it’s about culture. It’s about values. It’s about them. ‘Them’ being all those immigrants who “cut the line.” The Black folks who “won’t stop complaining” and “hate white people.” The DEI programs that supposedly stole your job. The leftists and “Democrats” who “hate America.” The queer folks who make you uncomfortable by existing out loud. The problem is anybody but the corporations that poisoned your water. That shipped your labor overseas and cashed the checks while your community collapsed. It’s not the hedge funds that strip-mined your hospitals and nursing homes. Nor the pharmaceutical giants that flooded your towns with opioids and called it pain management. It ain’t the private-equity vultures that bought your trailer parks and jacked up the rent. Not the agribusiness monopolies that crushed family farms, the telecoms that took public money and still left you without broadband. Not the coal and chemical companies that took the land and left the cancer clusters, or the banks that redlined you on the way in and foreclosed on you on the way out. And it’s certainly not the lawmakers who gutted unions, and the billionaires who wrote the tax code so your paycheck shrank while their fortunes ballooned. According to our “hillbilly” Vice President, it’s anybody but the people who actually pulled the levers. That’s the magic trick. Vance stands there as living proof that the ladder still works as long as you redirect your anger at structural violence in the right direction. And once that story takes hold, class solidarity becomes impossible. Because why punch up at the capital when you’ve been trained to punch sideways and down at the people who were never holding the knife in the first damn place? That sleight of hand is exactly why a Turning Point USA stage was the perfect place for Vance to perform this routine. Turning Point USA isn’t some scrappy youth movement. It is a grievance factory bankrolled by wealthy donors who benefit directly from keeping white Americans angry, confused, and misdirected. The same corporate interests that busted unions, suppressed wages, deregulated industries, and strip-mined rural communities now underwrite conferences where white resentment is packaged as “freedom.” Vance’s job is to make sure no one in the audience ever connects those dots. So instead of asking why private equity gutted their hospitals, why pharmaceutical companies flooded their towns with opioids, or why billionaires keep getting tax cuts while their schools crumble, the crowd is trained to seethe at safer targets. Everyone except the corporations in the room and the donors signing the checks. That’s the scammy business model. Vance doesn’t challenge that model; he completes it. He reassures white Americans that their suffering has nothing to do with capitalism run amok and everything to do with moral decline and cultural invasion. He turns class betrayal into racial discipline. He sells the lie that dignity comes not from solidarity or justice, but from refusing to interrogate who’s actually profiting off your pain. And because he comes wrapped in a hillbilly origin story, the absolution feels authentic and trustworthy. When he tells white Americans they don’t have to apologize, it doesn’t sound like a billionaire sneering at accountability. It sounds like a neighbor who understands, a man who’s been

Charlie-Bereal-Chocolate-Woman
Music

Charlie Bereal Releases New Single “Chocolate Woman”

Charlie Bereal—the GRAMMY-nominated multi-instrumentalist behind some of R&B’s most iconic hits—is back with his latest single, “Chocolate Woman.” Released via Death Row Records/gamma., the track is a masterclass in modern soul, exploring the fragile balance of love, respect, and reciprocity. Building on the success of his debut album, Walk With The Father, Bereal leans into his reputation as a “musician’s musician.” The track features a rich, live-instrument tapestry of trumpets, chimes, and his signature guitar work, evoking the timeless spirit of legends like Teddy Pendergrass and Curtis Mayfield. While he has spent years shaping the sound of industry giants—contributing to hits like Aaliyah’s “More Than a Woman” and Missy Elliott’s “One Minute Man”—Bereal is now firmly in the spotlight, blending his Pasadena gospel roots with a cinematic R&B sensibility that is both personal and profound. The post Charlie Bereal Releases New Single “Chocolate Woman” appeared first on New R&B Music, Songs & Interviews | YouKnowIGotSoul.com.

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Music

Keith Robinson Releases Video For Latest Single “Foolish...

