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The Top 10 Best Charlie Wilson Songs

In the history of R&B, there are legends, and then there is “Uncle Charlie” Wilson. His trajectory is one of the most remarkable stories of resilience and creative rebirth in American music. While many of his peers from the funk era saw their careers plateau as the decades shifted, Charlie Wilson successfully staged a second act that didn’t just sustain his relevance—it amplified it. Emerging from the formidable shadow of The Gap Band’s multi-platinum legacy, he transformed himself into the definitive voice of the Adult Contemporary R&B era. He is the rare artist who can claim a seat at the table with both the architects of 70s funk and the superstars of 21st-century hip-hop, serving as a vital bridge between the groove-heavy past and the sleek, melodic present. Charlie Wilson’s solo discography is characterized by a “joyous soul” aesthetic. Whether he is navigating the intricate, sample-heavy production of the 2000s or the polished, organic arrangements of the 2020s, his voice remains an immutable force—a rich, gospel-trained baritone that possesses an ageless quality. He has become the “standard” for vocal stamina, consistently topping the charts and selling out arenas well into his fifth decade in the spotlight. To listen to a Charlie Wilson record is to hear a masterclass in vocal arrangement, charisma, and the enduring power of the R&B tradition. Presented in chronological order, we have looked back through his solo journey to identify the tracks that defined his evolution. Here are the Top 10 best Charlie Wilson solo songs. “Without You” Album: Bridging the Gap (2000) After years of navigating the industry, “Without You” signaled the formal arrival of Charlie Wilson as a solo powerhouse. The track captured a smooth, early-2000s R&B vibe that allowed his veteran vocals to mesh with the contemporary sound of the time. It was a clear indication that his voice was as resilient and relevant as ever. “Charlie, Last Name Wilson” Album: Charlie, Last Name Wilson (2005) Produced by R. Kelly, this track served as a re-introduction to the world. It’s a quintessential mid-tempo groove that cleverly played on his name and status, instantly becoming a signature song. The record successfully introduced “Uncle Charlie” to a younger generation while giving his long-time fans exactly what they wanted: a smooth, sophisticated, and undeniably catchy R&B hit. “There Goes My Baby” Album: Uncle Charlie (2009) This song is a masterclass in modern soul. “There Goes My Baby” became a massive #1 hit on the Urban AC charts, largely because of its timeless feel. Co-written by Babyface, the track is a celebratory, mid-tempo anthem that captures the feeling of being in love. It’s a staple in his live sets and arguably one of the most successful R&B records of its decade. “You Are” Album: Just Charlie (2010) If there is one song that defines Charlie Wilson’s solo career for many, it’s “You Are.” This heartfelt ballad showcases his incredible vocal range and his ability to convey deep emotion. The song spent 13 weeks at #1 on the Billboard Adult R&B chart, cementing his status as the king of Adult Contemporary R&B. It’s a powerful, piano-led record that has become a wedding classic. “My Love Is All I Have” Album: Love, Charlie (2013) By the time Love, Charlie arrived, Wilson had mastered the formula for soulful, uplifting R&B. “My Love Is All I Have” features a bright, infectious production that highlights his vocal clarity. The song is a testament to his enduring positivity and his ability to craft a melody that feels both fresh and nostalgic. “Goodnight Kisses” Album: Forever Charlie (2015) “Goodnight Kisses” is a smooth, doo-wop-inspired record that pays homage to the classic vocal groups of the past. It’s a charming, mid-tempo track that highlights the “sweet” side of his baritone. The song’s simplicity is its strength, allowing the melody and his vocal performance to take center stage. “I’m Blessed” (feat. T.I.) Album: In It to Win It (2017) Charlie Wilson has always been adept at collaborating with younger artists to keep his sound current. “I’m Blessed” is an uplifting, high-energy track that blends R&B with a touch of gospel and hip-hop. The collaboration with T.I. helped the song reach a wider audience, proving that Uncle Charlie could still dominate the charts and the airwaves well into his fourth decade in the game. “One I Got” Album: Non-Album Single (2020) Even in recent years, Charlie Wilson has continued to churn out hits. “One I Got” features a modern, sleek production that sees him leaning into a contemporary R&B pocket. The song was a major success at R&B radio, proving that his voice remains one of the most reliable and beloved instruments in the genre. “Superman” Album: Non-Album Single (2023) One of his most recent offerings, “Superman” is a mid-tempo groove that deals with the themes of strength and devotion. The track showcases his signature vocal layering and his ability to deliver a hook that sticks with you. It’s a polished, modern soul record that shows Uncle Charlie isn’t slowing down anytime soon. “Keep Me In Love” Album: Non-Album Single (2025) Released in July 2025, “Keep Me In Love” became Wilson’s record-breaking 11th #1 hit on Billboard’s Adult R&B Airplay chart. The track is a “heartwarming anthem” that radiates positivity, blending his signature feel-good sound with modern production. It served as the lead single for his Uncle Charlie’s R&B Cookout Tour, reaffirming his role as a consistent leader in the genre. Honorable Mentions: “Realize” (You Turn My Life Around, 1992) “Can’t Live Without You” (Uncle Charlie, 2009) “Magic” (Charlie, Last Name Wilson, 2005) “Life of the Party” (Just Charlie, 2010) “If I Believe” (Love, Charlie, 2013) “Touched By An Angel” (Forever Charlie, 2015) “Chills” (In It to Win It, 2017) “Forever Valentine” (2020) “No Stoppin’ Us” (feat. Babyface, K-Ci & Johnny Gill) (2022) Charlie Wilson’s solo career is a masterclass in longevity and artistic evolution. From his signature mid-tempo grooves to his soaring ballads, Uncle Charlie remains one of the most essential voices in R&B history.

Music

The Top 10 Best Songs Babyface Wrote For Other Artists

While Kenneth “Babyface” Edmonds is a legendary performer in his own right, his most profound impact on the musical landscape often came from behind the scenes. Throughout the 80s and 90s, he crafted a sonic identity for the world’s biggest icons, defining the “Golden Era” of contemporary R&B. His ability to write from the heart with a focus on melody and romantic vulnerability made him the most sought-after songwriter of his generation. Presented in chronological order, this list highlights ten of the most essential records Babyface penned for other artists, illustrating his role as the primary architect of modern soul. Bobby Brown – “Rock Wit’cha” Album: Don’t Be Cruel (1988) As Bobby Brown transitioned from teen idol to solo superstar, Babyface provided the smooth, melodic anchor to his “bad boy” persona. “Rock Wit’cha” is a masterclass in late-80s balladry, blending a gentle New Jack Swing beat with an irresistible hook. It showcased Babyface’s ability to write for a younger, street-conscious audience without losing the sophisticated soul that became his trademark. The Whispers – “Rock Steady” Album: Just Gets Better with Time (1987) Proving he could revitalize legacy acts, Babyface co-wrote this high-energy funk-soul classic for The Whispers. “Rock Steady” featured a driving bassline and a repetitive, infectious chorus that dominated both R&B and Pop airwaves. It remains one of the most successful examples of Babyface’s ability to craft uptempo grooves that retain a classic soul feel. Johnny Gill – “My, My, My” Album: Johnny Gill (1990) This record is often cited as the ultimate R&B slow jam. Babyface wrote a song that allowed Johnny Gill to showcase his powerful, gravelly baritone while maintaining a polished, romantic atmosphere. The track’s dramatic production and passionate lyrics made it a #1 R&B hit and a permanent staple in the pantheon of romantic soul music. Boyz II Men – “End of the Road” Album: Boomerang Soundtrack (1992) Originally written for the Boomerang soundtrack, “End of the Road” became a global phenomenon, breaking the record for the most weeks at #1 on the Billboard Hot 100 at the time. Babyface’s writing perfectly leveraged the group’s four-part harmonies, creating a heartbreaking anthem of finality. This collaboration defined the vocal group sound of the 1990s. Toni Braxton – “Another Sad Love Song” Album: Toni Braxton (1993) As the flagship artist of LaFace Records, Toni Braxton was the perfect canvas for Babyface’s songwriting. Her debut single introduced her smoky contralto to the world through a lyric that was both relatable and musically complex. Babyface captured the specific “sad love song” aesthetic that would define Braxton’s career and lead to multiple Grammy wins. Tevin Campbell – “Can We Talk” Album: I’m Ready (1993) Babyface successfully captured the innocence and excitement of teenage love with this smash hit for Tevin Campbell. The song’s melody is bright and accessible, yet it possesses the rhythmic depth that allowed it to resonate across all age groups. It remains one of the most enduring R&B radio staples of the early 90s. Madonna – “Take a Bow” Album: Bedtime Stories (1994) In a notable crossover moment, Babyface co-wrote and produced this sophisticated ballad for Madonna. He successfully integrated his soulful sensibilities into her pop world, resulting in a #1 hit that stayed at the top of the charts for seven weeks. The song’s poetic lyrics and orchestral arrangement proved Babyface’s versatility as a writer for global pop superstars. Boyz II Men – “I’ll Make Love to You” Album: II (1994) Following the success of “End of the Road,” Babyface delivered another massive #1 hit for Boyz II Men. This track is the quintessential 90s R&B ballad, known for its lush arrangement and the group’s signature smooth delivery. It held the #1 spot on the Billboard Hot 100 for 14 weeks, matching the record set by Whitney Houston’s “I Will Always Love You.” Whitney Houston – “Exhale (Shoop Shoop)” Album: Waiting to Exhale Soundtrack (1995) Writing for the Waiting to Exhale soundtrack, Babyface provided Whitney Houston with one of her most understated yet powerful hits. The song avoids over-singing, focusing instead on a rhythmic, breathy delivery that mirrors the title’s theme of letting go. It debuted at #1 on the Billboard Hot 100, further solidifying the Babyface-Houston creative partnership. Boyz II Men – “A Song for Mama” Album: Soul Food Soundtrack (1997) Few songwriters can craft a tribute that feels sincere without becoming overly sentimental, but Babyface achieved this with “A Song for Mama.” Written for the Soul Food soundtrack, the track became the definitive anthem for Mother’s Day and family celebrations. Its simplicity and heartfelt message have given it a permanent place in the cultural fabric. Honorable Mentions Pebbles – “Girlfriend” (Pebbles, 1987) The Deele – “Two Occasions” (Eyes of a Stranger, 1987) Karyn White – “Superwoman” (Karyn White, 1988) After 7 – “Ready or Not” (After 7, 1989) After 7 – “Can’t Stop” (After 7, 1989) Whitney Houston – “I’m Your Baby Tonight” (I’m Your Baby Tonight, 1990) Johnny Gill – “Fairweather Friend” (Johnny Gill, 1990) Whitney Houston – “Queen of the Night” (The Bodyguard Soundtrack, 1992) Toni Braxton – “You Mean The World To Me” (Toni Braxton, 1993) Boyz II Men – “I’ll Make Love to You” (II, 1994) TLC – “Red Light Special” (CrazySexyCool, 1994) TLC – “Diggin’ On You” (CrazySexyCool, 1994) Brandy – “Sitting Up in My Room” (Waiting to Exhale Soundtrack, 1995) Toni Braxton – “You’re Makin’ Me High” (Secrets, 1996) Toni Braxton – “Let It Flow” (Secrets, 1996) Az Yet – “Last Night” (Az Yet, 1996) Dru Hill – “We’re Not Making Love No More” (Soul Food Soundtrack, 1997) Dru Hill – “These Are the Times” (Enter the Dru, 1998) Mariah Carey – “Never Forget You” (Music Box, 1993) Toni Braxton – “Seven Whole Days” (Toni Braxton, 1993)

