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Featured, Music, New Releases

Jai’Len Josey Shares Release Date For Upcoming Debut Album

Rising singer-songwriter, actress, and performer Jai’Len Josey has signed with WME for global representation. The strategic partnership with the entertainment agency is intended to expand Josey’s reach into live performance and touring as she prepares for the next phase of her career. “I’m truly grateful and beyond excited to be working with the WME team on bringing this tour to life,” Josey stated. “There’s so much passion behind what we’re building, and I can’t wait to share these moments with new audiences”. The signing coincides with the announcement of Josey’s major label debut album, Serial Romantic, set for release on April 24 via Def Jam Recordings. The project is executive produced by five-time GRAMMY® winner and 2026 Songwriter Hall of Fame inductee Tricky Stewart. The album features a high-profile roster of contributors, including: The Dream, Leon Thomas & Theron Thomas. Serial Romantic is described as an intimate exploration of modern love and vulnerability. The album’s current single, “Housewife,” challenges traditional relationship narratives by reframing domestication as a point of empowerment and self-definition. The project follows the success of previous singles “Won’t Force You,” “Freak,” and “New Girl.” An Atlanta native, Josey’s career began on Broadway, where she starred as “Pearl” in The SpongeBob Musical: Live on Stage!. Before transitioning into a solo recording artist, she signed a publishing deal with Sony Music Publishing and established herself as a formidable songwriter. With global representation now secured through WME, Josey is positioned to bridge her background in theater and songwriting with a worldwide touring presence in support of her upcoming LP. The post Jai’Len Josey Shares Album Cover & Release Date For Upcoming Debut Album “Serial Romantic” appeared first on New R&B Music, Songs & Interviews | YouKnowIGotSoul.com.

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Featured, News

2 Black Texas State Troopers Awarded $1.7 Million In Racial Harassment Lawsuit

Two recent news reports detail a significant legal victory for two Black Texas state troopers who successfully sued the Texas Department of Public Safety (DPS), exposing what a jury agreed was a pattern of racial discrimination and retaliation. Together, the reporting shows a case that not only resulted in a nearly $1.7 million payout, but also laid bare the deeply entrenched inequities the troopers say defined their careers. According to TheGrio, the lawsuit—filed in 2020—centered on Special Agent Jari McPherson and former Corporal Jerald Sams, both of whom alleged years of racially hostile treatment. The outlet reports that the men described being passed over for promotions, assigned more difficult and less desirable work, and subjected to racist remarks from colleagues and supervisors. McPherson also faced retaliation after filing an internal complaint, allegedly being denied opportunities and reassigned to a unit composed largely of minority troopers that handled disproportionately burdensome workloads with fewer days off. A jury ultimately agreed that DPS either knew or should have known about the discrimination and failed to take meaningful corrective action. Meanwhile, FOX 7 Austin focuses on both the outcome and the personal toll of the case, reporting that a jury awarded nearly $1.7 million in damages between the two men. Sams received approximately $875,000 in emotional distress damages, while McPherson was awarded just under $800,000 for economic and emotional harm combined. The station also highlights the long arc of Sams’ career, noting that after more than two decades with DPS, he endured repeated instances of racist behavior, including derogatory comments and stereotyping that eroded his sense of pride in the profession. Despite the verdict, DPS is pushing back, seeking to challenge the jury’s decision and arguing that the findings were inconsistent—an effort the plaintiffs’ attorney criticized as a refusal to fully confront systemic issues within the agency. Ultimately, the case represents more than a financial judgment. For McPherson and Sams, the verdict stands as both validation of their experiences and a broader reckoning for discriminatory practices within one of Texas’ most powerful law enforcement bodies. The post Still Negro: 2 Black Texas State Troopers Awarded $1.7 Million In Racial Harassment Lawsuit appeared first on Bossip.

