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Artist Spotlight

The Top 10 Best Babyface Songs

Kenneth “Babyface” Edmonds is arguably the most influential architect of modern R&B. As a singer, songwriter, and producer, he defined the sound of the late 80s and 90s, blending romantic lyricism with polished, melodic production. While he has penned hundreds of hits for other legends, his solo discography remains a gold standard for the genre. Rather than ranking these tracks, we are presenting them in chronological order. This list tracks Babyface’s evolution from a rising star in the late 80s to a global R&B icon. Here are the Top 10 Best Babyface songs. “Whip Appeal” Album: Tender Lover (1989) Coming off his breakthrough sophomore album, “Whip Appeal” became an instant classic and a staple of the New Jack Swing era. The track showcased Babyface’s ability to blend a hard-hitting groove with smooth, seductive vocals. It remains one of his most recognizable records and set the stage for his dominance in the decade that followed. “Soon As I Get Home” Album: Tender Lover (1989) This ballad is a masterclass in R&B storytelling. “Soon As I Get Home” highlighted Babyface’s signature vulnerability, focusing on the themes of devotion and making amends. The song’s production is quintessential late-80s soul, utilizing lush synthesizers and a steady rhythm that allowed his vocal performance to take center stage. “For The Cool In You” Album: For the Cool in You (1993) The title track from his 1993 album signaled a shift toward a more acoustic and organic sound. With its infectious bassline and cool, effortless delivery, “For The Cool In You” proved that Babyface could create uptempo records that felt sophisticated and timeless. It remains one of the most beloved grooves in his catalog. “When Can I See You” Album: For the Cool in You (1993) This acoustic guitar-driven ballad was a departure from the heavily produced R&B of the time. “When Can I See You” earned Babyface a Grammy Award for Best Male R&B Vocal Performance and showed his range as a folk-soul artist. The simplicity of the arrangement underscored the raw emotion in the lyrics, making it a universal heartbreak anthem. “Every Time I Close My Eyes” Album: The Day (1996) A massive collaboration featuring Mariah Carey on backing vocals and Kenny G on the saxophone, this track is the definition of 90s R&B excellence. It is a lush, romantic production that perfectly captured the “Babyface sound” that every artist in the industry was seeking at the time. The song’s soaring bridge and polished finish made it a global hit. “This Is For The Lover In You” (feat. LL Cool J, Howard Hewett, Jody Watley & Jeffrey Daniel) Album: The Day (1996) Babyface’s cover of the Shalamar classic was a brilliant bridge between old-school soul and the hip-hop soul of the mid-90s. By bringing in members of the original group alongside LL Cool J, he created a record that appealed to multiple generations. It remains one of the most successful covers in R&B history. “What If” Album: Face2Face (2001) As a standout single from the Face2Face project, “What If” represents Babyface’s transition into a more contemporary 2000s R&B sound. The track maintains his signature melodic sensibility while incorporating the slicker production trends of the era. It serves as a powerful narrative on the “what ifs” of past relationships, featuring a vocal performance that remains one of his most technically refined. “The Loneliness” Album: Face2Face (2001) Returning to the emotional territory his fans loved, “The Loneliness” is a standout ballad from the Face2Face era. The song captures the stark, quiet pain of isolation after a breakup. Its minor-chord progression and haunting vocal delivery make it one of the more underrated gems in his discography. “I Only Wanted One” Album: Playlist (2007) Featured on his acoustic-focused album Playlist, this track is a return to the “When Can I See You” aesthetic. It is a stripped-back, honest reflection on love and regret. The song highlights Babyface’s enduring ability to connect through simple, effective songwriting and a voice that has only grown richer with time. “We’ve Got Love” Album: Return of the Tender Lover (2015) The lead single from his first solo album in eight years, “We’ve Got Love” served as a triumphant return to form. The track is an uplifting, mid-tempo celebration of positivity and connection, featuring a bright, live-band arrangement. It proved that Babyface could still craft a radio-ready hit that felt modern while staying true to his soulful roots. Honorable Mentions “Two Occasions” (The Deele) (Eyes of a Stranger, 1987) “It’s No Crime” (Tender Lover, 1989) “My Kinda Girl” (Tender Lover, 1989) “Never Keeping Secrets” (For the Cool in You, 1993) “Lady, Lady” (For the Cool in You, 1993) “And Our Feelings” (For the Cool in You, 1993) “How Come, How Long” (feat. Stevie Wonder) (The Day, 1996) “Stress Out” (Face2Face, 2001) “Sorry For The Stupid Things” (Grown & Sexy, 2005) “Mad Sexy Cool” (Grown & Sexy, 2005) “Exceptional” (Return of the Tender Lover, 2015)