Artist Spotlight

The Top 10 Best Babyface Songs

Kenneth “Babyface” Edmonds is arguably the most influential architect of modern R&B. As a singer, songwriter, and producer, he defined the sound of the late 80s and 90s, blending romantic lyricism with polished, melodic production. While he has penned hundreds of hits for other legends, his solo discography remains a gold standard for the genre. Rather than ranking these tracks, we are presenting them in chronological order. This list tracks Babyface’s evolution from a rising star in the late 80s to a global R&B icon. Here are the Top 10 Best Babyface songs. “Whip Appeal” Album: Tender Lover (1989) Coming off his breakthrough sophomore album, “Whip Appeal” became an instant classic and a staple of the New Jack Swing era. The track showcased Babyface’s ability to blend a hard-hitting groove with smooth, seductive vocals. It remains one of his most recognizable records and set the stage for his dominance in the decade that followed. “Soon As I Get Home” Album: Tender Lover (1989) This ballad is a masterclass in R&B storytelling. “Soon As I Get Home” highlighted Babyface’s signature vulnerability, focusing on the themes of devotion and making amends. The song’s production is quintessential late-80s soul, utilizing lush synthesizers and a steady rhythm that allowed his vocal performance to take center stage. “For The Cool In You” Album: For the Cool in You (1993) The title track from his 1993 album signaled a shift toward a more acoustic and organic sound. With its infectious bassline and cool, effortless delivery, “For The Cool In You” proved that Babyface could create uptempo records that felt sophisticated and timeless. It remains one of the most beloved grooves in his catalog. “When Can I See You” Album: For the Cool in You (1993) This acoustic guitar-driven ballad was a departure from the heavily produced R&B of the time. “When Can I See You” earned Babyface a Grammy Award for Best Male R&B Vocal Performance and showed his range as a folk-soul artist. The simplicity of the arrangement underscored the raw emotion in the lyrics, making it a universal heartbreak anthem. “Every Time I Close My Eyes” Album: The Day (1996) A massive collaboration featuring Mariah Carey on backing vocals and Kenny G on the saxophone, this track is the definition of 90s R&B excellence. It is a lush, romantic production that perfectly captured the “Babyface sound” that every artist in the industry was seeking at the time. The song’s soaring bridge and polished finish made it a global hit. “This Is For The Lover In You” (feat. LL Cool J, Howard Hewett, Jody Watley & Jeffrey Daniel) Album: The Day (1996) Babyface’s cover of the Shalamar classic was a brilliant bridge between old-school soul and the hip-hop soul of the mid-90s. By bringing in members of the original group alongside LL Cool J, he created a record that appealed to multiple generations. It remains one of the most successful covers in R&B history. “What If” Album: Face2Face (2001) As a standout single from the Face2Face project, “What If” represents Babyface’s transition into a more contemporary 2000s R&B sound. The track maintains his signature melodic sensibility while incorporating the slicker production trends of the era. It serves as a powerful narrative on the “what ifs” of past relationships, featuring a vocal performance that remains one of his most technically refined. “The Loneliness” Album: Face2Face (2001) Returning to the emotional territory his fans loved, “The Loneliness” is a standout ballad from the Face2Face era. The song captures the stark, quiet pain of isolation after a breakup. Its minor-chord progression and haunting vocal delivery make it one of the more underrated gems in his discography. “I Only Wanted One” Album: Playlist (2007) Featured on his acoustic-focused album Playlist, this track is a return to the “When Can I See You” aesthetic. It is a stripped-back, honest reflection on love and regret. The song highlights Babyface’s enduring ability to connect through simple, effective songwriting and a voice that has only grown richer with time. “We’ve Got Love” Album: Return of the Tender Lover (2015) The lead single from his first solo album in eight years, “We’ve Got Love” served as a triumphant return to form. The track is an uplifting, mid-tempo celebration of positivity and connection, featuring a bright, live-band arrangement. It proved that Babyface could still craft a radio-ready hit that felt modern while staying true to his soulful roots. Honorable Mentions “Two Occasions” (The Deele) (Eyes of a Stranger, 1987) “It’s No Crime” (Tender Lover, 1989) “My Kinda Girl” (Tender Lover, 1989) “Never Keeping Secrets” (For the Cool in You, 1993) “Lady, Lady” (For the Cool in You, 1993) “And Our Feelings” (For the Cool in You, 1993) “How Come, How Long” (feat. Stevie Wonder) (The Day, 1996) “Stress Out” (Face2Face, 2001) “Sorry For The Stupid Things” (Grown & Sexy, 2005) “Mad Sexy Cool” (Grown & Sexy, 2005) “Exceptional” (Return of the Tender Lover, 2015)

New Releases

Producer Camper Releases His Debut Album “Campilation” (Stream)

Grammy Award–winning producer and songwriter Camper has officially released his debut artist album, Campilation, across all major streaming platforms. After a decade of production work for artists such as Usher, Brandy, H.E.R., and Kanye West, this project marks Camper’s first full-length body of work as a primary artist. The album focuses on traditional R&B musicianship, utilizing live piano arrangements, intricate basslines, and layered percussion. Campilation features a collaborative roster of prominent vocalists including Stevie Wonder, Brandy, Victoria Monét, Lucky Daye, Ari Lennox, Syd, Tank, Jill Scott, Ty Dolla $ign, Tone Stith, and Alex Isley. The 11-track project is led by the focus single “Tonight,” featuring Lucky Daye. Another key track, “Waiting On You” featuring Tone Stith, recently reached the Top 5 on the R&B Airplay Chart and received public acknowledgment from Stevie Wonder via KJLH radio. Prior to the full album launch, the project’s singles accumulated over 7.5 million streams. Camper, who won a Grammy for Best R&B Album for his work on H.E.R.’s 2019 debut, held a VIP listening event at Paramount Studios in Los Angeles last month to preview the material for industry executives and collaborators. To further support the release, a special album event is scheduled for January 27 at Verse LA, which will include a live jam session and appearances from the album’s featured guests.

New Releases

Moonchild Releases New Single “Fear (Hey Friend)” Featuring PJ Morton

The Grammy-nominated Los Angeles trio Moonchild—composed of Amber Navran, Andris Mattson, and Max Bryk—has released their latest single, “Fear (Hey Friend),” featuring Grammy-winning artist PJ Morton. Available on all major streaming platforms as of today, the track utilizes the group’s established blend of soul and jazz to address themes of anxiety and personal development. The song’s lyrical narrative reframes self-doubt as a functional component of growth, specifically referencing the Joseph Campbell adage regarding the treasure found in feared spaces. “Fear (Hey Friend)” serves as the latest preview for the trio’s forthcoming sixth studio album, titled WAVES, which is scheduled for release on February 20, 2026, via ONErpm. The album is entirely written, arranged, and produced by the trio and includes a series of previously released singles. These include “Up From Here,” featuring Robert Glasper and D Smoke; the double release “Strong” / “For Yourself,” featuring Lalah Hathaway and Chris Dave; “Not Sorry,” featuring Jill Scott and Rapsody; and “Ride The Wave,” which features Astyn Turr. The upcoming album is described as an exploration of healing and self-worth, characterized by the collaborative songwriting and lush arrangements that have defined the group’s discography. In conjunction with the album launch, Moonchild has announced the WAVES headlining tour. The United States leg of the tour is set to begin on March 5, 2026, in Houston, Texas, with additional dates scheduled across the country to support the new material.

New Releases

Joyce Wrice Releases New Single “Break Me In”

R&B recording artist Joyce Wrice has officially released her latest single, “Break Me In,” today through BMG. This track serves as her first major release following her previous project cycles and acts as a precursor to a larger body of work scheduled for release later in 2026. The single was produced by Malik Ninety Five and Mike Baretz. Musically, the track utilizes a mid-tempo, rhythmic production style characterized by atmospheric arrangements. Wrice’s vocal performance focuses on themes of directness and emotional surrender, with lyrics such as “I hate it when you make me wait… I need you to break me in” and “If you can make me rain and thunderstorm / Baby, I’m all yours.” While her debut album, Overgrown, focused on themes of personal growth and resilience, “Break Me In” represents a shift toward more assertive and romantic lyrical narratives. Outside of her studio recordings, Wrice has recently expanded her commercial presence through several high-profile brand collaborations. These include: JD Sports x Adidas: Participation in recent apparel campaigns & Gap, Featured involvement in the brand’s contemporary marketing initiatives. Since the release of her critically acclaimed debut and subsequent EP, Motive, Wrice has maintained a consistent presence in the R&B genre through live performances and notable featured appearances. This new release under BMG signals a strategic rollout for her upcoming sophomore album, which aims to further establish her position within the contemporary R&B landscape.

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Featured, News

Drake Appeals Dismissal Of Lawsuit Over Kendrick Lamar’s ‘Not Like Us’

Drake thinks the lower court has created an “unprecedented” rule that rap diss tracks can never be actionable with their dismissal of his lawsuit. The Canadian rapper has officially moved to appeal the dismissal of his lawsuit against Universal Music Group (UMG) tied to Kendrick Lamar’s diss track “Not Like Us.” He originally sued UMG last year, alleging the company defamed him by distributing Lamar’s viral diss track, which branded him a “certified pedophile.” However, a federal judge ruled in October that listeners wouldn’t interpret jabs exchanged in a rap feud as literal, factual claims. Rolling Stone reports that in his long-anticipated appeal filed Wednesday, Drake’s legal team argues the opposite is true: That audiences absolutely took the lyrics at face value. “Millions of people understood [Not Like Us] to convey factual information, causing countless individuals around the globe to believe that Drake was a pedophile.” According to the rapper’s attorneys, dismissing the case in spite of that public reaction amounted to the court establishing an “unprecedented” and “dangerous” legal doctrine, one that suggests statements in rap songs can never be defamatory. “It is hard to imagine a statement more damaging to one’s reputation and safety than being labeled a ‘certified pedophile,’ which elicits intense vitriol, and can spur violent retaliation,” Drake’s attorney Michael J. Gottlieb writes in the appeal, obtained by Billboard. “The court’s rule brushes aside the risk of concrete reputational harms that can and here, did spill over into violence.” This appeal serves as the latest turn in a legal saga that caught much of the music world off guard. Very few anticipated that a rap beef would escalate into a lawsuit, leading to some corners of hip-hop culture taunting Drake for taking it there. Lamar dropped “Not Like Us” in May 2024 as the final blow in a fierce back-and-forth between the two artists. Beyond being viewed as Lamar’s lyrical knockout, the song also dominated the charts. It went on to win five Grammy Awards, including record and song of the year, and became a centerpiece of Lamar’s Super Bowl halftime performance. By January, Drake answered not with another track, but with legal action, claiming UMG had defamed him by aggressively amplifying the song’s reach, allegedly through bots and other questionable promotional tactics. While Lamar himself was not named in the suit, Drake accused UMG of having “waged a campaign” against its own star to spread a “malicious narrative.” The post Lawbrey Lawyers Up…Again: Drake Appeals Dismissal Of Lawsuit Over Kendrick Lamar’s ‘Not Like Us’ appeared first on Bossip.

