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The Top 10 Best Charlie Wilson Songs

In the history of R&B, there are legends, and then there is “Uncle Charlie” Wilson. His trajectory is one of the most remarkable stories of resilience and creative rebirth in American music. While many of his peers from the funk era saw their careers plateau as the decades shifted, Charlie Wilson successfully staged a second act that didn’t just sustain his relevance—it amplified it. Emerging from the formidable shadow of The Gap Band’s multi-platinum legacy, he transformed himself into the definitive voice of the Adult Contemporary R&B era. He is the rare artist who can claim a seat at the table with both the architects of 70s funk and the superstars of 21st-century hip-hop, serving as a vital bridge between the groove-heavy past and the sleek, melodic present. Charlie Wilson’s solo discography is characterized by a “joyous soul” aesthetic. Whether he is navigating the intricate, sample-heavy production of the 2000s or the polished, organic arrangements of the 2020s, his voice remains an immutable force—a rich, gospel-trained baritone that possesses an ageless quality. He has become the “standard” for vocal stamina, consistently topping the charts and selling out arenas well into his fifth decade in the spotlight. To listen to a Charlie Wilson record is to hear a masterclass in vocal arrangement, charisma, and the enduring power of the R&B tradition. Presented in chronological order, we have looked back through his solo journey to identify the tracks that defined his evolution. Here are the Top 10 best Charlie Wilson solo songs. “Without You” Album: Bridging the Gap (2000) After years of navigating the industry, “Without You” signaled the formal arrival of Charlie Wilson as a solo powerhouse. The track captured a smooth, early-2000s R&B vibe that allowed his veteran vocals to mesh with the contemporary sound of the time. It was a clear indication that his voice was as resilient and relevant as ever. “Charlie, Last Name Wilson” Album: Charlie, Last Name Wilson (2005) Produced by R. Kelly, this track served as a re-introduction to the world. It’s a quintessential mid-tempo groove that cleverly played on his name and status, instantly becoming a signature song. The record successfully introduced “Uncle Charlie” to a younger generation while giving his long-time fans exactly what they wanted: a smooth, sophisticated, and undeniably catchy R&B hit. “There Goes My Baby” Album: Uncle Charlie (2009) This song is a masterclass in modern soul. “There Goes My Baby” became a massive #1 hit on the Urban AC charts, largely because of its timeless feel. Co-written by Babyface, the track is a celebratory, mid-tempo anthem that captures the feeling of being in love. It’s a staple in his live sets and arguably one of the most successful R&B records of its decade. “You Are” Album: Just Charlie (2010) If there is one song that defines Charlie Wilson’s solo career for many, it’s “You Are.” This heartfelt ballad showcases his incredible vocal range and his ability to convey deep emotion. The song spent 13 weeks at #1 on the Billboard Adult R&B chart, cementing his status as the king of Adult Contemporary R&B. It’s a powerful, piano-led record that has become a wedding classic. “My Love Is All I Have” Album: Love, Charlie (2013) By the time Love, Charlie arrived, Wilson had mastered the formula for soulful, uplifting R&B. “My Love Is All I Have” features a bright, infectious production that highlights his vocal clarity. The song is a testament to his enduring positivity and his ability to craft a melody that feels both fresh and nostalgic. “Goodnight Kisses” Album: Forever Charlie (2015) “Goodnight Kisses” is a smooth, doo-wop-inspired record that pays homage to the classic vocal groups of the past. It’s a charming, mid-tempo track that highlights the “sweet” side of his baritone. The song’s simplicity is its strength, allowing the melody and his vocal performance to take center stage. “I’m Blessed” (feat. T.I.) Album: In It to Win It (2017) Charlie Wilson has always been adept at collaborating with younger artists to keep his sound current. “I’m Blessed” is an uplifting, high-energy track that blends R&B with a touch of gospel and hip-hop. The collaboration with T.I. helped the song reach a wider audience, proving that Uncle Charlie could still dominate the charts and the airwaves well into his fourth decade in the game. “One I Got” Album: Non-Album Single (2020) Even in recent years, Charlie Wilson has continued to churn out hits. “One I Got” features a modern, sleek production that sees him leaning into a contemporary R&B pocket. The song was a major success at R&B radio, proving that his voice remains one of the most reliable and beloved instruments in the genre. “Superman” Album: Non-Album Single (2023) One of his most recent offerings, “Superman” is a mid-tempo groove that deals with the themes of strength and devotion. The track showcases his signature vocal layering and his ability to deliver a hook that sticks with you. It’s a polished, modern soul record that shows Uncle Charlie isn’t slowing down anytime soon. “Keep Me In Love” Album: Non-Album Single (2025) Released in July 2025, “Keep Me In Love” became Wilson’s record-breaking 11th #1 hit on Billboard’s Adult R&B Airplay chart. The track is a “heartwarming anthem” that radiates positivity, blending his signature feel-good sound with modern production. It served as the lead single for his Uncle Charlie’s R&B Cookout Tour, reaffirming his role as a consistent leader in the genre. Honorable Mentions: “Realize” (You Turn My Life Around, 1992) “Can’t Live Without You” (Uncle Charlie, 2009) “Magic” (Charlie, Last Name Wilson, 2005) “Life of the Party” (Just Charlie, 2010) “If I Believe” (Love, Charlie, 2013) “Touched By An Angel” (Forever Charlie, 2015) “Chills” (In It to Win It, 2017) “Forever Valentine” (2020) “No Stoppin’ Us” (feat. Babyface, K-Ci & Johnny Gill) (2022) Charlie Wilson’s solo career is a masterclass in longevity and artistic evolution. From his signature mid-tempo grooves to his soaring ballads, Uncle Charlie remains one of the most essential voices in R&B history.