New Releases

Producer Camper Releases His Debut Album “Campilation” (Stream)

Grammy Award–winning producer and songwriter Camper has officially released his debut artist album, Campilation, across all major streaming platforms. After a decade of production work for artists such as Usher, Brandy, H.E.R., and Kanye West, this project marks Camper’s first full-length body of work as a primary artist. The album focuses on traditional R&B musicianship, utilizing live piano arrangements, intricate basslines, and layered percussion. Campilation features a collaborative roster of prominent vocalists including Stevie Wonder, Brandy, Victoria Monét, Lucky Daye, Ari Lennox, Syd, Tank, Jill Scott, Ty Dolla $ign, Tone Stith, and Alex Isley. The 11-track project is led by the focus single “Tonight,” featuring Lucky Daye. Another key track, “Waiting On You” featuring Tone Stith, recently reached the Top 5 on the R&B Airplay Chart and received public acknowledgment from Stevie Wonder via KJLH radio. Prior to the full album launch, the project’s singles accumulated over 7.5 million streams. Camper, who won a Grammy for Best R&B Album for his work on H.E.R.’s 2019 debut, held a VIP listening event at Paramount Studios in Los Angeles last month to preview the material for industry executives and collaborators. To further support the release, a special album event is scheduled for January 27 at Verse LA, which will include a live jam session and appearances from the album’s featured guests.

New Releases

Moonchild Releases New Single “Fear (Hey Friend)”

The Grammy-nominated Los Angeles trio Moonchild—composed of Amber Navran, Andris Mattson, and Max Bryk—has released their latest single, “Fear (Hey Friend),” featuring Grammy-winning artist PJ Morton. Available on all major streaming platforms as of today, the track utilizes the group’s established blend of soul and jazz to address themes of anxiety and personal development. The song’s lyrical narrative reframes self-doubt as a functional component of growth, specifically referencing the Joseph Campbell adage regarding the treasure found in feared spaces. “Fear (Hey Friend)” serves as the latest preview for the trio’s forthcoming sixth studio album, titled WAVES, which is scheduled for release on February 20, 2026, via ONErpm. The album is entirely written, arranged, and produced by the trio and includes a series of previously released singles. These include “Up From Here,” featuring Robert Glasper and D Smoke; the double release “Strong” / “For Yourself,” featuring Lalah Hathaway and Chris Dave; “Not Sorry,” featuring Jill Scott and Rapsody; and “Ride The Wave,” which features Astyn Turr. The upcoming album is described as an exploration of healing and self-worth, characterized by the collaborative songwriting and lush arrangements that have defined the group’s discography. In conjunction with the album launch, Moonchild has announced the WAVES headlining tour. The United States leg of the tour is set to begin on March 5, 2026, in Houston, Texas, with additional dates scheduled across the country to support the new material.

New Releases

Joyce Wrice Releases New Single “Break Me In”

R&B recording artist Joyce Wrice has officially released her latest single, “Break Me In,” today through BMG. This track serves as her first major release following her previous project cycles and acts as a precursor to a larger body of work scheduled for release later in 2026. The single was produced by Malik Ninety Five and Mike Baretz. Musically, the track utilizes a mid-tempo, rhythmic production style characterized by atmospheric arrangements. Wrice’s vocal performance focuses on themes of directness and emotional surrender, with lyrics such as “I hate it when you make me wait… I need you to break me in” and “If you can make me rain and thunderstorm / Baby, I’m all yours.” While her debut album, Overgrown, focused on themes of personal growth and resilience, “Break Me In” represents a shift toward more assertive and romantic lyrical narratives. Outside of her studio recordings, Wrice has recently expanded her commercial presence through several high-profile brand collaborations. These include: JD Sports x Adidas: Participation in recent apparel campaigns & Gap, Featured involvement in the brand’s contemporary marketing initiatives. Since the release of her critically acclaimed debut and subsequent EP, Motive, Wrice has maintained a consistent presence in the R&B genre through live performances and notable featured appearances. This new release under BMG signals a strategic rollout for her upcoming sophomore album, which aims to further establish her position within the contemporary R&B landscape.