Featured, Music

Brandy Receives A Star On The Hollywood Walk Of Fame

R&B singer, actress, and all-around icon Brandy just achieved a major career milestone. On Monday, March 30, The Vocal Bible received the 2,839th star on the Hollywood Walk of Fame, with the Hollywood Chamber of Commerce also declaring it Brandy Day in the Los Angeles city. “So this really happened, huh?” Brandy said during her speech, becoming emotional as the crowd cheered her on. “I was just a little girl with a big dream, but growing up in Hollywood made those dreams feel close enough to touch; seeing the stars on the Walk of Fame lit something in me. It made me believe. It made me affirm … ‘I’m going to sing my way onto one of these stars.’ And I did. That is what makes this moment so profound for me.” Before Brandy took the stage, though, two of her friends and collaborators, Kenneth “Babyface” Edmonds and Issa Rae, spoke in her honor. Babyface looked back on working with Brandy on the Waiting to Exhale soundtrack in 1995, which also involved Whitney Houston. “When Whitney and I sat down, we went over a list of who we wanted to be on the album,” he said. “Yours was the first name that came up. ‘I want Brandy,’ she said, because you had one of the best voices she had ever heard. And I agreed. When we recorded that song [‘Sittin’ Up in My Room’] in my house … I couldn’t believe what I was hearing.” He continued, “I’m just here to say that for me, you have one of the best voices I’ve ever heard. You give one of the best feelings I’ve ever heard. The soul that’s in your voice; the way you move your voice; you’re like an athlete. No one can do it the way you do it. And there’s always heart. With everything that you sing, you put your whole heart into it. That’s what I appreciate about you most.” During Issa Rae’s speech, she shared that she’s been a fan since of Brandy since she was a kid, first discovering her through “I Wanna Be Down,” which she bought with her own allowance in fourth grade. She also pointed to Brandy’s acting work, including Moesha, her role in Cinderella as the first Black actress to play the lead, and her Broadway turn as Roxie Hart in Chicago. “The most inspirational part of her career is just how she had no lanes,” Rae explained. “As her career progressed, so did her ambitions. To me, Brandy was and is the blueprint. Without Brandy as Moesha, there’s no The Parkers, no Girlfriends, no Insecure … I just want to thank you so much for your impact. Thank you for showing a little girl from L.A. that her story was worth telling. This star has always been yours.” Right before the star was officially revealed, Brandy reflected on what the honor means to her. “A star on the Walk of Fame is a definition of legacy. It doesn’t just celebrate your success; it cements your story. It doesn’t just honor your work; it immortalizes your light. It is a symbol that says you didn’t just arrive, you endured. You didn’t just dream, you became,” she told the crowd. “It means you made it in a way that stands the test of time. Not just in popularity, not just in the moment, but in a way that leaves fingerprints on culture, on art and on history. Dreams don’t have an expiration date. … So today, I stand grateful, humbled, inspired and most of all, I stand as living proof that what you speak over your life with faith, consistency and belief can one day meet you in reality.” In addition to Babyface and Issa Rae, Brandy also celebrated the moment surrounded by family, including her parents and daughter, along with friends and collaborators like Monica, Kehlani, Warryn Campbell, Erica Campbell, and members of the Moesha cast. The post Brandy Receives A Star On The Hollywood Walk Of Fame, Babyface & Issa Rae Honor Her Legacy In Music And TV appeared first on Bossip.

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Featured, News

Angela Simmons Details Yo Gotti Breakup, Wonders Whether Rapper Was Ready For Marriage–‘We’re Not In The Same Space’