New Releases

Ari Lennox Releases New Album “Vacancy” (Stream)

Grammy-nominated artist Ari Lennox has officially released her third studio album, Vacancy, through Dreamville and Interscope Records. The project follows her 2022 release, age/sex/location, and serves as a continuation of her work within the neo-soul and contemporary R&B genres. The album features executive production from Dreamville co-founder Ibrahim Hamad and long-time collaborator Elite, alongside contributions from several prominent R&B producers. The project maintains Lennox’s signature live-instrumentation aesthetic, utilizing analog synthesizers, crisp percussion, and layered vocal harmonies to explore themes of modern solitude, emotional availability, and self-actualization. Prior to the full album launch, the rollout was anchored by the lead single “Under the Moon,” which gained significant traction on Urban AC radio and streaming platforms. The track highlighted the album’s thematic focus on “filling the void” within oneself rather than seeking external validation. While largely a solo effort designed to highlight her vocal range, Vacancy includes a curated selection of guest appearances that align with Lennox’s soulful delivery. The tracklist features previously released singles: “Twin Flame”, “Vacancy” (Title Track), “Under the Moon”, “Smoke & Mirrors” & “Room for One”. The album’s songwriting remains deeply personal, with Lennox credited as a primary writer on every track. The lyrical content often leans into the “honest and raw” storytelling that defined her breakout debut, Shea Butter Baby. The debut of Vacancy was accompanied by a series of visualizers and an official music video for the title track, which utilized a minimalist, cinematic style to reflect the album’s introspective nature. Since its release, the project has seen strong performance on R&B-specific charts, reinforcing Lennox’s position as a central figure in the modern soul revival. To support the release, Lennox has announced a series of intimate “unplugged” performances, focusing on high-fidelity vocal delivery in smaller jazz-club settings—a nod to her artistic roots.

Artist Spotlight

What happened To Confunkshun

🎶 What Happened to Them 1. Original Success & Breakup Con Funk Shun rose to fame in the 1970s and ’80s with hits like “Ffun,” “Shake and Dance,” “Chase Me,” and “Love’s Train.” Internal tensions and changing musical tastes led to the group breaking up in 1987 after disappointing sales on their last album, and members pursued solo careers. 2. Reunion and Continuing Career They reunited in the early ’90s and have been performing in various lineups since then. Today the group still tours and performs live shows, often featuring original members like Michael Cooper, Felton Pilate, and Karl Fuller alongside newer players. They’ve been part of nostalgia and funk/R&B festival circuits, cruise events (like the Soul Train Cruise), and anniversary tours celebrating their legacy. 3. New Music and Legacy The band has put out new music in recent years, including singles tied to a 2023/2024 project (“Text Me Tomorrow,” Smooth Jukebox). They released an album in 2015 (More Than Love), marking their first new studio record in over two decades. 4. “Love’s Train” Revival Their ballad “Love’s Train” wasn’t a single originally but became one of their most enduring songs. Silk Sonic (Bruno Mars & Anderson .Paak) covered it and hit #1 on the charts in the 2020s, bringing renewed attention to the band’s catalog. 5. Honors & Recognition Founders Michael Cooper and Felton Pilate have received honorary doctorates and Presidential Lifetime Achievement awards, reflecting their impact on music. 🎤 In Summary So Con Funk Shun didn’t disappear — they broke up in the late ’80s, reformed later, and continue to perform and release music even today. Their classic hits still get play, and the modern homage from Silk Sonic has helped introduce them to new audiences. 1970–1975 Formed in Vallejo, California Started as Project Soul Discovered by Mercury Records 1976–1983 (Peak Years) Renamed Con Funk Shun Released a string of gold & platinum albums Became one of the tightest live funk/R&B bands of the era Regulars on Soul Train 1984–1987 Musical trends shift Internal pressures + declining sales Group disbands in 1987 Early 1990s Reunion for touring Begin performing on the “classic soul/funk” circuit 2010s–Present Still touring with key original members 2015: More Than Love (first new album in 20+ years) 2022: “Love’s Train” revived by Silk Sonic Continue festival, cruise, and international shows 🎧 Essential Con Funk Shun Songs (Starter Playlist) 🔥 Funk & Dance Classics Ffun – Their signature party anthem Shake and Dance – Pure dance-floor energy Chase Me – Slick, upbeat funk Too Tight – Groove-heavy with attitude By Your Side – Smooth but funky ❤️ Slow Jams & Ballads Love’s Train – Timeless soul ballad Straight From the Heart – Deep romantic groove Baby I’m Hooked (Right Into Your Love) So Easy – Underrated gem 🎼 Albums to Start With Secrets (1977) – Breakthrough album Loveshine (1978) – Polished funk & soul Spirit of Love (1980) – Peak popularity Touch (1980) – Includes “Love’s Train”

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Featured, Music

The Top 10 Best Maxwell Songs

When Maxwell arrived in 1996 with Maxwell’s Urban Hang Suite, he didn’t just release an album; he shifted the entire landscape of R&B. Alongside peers like D’Angelo and Erykah Badu, he became a pioneer of the “Neo-Soul” movement, bringing a sophisticated, live-instrumentation feel back to the genre. With a career spanning over nearly three decades, Maxwell has mastered the art of the “slow simmer,” using his incredible falsetto and poetic songwriting to explore the complexities of love and spirituality. Narrowing down his discography is no easy task, as his “quality over quantity” approach means every album is a cohesive masterpiece. However, looking at cultural impact, vocal performance, and pure soul, we’ve rounded up the definitive list. Here is the Top 10 Best Maxwell songs presented by YouKnowIGotSoul. Lake By The Ocean Album: blackSUMMERS’night (2016) Maxwell’s 2016 return was led by this hypnotic, swaying track. It proved that even after a long hiatus, his ability to craft an “engulfing melody” and a timeless hook remained completely intact. Get To Know Ya Album: Now (2001) Produced by Rockwilder, this track brought a slightly grittier, funkier edge compared to his previous work. It captured the early 2000s R&B energy while keeping that sophisticated Maxwell “cool.” Lifetime Album: Now (2001) Often cited as one of his best vocal performances, “Lifetime” is an uplifting anthem about finding clarity and love. It’s a staple of Adult R&B radio and a showcase for his smooth, effortless delivery. Bad Habits Album: BLACKsummers’night (2009) This song is the epitome of the “simmering” soul Maxwell is known for. The horns and the steady build-up create a tension that perfectly matches the lyrics about an irresistible, perhaps addictive, love. Til The Cops Come Knockin’ Album: Maxwell’s Urban Hang Suite (1996) The song that introduced many to Maxwell’s “ultra-lusty” style. It’s a slow-burn masterpiece that set the standard for the neo-soul movement in the mid-90s. Fortunate Album: Life (Soundtrack) (1999) Though written by R. Kelly, Maxwell made this song entirely his own. It became his biggest commercial hit, topping the R&B charts and showcasing a more traditional, powerhouse vocal style. Sumthin’ Sumthin’ Album: Maxwell’s Urban Hang Suite (1996) A perfect blend of funk and soul. Whether you prefer the original or the “Mellosmoothe” remix, this track is a quintessential “vibe” that remains a mandatory inclusion in any Maxwell setlist. This Woman’s Work Album: Now / MTV Unplugged (2001/1997) Originally by Kate Bush, Maxwell’s falsetto-laden cover is widely considered one of the greatest covers of all time. The raw emotion in the MTV Unplugged version, in particular, solidified his status as a vocal elite. Pretty Wings Album: BLACKsummers’night (2009) A comeback for the ages. This Grammy-winning ballad about “wrong timing” spent 14 consecutive weeks at #1 on the R&B charts. It’s a modern classic that feels like it’s existed forever. Ascension (Don’t Ever Wonder) Album: Maxwell’s Urban Hang Suite (1996) The ultimate Maxwell song. It captures everything he represents: effortless groove, soulful songwriting, and a feel-good energy that never gets old. Decades later, it remains his signature anthem. Honorable Mentions: “Whenever Wherever Whatever”: A stripped-back, acoustic masterpiece that highlights his vulnerability. “Luxury: Cococure”: A sleek, jazzy standout from the Embrya era. “Fistful of Tears”: A powerful, piano-driven ballad that showed his growth as a mature songwriter. “Matrimony: Maybe You”: A fan-favorite deep cut that showcases the perfect fusion of R&B and jazz. “Off”: A recent gem that proves Maxwell hasn’t lost a step when it comes to late-night grooves.

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Featured, Music

Where Are They Now? The Current Status of Every 2000’s Female R&B Group (2026 Edition)