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Drake Appeals Dismissal Of Lawsuit Over Kendrick Lamar’s ‘Not Like Us’

Drake thinks the lower court has created an “unprecedented” rule that rap diss tracks can never be actionable with their dismissal of his lawsuit. The Canadian rapper has officially moved to appeal the dismissal of his lawsuit against Universal Music Group (UMG) tied to Kendrick Lamar’s diss track “Not Like Us.” He originally sued UMG last year, alleging the company defamed him by distributing Lamar’s viral diss track, which branded him a “certified pedophile.” However, a federal judge ruled in October that listeners wouldn’t interpret jabs exchanged in a rap feud as literal, factual claims. Rolling Stone reports that in his long-anticipated appeal filed Wednesday, Drake’s legal team argues the opposite is true: That audiences absolutely took the lyrics at face value. “Millions of people understood [Not Like Us] to convey factual information, causing countless individuals around the globe to believe that Drake was a pedophile.” According to the rapper’s attorneys, dismissing the case in spite of that public reaction amounted to the court establishing an “unprecedented” and “dangerous” legal doctrine, one that suggests statements in rap songs can never be defamatory. “It is hard to imagine a statement more damaging to one’s reputation and safety than being labeled a ‘certified pedophile,’ which elicits intense vitriol, and can spur violent retaliation,” Drake’s attorney Michael J. Gottlieb writes in the appeal, obtained by Billboard. “The court’s rule brushes aside the risk of concrete reputational harms that can and here, did spill over into violence.” This appeal serves as the latest turn in a legal saga that caught much of the music world off guard. Very few anticipated that a rap beef would escalate into a lawsuit, leading to some corners of hip-hop culture taunting Drake for taking it there. Lamar dropped “Not Like Us” in May 2024 as the final blow in a fierce back-and-forth between the two artists. Beyond being viewed as Lamar’s lyrical knockout, the song also dominated the charts. It went on to win five Grammy Awards, including record and song of the year, and became a centerpiece of Lamar’s Super Bowl halftime performance. By January, Drake answered not with another track, but with legal action, claiming UMG had defamed him by aggressively amplifying the song’s reach, allegedly through bots and other questionable promotional tactics. While Lamar himself was not named in the suit, Drake accused UMG of having “waged a campaign” against its own star to spread a “malicious narrative.” The post Lawbrey Lawyers Up…Again: Drake Appeals Dismissal Of Lawsuit Over Kendrick Lamar’s ‘Not Like Us’ appeared first on Bossip.