Angela Simmons is opening up about her 2025 split from longtime boyfriend, Yo Gotti, and dating after ending things with the devoted DM whisperer who “manifested” their relationship. Angela Simmons shares what led to Yo Gotti breakup in 2025 on Funky Friday. During her March 27 interview with Cam Newton on his “Funky Friday” podcast, Angela Simmons opened up about life after her highly publicized 2025 breakup with Yo Gotti. Fans may remember that Yo Gotti famously called Simmons his “crush” in his 2016 track “Down in the DM,” which eventually led to them dating years later in 2022. Reflecting on the relationship, Cam Newton asked the Hollywood star bluntly: “After that relationship, do you ever think that the crush should have just remained? The crush.” Simmons responded with a resounding “no.” “No, no, not at all. It’s good, it’s fine,” she replied. Newton gave her a curious look, prompting her to laugh nervously. “What? What more are you looking for? It didn’t need to remain the crush. Like, I had a great relationship.” Newton then asked, “What did that relationship teach you?” “That I’d be a great wife,” Simmons answered honestly. Newton wondered whether the breakup happened because Simmons thought Yo Gotti “would not be a great husband,” but she quickly reassured him that wasn’t the case.  So what ultimately ended things? The Growing Up Hip-Hop alum explained that they simply weren’t on the same page when it came to taking the next step in their relationship, presumably marriage. “At some point if it came to an end, it was just because I feel like, maybe he just wasn’t ready,” she explained.”And then, we’re not in the same space. But my relationship was great. Love him, love him down, love his family, respect them so. Maybe he wasn’t ready.” Angela went on to reveal that she remains close to the rapper and his family. When Newton asked if she might give love a second chance with Yo Gotti, she said: “I can do what God wants me to do.” https://www.instagram.com/reels/DWfps-ADOHp Angela Simmons has been back on the dating scene. Here’s what she’s looking for in a man. Later in the conversation, Simmons shared that she has been “taking dates” since the breakup but is still single. And for anyone hoping to win her over, she playfully added that gifts are welcome on a first date. When Newton asked about her type, following her brother Joseph Simmons’ comment that she was into “street dudes,” she clarified: “I’m attracted to real. And so if the person is real, that’s what it is. It’s not even about just necessarily a street dude… I go by character, [the] type of person it is. It’s so many other things that play into the equation.” Simmons also revealed she’s drawn to men who are protectors and providers and that she pays close attention to how someone “carries themselves” to see if she’s genuinely interested. And when it comes to dealbreakers, dishonesty is a big red flag. “Don’t lie to me. You want to lie to me is stupid. Like cuz I rather just have a conversation with you. If you have something you need to hide, I don’t like that,” Simmons said flat out. “Cuz if I’m putting everything on the table, you put everything on the table and we’re all being honest here. Or if you feel like you want to do something that ain’t right, like let me know. Put me in….I can handle the conversation and then let me figure out what I want to do with my time.” Watch the full episode of Cam Newton and Angela Simmons’ Funky Friday interview below. Thoughts? RELATED CONTENT: The Feeling Is Not ‘Mutual’: Angela Simmons Recounts Blind Date With Cam Newton, Says He Gave Her The ‘Ick’ The post Angela Simmons Details Yo Gotti Breakup, Wonders Whether Rapper Was Ready For Marriage–‘We’re Not In The Same Space’ appeared first on Bossip.

Bill Cosby
Featured, News

Jury Finds Bill Cosby Liable For Sexual Assault, Awards Victim $59M

On Monday, a Santa Monica jury found Bill Cosby liable for drugging and sexually assaulting a woman in 1972 and ordered Cosby to pay the victim nearly $60 million in damages. According to AP, the victim, Donna Motsinger, filed her suit against Cosby in 2023. In her lawsuit, Motsinger said she was working as a server in a restaurant near San Francisco when Cosby approached her. Cosby invited her to a nearby comedy show, where she said Cosby gave her a glass of wine and two pills she believed to be aspirin. Motsinger said she was going in and out of consciousness when two men put her in a limousine. “She woke up in her house with all her clothes off, except her underwear on – no top, no bra, and no pants,” the lawsuit said. “She knew she had been drugged and raped by Bill Cosby.” They both were in their 30s at the time of the assault. After a nearly two-week civil trial and two days of deliberation, the jury awarded Motsinger $17.5 million in past damages and $1.75 million for future damages, which include “mental suffering, loss of enjoyment of life, inconvenience, grief, anxiety, humiliation, and emotional distress.” During the second phase of the trial on Monday afternoon, the judge also awarded Motsinger an additional $40 million in punitive damages. The New York Times reports that Cosby has said he’s run into financial difficulties in recent years. “Due to allegations, whether they be newspaper, radio, television, magazines or just plain internet, I have not worked in about 10 years, or more,” Cosby said in a deposition for the case. “That means I have not earned a cent through my being an entertainer, a writer, a television performer, except in reruns, and my net worth has gone down like a submarine with no motor.” An expert witness brought in by Motsinger’s lawyers disputed the idea that Cosby was destitute and estimated that his worth was approximately $128 million. “This verdict is not just about me – it’s about finally being heard and holding Mr. Cosby accountable,” Motsinger said in a statement. “I have carried the weight of what happened to me for more than 50 years. It never goes away. Today, a jury saw the truth and held him accountable. That means everything. I hope this gives strength to other survivors who are still waiting for their moment to be heard.” Motsinger added that while it was not a criminal trial with a guilty verdict, she expressed gratitude “that I’m believed and he, in some way, has to be accountable for what he did to me.” Cosby’s lawyer, Jennifer Bonjean, argued against the punitive damages and said that they fully intend to appeal. “This is not about providing deterrence,” Bonjean told the jury. “A blind 88-year-old man can’t leave his house.” I don’t think anyone assumed this was about deterrence. It’s about getting justice for a woman who’s had to live with a trauma no one should have to endure. The ruling comes five years after Cosby was released from prison after serving three years of a three-to-10-year sentence for sexually assaulting Andrea Constand. Cosby was released from prison after the Pennsylvania Supreme Court tossed his conviction after finding that a deal Cosby had made with a previous prosecutor should have prevented him from being criminally charged in the case. Constand testified during Motsinger’s trial along with two other women who have accused Cosby of sexual assault. While it’s not the justice the victims deserve, at the very least, the court acknowledged the pain that Cosby caused Motsinger. SEE ALSO: Bill Cosby Forced To Sell His $7 Million NYC Mansion Women Sue Cosby For Sex Assault In New Lawsuit  