We now take a look back at the female R&B groups who emerged during the 2000’s. The decade prior featured some of the most iconic groups of all time who are still making an impact to this day. Unfortunately the 2000’s was not quite able to live up to that hype. The 2000s marked a significant decline for female R&B groups, as the era was defined by the transition of breakout stars from groups into successful solo careers. Destiny’s Child was the decade’s most prominent group, achieving massive commercial success before disbanding in 2006, which launched Beyoncé into superstardom. While some groups like TLC continued to release music, their careers were impacted by internal and external challenges, most notably the tragic death of Left Eye in 2002. New groups like 3LW, Cherish, and Danity Kane emerged, often through reality television or with strong label backing, but struggled to achieve the same longevity and impact as their 90s predecessors, leading to a landscape dominated by solo artists. We’ve been on the music scene for many years and have made it our job to keep up to date on this type of information. Have you ever found yourself wondering “Whatever happened to…” your favorite artist? Hopefully we’ve helped to answer that question. You’ll find that most of the groups on the list below are now sadly broken up or dissolved, but at least left us with quality music while they were still releasing it. This list includes the R&B groups who debuted between 2000 and 2009. Click on any artist name to see all recent posts about that artist. Check our other Current Status Lists: 90’s Male Singers (Click Here), 90’s Female Singers (Click Here), 90’s Male Groups (Click Here), 90’s Female Groups (Click Here) 00’s Male Groups (Click Here) 00’s Male Singers (Click Here) 00’s Female Singers (Click Here) 3LW This star studded group was made up of Adrienne Bailon, Kiely Williams & Naturi Naughton. They broke out in 2000 with the hit singles “No More (Baby I’ma Do Right)” & “Playas Gon’ Play”. Their self titled debut album came out that year and the album “A Girl Can Mack” arrived in 2002. The group broke up after that while Kiely and Adrienne went on to join The Cheetah Girls, and Naturi eventually got into acting. The group remains one of the most discussed “what if” stories due to their public fallout. Adrienne Bailon-Houghton has become a staple in daytime television (The Real) and recently reunited with her husband for music and various Disney projects. Naturi Naughton successfully pivoted to a high-profile acting career, starring as Tasha St. Patrick in the Power franchise. Kiely Williams most recently appeared in reality TV circuits like BET Presents: The Encore, where she leaned into her reputation as a group “enforcer.” Cherish The group emerged in the early 2000’s with their singles “Miss P” and “Do It To It” from their debut album “Unappreciated”. They followed with the album “The Truth” in 2008. Cherish have continued to release singles over the years, with the most recent coming in 2017. In 2021, the group was featured on the reality show BET Presents: The Encore. You can check out our recent interview with the group. City High Wyclef Jean helped introduce the group made up of Ryan Toby, Robbie Pardlo & Claudette Ortiz in 2001 with their self titled debut album. That project featured the singles “Caramel” and “What Would You Do?”. The group broke up after, and the members went on to have solo careers and have not reunited since. Claudette was featured on producer Salaam Remi’s 2021 single “All I Need Is You”. Former group member Robbie died in 2025. Danity Kane Another high profile group created by Puff Daddy as part of his Making the Band series. The group originally consisted of Aubrey O’Day, Dawn Richard, Shannon Bex, Aundrea Fimbres & D. Woods. They released the successful albums “Danity Kane” and “Welcome to the Dollhouse” in the mid 2000’s. The group disbanded after and went into separate solo careers. Shannon, Dawn and Aundrea reunited in 2014 and released the DK3 album. Shannon and Aubrey have also formed the duo Dumbblonde in recent years. Danity Kane most recently released the single “Neon Lights” in 2019. In late 2025, a portion of the group announced touring plans and is touring during 2026. Dream The girl group of Puff Daddy arrived in 2001 with their hit single “He Loves U Not” and debut album “It Was All A Dream”. Their second album “Reality” was eventually scrapped after they were dropped from Bad Boy. The group has reunited to tour over the past decade, but has once again broken up and not released new music. Elektrik Red This group was formed by The Dream and producer Tricky Stewart and featured members Kyndra “Binkie” Reevey, Lesley Lewis, Naomi Allen, & Sarah Rosete. They released their debut album “How to Be a Lady: Volume 1” in 2009 but have widely been unheard from since. Floetry The duo of Marsha Ambrosius aka the Songstress and Natalie Stewart aka The Floacist made up Floetry. They arrived in Philly via the UK and ended up at DJ Jazzy Jeff’s “A Touch of Jazz” studios. It was there they created their debut album “Floetic” which released in 2002 and became a part of the Neo-Soul movement. They’d release one more album together before disbanding to embark on solo careers. However, they came back together in 2014 to briefly reunite and tour. They’ve both gone back to solo careers since then. Her Sanity The group arrived in 2002 via their Motown Records debut single “Xclsuive” featuring The LOX. They released their debut album of the same name that same year but it faired poorly on the charts and the group has since broken up. Isyss The group was made up of four members including LeTecia Harrison, Ardena Clark, La’Myia Good & Quierra “Qui Qui” Davis-Martin. They scored a big hit with the Kandi Burress

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Featured, Music

The Top 10 Best Songs By Trey Songz

When Trey Songz first arrived on the scene in 2005, he was introduced by the legendary Troy Taylor and heralded by none other than Aretha Franklin. Over the next decade and a half, “Trigga” would transform from a young, soulful crooner into one of the most dominant forces in contemporary R&B. Known for his incredible vocal runs, undeniable charisma, and the ability to bridge the gap between classic soul and modern hip-hop, Trey has built a catalog that defines an entire era of the genre. While his “Mr. Steal Your Girl” persona often takes center stage, his true legacy lies in his versatility. Whether he’s delivering a raw, vulnerable ballad or a high-energy club anthem, Trey’s impact on R&B is undeniable. We’ve selected the essential tracks that showcase the very best of Trey Songz. Click Here For Our Other Top 10 Lists | Click Here For Our Most Recent Interview With Trey Songz “Gotta Go” (from the “I Gotta Make It” album) Before the platinum plaques and sold-out arenas, “Gotta Go” established Trey as a serious vocalist. This mid-tempo groove, with its nostalgic aura and soaring harmonies, showcased a level of maturity that was rare for a debut artist. It remains a fan favorite and a reminder of the raw soul that started his journey. “Can’t Help But Wait” (from the “Trey Day” album) This was the moment Trey Songz became a household name. Produced by Stargate, “Can’t Help But Wait” is a masterclass in R&B storytelling. The song’s relatability and Trey’s earnest delivery earned him a Grammy nomination and solidified his place as the next big thing in the genre. “I Invented Sex” (featuring Drake) (from the “Ready” album) In 2009, Trey and a rising Drake changed the sonic landscape of R&B with this track. “I Invented Sex” introduced a darker, more atmospheric sound that would define much of the next decade. It’s a smooth, confident record that leaned into Trey’s growing “playboy” persona while maintaining his vocal excellence. “Can’t Be Friends” (from the “Passion, Pain & Pleasure” album) Arguably his most powerful vocal performance, “Can’t Be Friends” is a raw look at the aftermath of a breakup. Stripping away the flashy production, Trey relies on his voice to convey the pain of a love that can’t simply transition into a friendship. It is widely considered one of the best R&B ballads of the 2010s. “Neighbors Know My Name” (from the “Ready” album) This track is the quintessential Trey Songz “bedroom anthem.” With its infectious hook and playful lyrics, it became a cultural staple. It perfectly balances his southern charm with the polished R&B sound that made the Ready album a modern classic. “Say Aah” (featuring Fabolous) (from the “Ready” album) While Trey is a master of the slow jam, “Say Aah” proved he could own the club as well. This collaboration with Fabolous became a massive crossover hit, dominating radio and parties for years. It showed his ability to craft a “party” record without losing his R&B identity. “Love Faces” (from the “Passion, Pain & Pleasure” album) “Love Faces” is Trey Songz at his most seductive. The lush production and intricate vocal arrangements highlight his growth as a musician. It’s a sophisticated record that remains a high point in his discography for those who appreciate the “grown and sexy” side of his music. “Slow Motion” (from the “Trigga” album) Late in his career, Trey reminded everyone how well he knows how to make a slow jam. “Slow Motion” is a hypnotic, stripped-back track that focuses on his tone and pacing. It became one of his biggest hits in years, proving his longevity in a rapidly changing R&B environment. “Heart Attack” (from the “Chapter V” album) Teaming up with Rico Love and Benny Blanco, Trey delivered a grand, cinematic ballad with “Heart Attack.” The song deals with the “toxic” side of love that feels like both a blessing and a curse. His vocal intensity on the hook makes this one of the most memorable tracks from his Chapter V era. “Gotta Make It” (featuring Twista) (from the “I Gotta Make It” album) The song that started it all. “Gotta Make It” was more than just a debut single; it was a mission statement. Featuring a signature double-time verse from Twista, the track highlighted Trey’s ambition and his distinct Virginia “soul” that would carry him to the top of the charts. Honorable Mentions: * “Bottoms Up” (feat. Nicki Minaj) (from the Passion, Pain & Pleasure album) * “Na Na” (from the Trigga album) * “Jupiter Love” (from the Ready album) * “Panty Droppa” (from the Ready album) * “Last Time” (from the Trey Day album)

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Featured, Music

The Top 10 Best Chris Brown Songs

When discussing the most influential forces in 21st-century R&B, Chris Brown is a name that dominates the conversation. Bursting onto the scene as a teenager with infectious energy and elite dancing, he eventually evolved into one of the most prolific hitmakers in music history. With a discography that spans over a thousand songs, his ability to pivot between pure R&B, pop, hip-hop, and dance music is almost unparalleled. While he is often celebrated for his high-octane performances, his core strength has always been his ear for melody and his growth as a vocalist. From the bubblegum soul of his debut to the experimental “Indigo” era, we’ve selected the essential tracks that define the “Breezy” legacy. Click Here For Our Other Top 10 Lists “Yo (Excuse Me Miss)” (from the “Chris Brown” album) If “Run It!” introduced him to the world, “Yo (Excuse Me Miss)” made him a superstar. Produced by Dre & Vidal, this track perfectly captured the “young love” essence of the mid-2000s. It’s a smooth, mid-tempo groove that highlighted Chris’s natural charisma and cemented his place as the heir apparent to the R&B throne. “No Guidance” (featuring Drake) (from the “Indigo” album) After years of rumored tension, the collaboration between Chris Brown and Drake lived up to every bit of the hype. “No Guidance” is a masterclass in modern R&B production—atmospheric, moody, and incredibly catchy. It became one of the biggest hits of his career, proving he could still dominate the charts over a decade into his journey. “With You” (from the “Exclusive” album) Chris took a more acoustic, pop-leaning approach with “With You,” and the result was a global anthem. Stargate’s production provided a simple yet effective backdrop for one of Chris’s most sincere vocal performances. It remains a wedding staple and a testament to his ability to cross over without losing his soulful core. “Fine China” (from the “X” album) “Fine China” was a bold artistic statement. Moving away from the EDM sounds that dominated the early 2010s, Chris leaned into a retro-soul aesthetic that paid clear homage to Michael Jackson and Stevie Wonder. With its live instrumentation and soaring vocals, it is arguably one of the most “musically pure” songs in his entire catalog. “Take You Down” (from the “Exclusive” album) This is the moment Chris Brown officially transitioned from the “boy next door” to an R&B heartthrob. “Take You Down” is a sultry, heavy-hitting ballad that became a blueprint for his more mature records. Its impact on the R&B charts and its status as a fan favorite during his live shows cannot be overstated. “Deuces” (featuring Tyga & Kevin McCall) (from the “Fan of a Fan” mixtape) Released during a pivotal moment in his career, “Deuces” was a cultural phenomenon. It spearheaded the “mixtape era” for R&B artists, blending a laid-back West Coast vibe with a dismissive, catchy hook. It reminded everyone that Chris could dictate the sound of the streets just as easily as the sound of the radio. “New Flame” (featuring Usher & Rick Ross) (from the “X” album) Collaborating with your idol is one thing, but holding your own alongside him is another. “New Flame” saw Chris and Usher trade smooth vocals over a lush, mid-tempo beat. It felt like a passing of the torch and a celebration of R&B excellence all at once. “Say Goodbye” (from the “Chris Brown” album) A classic “breakup” song is a requirement for any R&B great, and “Say Goodbye” is Chris’s contribution to the pantheon. Featured on the Step Up soundtrack, this Bryan-Michael Cox-produced ballad showed a level of emotional depth that was rare for an artist so young at the time. “Don’t Judge Me” (from the “Fortune” album) In “Don’t Judge Me,” Chris offered a rare moment of vulnerability and transparency. The stripped-back, cinematic production allows his voice to take center stage as he asks for grace regarding his past mistakes. It’s a powerful, resonant record that stands out as one of his best vocal displays. “Grass Is Greener” (from the “Heartbreak on a Full Moon” album) From his massive 45-track opus, “Grass Is Greener” stands out for its storytelling and relatability. It captures the regret of a relationship gone wrong with a melody that stays in your head long after the track ends. It represents the “Heartbreak” era perfectly—toxic, melodic, and undeniably soulful. Honorable Mentions: * “Run It!” (from the Chris Brown album) * “Back To Sleep” (from the Royalty album) * “Loyal” (from the X album) * “Under The Influence” (from the Indigo album) * “Poppin’” (from the Chris Brown album) Would you like me to put together a similar list for another R&B powerhouse like Usher or Trey Songz?