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Featured, Music

The Top 10 Best Maxwell Songs

When Maxwell arrived in 1996 with Maxwell’s Urban Hang Suite, he didn’t just release an album; he shifted the entire landscape of R&B. Alongside peers like D’Angelo and Erykah Badu, he became a pioneer of the “Neo-Soul” movement, bringing a sophisticated, live-instrumentation feel back to the genre. With a career spanning over nearly three decades, Maxwell has mastered the art of the “slow simmer,” using his incredible falsetto and poetic songwriting to explore the complexities of love and spirituality. Narrowing down his discography is no easy task, as his “quality over quantity” approach means every album is a cohesive masterpiece. However, looking at cultural impact, vocal performance, and pure soul, we’ve rounded up the definitive list. Here is the Top 10 Best Maxwell songs presented by YouKnowIGotSoul. Lake By The Ocean Album: blackSUMMERS’night (2016) Maxwell’s 2016 return was led by this hypnotic, swaying track. It proved that even after a long hiatus, his ability to craft an “engulfing melody” and a timeless hook remained completely intact. Get To Know Ya Album: Now (2001) Produced by Rockwilder, this track brought a slightly grittier, funkier edge compared to his previous work. It captured the early 2000s R&B energy while keeping that sophisticated Maxwell “cool.” Lifetime Album: Now (2001) Often cited as one of his best vocal performances, “Lifetime” is an uplifting anthem about finding clarity and love. It’s a staple of Adult R&B radio and a showcase for his smooth, effortless delivery. Bad Habits Album: BLACKsummers’night (2009) This song is the epitome of the “simmering” soul Maxwell is known for. The horns and the steady build-up create a tension that perfectly matches the lyrics about an irresistible, perhaps addictive, love. Til The Cops Come Knockin’ Album: Maxwell’s Urban Hang Suite (1996) The song that introduced many to Maxwell’s “ultra-lusty” style. It’s a slow-burn masterpiece that set the standard for the neo-soul movement in the mid-90s. Fortunate Album: Life (Soundtrack) (1999) Though written by R. Kelly, Maxwell made this song entirely his own. It became his biggest commercial hit, topping the R&B charts and showcasing a more traditional, powerhouse vocal style. Sumthin’ Sumthin’ Album: Maxwell’s Urban Hang Suite (1996) A perfect blend of funk and soul. Whether you prefer the original or the “Mellosmoothe” remix, this track is a quintessential “vibe” that remains a mandatory inclusion in any Maxwell setlist. This Woman’s Work Album: Now / MTV Unplugged (2001/1997) Originally by Kate Bush, Maxwell’s falsetto-laden cover is widely considered one of the greatest covers of all time. The raw emotion in the MTV Unplugged version, in particular, solidified his status as a vocal elite. Pretty Wings Album: BLACKsummers’night (2009) A comeback for the ages. This Grammy-winning ballad about “wrong timing” spent 14 consecutive weeks at #1 on the R&B charts. It’s a modern classic that feels like it’s existed forever. Ascension (Don’t Ever Wonder) Album: Maxwell’s Urban Hang Suite (1996) The ultimate Maxwell song. It captures everything he represents: effortless groove, soulful songwriting, and a feel-good energy that never gets old. Decades later, it remains his signature anthem. Honorable Mentions: “Whenever Wherever Whatever”: A stripped-back, acoustic masterpiece that highlights his vulnerability. “Luxury: Cococure”: A sleek, jazzy standout from the Embrya era. “Fistful of Tears”: A powerful, piano-driven ballad that showed his growth as a mature songwriter. “Matrimony: Maybe You”: A fan-favorite deep cut that showcases the perfect fusion of R&B and jazz. “Off”: A recent gem that proves Maxwell hasn’t lost a step when it comes to late-night grooves.

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Where Are They Now? The Current Status of Every 2000’s Female R&B Group (2026 Edition)

We now take a look back at the female R&B groups who emerged during the 2000’s. The decade prior featured some of the most iconic groups of all time who are still making an impact to this day. Unfortunately the 2000’s was not quite able to live up to that hype. The 2000s marked a significant decline for female R&B groups, as the era was defined by the transition of breakout stars from groups into successful solo careers. Destiny’s Child was the decade’s most prominent group, achieving massive commercial success before disbanding in 2006, which launched Beyoncé into superstardom. While some groups like TLC continued to release music, their careers were impacted by internal and external challenges, most notably the tragic death of Left Eye in 2002. New groups like 3LW, Cherish, and Danity Kane emerged, often through reality television or with strong label backing, but struggled to achieve the same longevity and impact