Renowned actor and recording artist Keith D. Robinson has returned with the visuals for his latest single, “Foolish Luv”. This serves as the second release from his highly anticipated album, “Love Episodic II”, which is scheduled to drop in the spring of 2026. Directed by Julius “Bigfellow” Twum and Robinson himself, the music video is a comedic, sci-fi take on modern romance. It co-stars actress Trisha Mann-Grant, Robinson’s castmate on the hit CBS daytime soap Beyond the Gates. The storyline centers on “The Man Store,” a fictional department store selling made-to-order robotic men. Chaos ensues when the “Keith D. Robinson 2.0” model sells out, forcing the store manager (Mann-Grant) and her quirky staff—security guard “Dwayne” (Robinson) and handyman “Ginger” (Twum)—to unveil the new “Teddy Boo 3T.” The video playfully explores the obsession between their TV characters, Dr. Ted Richardson and Leslie Thomas, asking the question: Is technology creeping too far into our love lives? “The irony of making this visual was the ‘out of the box’ approach we took that seems to be less and less ‘out of the box’ as the days go by,” says Robinson. “We go spiraling towards technology invading every space of humanity.” The video riffs on the chemistry found in Beyond the Gates, the CBS series set in a posh, affluent African American community in Maryland. The show follows the prestigious Dupree family and the scandals hidden behind the manicured gardens of their gated community. The post Keith Robinson Releases Video For Latest Single “Foolish Luv” appeared first on New R&B Music, Songs & Interviews | YouKnowIGotSoul.com.

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News

NY Community Demands Justice After Black Man Beaten...

Community members in Peekskill are organizing in support of 42-year-old Damar Fields, following the release of a video showing him being tased, kicked, and struck by a police officer during an arrest on Dec. 3 at Riverfront Green Park. According to the Peekskill Herald, the video, shared by community activist Darrell Davis, who serves as a spokesperson for Fields’ family, sparked widespread outrage and led to an unidentified Peekskill police officer being placed on paid administrative leave. Davis has said Fields did nothing to warrant the treatment shown in the footage. On Saturday, Dec. 13, approximately 75 people gathered at the riverfront gazebo for a peaceful rally to protest what they described as police brutality. Demonstrators called for the release of the complete body camera footage and shared personal accounts of negative interactions with law enforcement. “The way they beat our brother was inhumane,” Davis told the Peekskill Herald on Dec. 15, adding that Fields was known to police and had emotional issues in the past. “And someone who did that should not have a gun or badge. And we are not letting this go,” Davis said. What did the video show? The video of the incident, obtained by CBS News, shows an officer using a stun gun on Fields while yelling, “Get on your [expletive] face,” before kicking him. Police had responded to a complaint about a man near the gazebo along the Hudson River. A second officer arrives moments later, and the first officer punches Fields as the encounter continues. Both officers end up on top of Fields, striking him multiple times, before three additional officers arrive and take him into custody. “It was disgusting, it was horrible. The young man is traumatized. He’s still getting medical help,” Davis told the outlet during an interview  Dec. 5. “I don’t care if this guy is a mass murderer. You had him tased, helpless, and you pounced on him, and that’s not your job.” Following the release of the video, the Peekskill Police Department confirmed the officer involved was placed on paid administrative leave while the Westchester County District Attorney’s Office investigates the incident. Davis said the rally marked only the beginning of broader community action. Since the video was shared, he said, numerous people have reached out to him with photos and videos alleging other instances of police violence in Westchester County, including Peekskill, NY. An investigation into Damar Fields’ arrest is being conducted. Newly appointed Peekskill Police Chief Adam Renwick referred the case to the district attorney for an independent investigation. During a city council meeting on Dec. 8, Renwick said he is limited in what he can publicly discuss due to the ongoing investigation, but assured that a thorough investigation would be conducted. “I did this because the video circulating on social media raised legitimate questions about the use of force, and it was essential that all aspects of the incident be investigated fully and impartially,” Renwick said, according to a Dec. 10 report from the Peekskill Herald. “Our department is fully cooperating with that review and has provided all available evidence, including body-worn camera footage, reports, and witness statements.” The Peekskill Police Benevolent Association claimed that Fields’ arrest was allegedly prompted by him “exposing” himself.  However, Damar Fields is not currently in custody, and no charges have been filed against him as of this writing. They also defended the unnamed officer’s behavior. “Once located, the officer observed the male fully exposed with his pants pulled down,” claimed PBA Attorney Andrew Quinn. “The male refused to follow the officer’s legal commands to comply and aggressively approached him, making irrational statements. It was clear to the officer that the male, who was apparently high on narcotics and was known to the officer due to his frequent problematic behavior, was a threat both to himself and the parkgoers.” The PBA accused Fields— who was unnamed in the release— of resisting “violently” and claimed he “continued to act irrationally” and that the officer only used force because it was necessary to detain him. Notably, this wasn’t Fields’ first time encountering officers from the Peekskill Police Department. CBS News noted Peekskill police had previously arrested him in September on an alleged misdemeanor drug possession charge. Mayor Vivian McKenzie addressed the incident on Wednesday, promising a thorough internal affairs review. “It’s a partial video. It doesn’t show the whole incident, but the part that is there is very, very concerning,” McKenzie said. “There is always more to the story, but again, I will say, what we saw was very concerning.” Westchester County District Attorney Susan Cacace has assigned her Public Law Enforcement Integrity Unit to investigate how officers handled Fields’ arrest. In the aftermath of the incident,  Darrell Davis helped form a support committee to assist Damar Fields, raising funds to move him from the streets into a hotel. The committee includes Ingrid Wittmann and Arne Paglia, both of whom spoke at the rally, along with several other community members. Davis also told the Peekskill Herald he is encouraging residents to write letters to the district attorney calling for charges against the officers involved and urging compassion in Damar Fields’ treatment. SEE MORE:  Police Violence Thrives Decades After Rodney King Beating Knox County DA’s Office Won’t Investigate David Batts’ Death