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Featured, News

ICE Is The Real Criminal Threat, Not Undocumented Immigrants

In this dystopian hellscape created by the MAGA-movement and nutless Republicans, armed gang members ride through neighborhoods looking for people to kidnap. In Minneapolis on Wednesday, they killed a woman, Renee Nicole Good, 37, a mother of three. A gentle soul, which I can say without pause, because she was a poet. All poets have gentle souls. She was trying to get away from the armed gang harassing her when they opened fire on her. The gang’s OGs have already started spinning a tale about cars being used as weapons and factions of people learning to drive recklessly to take them out. It’s a story as old as time, this war between gangs and the communities that they terrorize, but this is different. Immigration and Customs Enforcement (ICE) is a federally funded gang that slides into communities and tears families apart, and they do so with impunity. It is worse than the Crips or Gangster Disciples because ICE is backed by America’s lifeblood, racism, and a racist White House that implored them to make their bones. Racism drives this administration. It’s the spine of Project 2025, the playbook of Trump’s White House. It’s the foundational tenet for ICE’s harassment, kidnapping, and capture of working immigrants who are simply trying to make a way for themselves and their families while navigating an increasingly hostile U.S. immigration system. The U.S. Supreme Court is in on it, too. They allow ICE to racially profile those whom they decide to stop and question. Racism is the sole reason that the Immigration and Customs Enforcement (ICE) went from a terror-fighting faction of the Department of Homeland Security to those that create said terror. ICE was created in the post-9/11 haze and sold to the public as a necessary evil to protect us from shadowy threats. Two decades later, its actual résumé reads like a rap sheet: family separations, warrantless arrests, deaths in custody, medical neglect, sexual abuse allegations, and now—yet again—gun violence. Remember, most gangs start with good intentions. The Crips were formed to protect neighborhood youth against other, more violent gangs. See what the Crips are on now. Details of the tragedy are still being sorted, but the pattern is familiar: a heavily armed law-enforcement presence, escalating force, and yet another civilian harmed in the name of “public safety.” The script never changes—only the zip code does. “Federal agents have shot people 14 times since last January, killing at least four; on multiple occasions, officers shot at people observing ICE raids and people attempting to drive away,” the Trace notes. At what point do we admit that the people claiming to stop crime are, in fact, committing it? Because let’s be clear: snatching people off the street in unmarked vehicles is not “enforcement.” That’s kidnapping with a PR team. Detaining people indefinitely without charges isn’t “border security.” That’s incarceration without due process. Shooting civilians during routine operations isn’t “keeping the peace.” That’s state violence, full stop. Because ICE isn’t preventing harm; they’re creating it. They are rolling up on unsuspecting people masked up, carrying large weapons, and shouting demands. That’s gang behavior. And to be frank, all of this is a show of force that isn’t even warranted, as crossing a border without papers is a civil violation, not a violent crime. If ICE were a person, they would be locked up, considering they would’ve been charged with unlawful detention, excessive force, obstruction of legal counsel, and gross negligence that has resulted in death. If anyone did even a portion of that, we wouldn’t be debating semantics—we’d be calling a lawyer. ICE doesn’t get to be both the perpetrator and the victim. They don’t get to hop out of tinted-windowed vehicles, guns at the ready, and then claim that the person fleeing this lawless gang endangered their lives by trying to get to safety. But that’s America at work, where the brown face can be charged for hurting the white fist. These agents are not de-escalators. They are not community protectors. They are trained to treat human beings as threats first and ask questions later. When that mindset collides with real neighborhoods and real people, they get hurt. And this is the quiet part that never gets said out loud: all gang structure is to feed an ecosystem of terrorism that thrives off fear and, more importantly, money. Everyone has to kick up to the big homies when they hit a lick, and so does ICE. This anarchic band of hoods kidnapping people is to feed a private prison system that profits off those in custody. There are bed mandates. Quotas. Contracts. When your budget depends on keeping cages full, you stop caring whether the people inside them pose any danger. You just need them compliant—or gone. Which brings us back to the central scam: ICE does not make communities safer. Immigrants—documented or undocumented—are statistically less likely to commit violent crimes than native-born citizens. ICE knows this. Politicians know this. But fear is more useful than facts, especially when elections need winning, and dog whistles need blowing. So the world’s most dangerous crew is ICE. They are neighborhood police with crack strength. And they don’t care. They will show up at courthouses, hospitals, graduations, and birthday parties just to rip families apart because they pledged allegiance to their gang and got jumped in. And they’re the criminals they claim to be looking for. And that’s the uncomfortable truth America keeps dodging: the most dangerous criminals in this country don’t always come from the hood. Sometimes they come with badges, guns, and a talking point about “law and order,” leaving blood, trauma, and broken families in their wake—and daring us to pretend that’s justice. SEE ALSO: Woman Shot And Killed By ICE During Crackdown In Minneapolis ICE Agents Invade Minneapolis Hospital With No Warrant  

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Music

FLO Releases New Single “Recently Deleted”

FLO continues their historic run with the release of “Recently Deleted,” a soul-stirring new fan track out now via Island Records. The release serves as the centerpiece for Access All Areas: Unlocked, an expanded version of their debut album that now brings three previously physical-exclusive bonus tracks—”Conceited,” “Say Less,” and “Do Too Much”—to all streaming platforms. The drop comes at a milestone moment for the trio, whose debut recently became the first project by a British girl group in 20 years to earn a GRAMMY nomination (Best Progressive R&B Album). Described by the group as a “passionate R&B moment” with a “grown narrative,” the track is a gift to a global fanbase that helped the group achieve the highest-charting album for a British R&B girl group in over two decades. From a record-breaking North American tour to a sold-out homecoming at London’s O2 Brixton, FLO is officially setting the gold standard for the modern girl group. The post FLO Releases New Single “Recently Deleted” appeared first on New R&B Music, Songs & Interviews | YouKnowIGotSoul.com.

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Featured, Music

Tank Releases Video For Latest Single “Control”

Tank is ending 2025 on a high note with the premiere of the official music video for “CONTROL.” Marking his first major move under a new global partnership with BMG, the video showcases a sleek, intentional side of the R&B General. Directed by Danil Demichev, the visual centers Tank’s commanding presence amidst sharp, modern choreography, signaling a sophisticated new chapter in his storied career. The release caps off a landmark year that saw Tank conquer Broadway with a celebrated run in Alicia Keys’ Hell’s Kitchen. Between his stage success and making history by tying Usher and Charlie Wilson for the most No. 1s on Billboard’s Adult R&B Airplay chart (via his feature on Aaliyah’s “Gone”), Tank remains an immovable force in the industry. Whether he is breaking the internet with the R&B Money Podcast or delivering show-stopping performances on the Tamron Hall Show, “CONTROL” proves that Tank’s influence is only expanding. The post Tank Releases Video For Latest Single “Control” appeared first on New R&B Music, Songs & Interviews | YouKnowIGotSoul.com.

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Featured, News

Why A ‘Hillbilly’ Vice President, Not Trump, Was The Perfect Messenger To Tell White America To Stop Apologizing

At a Turning Point USA event in Phoenix, Vice President JD Vance, the self-appointed “hillbilly” who made it out the mud, told white Americans they no longer have to “apologize for being white.” After Vance’s remarks, much of the media coverage fixated on crowd reaction, viral outrage, and whether the comment was provocative or racist, with outlets describing applause and backlash. The coverage treats the remark like a culture-war skirmish or a spicy soundbite meant to rile liberals and thrill conservatives. Was it divisive? Was it provocative? Was it just red-meat rhetoric for the base? But we need to be interrogating the deeper political calculus behind the message. The one real question we should be asking has been politely avoided: why was this man chosen to say it, on that stage, at this moment? Because the power of the line, which is not new, doesn’t come from its originality, but from its messenger. Those words could never have carried the same weight coming from Donald Trump. He is too rich, too cartoonishly gilded, and too insulated from the daily humiliations of working-class life. He smells like inheritance, bankruptcy lawyers, and gold-plated toilets. White Americans already know Trump doesn’t apologize to anyone for anything because that’s his brand. Coming from him, the remark would have sounded like exactly what it was: a billionaire dismissing accountability from the safety of unearned power. But coming from JD Vance, those words hit different. Vance is the perfect vessel because he is not supposed to be the villain in this story about American decline. He’s supposed to be the proof that the American story still works. He’s the poor white kid who survived Appalachia and clawed his way out of generational precarity. He escaped addiction and instability and sits among elite power without fully shedding the aesthetic of struggle or indicting the system that chewed up everyone he left behind. Appalachia was gutted by corporations, poisoned by industry, abandoned by policy, and exploited by capital. If anyone has standing to name the real villains, it is him. But instead, he stood on that stage and offered absolution to angry white folks. He doesn’t look like a robber baron. He doesn’t sound like a hedge fund vampire. He doesn’t wear his privilege in gold leaf. He arrives coded as earned, not inherited. And that’s precisely why he can say things Donald Trump can’t say without exposing the scam. Vance is the walking proof-of-concept for the lie at the heart of white grievance politics. His biography does the dirty work for him. His mere presence tells struggling white Americans: See? The system isn’t broken. I made it. And if you didn’t, that failure isn’t about class warfare, corporate theft, union busting, or billionaires hollowing out your town. Nope, it’s about culture. It’s about values. It’s about them. ‘Them’ being all those immigrants who “cut the line.” The Black folks who “won’t stop complaining” and “hate white people.” The DEI programs that supposedly stole your job. The leftists and “Democrats” who “hate America.” The queer folks who make you uncomfortable by existing out loud. The problem is anybody but the corporations that poisoned your water. That shipped your labor overseas and cashed the checks while your community collapsed. It’s not the hedge funds that strip-mined your hospitals and nursing homes. Nor the pharmaceutical giants that flooded your towns with opioids and called it pain management. It ain’t the private-equity vultures that bought your trailer parks and jacked up the rent. Not the agribusiness monopolies that crushed family farms, the telecoms that took public money and still left you without broadband. Not the coal and chemical companies that took the land and left the cancer clusters, or the banks that redlined you on the way in and foreclosed on you on the way out. And it’s certainly not the lawmakers who gutted unions, and the billionaires who wrote the tax code so your paycheck shrank while their fortunes ballooned. According to our “hillbilly” Vice President, it’s anybody but the people who actually pulled the levers. That’s the magic trick. Vance stands there as living proof that the ladder still works as long as you redirect your anger at structural violence in the right direction. And once that story takes hold, class solidarity becomes impossible. Because why punch up at the capital when you’ve been trained to punch sideways and down at the people who were never holding the knife in the first damn place? That sleight of hand is exactly why a Turning Point USA stage was the perfect place for Vance to perform this routine. Turning Point USA isn’t some scrappy youth movement. It is a grievance factory bankrolled by wealthy donors who benefit directly from keeping white Americans angry, confused, and misdirected. The same corporate interests that busted unions, suppressed wages, deregulated industries, and strip-mined rural communities now underwrite conferences where white resentment is packaged as “freedom.” Vance’s job is to make sure no one in the audience ever connects those dots. So instead of asking why private equity gutted their hospitals, why pharmaceutical companies flooded their towns with opioids, or why billionaires keep getting tax cuts while their schools crumble, the crowd is trained to seethe at safer targets. Everyone except the corporations in the room and the donors signing the checks. That’s the scammy business model. Vance doesn’t challenge that model; he completes it. He reassures white Americans that their suffering has nothing to do with capitalism run amok and everything to do with moral decline and cultural invasion. He turns class betrayal into racial discipline. He sells the lie that dignity comes not from solidarity or justice, but from refusing to interrogate who’s actually profiting off your pain. And because he comes wrapped in a hillbilly origin story, the absolution feels authentic and trustworthy. When he tells white Americans they don’t have to apologize, it doesn’t sound like a billionaire sneering at accountability. It sounds like a neighbor who understands, a man who’s been