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Featured, News

Drake Appeals Dismissal Of Lawsuit Over Kendrick Lamar’s...

Drake thinks the lower court has created an “unprecedented” rule that rap diss tracks can never be actionable with their dismissal of his lawsuit. The Canadian rapper has officially moved to appeal the dismissal of his lawsuit against Universal Music Group (UMG) tied to Kendrick Lamar’s diss track “Not Like Us.” He originally sued UMG last year, alleging the company defamed him by distributing Lamar’s viral diss track, which branded him a “certified pedophile.” However, a federal judge ruled in October that listeners wouldn’t interpret jabs exchanged in a rap feud as literal, factual claims. Rolling Stone reports that in his long-anticipated appeal filed Wednesday, Drake’s legal team argues the opposite is true: That audiences absolutely took the lyrics at face value. “Millions of people understood [Not Like Us] to convey factual information, causing countless individuals around the globe to believe that Drake was a pedophile.” According to the rapper’s attorneys, dismissing the case in spite of that public reaction amounted to the court establishing an “unprecedented” and “dangerous” legal doctrine, one that suggests statements in rap songs can never be defamatory. “It is hard to imagine a statement more damaging to one’s reputation and safety than being labeled a ‘certified pedophile,’ which elicits intense vitriol, and can spur violent retaliation,” Drake’s attorney Michael J. Gottlieb writes in the appeal, obtained by Billboard. “The court’s rule brushes aside the risk of concrete reputational harms that can and here, did spill over into violence.” This appeal serves as the latest turn in a legal saga that caught much of the music world off guard. Very few anticipated that a rap beef would escalate into a lawsuit, leading to some corners of hip-hop culture taunting Drake for taking it there. Lamar dropped “Not Like Us” in May 2024 as the final blow in a fierce back-and-forth between the two artists. Beyond being viewed as Lamar’s lyrical knockout, the song also dominated the charts. It went on to win five Grammy Awards, including record and song of the year, and became a centerpiece of Lamar’s Super Bowl halftime performance. By January, Drake answered not with another track, but with legal action, claiming UMG had defamed him by aggressively amplifying the song’s reach, allegedly through bots and other questionable promotional tactics. While Lamar himself was not named in the suit, Drake accused UMG of having “waged a campaign” against its own star to spread a “malicious narrative.” The post Lawbrey Lawyers Up…Again: Drake Appeals Dismissal Of Lawsuit Over Kendrick Lamar’s ‘Not Like Us’ appeared first on Bossip.

New Releases

Ari Lennox Releases New Album “Vacancy” (Stream)

Grammy-nominated artist Ari Lennox has officially released her third studio album, Vacancy, through Dreamville and Interscope Records. The project follows her 2022 release, age/sex/location, and serves as a continuation of her work within the neo-soul and contemporary R&B genres. The album features executive production from Dreamville co-founder Ibrahim Hamad and long-time collaborator Elite, alongside contributions from several prominent R&B producers. The project maintains Lennox’s signature live-instrumentation aesthetic, utilizing analog synthesizers, crisp percussion, and layered vocal harmonies to explore themes of modern solitude, emotional availability, and self-actualization. Prior to the full album launch, the rollout was anchored by the lead single “Under the Moon,” which gained significant traction on Urban AC radio and streaming platforms. The track highlighted the album’s thematic focus on “filling the void” within oneself rather than seeking external validation. While largely a solo effort designed to highlight her vocal range, Vacancy includes a curated selection of guest appearances that align with Lennox’s soulful delivery. The tracklist features previously released singles: “Twin Flame”, “Vacancy” (Title Track), “Under the Moon”, “Smoke & Mirrors” & “Room for One”. The album’s songwriting remains deeply personal, with Lennox credited as a primary writer on every track. The lyrical content often leans into the “honest and raw” storytelling that defined her breakout debut, Shea Butter Baby. The debut of Vacancy was accompanied by a series of visualizers and an official music video for the title track, which utilized a minimalist, cinematic style to reflect the album’s introspective nature. Since its release, the project has seen strong performance on R&B-specific charts, reinforcing Lennox’s position as a central figure in the modern soul revival. To support the release, Lennox has announced a series of intimate “unplugged” performances, focusing on high-fidelity vocal delivery in smaller jazz-club settings—a nod to her artistic roots.