as their 90s predecessors, leading to a landscape dominated by solo artists. We’ve been on the music scene for many years and have made it our job to keep up to date on this type of information. Have you ever found yourself wondering “Whatever happened to…” your favorite artist? Hopefully we’ve helped to answer that question. You’ll find that most of the groups on the list below are now sadly broken up or dissolved, but at least left us with quality music while they were still releasing it. This list includes the R&B groups who debuted between 2000 and 2009. Click on any artist name to see all recent posts about that artist. Check our other Current Status Lists: 90’s Male Singers (Click Here), 90’s Female Singers (Click Here), 90’s Male Groups (Click Here), 90’s Female Groups (Click Here) 00’s Male Groups (Click Here) 00’s Male Singers (Click Here) 00’s Female Singers (Click Here) 3LW This star studded group was made up of Adrienne Bailon, Kiely Williams & Naturi Naughton. They broke out in 2000 with the hit singles “No More (Baby I’ma Do Right)” & “Playas Gon’ Play”. Their self titled debut album came out that year and the album “A Girl Can Mack” arrived in 2002. The group broke up after that while Kiely and Adrienne went on to join The Cheetah Girls, and Naturi eventually got into acting. The group remains one of the most discussed “what if” stories due to their public fallout. Adrienne Bailon-Houghton has become a staple in daytime television (The Real) and recently reunited with her husband for music and various Disney projects. Naturi Naughton successfully pivoted to a high-profile acting career, starring as Tasha St. Patrick in the Power franchise. Kiely Williams most recently appeared in reality TV circuits like BET Presents: The Encore, where she leaned into her reputation as a group “enforcer.” Cherish The group emerged in the early 2000’s with their singles “Miss P” and “Do It To It” from their debut album “Unappreciated”. They followed with the album “The Truth” in 2008. Cherish have continued to release singles over the years, with the most recent coming in 2017. In 2021, the group was featured on the reality show BET Presents: The Encore. You can check out our recent interview with the group. City High Wyclef Jean helped introduce the group made up of Ryan Toby, Robbie Pardlo & Claudette Ortiz in 2001 with their self titled debut album. That project featured the singles “Caramel” and “What Would You Do?”. The group broke up after, and the members went on to have solo careers and have not reunited since. Claudette was featured on producer Salaam Remi’s 2021 single “All I Need Is You”. Former group member Robbie died in 2025. Danity Kane Another high profile group created by Puff Daddy as part of his Making the Band series. The group originally consisted of Aubrey O’Day, Dawn Richard, Shannon Bex, Aundrea Fimbres & D. Woods. They released the successful albums “Danity Kane” and “Welcome to the Dollhouse” in the mid 2000’s. The group disbanded after and went into separate solo careers. Shannon, Dawn and Aundrea reunited in 2014 and released the DK3 album. Shannon and Aubrey have also formed the duo Dumbblonde in recent years. Danity Kane most recently released the single “Neon Lights” in 2019. In late 2025, a portion of the group announced touring plans and is touring during 2026. Dream The girl group of Puff Daddy arrived in 2001 with their hit single “He Loves U Not” and debut album “It Was All A Dream”. Their second album “Reality” was eventually scrapped after they were dropped from Bad Boy. The group has reunited to tour over the past decade, but has once again broken up and not released new music. Elektrik Red This group was formed by The Dream and producer Tricky Stewart and featured members Kyndra “Binkie” Reevey, Lesley Lewis, Naomi Allen, & Sarah Rosete. They released their debut album “How to Be a Lady: Volume 1” in 2009 but have widely been unheard from since. Floetry The duo of Marsha Ambrosius aka the Songstress and Natalie Stewart aka The Floacist made up Floetry. They arrived in Philly via the UK and ended up at DJ Jazzy Jeff’s “A Touch of Jazz” studios. It was there they created their debut album “Floetic” which released in 2002 and became a part of the Neo-Soul movement. They’d release one more album together before disbanding to embark on solo careers. However, they came back together in 2014 to briefly reunite and tour. They’ve both gone back to solo careers since then. Her Sanity The group arrived in 2002 via their Motown Records debut single “Xclsuive” featuring The LOX. They released their debut album of the same name that same year but it faired poorly on the charts and the group has since broken up. Isyss The group was made up of four members including LeTecia Harrison, Ardena Clark, La’Myia Good & Quierra “Qui Qui” Davis-Martin. They scored a big hit with the Kandi Burress