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Music

Charlie Bereal Releases New Single “Chocolate Woman”

Charlie Bereal—the GRAMMY-nominated multi-instrumentalist behind some of R&B’s most iconic hits—is back with his latest single, “Chocolate Woman.” Released via Death Row Records/gamma., the track is a masterclass in modern soul, exploring the fragile balance of love, respect, and reciprocity. Building on the success of his debut album, Walk With The Father, Bereal leans into his reputation as a “musician’s musician.” The track features a rich, live-instrument tapestry of trumpets, chimes, and his signature guitar work, evoking the timeless spirit of legends like Teddy Pendergrass and Curtis Mayfield. While he has spent years shaping the sound of industry giants—contributing to hits like Aaliyah’s “More Than a Woman” and Missy Elliott’s “One Minute Man”—Bereal is now firmly in the spotlight, blending his Pasadena gospel roots with a cinematic R&B sensibility that is both personal and profound. The post Charlie Bereal Releases New Single “Chocolate Woman” appeared first on New R&B Music, Songs & Interviews | YouKnowIGotSoul.com.

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Music

Keith Robinson Releases Video For Latest Single “Foolish Luv”

Renowned actor and recording artist Keith D. Robinson has returned with the visuals for his latest single, “Foolish Luv”. This serves as the second release from his highly anticipated album, “Love Episodic II”, which is scheduled to drop in the spring of 2026. Directed by Julius “Bigfellow” Twum and Robinson himself, the music video is a comedic, sci-fi take on modern romance. It co-stars actress Trisha Mann-Grant, Robinson’s castmate on the hit CBS daytime soap Beyond the Gates. The storyline centers on “The Man Store,” a fictional department store selling made-to-order robotic men. Chaos ensues when the “Keith D. Robinson 2.0” model sells out, forcing the store manager (Mann-Grant) and her quirky staff—security guard “Dwayne” (Robinson) and handyman “Ginger” (Twum)—to unveil the new “Teddy Boo 3T.” The video playfully explores the obsession between their TV characters, Dr. Ted Richardson and Leslie Thomas, asking the question: Is technology creeping too far into our love lives? “The irony of making this visual was the ‘out of the box’ approach we took that seems to be less and less ‘out of the box’ as the days go by,” says Robinson. “We go spiraling towards technology invading every space of humanity.” The video riffs on the chemistry found in Beyond the Gates, the CBS series set in a posh, affluent African American community in Maryland. The show follows the prestigious Dupree family and the scandals hidden behind the manicured gardens of their gated community. The post Keith Robinson Releases Video For Latest Single “Foolish Luv” appeared first on New R&B Music, Songs & Interviews | YouKnowIGotSoul.com.

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News

NY Community Demands Justice After Black Man Beaten And Tased By Peekskill Police

Community members in Peekskill are organizing in support of 42-year-old Damar Fields, following the release of a video showing him being tased, kicked, and struck by a police officer during an arrest on Dec. 3 at Riverfront Green Park. According to the Peekskill Herald, the video, shared by community activist Darrell Davis, who serves as a spokesperson for Fields’ family, sparked widespread outrage and led to an unidentified Peekskill police officer being placed on paid administrative leave. Davis has said Fields did nothing to warrant the treatment shown in the footage. On Saturday, Dec. 13, approximately 75 people gathered at the riverfront gazebo for a peaceful rally to protest what they described as police brutality. Demonstrators called for the release of the complete body camera footage and shared personal accounts of negative interactions with law enforcement. “The way they beat our brother was inhumane,” Davis told the Peekskill Herald on Dec. 15, adding that Fields was known to police and had emotional issues in the past. “And someone who did that should not have a gun or badge. And we are not letting this go,” Davis said. What did the video show? The video of the incident, obtained by CBS News, shows an officer using a stun gun on Fields while yelling, “Get on your [expletive] face,” before kicking him. Police had responded to a complaint about a man near the gazebo along the Hudson River. A second officer arrives moments later, and the first officer punches Fields as the encounter continues. Both officers end up on top of Fields, striking him multiple times, before three additional officers arrive and take him into custody. “It was disgusting, it was horrible. The young man is traumatized. He’s still getting medical help,” Davis told the outlet during an interview  Dec. 5. “I don’t care if this guy is a mass murderer. You had him tased, helpless, and you pounced on him, and that’s not your job.” Following the release of the video, the Peekskill Police Department confirmed the officer involved was placed on paid administrative leave while the Westchester County District Attorney’s Office investigates the incident. Davis said the rally marked only the beginning of broader community action. Since the video was shared, he said, numerous people have reached out to him with photos and videos alleging other instances of police violence in Westchester County, including Peekskill, NY. An investigation into Damar Fields’ arrest is being conducted. Newly appointed Peekskill Police Chief Adam Renwick referred the case to the district attorney for an independent investigation. During a city council meeting on Dec. 8, Renwick said he is limited in what he can publicly discuss due to the ongoing investigation, but assured that a thorough investigation would be conducted. “I did this because the video circulating on social media raised legitimate questions about the use of force, and it was essential that all aspects of the incident be investigated fully and impartially,” Renwick said, according to a Dec. 10 report from the Peekskill Herald. “Our department is fully cooperating with that review and has provided all available evidence, including body-worn camera footage, reports, and witness statements.” The Peekskill Police Benevolent Association claimed that Fields’ arrest was allegedly prompted by him “exposing” himself.  However, Damar Fields is not currently in custody, and no charges have been filed against him as of this writing. They also defended the unnamed officer’s behavior. “Once located, the officer observed the male fully exposed with his pants pulled down,” claimed PBA Attorney Andrew Quinn. “The male refused to follow the officer’s legal commands to comply and aggressively approached him, making irrational statements. It was clear to the officer that the male, who was apparently high on narcotics and was known to the officer due to his frequent problematic behavior, was a threat both to himself and the parkgoers.” The PBA accused Fields— who was unnamed in the release— of resisting “violently” and claimed he “continued to act irrationally” and that the officer only used force because it was necessary to detain him. Notably, this wasn’t Fields’ first time encountering officers from the Peekskill Police Department. CBS News noted Peekskill police had previously arrested him in September on an alleged misdemeanor drug possession charge. Mayor Vivian McKenzie addressed the incident on Wednesday, promising a thorough internal affairs review. “It’s a partial video. It doesn’t show the whole incident, but the part that is there is very, very concerning,” McKenzie said. “There is always more to the story, but again, I will say, what we saw was very concerning.” Westchester County District Attorney Susan Cacace has assigned her Public Law Enforcement Integrity Unit to investigate how officers handled Fields’ arrest. In the aftermath of the incident,  Darrell Davis helped form a support committee to assist Damar Fields, raising funds to move him from the streets into a hotel. The committee includes Ingrid Wittmann and Arne Paglia, both of whom spoke at the rally, along with several other community members. Davis also told the Peekskill Herald he is encouraging residents to write letters to the district attorney calling for charges against the officers involved and urging compassion in Damar Fields’ treatment. SEE MORE:  Police Violence Thrives Decades After Rodney King Beating Knox County DA’s Office Won’t Investigate David Batts’ Death

Cardi B Stefon Diggs (Via Instagram)
Featured, Music

Cardi B Supports Boyfriend Stefon Diggs At His Foundation’s Wellness Event

Cardi B and Stefon Diggs are practicing wellness–and philanthropy–as a couple. The rapper continued her reign as her boyfriend’s biggest fan by supporting him at a holiday wellness event at the New England Patriots’ Gillette Stadium in Foxborough, Mass. on Monday, Dec. 15. The happy couple joined local mothers and their kids for the stadium’s first-ever “Winter Wonderland Wellness” event, which was organized by the NFL star’s nonprofit, Diggs Deep Foundation. As seen in multiple videos across on social media, the rapper and the football player took their shoes off to participate in the yoga class, flashing smiles at one another as they giggled and took direction from the teacher. While at the event, Cardi also posed for a photo with Diggs’ mom, which the proud mother posted in an Instagram dump from the event along with the caption: “Bring your mom to work day: Holiday edition.” While talking to local reporters about why he wanted to organize the event, Diggs explained that a night focused on pampering mothers was very important to him. “It’s the end of the year. I feel like everybody had a hard year, every year is a hard year, especially for moms,” the NFL star, who was raised by a single mother, said. “My mom is actually here today, special guest. So I just wanted to have a wellness day, an appreciation day.” He continued, “Everyone works extremely hard and I’m extremely blessed, so paying it forward has always been big for me. I think give them a little break, a little yoga, a little message, a little facial… a day of appreciation.” This outing for Cardi and Stefon comes just one month after the pair welcomed their first baby, a boy, together. While they have yet to reveal the little one’s name, the rapper been giving fans little glimpses of her baby since his arrival. On her Instagram Stories on Friday, Nov. 28, the former Love & Hip Hop star shared a photo of her “cuddle buddy” in a fuzzy white outfit adorned with Diggs’ name and jersey number on the back in gold letters. Cardi is also a mother to three older children, whom she shares with estranged husband Offset: daughters Kulture Kiari, 7, and Blossom Belle, 15 months, and son Wave Set, 4. This isn’t Diggs’ first time having kids, either. He welcomed his first child, daughter Nova, in October 2016. He also shares daughter Charliee Harper with model Aileen Lopera, who was born in April 2025. The post Cardi B Supports Boyfriend Stefon Diggs At His Foundation’s Wellness Event, Poses For Pic With NFL Star’s Mom appeared first on Bossip.