Yung Miami
Featured, News

Yung Miami Defends Writing Judge In Defense Of Sean Combs

Yung Miami isn’t backing down from her decision to defend Sean “Diddy” Combs during his sex trafficking and prostitution trial. The City Girls alum addressed her relationship with Diddy during a new sit-down interview with Charlamagne Tha God for The Breakfast Club. While discussing her three-year relationship with the disgraced music mogul, she also revealed why she didn’t turn her back on him following his numerous allegations of sexual abuse and conviction on prostitution charges. Once the topic of Sean “Diddy” Combs came up in the conversation, which premiered on Mar 24, Yung Miami—born Caresha Romeka Brownlee—was asked how she differentiates between the person she had a relationship with versus the allegations against him. “I think in life you always get put in a situation where you gotta, you know, make a life decision,” she began. “And you gotta look back and say like, ‘What makes sense for me right now?’ I can love this person, but I can love this person from a distance, or no, I can have a relationship with this person, but maybe I gotta come back to it. Like, maybe I gotta come back around, and I think that this was one of those situations.” During Diddy’s highly-publicized trial, Caresha was one of the celebrities who wrote a character letter in support of the rapper and producer. In the letter, she described him as a “loving” and “supportive” person, even declaring at the end that he’s a “good man.” Once the letter was released to the public, there was a negative reaction from fans, which Miami was asked about during the interview. “I think I wrote a letter for a changed man,” she explained. “I think that the man that I met and that I experienced was changed. I’m not gonna justify some bulls**t or like, support some bulls**t. I felt like the person that I met was changed. It was a different experience, so that’s why I wrote the letter.” As for whether she thinks she owes her fans an explanation or if her personal relationships aren’t their business, she said she feels she has to do “both.” “I feel like, as people that’s supporting you, that’s buying into you and that love you…They gotta be able to connect with you,” she said. “I can’t just be like, ‘F**k y’all, this is my personal life. I don’t owe y’all.’” Ultimately, Combs was found guilty on two counts of transportation to engage in prostitution and sentenced to four years and two months in prison. He was found not guilty on racketeering and sex trafficking charges. Yung Miami spoke more on her decision to support Diddy by insisting that she’s unable to comment on things she didn’t personally experience. “I can’t speak to nothing that I don’t know of. I can only speak to the person that I met. And if I met this person that changed my life, that helped me grow, that treated me like a queen, that made me believe [in] myself…That’s what I know,” Caresha explained. “I feel like people can have opinions, but I can only judge a person off of what I know and what I experience. Like, I can’t speak on nothing that I never was a part of, that I never knew. I can only judge who I met. I can only judge who I was in a relationship with.” Charlamagne also asked the rapper if she was afraid of being called to testify during the trial, to which she replied, “I never hid nothing, I don’t have nothing to hide.” Miami went on to add that many people turned their back on her following her support for Diddy, saying the whole situation “really” impacted her brand. “I lost deals. I lost money. I lost relationships. I lost a lot,” she concluded. “The only person I try to trust is God and my kids.” Check out the whole interview up above. The post Doubling Down On Diddy: Yung Miami Defends Her Decision To Write A Letter To The Judge Gushing Over ‘Good Man,’ Sean Combs appeared first on Bossip.