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Featured, Music

The Top 10 Best Songs By Trey Songz

When Trey Songz first arrived on the scene in 2005, he was introduced by the legendary Troy Taylor and heralded by none other than Aretha Franklin. Over the next decade and a half, “Trigga” would transform from a young, soulful crooner into one of the most dominant forces in contemporary R&B. Known for his incredible vocal runs, undeniable charisma, and the ability to bridge the gap between classic soul and modern hip-hop, Trey has built a catalog that defines an entire era of the genre. While his “Mr. Steal Your Girl” persona often takes center stage, his true legacy lies in his versatility. Whether he’s delivering a raw, vulnerable ballad or a high-energy club anthem, Trey’s impact on R&B is undeniable. We’ve selected the essential tracks that showcase the very best of Trey Songz. Click Here For Our Other Top 10 Lists | Click Here For Our Most Recent Interview With Trey Songz “Gotta Go” (from the “I Gotta Make It” album) Before the platinum plaques and sold-out arenas, “Gotta Go” established Trey as a serious vocalist. This mid-tempo groove, with its nostalgic aura and soaring harmonies, showcased a level of maturity that was rare for a debut artist. It remains a fan favorite and a reminder of the raw soul that started his journey. “Can’t Help But Wait” (from the “Trey Day” album) This was the moment Trey Songz became a household name. Produced by Stargate, “Can’t Help But Wait” is a masterclass in R&B storytelling. The song’s relatability and Trey’s earnest delivery earned him a Grammy nomination and solidified his place as the next big thing in the genre. “I Invented Sex” (featuring Drake) (from the “Ready” album) In 2009, Trey and a rising Drake changed the sonic landscape of R&B with this track. “I Invented Sex” introduced a darker, more atmospheric sound that would define much of the next decade. It’s a smooth, confident record that leaned into Trey’s growing “playboy” persona while maintaining his vocal excellence. “Can’t Be Friends” (from the “Passion, Pain & Pleasure” album) Arguably his most powerful vocal performance, “Can’t Be Friends” is a raw look at the aftermath of a breakup. Stripping away the flashy production, Trey relies on his voice to convey the pain of a love that can’t simply transition into a friendship. It is widely considered one of the best R&B ballads of the 2010s. “Neighbors Know My Name” (from the “Ready” album) This track is the quintessential Trey Songz “bedroom anthem.” With its infectious hook and playful lyrics, it became a cultural staple. It perfectly balances his southern charm with the polished R&B sound that made the Ready album a modern classic. “Say Aah” (featuring Fabolous) (from the “Ready” album) While Trey is a master of the slow jam, “Say Aah” proved he could own the club as well. This collaboration with Fabolous became a massive crossover hit, dominating radio and parties for years. It showed his ability to craft a “party” record without losing his R&B identity. “Love Faces” (from the “Passion, Pain & Pleasure” album) “Love Faces” is Trey Songz at his most seductive. The lush production and intricate vocal arrangements highlight his growth as a musician. It’s a sophisticated record that remains a high point in his discography for those who appreciate the “grown and sexy” side of his music. “Slow Motion” (from the “Trigga” album) Late in his career, Trey reminded everyone how well he knows how to make a slow jam. “Slow Motion” is a hypnotic, stripped-back track that focuses on his tone and pacing. It became one of his biggest hits in years, proving his longevity in a rapidly changing R&B environment. “Heart Attack” (from the “Chapter V” album) Teaming up with Rico Love and Benny Blanco, Trey delivered a grand, cinematic ballad with “Heart Attack.” The song deals with the “toxic” side of love that feels like both a blessing and a curse. His vocal intensity on the hook makes this one of the most memorable tracks from his Chapter V era. “Gotta Make It” (featuring Twista) (from the “I Gotta Make It” album) The song that started it all. “Gotta Make It” was more than just a debut single; it was a mission statement. Featuring a signature double-time verse from Twista, the track highlighted Trey’s ambition and his distinct Virginia “soul” that would carry him to the top of the charts. Honorable Mentions: * “Bottoms Up” (feat. Nicki Minaj) (from the Passion, Pain & Pleasure album) * “Na Na” (from the Trigga album) * “Jupiter Love” (from the Ready album) * “Panty Droppa” (from the Ready album) * “Last Time” (from the Trey Day album)