Young Thug Mariah The Scientist (Via Facebook)
Featured, Music

Young Thug Proposes To Mariah The Scientist During ‘Hometown Hero’ Concert In Atlanta

It’s official for Young Thug and “Daddy’s baby“, Mariah The Scientist! The rapper took to the stage at his concert on Tuesday, Dec. 16, to pop the question to his longtime girlfriend, singer-songwriter Mariah the Scientist. The sweet moment happened during the former’s Hometown Hero: Young Thug & Friends – A Benefit Concert at State Farm Arena in Atlanta. As seen in footage captured by fans in the crowd, Thugger dropped down on one knee and popped the question, causing the audience to erupt in cheers as the screen behind them read, “WILL YOU MARRY ME?” The couple shared an embrace and kissed after the sweet moment before Young Thug slid a massive diamond engagement ring onto the singer’s lefthand while she yelled, “Put it on!” Guess I’m getting married!” Mariah the Scientist said excitedly before kissing her now-fiancé. Later that night, the couple posed for some photos together, with Mariah taking every opportunity to show off her new hardware. It’s no surprise to see just how excited she is about the proposal, as it comes just a few days after she talks about how badly she wants to tie the knot. Source: Prince Williams / Getty During her interview with Angie Martinez for Power 105.1 on Saturday, Dec. 13, Mariah insisted that she was ready to “settle down” and eventually have “at least one” child. “I want to be married,” she said. “Listen, that’s my plan. I can’t speak for everybody, that’s my plan though. That’s what I’m doing.” The rapper and singer have been in an on-again, off-again relationship for about four years, having been first romantically linked in 2021. Thug was incarcerated for two and a half years of that, but Mariah stayed by his side through it all. They reconciled in October after a brief breakup. Outside of the GQ Men of the Year 2025 party on Nov. 13, shortly after their reconciliation, TMZ asked if the couple was still “going strong.” That’s when the rapper confirmed he’s in this for the long haul, replying: “Of course. Just put a baby in her.” The post Always n Forever: Young Thug Proposes To Mariah The Scientist During ‘Hometown Hero’ Concert In Atlanta appeared first on Bossip.

News

Black South Carolina Woman Files Lawsuit After White Circle K Employee Attacks Her, Allegedly Causing Miscarriage

Everyone needs to keep their hands to themselves. It can save your life, someone else’s life, or a life that hasn’t even been brought into the world yet. According to WTOL, a Black, pregnant, South Carolina woman named Deria Francis Stukes has filed a lawsuit against a white Circle K gas station employee who attacked her and allegedly caused a traumatic miscarriage. The mother was traveling from South Carolina to Detroit with her family when she stopped to fill up in Toledo. Stukes says she paid for her gas up front but forgot to enter her rewards points number. In this economy, we need every reward, discount, freebie, and advantage possible just to get by. Upon asking the white cashier, Shannon Walsh, if she could still enter her number, Stukes was told “no.” When she asked Walsh to cancel the transaction, she was told “no” again. “She gave me every excuse why she couldn’t do it and it didn’t make sense,” Stukes told WTOL 11. There is no way that Circle K is paying this obtuse Becky enough money to care about canceling a transaction. She could have easily just helped Stukes out and gone about her mediocre** day, but no, the Karen instincts kicked in, and all hell broke loose. Stukes says that Walsh not only became verbally combative using racist slurs, but she also physically attacked the pregnant woman by throwing rolls of coins at her, pulling her hair, hitting her, and pushing her into a beverage cooler, allegedly. To be clear, this ain’t no “he said, she said” recounting of the story. The whole thing is captured on video. Don’t believe us, just watch. First and foremost, there was absolutely no reason to call the police, but that’s how white folks get down when Black people stand up for themselves and refuse to tolerate disrespect. Moreover, Walsh called the police to enact violence against Stukes and then lost her temper to the point that she committed the violence herself. She wasn’t under threat or intimidation. “Raising your voice” is not a crime; however, negligent assault is, and Walsh pleaded no contest to the charge and was subsequently ordered by the court to take anger management counseling. Sadly, the incident didn’t end there. In the hours following the fracas, Stukes says she suffered severe cramping and was told by her doctor that she had miscarried her baby. “It makes me very emotional because of the fact that I did lose a child and my two sons were there to witness it and how terrified they were,” said Stukes. “They just haven’t been able to sleep, and then my youngest baby, my 8-year-old, Michael, he’s been jumping up out of his sleep running and and screaming.” Stukes is being represented by Charles E. Boyk and is seeking compensatory damages for physical injuries, emotional distress, and the loss of the pregnancy. “This never should have happened. Rev. Francis was a pregnant mother simply trying to redeem a routine store loyalty reward. Something Circle K actively encourages its customers to do,” said lead attorney Charles E. Boyk in a statement. “Instead, she was violently attacked, subjected to racist slurs, and suffered the unimaginable loss of her unborn child. No family should ever experience such brutality, especially in a business that claims to serve the public.” We hope Mrs. Stukes takes every red cent from Circle K and this abhorrent woman. The post Black South Carolina Woman Files Lawsuit After White Circle K Employee Attacks Her, Allegedly Causing Miscarriage appeared first on Bossip.

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Music

Shanice & Kenny Lattimore Come Together For New Holiday Single “Love At Christmas Time”

The holiday season has officially gained a new soulful soundtrack. R&B legends Kenny Lattimore and Shanice have joined forces for a brand-new single, “Love at Christmas Time,” a track that serves as the musical centerpiece for their upcoming BET+ original movie, A Soulful Christmas. Released just in time for the 2025 holiday rush, the duet marks a major collaboration between the two vocal powerhouses, blending Lattimore’s signature smooth tenor with Shanice’s agile, high-octane soprano. The release of “Love at Christmas Time” is more than just a standalone single; it is directly tied to the duo’s on-screen roles. In A Soulful Christmas, which is set to premiere on BET+ on December 25, Lattimore and Shanice star as “feuding musical legends” named Ashton Franklin and Patti Young. According to press materials from the film, the plot follows the two stars as their children trick them into collaborating on a holiday song remake. The film’s narrative—moving from rivalry to romance—is mirrored in the chemistry of the new track, which critics are already calling a return to form for classic 90s-style R&B duets. “Love at Christmas Time” anchors a broader holiday campaign for BET+, which has positioned the song and the accompanying film as key parts of their “Yuletide” programming slate. Early listeners describe the track as a nostalgic, mid-tempo ballad that leans heavily on vocal harmonies and traditional R&B instrumentation, steering clear of the synthesized pop sounds often found in modern holiday playlists. The single hit streaming platforms in late November 2025, just weeks before the film’s Christmas Day debut. Fans can stream “Love at Christmas Time” on all major digital platforms now. The accompanying film, A Soulful Christmas, will be available for streaming exclusively on BET+ starting December 25, 2025. The post Shanice & Kenny Lattimore Come Together For New Holiday Single “Love At Christmas Time” appeared first on New R&B Music, Songs & Interviews | YouKnowIGotSoul.com.

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Featured, Music

Kehlani Releases Video For Latest Single “Out The Window”

Seven-time GRAMMY nominee Kehlani has released the official music video for her latest single, “Out The Window,” out now via Atlantic Records. The visual serves as the next chapter in the multiplatinum artist’s evolution, offering a moody, cinematic accompaniment to the track’s themes of yearning and raw vulnerability. Directed with an eye for contrast and classic R&B aesthetics, the video captures an intimate performance that highlights why Kehlani remains one of the genre’s most compelling storytellers. The release caps off a landmark year for the global superstar. Her breakout 2025 hit, “Folded,” recently earned her two nominations for the 68th Annual GRAMMY Awards. The track also secured her first solo #1 on the Billboard Rhythmic Airplay Chart and has surpassed 375 million global streams. The post Kehlani Releases Video For Latest Single “Out The Window” appeared first on New R&B Music, Songs & Interviews | YouKnowIGotSoul.com.

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Ne-Yo Releases New Single “Simple Things”

Grammy Award-winning R&B superstar Ne-Yo has returned with his latest single, “Simple Things,” a soulful ballad that finds the crooner celebrating the understated beauty of love and life. Released officially on November 21 via his YouTube channel and streaming platforms, the track offers a grounded perspective on romance, steering away from the glitz of celebrity life to focus on authentic connection. In “Simple Things,” Ne-Yo delivers a vocal performance reminiscent of his early career classics, blending acoustic warmth with his signature songwriting precision. The lyrics paint a picture of domestic intimacy, with the singer assuring his partner that while he appreciates the effort of “high heels and that red dress,” he is equally captivated by “sweats, a ponytail, and a smile.” The song serves as a reflective anthem for the “Miss Independent” singer, who touches on his time spent “out on the road” and the realization that “there ain’t no place like home.” The chorus drives the message home, asserting that “life is all the in-between” and emphasizing that true happiness is found in the “flowers you find on the uphill climb.” “Simple Things” is available now for streaming. The post Ne-Yo Releases New Single “Simple Things” appeared first on New R&B Music, Songs & Interviews | YouKnowIGotSoul.com.

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Kem Taps Marsha Ambrosius For New Version Of Latest Single “Rock With Me”

R&B veterans Kem and Marsha Ambrosius have joined forces on the collaborative single “Rock With Me,” a track that pays homage to the classic “steppers” culture rooted in Detroit and Chicago soul traditions. Originally released as a digital bonus track on Kem’s Full Circle EP, the song has garnered renewed attention for its departure from the singer’s signature ballads. “Rock With Me” offers a mid-tempo, rhythmic groove designed for the dance floor, often drawing favorable comparisons to the effortless swing of 90s R&B classics. The collaboration leverages the established chemistry between the two artists, who recently co-headlined the successful Soul II Soul Tour. On the track, Kem delivers his trademark smooth, jazz-inflected vocals, while Ambrosius provides a melodic counterpoint, showcasing a more restrained, harmonious side of her vocal range. Music critics have noted that the single serves as a bridge between traditional adult contemporary R&B and the vibrant ballroom dance culture popular in urban communities. “Rock With Me” is currently available on all major digital streaming platforms. The post Kem Taps Marsha Ambrosius For New Version Of Latest Single “Rock With Me” appeared first on New R&B Music, Songs & Interviews | YouKnowIGotSoul.com.

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Music

Trevor Jackson Releases New Album “I Love You, Goodbye”

Trevor Jackson Unveils “The Greatest Breakup Album of All Time” Acclaimed singer, producer, and actor Trevor Jackson has officially released his ambitious new album, I LOVE YOU, GOODBYE (THE GREATEST BREAKUP ALBUM OF ALL TIME). Available now on all platforms, the project serves as the grand finale to the emotional world he built with his previous I LOVE YOU and GOODBYE EPs. Designed to play like a “movie in chapters,” the album traces the complete arc of a relationship—from the initial spark to the final severing of ties. Blending live instrumentation with modern R&B and pop production, Jackson explores the uncomfortable spaces between love and heartbreak. “I wanted to make something that felt honest about how love actually goes,” Jackson explains. “This album is me looking at the choices I made, the people I hurt, the ways I was hurting too.” The release caps off a massive year for the multi-hyphenate star, who continues to balance his music career with his series regular role on Grey’s Anatomy. The post Trevor Jackson Releases New Album “I Love You, Goodbye (The Greatest Breakup Album of All Time)” (Stream) appeared first on New R&B Music, Songs & Interviews | YouKnowIGotSoul.com.