Trevor Jackson
Artist Spotlight, Music, New Releases

Trevor Jackson Releases Video For Latest Single “Friend of a Friend”

Actor and R&B artist Trevor Jackson has officially released the music video for his latest single, “Friend of a Friend.” The track is a standout selection from his recent full-length project, I Love You, Goodbye (The Greatest Breakup Album of All Time). Accompanying the visual premiere is the announcement of Jackson’s Spring 2026 Tour, marking a significant return to the stage for the multi-hyphenate performer. The “Friend of a Friend” visual translates the record’s narrative of romantic friction into a high-tension, cinematic experience. In the smooth, R&B-driven track, Jackson navigates the complexities of modern relationships, pleading his case to a suspicious partner regarding a mutual acquaintance. The production highlights Jackson’s dual-threat capability, blending the dramatic sensibilities of his acting career with his established musical artistry. The single is the latest push for I Love You, Goodbye, an album that explores the stages of heartbreak and closure. With the Spring 2026 tour dates looming, Jackson is expected to bring the album’s emotional depth to live audiences across the country. The post Trevor Jackson Releases Video For Latest Single “Friend of a Friend” appeared first on New R&B Music, Songs & Interviews | YouKnowIGotSoul.com.

Artist Spotlight

The Top 10 Best En Vogue Songs

While the 90s produced many incredible vocal acts, En Vogue was the group that set the standard for vocal excellence and high-fashion elegance. Formed in Oakland, California, by production duo Denzil Foster and Thomas McElroy, the “Original Four”—Terry Ellis, Dawn Robinson, Cindy Herron, and Maxine Jones—were designed to be a modern-day Supremes. However, they quickly proved they were much more than a throwback act. Known as the “Funky Divas,” En Vogue’s hallmark was their ability to sing intricate, four-part lead harmonies, a rarity in pop and R&B. They seamlessly blended classical training with street-smart hip-hop soul and rock-infused power. Their influence can be heard in every girl group that followed, from Destiny’s Child to Little Mix. Here are 10 of their best songs, presented in chronological order. 1. “Hold On” Album: Born to Sing (1990) The song that changed everything. Opening with an a cappella rendition of “Who’s Lovin’ You,” En Vogue immediately announced themselves as a vocal powerhouse. The track’s heavy New Jack Swing beat and tight harmonies helped it reach #1 on the R&B charts and established them as the new leaders of the genre. 2. “Lies” Album: Born to Sing (1990) This track showcased the group’s “funky” side. With a more aggressive, rhythmic delivery, “Lies” proved that En Vogue could handle upbeat, club-ready tracks just as well as vocal-heavy ballads. It served as another #1 R&B hit for their debut era. 3. “My Lovin’ (You’re Never Gonna Get It)” Album: Funky Divas (1992) Built on a sample from James Brown’s “The Payback,” this song is the epitome of 90s R&B cool. From the iconic “No, you’re never gonna get it” breakdown to the high-fashion music video, this track solidified their status as global superstars and remains one of the most recognizable songs of the decade. 4. “Giving Him Something He Can Feel” Album: Funky Divas (1992) A cover of the Curtis Mayfield-penned Aretha Franklin classic, En Vogue’s version is a masterclass in harmony. They managed to pay homage to the original while injecting a modern, sultry sophistication. It remains one of the best R&B covers in music history. 5. “Free Your Mind” Album: Funky Divas (1992) En Vogue proved they could rock just as hard as any band. “Free Your Mind” was a social anthem that tackled prejudice and stereotypes over a heavy guitar riff. It showcased their versatility and earned them massive crossover success on rock and pop charts. 6. “Give It Up, Turn It Loose” Album: Funky Divas (1992) A high-energy, soul-infused track that highlighted the group’s incredible vocal stamina. The song leans into their Foster & McElroy production roots, blending vintage soul vibes with early 90s dance floor energy. 7. “Don’t Let Go (Love)” Album: Set It Off (Soundtrack) / EV3 (1996) One of the greatest R&B soundtrack songs of all time. This track featured a grittier, more mature sound and some of the most powerful vocal performances of their career. It was a massive commercial success and proved the group could dominate the charts even as the R&B landscape began to shift. 8. “Whatever” Album: EV3 (1997) As a trio (following the departure of Dawn Robinson), En Vogue collaborated with Babyface for this smooth, mid-tempo track. It showed a softer, more melodic side of the group while maintaining the impeccable vocal layering that was their trademark. 9. “Too Gone, Too Long” Album: EV3 (1997) A classic Diane Warren ballad produced by David Foster. This track allowed the group to lean into their “diva” status, delivering a sweeping, emotional performance that remains a favorite for fans of their more sentimental work. 10. “Rocket” Album: Electric Café (2018) Proving their longevity, the group returned with this Ne-Yo-penned track. It’s a sleek, modern R&B record that feels fresh while still honoring the sophisticated vocal arrangements that made the world fall in love with them in the 90s. Honorable Mentions: 6 Essential Deep Cuts & Features “Whatta Man” (Salt-N-Pepa ft. En Vogue) – Very Necessary (1993): One of the most iconic collaborations in R&B history, blending hip-hop royalty with vocal royalty. “Yesterday” – Born to Sing (1990): A beautiful a cappella cover of the Beatles classic that showcases their pure vocal ability without any instruments. “What Is Love” – Funky Divas (1992): A fan-favorite deep cut that features a sophisticated, jazz-inflected arrangement. “Love Don’t Love You” – Funky Divas (1992): A rhythmic, sassy track that highlights the group’s “Funky Diva” attitude. “Losin’ My Mind” – EV3 (1997): A standout track from the EV3 era that captures the group’s transition into a smoother, more mid-tempo late-90s sound while maintaining their signature vocal precision. “Riddle” – Masterpiece Theatre (2000): An experimental, classical-inspired track that showed the group’s willingness to push musical boundaries. The post The Top 10 Best En Vogue Songs appeared first on New R&B Music, Songs & Interviews | YouKnowIGotSoul.com.