Artist Spotlight

What happened To Confunkshun

🎶 What Happened to Them 1. Original Success & Breakup Con Funk Shun rose to fame in the 1970s and ’80s with hits like “Ffun,” “Shake and Dance,” “Chase Me,” and “Love’s Train.” Internal tensions and changing musical tastes led to the group breaking up in 1987 after disappointing sales on their last album, and members pursued solo careers. 2. Reunion and Continuing Career They reunited in the early ’90s and have been performing in various lineups since then. Today the group still tours and performs live shows, often featuring original members like Michael Cooper, Felton Pilate, and Karl Fuller alongside newer players. They’ve been part of nostalgia and funk/R&B festival circuits, cruise events (like the Soul Train Cruise), and anniversary tours celebrating their legacy. 3. New Music and Legacy The band has put out new music in recent years, including singles tied to a 2023/2024 project (“Text Me Tomorrow,” Smooth Jukebox). They released an album in 2015 (More Than Love), marking their first new studio record in over two decades. 4. “Love’s Train” Revival Their ballad “Love’s Train” wasn’t a single originally but became one of their most enduring songs. Silk Sonic (Bruno Mars & Anderson .Paak) covered it and hit #1 on the charts in the 2020s, bringing renewed attention to the band’s catalog. 5. Honors & Recognition Founders Michael Cooper and Felton Pilate have received honorary doctorates and Presidential Lifetime Achievement awards, reflecting their impact on music. 🎤 In Summary So Con Funk Shun didn’t disappear — they broke up in the late ’80s, reformed later, and continue to perform and release music even today. Their classic hits still get play, and the modern homage from Silk Sonic has helped introduce them to new audiences. 1970–1975 Formed in Vallejo, California Started as Project Soul Discovered by Mercury Records 1976–1983 (Peak Years) Renamed Con Funk Shun Released a string of gold & platinum albums Became one of the tightest live funk/R&B bands of the era Regulars on Soul Train 1984–1987 Musical trends shift Internal pressures + declining sales Group disbands in 1987 Early 1990s Reunion for touring Begin performing on the “classic soul/funk” circuit 2010s–Present Still touring with key original members 2015: More Than Love (first new album in 20+ years) 2022: “Love’s Train” revived by Silk Sonic Continue festival, cruise, and international shows 🎧 Essential Con Funk Shun Songs (Starter Playlist) 🔥 Funk & Dance Classics Ffun – Their signature party anthem Shake and Dance – Pure dance-floor energy Chase Me – Slick, upbeat funk Too Tight – Groove-heavy with attitude By Your Side – Smooth but funky ❤️ Slow Jams & Ballads Love’s Train – Timeless soul ballad Straight From the Heart – Deep romantic groove Baby I’m Hooked (Right Into Your Love) So Easy – Underrated gem 🎼 Albums to Start With Secrets (1977) – Breakthrough album Loveshine (1978) – Polished funk & soul Spirit of Love (1980) – Peak popularity Touch (1980) – Includes “Love’s Train”