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Featured, Music

The Top 10 Best Chris Brown Songs

When discussing the most influential forces in 21st-century R&B, Chris Brown is a name that dominates the conversation. Bursting onto the scene as a teenager with infectious energy and elite dancing, he eventually evolved into one of the most prolific hitmakers in music history. With a discography that spans over a thousand songs, his ability to pivot between pure R&B, pop, hip-hop, and dance music is almost unparalleled. While he is often celebrated for his high-octane performances, his core strength has always been his ear for melody and his growth as a vocalist. From the bubblegum soul of his debut to the experimental “Indigo” era, we’ve selected the essential tracks that define the “Breezy” legacy. Click Here For Our Other Top 10 Lists “Yo (Excuse Me Miss)” (from the “Chris Brown” album) If “Run It!” introduced him to the world, “Yo (Excuse Me Miss)” made him a superstar. Produced by Dre & Vidal, this track perfectly captured the “young love” essence of the mid-2000s. It’s a smooth, mid-tempo groove that highlighted Chris’s natural charisma and cemented his place as the heir apparent to the R&B throne. “No Guidance” (featuring Drake) (from the “Indigo” album) After years of rumored tension, the collaboration between Chris Brown and Drake lived up to every bit of the hype. “No Guidance” is a masterclass in modern R&B production—atmospheric, moody, and incredibly catchy. It became one of the biggest hits of his career, proving he could still dominate the charts over a decade into his journey. “With You” (from the “Exclusive” album) Chris took a more acoustic, pop-leaning approach with “With You,” and the result was a global anthem. Stargate’s production provided a simple yet effective backdrop for one of Chris’s most sincere vocal performances. It remains a wedding staple and a testament to his ability to cross over without losing his soulful core. “Fine China” (from the “X” album) “Fine China” was a bold artistic statement. Moving away from the EDM sounds that dominated the early 2010s, Chris leaned into a retro-soul aesthetic that paid clear homage to Michael Jackson and Stevie Wonder. With its live instrumentation and soaring vocals, it is arguably one of the most “musically pure” songs in his entire catalog. “Take You Down” (from the “Exclusive” album) This is the moment Chris Brown officially transitioned from the “boy next door” to an R&B heartthrob. “Take You Down” is a sultry, heavy-hitting ballad that became a blueprint for his more mature records. Its impact on the R&B charts and its status as a fan favorite during his live shows cannot be overstated. “Deuces” (featuring Tyga & Kevin McCall) (from the “Fan of a Fan” mixtape) Released during a pivotal moment in his career, “Deuces” was a cultural phenomenon. It spearheaded the “mixtape era” for R&B artists, blending a laid-back West Coast vibe with a dismissive, catchy hook. It reminded everyone that Chris could dictate the sound of the streets just as easily as the sound of the radio. “New Flame” (featuring Usher & Rick Ross) (from the “X” album) Collaborating with your idol is one thing, but holding your own alongside him is another. “New Flame” saw Chris and Usher trade smooth vocals over a lush, mid-tempo beat. It felt like a passing of the torch and a celebration of R&B excellence all at once. “Say Goodbye” (from the “Chris Brown” album) A classic “breakup” song is a requirement for any R&B great, and “Say Goodbye” is Chris’s contribution to the pantheon. Featured on the Step Up soundtrack, this Bryan-Michael Cox-produced ballad showed a level of emotional depth that was rare for an artist so young at the time. “Don’t Judge Me” (from the “Fortune” album) In “Don’t Judge Me,” Chris offered a rare moment of vulnerability and transparency. The stripped-back, cinematic production allows his voice to take center stage as he asks for grace regarding his past mistakes. It’s a powerful, resonant record that stands out as one of his best vocal displays. “Grass Is Greener” (from the “Heartbreak on a Full Moon” album) From his massive 45-track opus, “Grass Is Greener” stands out for its storytelling and relatability. It captures the regret of a relationship gone wrong with a melody that stays in your head long after the track ends. It represents the “Heartbreak” era perfectly—toxic, melodic, and undeniably soulful. Honorable Mentions: * “Run It!” (from the Chris Brown album) * “Back To Sleep” (from the Royalty album) * “Loyal” (from the X album) * “Under The Influence” (from the Indigo album) * “Poppin’” (from the Chris Brown album) Would you like me to put together a similar list for another R&B powerhouse like Usher or Trey Songz?