Artist Spotlight

The Top 10 Best Johnny Gill Songs

While many first encountered his thunderous baritone as the missing piece that completed New Edition’s transition into adulthood, Johnny Gill’s journey as a solo artist is a storied narrative of resilience and vocal dominance that stands entirely on its own. Before he ever stepped foot in a rehearsal with Bobby, Ricky, Mike, and Ronnie, Johnny was a child prodigy discovered at age 16, already possessing a “grown man” voice that belied his years. His solo career isn’t just a side project; it is the foundation of his “Love King” persona. Across four decades, Gill has navigated the shifting tides of the music industry—from the synth-heavy soul of the mid-80s to the aggressive swing of the 90s and the sophisticated “Grown and Sexy” movement of today. While his group work earned him brotherhood, his solo catalog earned him a seat at the table with R&B’s greatest crooners. It is through his solo releases that we truly hear the “Johnny Gill sound” in its purest form: a blend of church-reared gospel fervor, unapologetic romanticism, and a vocal grit that can command a dance floor as easily as it can soothe a broken heart. To celebrate his enduring legacy as a singular force in music, here are 10 of his best solo songs, presented in chronological order. 1. “Half Crazy” Album: Chemistry (1985) Before the “growl” became his trademark, a young Johnny Gill delivered this tender, heart-wrenching ballad on Cotillion Records. It’s a showcase of his pure vocal ability, proving even at 18, he possessed a level of soul that rivaled veterans in the game. 2. “Rub You the Right Way” Album: Johnny Gill (1990) The song that re-introduced Johnny to the world as a solo superstar. Produced by Jimmy Jam & Terry Lewis, this New Jack Swing anthem hit #1 on the R&B charts and became a global smash. It’s high-energy, aggressive, and features that iconic “Stroke! Applied with tenderness” breakdown. 3. “My, My, My” Album: Johnny Gill (1990) Produced by L.A. Reid & Babyface, this is arguably the definitive Johnny Gill ballad. It’s a masterclass in building tension, from the soft opening notes to the explosive, church-inflected climax. It remains a “Quiet Storm” staple and the blueprint for 90s soul. 4. “Fairweather Friend” Album: Johnny Gill (1990) Another Jam & Lewis gem, this track displayed a cooler, more rhythmic side of Johnny’s persona. It’s a mid-tempo groove about loyalty that highlighted his ability to ride a complex beat just as effectively as he could belt a power ballad. 5. “Wrap My Body Tight” Album: Johnny Gill (1990) Rounding out his incredible 1990 run, this track leaned into a sensual, slightly darker New Jack Swing vibe. The layered vocal production and Johnny’s insistent delivery made it his third #1 R&B single from his self-titled Motown debut. 6. “There U Go” Album: Boomerang (Original Soundtrack) (1992) Featured on one of the greatest R&B soundtracks of all time, “There U Go” captures the sophisticated “Songwriter” era of the early 90s. It’s smooth, elegant, and showcases the incredible chemistry between Johnny and the Babyface-led production team. 7. “The Floor” Album: Provocative (1993) Leaner and funkier than his previous dance hits, “The Floor” was Johnny’s answer to the evolving sound of the 90s. It’s an underrated dance floor filler that proved he could still command the club as well as the bedroom. 8. “Let’s Get the Mood Right” Album: Let’s Get the Mood Right (1996) The title track of his 1996 album saw Johnny leaning back into the lush, romantic balladry fans loved. It’s a sophisticated “grown and sexy” record that highlighted his vocal maturity and solidified his place as a permanent fixture on R&B radio. 9. “In the Mood” Album: Still Winning (2011) After a hiatus from solo recording, Johnny returned with this soulful single. It served as a reminder that while the industry had changed, his voice remained an untouched instrument. It successfully bridged the gap between classic soul and modern Adult R&B. 10. “One Night” Single Release (2025/2026) His most recent #1 hit, “One Night” proves that Johnny Gill is still a chart-topping force. By ignoring fleeting trends and sticking to traditional, high-quality R&B, he has reached a new generation of listeners while satisfying his lifelong fanbase. Honorable Mentions: 5 Essential Solo-Driven Moments While the list above focuses on his solo albums, Johnny’s voice has defined these five tracks for soundtracks and special projects: “I’m Still Waiting” – New Jack City (Soundtrack) (1991): A haunting, mid-tempo groove that was a standout on one of the 90s’ most iconic soundtracks. “Slow and Sexy” (Shabba Ranks ft. Johnny Gill) – X-Tra Naked (1992): A brilliant crossover hit that blended Johnny’s soul with Shabba’s dancehall energy. “It’s Your Body” – Let’s Get the Mood Right (1996): A seductive fan-favorite that features Roger Troutman’s talk-box, showcasing Johnny’s ability to create late-night anthems. “This One’s for Me and You” (ft. New Edition) – Game Changer (2014): A beautiful full-circle moment where Johnny led his brothers in for a nostalgic yet fresh solo-project hit. “Soul of a Woman” – Game Changer II (2019): A powerful tribute that became a massive hit on the Adult R&B charts, proving his “Game Changer” era was a true career resurgence. The post The Top 10 Best Johnny Gill Songs appeared first on New R&B Music, Songs & Interviews | YouKnowIGotSoul.com.