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Featured, Music

The Top 10 Best Maxwell Songs

When Maxwell arrived in 1996 with Maxwell’s Urban Hang Suite, he didn’t just release an album; he shifted the entire landscape of R&B. Alongside peers like D’Angelo and Erykah Badu, he became a pioneer of the “Neo-Soul” movement, bringing a sophisticated, live-instrumentation feel back to the genre. With a career spanning over nearly three decades, Maxwell has mastered the art of the “slow simmer,” using his incredible falsetto and poetic songwriting to explore the complexities of love and spirituality. Narrowing down his discography is no easy task, as his “quality over quantity” approach means every album is a cohesive masterpiece. However, looking at cultural impact, vocal performance, and pure soul, we’ve rounded up the definitive list. Here is the Top 10 Best Maxwell songs presented by YouKnowIGotSoul. Lake By The Ocean Album: blackSUMMERS’night (2016) Maxwell’s 2016 return was led by this hypnotic, swaying track. It proved that even after a long hiatus, his ability to craft an “engulfing melody” and a timeless hook remained completely intact. Get To Know Ya Album: Now (2001) Produced by Rockwilder, this track brought a slightly grittier, funkier edge compared to his previous work. It captured the early 2000s R&B energy while keeping that sophisticated Maxwell “cool.” Lifetime Album: Now (2001) Often cited as one of his best vocal performances, “Lifetime” is an uplifting anthem about finding clarity and love. It’s a staple of Adult R&B radio and a showcase for his smooth, effortless delivery. Bad Habits Album: BLACKsummers’night (2009) This song is the epitome of the “simmering” soul Maxwell is known for. The horns and the steady build-up create a tension that perfectly matches the lyrics about an irresistible, perhaps addictive, love. Til The Cops Come Knockin’ Album: Maxwell’s Urban Hang Suite (1996) The song that introduced many to Maxwell’s “ultra-lusty” style. It’s a slow-burn masterpiece that set the standard for the neo-soul movement in the mid-90s. Fortunate Album: Life (Soundtrack) (1999) Though written by R. Kelly, Maxwell made this song entirely his own. It became his biggest commercial hit, topping the R&B charts and showcasing a more traditional, powerhouse vocal style. Sumthin’ Sumthin’ Album: Maxwell’s Urban Hang Suite (1996) A perfect blend of funk and soul. Whether you prefer the original or the “Mellosmoothe” remix, this track is a quintessential “vibe” that remains a mandatory inclusion in any Maxwell setlist. This Woman’s Work Album: Now / MTV Unplugged (2001/1997) Originally by Kate Bush, Maxwell’s falsetto-laden cover is widely considered one of the greatest covers of all time. The raw emotion in the MTV Unplugged version, in particular, solidified his status as a vocal elite. Pretty Wings Album: BLACKsummers’night (2009) A comeback for the ages. This Grammy-winning ballad about “wrong timing” spent 14 consecutive weeks at #1 on the R&B charts. It’s a modern classic that feels like it’s existed forever. Ascension (Don’t Ever Wonder) Album: Maxwell’s Urban Hang Suite (1996) The ultimate Maxwell song. It captures everything he represents: effortless groove, soulful songwriting, and a feel-good energy that never gets old. Decades later, it remains his signature anthem. Honorable Mentions: “Whenever Wherever Whatever”: A stripped-back, acoustic masterpiece that highlights his vulnerability. “Luxury: Cococure”: A sleek, jazzy standout from the Embrya era. “Fistful of Tears”: A powerful, piano-driven ballad that showed his growth as a mature songwriter. “Matrimony: Maybe You”: A fan-favorite deep cut that showcases the perfect fusion of R&B and jazz. “Off”: A recent gem that proves Maxwell hasn’t lost a step when it comes to late-night grooves.

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Featured, Music

The Current Status of Every 2000’s Female R&B...