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Cardi B Supports Boyfriend Stefon Diggs At His...

Cardi B and Stefon Diggs are practicing wellness–and philanthropy–as a couple. The rapper continued her reign as her boyfriend’s biggest fan by supporting him at a holiday wellness event at the New England Patriots’ Gillette Stadium in Foxborough, Mass. on Monday, Dec. 15. The happy couple joined local mothers and their kids for the stadium’s first-ever “Winter Wonderland Wellness” event, which was organized by the NFL star’s nonprofit, Diggs Deep Foundation. As seen in multiple videos across on social media, the rapper and the football player took their shoes off to participate in the yoga class, flashing smiles at one another as they giggled and took direction from the teacher. While at the event, Cardi also posed for a photo with Diggs’ mom, which the proud mother posted in an Instagram dump from the event along with the caption: “Bring your mom to work day: Holiday edition.” While talking to local reporters about why he wanted to organize the event, Diggs explained that a night focused on pampering mothers was very important to him. “It’s the end of the year. I feel like everybody had a hard year, every year is a hard year, especially for moms,” the NFL star, who was raised by a single mother, said. “My mom is actually here today, special guest. So I just wanted to have a wellness day, an appreciation day.” He continued, “Everyone works extremely hard and I’m extremely blessed, so paying it forward has always been big for me. I think give them a little break, a little yoga, a little message, a little facial… a day of appreciation.” This outing for Cardi and Stefon comes just one month after the pair welcomed their first baby, a boy, together. While they have yet to reveal the little one’s name, the rapper been giving fans little glimpses of her baby since his arrival. On her Instagram Stories on Friday, Nov. 28, the former Love & Hip Hop star shared a photo of her “cuddle buddy” in a fuzzy white outfit adorned with Diggs’ name and jersey number on the back in gold letters. Cardi is also a mother to three older children, whom she shares with estranged husband Offset: daughters Kulture Kiari, 7, and Blossom Belle, 15 months, and son Wave Set, 4. This isn’t Diggs’ first time having kids, either. He welcomed his first child, daughter Nova, in October 2016. He also shares daughter Charliee Harper with model Aileen Lopera, who was born in April 2025. The post Cardi B Supports Boyfriend Stefon Diggs At His Foundation’s Wellness Event, Poses For Pic With NFL Star’s Mom appeared first on Bossip.

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