Music, New Releases

Johnny Gill Reaches #1 Spot On Billboard Adult R&B Airplay Charts With Latest Single “One Night”

Legendary R&B singer, songwriter, and philanthropist Johnny Gill has reached a new career milestone this week as his latest ballad, “One Night,” officially claimed the #1 spot on the Billboard Adult R&B Airplay Chart. Released under his own J Skillz Entertainment label, the single marks Gill’s fourth solo chart-topper on this specific list and his 25th overall entry since 1993. The achievement further cements the New Edition member’s enduring influence on the genre, bringing his total to 27 Top 10 hits on the Billboard Hot R&B/Hip-Hop Songs chart throughout his storied career. Written by Gregg Pagani and Francesca Richard, “One Night” deliberately eschews modern production trends in favor of a timeless, sophisticated sound. Gill noted that the track was born from a desire to return to his creative roots rather than “chase” contemporary styles. “I just decided that in the space and place that I am in, I wanted to just get back into recording and expressing myself creatively,” Gill stated. “Time has changed… but what has not changed is my connection, my love, and my passion for my music and my fans.” While celebrating his solo success, Gill remains a pivotal member of the iconic R&B group New Edition. The group is currently headlining the North American leg of “The New Edition Way” tour, performing alongside fellow heavyweights Boyz II Men and Toni Braxton. Gill expressed profound gratitude for the continued support of R&B radio, noting that he feels “totally blessed” to see the message of “One Night”—which encourages solid relationship connections—resonate so deeply with a global audience. “One Night” is available now for streaming and download on all major global platforms. The post Johnny Gill Reaches #1 Spot On Billboard Adult R&B Airplay Charts With Latest Single “One Night” appeared first on New R&B Music, Songs & Interviews | YouKnowIGotSoul.com.

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