We now take a look back at the female R&B groups who emerged during the 2000’s. The decade prior featured some of the most iconic groups of all time who are still making an impact to this day. Unfortunately the 2000’s was not quite able to live up to that hype. The 2000s marked a significant decline for female R&B groups, as the era was defined by the transition of breakout stars from groups into successful solo careers. Destiny’s Child was the decade’s most prominent group, achieving massive commercial success before disbanding in 2006, which launched Beyoncé into superstardom. While some groups like TLC continued to release music, their careers were impacted by internal and external challenges, most notably the tragic death of Left Eye in 2002. New groups like 3LW, Cherish, and Danity Kane emerged, often through reality television or with strong label backing, but struggled to achieve the same longevity and impact as their 90s predecessors, leading to a landscape dominated by solo artists. We’ve been on the music scene for many years and have made it our job to keep up to date on this type of information. Have you ever found yourself wondering “Whatever happened to…” your favorite artist? Hopefully we’ve helped to answer that question. You’ll find that most of the groups on the list below are now sadly broken up or dissolved, but at least left us with quality music while they were still releasing it. This list includes the R&B groups who debuted between 2000 and 2009. Click on any artist name to see all recent posts about that artist. Check our other Current Status Lists: 90’s Male Singers (Click Here), 90’s Female Singers (Click Here), 90’s Male Groups (Click Here), 90’s Female Groups (Click Here) 00’s Male Groups (Click Here) 00’s Male Singers (Click Here) 00’s Female Singers (Click Here) 3LW This star studded group was made up of Adrienne Bailon, Kiely Williams & Naturi Naughton. They broke out in 2000 with the hit singles “No More (Baby I’ma Do Right)” & “Playas Gon’ Play”. Their self titled debut album came out that year and the album “A Girl Can Mack” arrived in 2002. The group broke up after that while Kiely and Adrienne went on to join The Cheetah Girls, and Naturi eventually got into acting. The group remains one of the most discussed “what if” stories due to their public fallout. Adrienne Bailon-Houghton has become a staple in daytime television (The Real) and recently reunited with her husband for music and various Disney projects. Naturi Naughton successfully pivoted to a high-profile acting career, starring as Tasha St. Patrick in the Power franchise. Kiely Williams most recently appeared in reality TV circuits like BET Presents: The Encore, where she leaned into her reputation as a group “enforcer.” Cherish The group emerged in the early 2000’s with their singles “Miss P” and “Do It To It” from their debut album “Unappreciated”. They followed with the album “The Truth” in 2008. Cherish have continued to release singles over the years, with the most recent coming in 2017. In 2021, the group was featured on the reality show BET Presents: The Encore. You can check out our recent interview with the group. City High Wyclef Jean helped introduce the group made up of Ryan Toby, Robbie Pardlo & Claudette Ortiz in 2001 with their self titled debut album. That project featured the singles “Caramel” and “What Would You Do?”. The group broke up after, and the members went on to have solo careers and have not reunited since. Claudette was featured on producer Salaam Remi’s 2021 single “All I Need Is You”. Former group member Robbie died in 2025. Danity Kane Another high profile group created by Puff Daddy as part of his Making the Band series. The group originally consisted of Aubrey O’Day, Dawn Richard, Shannon Bex, Aundrea Fimbres & D. Woods. They released the successful albums “Danity Kane” and “Welcome to the Dollhouse” in the mid 2000’s. The group disbanded after and went into separate solo careers. Shannon, Dawn and Aundrea reunited in 2014 and released the DK3 album. Shannon and Aubrey have also formed the duo Dumbblonde in recent years. Danity Kane most recently released the single “Neon Lights” in 2019. In late 2025, a portion of the group announced touring plans and is touring during 2026. Dream The girl group of Puff Daddy arrived in 2001 with their hit single “He Loves U Not” and debut album “It Was All A Dream”. Their second album “Reality” was eventually scrapped after they were dropped from Bad Boy. The group has reunited to tour over the past decade, but has once again broken up and not released new music. Elektrik Red This group was formed by The Dream and producer Tricky Stewart and featured members Kyndra “Binkie” Reevey, Lesley Lewis, Naomi Allen, & Sarah Rosete. They released their debut album “How to Be a Lady: Volume 1” in 2009 but have widely been unheard from since. Floetry The duo of Marsha Ambrosius aka the Songstress and Natalie Stewart aka The Floacist made up Floetry. They arrived in Philly via the UK and ended up at DJ Jazzy Jeff’s “A Touch of Jazz” studios. It was there they created their debut album “Floetic” which released in 2002 and became a part of the Neo-Soul movement. They’d release one more album together before disbanding to embark on solo careers. However, they came back together in 2014 to briefly reunite and tour. They’ve both gone back to solo careers since then. Her Sanity The group arrived in 2002 via their Motown Records debut single “Xclsuive” featuring The LOX. They released their debut album of the same name that same year but it faired poorly on the charts and the group has since broken up. Isyss The group was made up of four members including LeTecia Harrison, Ardena Clark, La’Myia Good & Quierra “Qui Qui” Davis-Martin. They scored a big hit with the Kandi Burress

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