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ICE Is The Real Criminal Threat, Not Undocumented Immigrants

In this dystopian hellscape created by the MAGA-movement and nutless Republicans, armed gang members ride through neighborhoods looking for people to kidnap. In Minneapolis on Wednesday, they killed a woman, Renee Nicole Good, 37, a mother of three. A gentle soul, which I can say without pause, because she was a poet. All poets have gentle souls. She was trying to get away from the armed gang harassing her when they opened fire on her. The gang’s OGs have already started spinning a tale about cars being used as weapons and factions of people learning to drive recklessly to take them out. It’s a story as old as time, this war between gangs and the communities that they terrorize, but this is different. Immigration and Customs Enforcement (ICE) is a federally funded gang that slides into communities and tears families apart, and they do so with impunity. It is worse than the Crips or Gangster Disciples because ICE is backed by America’s lifeblood, racism, and a racist White House that implored them to make their bones. Racism drives this administration. It’s the spine of Project 2025, the playbook of Trump’s White House. It’s the foundational tenet for ICE’s harassment, kidnapping, and capture of working immigrants who are simply trying to make a way for themselves and their families while navigating an increasingly hostile U.S. immigration system. The U.S. Supreme Court is in on it, too. They allow ICE to racially profile those whom they decide to stop and question. Racism is the sole reason that the Immigration and Customs Enforcement (ICE) went from a terror-fighting faction of the Department of Homeland Security to those that create said terror. ICE was created in the post-9/11 haze and sold to the public as a necessary evil to protect us from shadowy threats. Two decades later, its actual résumé reads like a rap sheet: family separations, warrantless arrests, deaths in custody, medical neglect, sexual abuse allegations, and now—yet again—gun violence. Remember, most gangs start with good intentions. The Crips were formed to protect neighborhood youth against other, more violent gangs. See what the Crips are on now. Details of the tragedy are still being sorted, but the pattern is familiar: a heavily armed law-enforcement presence, escalating force, and yet another civilian harmed in the name of “public safety.” The script never changes—only the zip code does. “Federal agents have shot people 14 times since last January, killing at least four; on multiple occasions, officers shot at people observing ICE raids and people attempting to drive away,” the Trace notes. At what point do we admit that the people claiming to stop crime are, in fact, committing it? Because let’s be clear: snatching people off the street in unmarked vehicles is not “enforcement.” That’s kidnapping with a PR team. Detaining people indefinitely without charges isn’t “border security.” That’s incarceration without due process. Shooting civilians during routine operations isn’t “keeping the peace.” That’s state violence, full stop. Because ICE isn’t preventing harm; they’re creating it. They are rolling up on unsuspecting people masked up, carrying large weapons, and shouting demands. That’s gang behavior. And to be frank, all of this is a show of force that isn’t even warranted, as crossing a border without papers is a civil violation, not a violent crime. If ICE were a person, they would be locked up, considering they would’ve been charged with unlawful detention, excessive force, obstruction of legal counsel, and gross negligence that has resulted in death. If anyone did even a portion of that, we wouldn’t be debating semantics—we’d be calling a lawyer. ICE doesn’t get to be both the perpetrator and the victim. They don’t get to hop out of tinted-windowed vehicles, guns at the ready, and then claim that the person fleeing this lawless gang endangered their lives by trying to get to safety. But that’s America at work, where the brown face can be charged for hurting the white fist. These agents are not de-escalators. They are not community protectors. They are trained to treat human beings as threats first and ask questions later. When that mindset collides with real neighborhoods and real people, they get hurt. And this is the quiet part that never gets said out loud: all gang structure is to feed an ecosystem of terrorism that thrives off fear and, more importantly, money. Everyone has to kick up to the big homies when they hit a lick, and so does ICE. This anarchic band of hoods kidnapping people is to feed a private prison system that profits off those in custody. There are bed mandates. Quotas. Contracts. When your budget depends on keeping cages full, you stop caring whether the people inside them pose any danger. You just need them compliant—or gone. Which brings us back to the central scam: ICE does not make communities safer. Immigrants—documented or undocumented—are statistically less likely to commit violent crimes than native-born citizens. ICE knows this. Politicians know this. But fear is more useful than facts, especially when elections need winning, and dog whistles need blowing. So the world’s most dangerous crew is ICE. They are neighborhood police with crack strength. And they don’t care. They will show up at courthouses, hospitals, graduations, and birthday parties just to rip families apart because they pledged allegiance to their gang and got jumped in. And they’re the criminals they claim to be looking for. And that’s the uncomfortable truth America keeps dodging: the most dangerous criminals in this country don’t always come from the hood. Sometimes they come with badges, guns, and a talking point about “law and order,” leaving blood, trauma, and broken families in their wake—and daring us to pretend that’s justice. SEE ALSO: Woman Shot And Killed By ICE During Crackdown In Minneapolis ICE Agents Invade Minneapolis Hospital With No Warrant  

Tank-Control
Featured, Music

Tank Releases Video For Latest Single “Control”

Tank is ending 2025 on a high note with the premiere of the official music video for “CONTROL.” Marking his first major move under a new global partnership with BMG, the video showcases a sleek, intentional side of the R&B General. Directed by Danil Demichev, the visual centers Tank’s commanding presence amidst sharp, modern choreography, signaling a sophisticated new chapter in his storied career. The release caps off a landmark year that saw Tank conquer Broadway with a celebrated run in Alicia Keys’ Hell’s Kitchen. Between his stage success and making history by tying Usher and Charlie Wilson for the most No. 1s on Billboard’s Adult R&B Airplay chart (via his feature on Aaliyah’s “Gone”), Tank remains an immovable force in the industry. Whether he is breaking the internet with the R&B Money Podcast or delivering show-stopping performances on the Tamron Hall Show, “CONTROL” proves that Tank’s influence is only expanding. The post Tank Releases Video For Latest Single “Control” appeared first on New R&B Music, Songs & Interviews | YouKnowIGotSoul.com.

J._D._Vance_(53808261332)
Featured, News

Why A ‘Hillbilly’ Vice President, Not Trump, Was The Perfect Messenger To Tell White America To Stop Apologizing

At a Turning Point USA event in Phoenix, Vice President JD Vance, the self-appointed “hillbilly” who made it out the mud, told white Americans they no longer have to “apologize for being white.” After Vance’s remarks, much of the media coverage fixated on crowd reaction, viral outrage, and whether the comment was provocative or racist, with outlets describing applause and backlash. The coverage treats the remark like a culture-war skirmish or a spicy soundbite meant to rile liberals and thrill conservatives. Was it divisive? Was it provocative? Was it just red-meat rhetoric for the base? But we need to be interrogating the deeper political calculus behind the message. The one real question we should be asking has been politely avoided: why was this man chosen to say it, on that stage, at this moment? Because the power of the line, which is not new, doesn’t come from its originality, but from its messenger. Those words could never have carried the same weight coming from Donald Trump. He is too rich, too cartoonishly gilded, and too insulated from the daily humiliations of working-class life. He smells like inheritance, bankruptcy lawyers, and gold-plated toilets. White Americans already know Trump doesn’t apologize to anyone for anything because that’s his brand. Coming from him, the remark would have sounded like exactly what it was: a billionaire dismissing accountability from the safety of unearned power. But coming from JD Vance, those words hit different. Vance is the perfect vessel because he is not supposed to be the villain in this story about American decline. He’s supposed to be the proof that the American story still works. He’s the poor white kid who survived Appalachia and clawed his way out of generational precarity. He escaped addiction and instability and sits among elite power without fully shedding the aesthetic of struggle or indicting the system that chewed up everyone he left behind. Appalachia was gutted by corporations, poisoned by industry, abandoned by policy, and exploited by capital. If anyone has standing to name the real villains, it is him. But instead, he stood on that stage and offered absolution to angry white folks. He doesn’t look like a robber baron. He doesn’t sound like a hedge fund vampire. He doesn’t wear his privilege in gold leaf. He arrives coded as earned, not inherited. And that’s precisely why he can say things Donald Trump can’t say without exposing the scam. Vance is the walking proof-of-concept for the lie at the heart of white grievance politics. His biography does the dirty work for him. His mere presence tells struggling white Americans: See? The system isn’t broken. I made it. And if you didn’t, that failure isn’t about class warfare, corporate theft, union busting, or billionaires hollowing out your town. Nope, it’s about culture. It’s about values. It’s about them. ‘Them’ being all those immigrants who “cut the line.” The Black folks who “won’t stop complaining” and “hate white people.” The DEI programs that supposedly stole your job. The leftists and “Democrats” who “hate America.” The queer folks who make you uncomfortable by existing out loud. The problem is anybody but the corporations that poisoned your water. That shipped your labor overseas and cashed the checks while your community collapsed. It’s not the hedge funds that strip-mined your hospitals and nursing homes. Nor the pharmaceutical giants that flooded your towns with opioids and called it pain management. It ain’t the private-equity vultures that bought your trailer parks and jacked up the rent. Not the agribusiness monopolies that crushed family farms, the telecoms that took public money and still left you without broadband. Not the coal and chemical companies that took the land and left the cancer clusters, or the banks that redlined you on the way in and foreclosed on you on the way out. And it’s certainly not the lawmakers who gutted unions, and the billionaires who wrote the tax code so your paycheck shrank while their fortunes ballooned. According to our “hillbilly” Vice President, it’s anybody but the people who actually pulled the levers. That’s the magic trick. Vance stands there as living proof that the ladder still works as long as you redirect your anger at structural violence in the right direction. And once that story takes hold, class solidarity becomes impossible. Because why punch up at the capital when you’ve been trained to punch sideways and down at the people who were never holding the knife in the first damn place? That sleight of hand is exactly why a Turning Point USA stage was the perfect place for Vance to perform this routine. Turning Point USA isn’t some scrappy youth movement. It is a grievance factory bankrolled by wealthy donors who benefit directly from keeping white Americans angry, confused, and misdirected. The same corporate interests that busted unions, suppressed wages, deregulated industries, and strip-mined rural communities now underwrite conferences where white resentment is packaged as “freedom.” Vance’s job is to make sure no one in the audience ever connects those dots. So instead of asking why private equity gutted their hospitals, why pharmaceutical companies flooded their towns with opioids, or why billionaires keep getting tax cuts while their schools crumble, the crowd is trained to seethe at safer targets. Everyone except the corporations in the room and the donors signing the checks. That’s the scammy business model. Vance doesn’t challenge that model; he completes it. He reassures white Americans that their suffering has nothing to do with capitalism run amok and everything to do with moral decline and cultural invasion. He turns class betrayal into racial discipline. He sells the lie that dignity comes not from solidarity or justice, but from refusing to interrogate who’s actually profiting off your pain. And because he comes wrapped in a hillbilly origin story, the absolution feels authentic and trustworthy. When he tells white Americans they don’t have to apologize, it doesn’t sound like a billionaire sneering at accountability. It sounds like a neighbor who understands, a man who’s been

Cardi B Stefon Diggs (Via Instagram)
Featured, Music

Cardi B Supports Boyfriend Stefon Diggs At His Foundation’s Wellness Event

Cardi B and Stefon Diggs are practicing wellness–and philanthropy–as a couple. The rapper continued her reign as her boyfriend’s biggest fan by supporting him at a holiday wellness event at the New England Patriots’ Gillette Stadium in Foxborough, Mass. on Monday, Dec. 15. The happy couple joined local mothers and their kids for the stadium’s first-ever “Winter Wonderland Wellness” event, which was organized by the NFL star’s nonprofit, Diggs Deep Foundation. As seen in multiple videos across on social media, the rapper and the football player took their shoes off to participate in the yoga class, flashing smiles at one another as they giggled and took direction from the teacher. While at the event, Cardi also posed for a photo with Diggs’ mom, which the proud mother posted in an Instagram dump from the event along with the caption: “Bring your mom to work day: Holiday edition.” While talking to local reporters about why he wanted to organize the event, Diggs explained that a night focused on pampering mothers was very important to him. “It’s the end of the year. I feel like everybody had a hard year, every year is a hard year, especially for moms,” the NFL star, who was raised by a single mother, said. “My mom is actually here today, special guest. So I just wanted to have a wellness day, an appreciation day.” He continued, “Everyone works extremely hard and I’m extremely blessed, so paying it forward has always been big for me. I think give them a little break, a little yoga, a little message, a little facial… a day of appreciation.” This outing for Cardi and Stefon comes just one month after the pair welcomed their first baby, a boy, together. While they have yet to reveal the little one’s name, the rapper been giving fans little glimpses of her baby since his arrival. On her Instagram Stories on Friday, Nov. 28, the former Love & Hip Hop star shared a photo of her “cuddle buddy” in a fuzzy white outfit adorned with Diggs’ name and jersey number on the back in gold letters. Cardi is also a mother to three older children, whom she shares with estranged husband Offset: daughters Kulture Kiari, 7, and Blossom Belle, 15 months, and son Wave Set, 4. This isn’t Diggs’ first time having kids, either. He welcomed his first child, daughter Nova, in October 2016. He also shares daughter Charliee Harper with model Aileen Lopera, who was born in April 2025. The post Cardi B Supports Boyfriend Stefon Diggs At His Foundation’s Wellness Event, Poses For Pic With NFL Star’s Mom appeared first on Bossip.

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