black_pregnant_woman
Featured, News

Bill Introduced To Combat Hospitals Turning Away Black Women In Labor

Mercedes Wells, a Black woman in Indiana, went viral earlier this month after releasing a video showing herself being sent home from a hospital despite being in active labor. Rep. Robin Kelly (D-Ill.) introduced a bill in Congress that aims to prevent hospitals from turning away women while they’re in labor. According to NBC News, the Women Expansion for Learning and Labor Safety Act, or WELLS Act, would require hospitals to implement a “Safe Discharge Labor Plan before discharging a patient who presents with signs or symptoms of labor.” The Safe Discharge Labor Plan would see hospitals providing clinical justification for the discharge, assessing travel distance and time before approving the discharge, and receiving a written understanding from the patient. The WELLS Act would also require health care professionals to undergo racial bias training. “My bill aims to address systematic issues around maternal care, racial disparities, and hospital accountability,” Kelly said. “It’s clear that what happened to Mercedes isn’t an isolated incident, nor is it the first time a Black woman’s pain has been ignored.” “Until all women are heard and listened to in our hospitals and health centers, I’ll be their voice in Congress fighting for change,” Kelly added. On Nov. 16, Mercedes Wells’ husband rushed her to Franciscan Health Crown Point hospital when her contractions were 10 minutes apart. After six hours, Wells only received a checkup from a nurse before being discharged from the hospital. She never saw a doctor and wound up giving birth to her fourth child in the backseat of her car, only 8 minutes after leaving the hospital. “It was really a horrific situation to be treated like a dog, or not even like a dog, like less than,” Wells told NBC News. “It says that they don’t care at all for Black women in health, and it’s hurtful. We thought that, you know, things have changed at this point in our country, and I don’t see a change.” Franciscan Health President and CEO Raymond Grady told NBC News that the nurse and doctor who declined to provide Mercedes Wells proper care no longer work for the hospital. Grady also issued a formal apology to the Wells family. “We failed to listen to Mrs. Wells’ concerns,” CEO Raymond Grady said in the statement. “We must fix what failed in our hospital so that no one experiences what happened to Mercedes Wells.” Sadly, Mercedes Wells’ experience isn’t abnormal for Black women. Black women disproportionately represent maternal mortality rates and are three times more likely to die from pregnancy-related complications. These rates have only skyrocketed in states like Texas and Georgia, where stringent abortion bans have led to unnecessary deaths of Black women, like in the case of Amber Thurman. Black people already have a heightened distrust of medical professionals due to historical mistreatment and racial bias in health care. The experiences of Mercedes Wells do little to dispel the notion that the American health care system is designed to work against Black people. Hopefully, this bill passes, so no more women will have to endure what Mercedes Wells went through. SEE ALSO: White Women In Medicine Have Always Neglected Pregnant Black Women 7 Ways Racism Harms Pregnant Black Women  

RSVP
Featured, Music

R&B Group RSVP Releases New Single “Lay You Down”

RSVP Channels 90s Nostalgia on New Single “Lay You Down” R&B supergroup RSVP—featuring the combined talents of Ray J, Sammie, Bobby V, and Pleasure P—has returned with their latest single, “Lay You Down.” Tapping into the golden era of slow-burning 90s R&B, the track offers a harmony-rich sound reminiscent of groups like Jodeci. “Lay You Down” gives each member space to shine with individual verses, coming together for a sensual track about locking in for a romantic night free of distractions. This serves as the group’s first release since their debut single, “Money Everywhere,” and sets the tone for their highly anticipated upcoming album. The group originally came together back in 2022, and has continued the momentum since. The post R&B Group RSVP (Ray J, Sammie, Bobby V, Pleasure P) Releases New Single “Lay You Down” appeared first on New R&B Music, Songs & Interviews | YouKnowIGotSoul.com.

black_woman
Featured, News

Black Women’s Unemployment Rate Rising Disproportionately

Despite the GOP and President Donald Trump saying otherwise, the American economy ain’t doing so hot. Sadly, the adage that when white America catches a cold, Black people catch the flu is proving true, as Black women are disproportionately unemployed compared to the national average. According to Black Enterprise, the delayed September jobs report revealed that the unemployment rate for Black women increased from 6.7% to 7.5%. During that same time period, unemployment only ticked up from 3.2% to 3.4%. The general unemployment rate currently sits at 4.2%, though experts believe both numbers may be higher due to the delayed release of the September data. For reference, the unemployment rate for Black women is only 2.5% away from the general, peak unemployment rate reached during the 2008-09 recession. Rep. Ayanna Pressley has consistently been sounding the alarm bells about how what’s happening to Black women is a bellwether for the economy at large. Pressley sent a letter to the Federal Reserve, pressing them to do something to address the increase in Black women’s unemployment. According to AP, Pressley held a roundtable discussion about the issue of Black women’s unemployment. “Everyone is missing out when we’re pushed out of the workforce,” Pressley said during the discussion. “That is something that I worry about now, that you have all these women with specific expertise and specializations that we’re being deprived of.” She added that when Black women do find work, they usually wind up being “woefully underemployed.” Pressley and the participants in the roundtable pointed out how the actions taken by the Trump administration this year have contributed to the increase in Black women’s unemployment. Trump’s erratic tariff policy has particularly hurt small business owners. This has affected Black women in particular, as they have quickly become the fastest-growing group of small business owners in recent years. There’s more and more evidence that America is currently in a K-shaped economy, which means that the highest earners are making more and more while working-class and low-income people face more and more economic uncertainty. Despite no one officially declaring that we’re in a recession, when you compare the current economic climate to what was happening during the Great Recession, it’s getting harder and harder not to see the similarities. Layoffs have already surpassed 1 million this year, rivaling the numbers seen during the Great Recession. Car repossessions have surged at rates not seen since the Great Recession, and credit card defaults are reaching levels not seen since, you guessed it, the Great Recession. The uncomfortable reality is that the American economy is largely being propped up by speculative AI spending, which many experts are concerned is becoming a bubble. One consequence of having experienced a layoff myself is that I’ve become very invested in the world of finance, simply to understand why it’s so hard to find a stable job that pays well. Every time I’ve learned something new about the house of cards that is the American economy, my reaction is always the same: “Oh boy. Oh no. Wait, but how? How?! HOW IS THIS ALLOWED?” It’s incredibly clear that the economy is unsustainable and is already breaking down for those at the bottom. If the federal government doesn’t address the issue with urgency, we’re likely to be dealing with a financial collapse that could’ve been mitigated had we just listened to Black women. SEE ALSO: Ayanna Pressley Addresses Black Women’s Unemployment Unemployment Rate Remained Stubbornly High For Black Women In June

Elijah-Blake-Glass-House
Music

Elijah Blake Releases New Single “Glass House”

Grammy-nominated singer-songwriter Elijah Blake has released his latest single and music video, “Glass House,” via MNRK Music Group. A stark departure from the nostalgia of his recent releases (“Work It Out,” “White Rum”), this new track finds Blake in a moment of reckoning, navigating the fragile state of a relationship on the brink of collapse. Lyrically, the song explores the tension of miscommunication and insecurity, anchored by the haunting question: “Are we falling outta love? Should I be worried?” It captures the exhausting push-and-pull of two people hurting each other while trying to hold on. “Glass House” sets the stage for Blake’s upcoming album, “The Gemini”, slated for release on January 16th 2026. Known for penning massive hits for Usher, Rihanna, and Ciara, Blake is turning the pen inward for this project, promising his most personal and emotionally transparent work to date. The post Elijah Blake Releases New Single “Glass House” appeared first on New R&B Music, Songs & Interviews | YouKnowIGotSoul.com.

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B2K To Reunite in 2026 For “Boys 4 Life” Tour Co-Headlined by Bow Wow + Plan To Release New Album

B2K and Bow Wow Reunite for Massive “Boys 4 Life” Tour The wait is finally over. Celebrating their 25th anniversary, iconic R&B group B2K is officially reuniting for the “Boys 4 Life” Tour. Co-headlining the trek is Bow Wow, marking a full-circle moment more than 20 years after the two acts first shared the stage on the legendary Scream Tour II in 2002. Produced by the Black Promoters Collective (BPC), the 28-city tour kicks off on February 12 in Columbia, SC, and wraps up on April 19 in Hampton, VA. The tour follows B2K’s explosive surprise reunion at the 2025 BET Awards, which saw Omarion, Raz-B, J-Boog, and Lil Fizz back onstage together for the first time in years. “There was a certain level of authenticity that we all had. So in a way, we’re completing it,” Omarion said of the reunion. The Lineup This isn’t just a tour; it’s a 2000s nostalgia festival. Joining B2K and Bow Wow are: Jeremih Pretty Ricky (Special Guests) Amerie Waka Flocka Yung Joc Crime Mob Dem Franchize Boyz In a major announcement, both B2K and Bow Wow revealed they will release new albums this February via BPC Music Group to support the tour. “Boys 4 Life Tour” Dates: Thursday, February 12 Columbia, SC Colonial Life Arena Friday, February 13 Atlanta, GA State Farm Arena Saturday, February 14 Birmingham, AL Legacy Arena at BJCC Friday, February 20 Cincinnati, OH Heritage Bank Center Saturday, February 21 Memphis, TN FedExForum Sunday, February 22 St. Louis, MO Chaifetz Arena Thursday, March 5 Chicago, IL United Center Friday, March 6 Louisville, KY KFC Yum! Center Saturday, March 7 Charlotte, NC Spectrum Center Sunday, March 8 Washington D.C. Capital One Arena Thursday, March 12 Houston, TX Toyota Center Friday, March 13 New Orleans, LA Smoothie King Center Saturday, March 14 Fort Worth, Texas Dickies Arena Friday, March 20 Oakland, CA Oakland Arena Saturday, March 21 Las Vegas, NV Michelob ULTRA Arena Sunday, March 22 Los Angeles, CA Kia Forum Friday, March 27 Philadelphia, PA Liacouras Center Saturday, March 28 Brooklyn, NY Barclays Center Sunday, March 29 Baltimore, MD CFG Bank Arena Thursday, April 2 Milwaukee, WI Fiserv Forum Friday, April 3 Detroit, MI Little Caesars Arena Saturday, April 4 Pittsburgh, PA Petersen Events Center Sunday, April 5 Newark, NJ Prudential Center Saturday, April 11 Sunrise, FL Amerant Bank Arena Sunday, April 12 Tampa, FL Benchmark International Arena Friday, April 17 Cleveland, OH Wolstein Center Saturday, April 18 Greensboro, NC First Horizon Coliseum Sunday, April 19 Hampton, VA Hampton Coliseum The post B2K To Reunite in 2026 For “Boys 4 Life” Tour Co-Headlined by Bow Wow + Plan To Release New Album appeared first on New R&B Music, Songs & Interviews | YouKnowIGotSoul.com.

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Music

Koffee Brown Releases New Single “A Place Called Love”

Koffee Brown has released a new single titled “Place Called Love”. The new single is a mid-tempo R&B track described as capturing the thrill of a summer night’s romance, even in the fall. The song is designed to be “feel-good” music, focusing on themes of talking, laughing, and getting closer to someone special. The song sees them teaming up again with their original producer, KayGee from Naughty by Nature (who discovered them). It was written by the sister songwriting team Anesha & Antea Birchett, who have credits with artists like Beyoncé and Justin Bieber. The duo now consists of original member Vernell “Vee” Sales and new male vocalist Ryan Lane, who replaced original member Fonz. This is their third single since reuniting, following the 2024 releases of “About It” (feat. Vin Rock) and “Simple Things.” These tracks are building toward a new EP expected later in 2025. The post Koffee Brown Releases New Single “A Place Called Love” appeared first on New R&B Music, Songs & Interviews | YouKnowIGotSoul.com.

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Featured, Music

Tank Returns With New Single “Control”

Multi-Grammy-nominated R&B icon Tank is entering a new era with the release of his latest single, “Control” Issued through his new partnership with R&B Money/BMG, the track samples Janet Jackson’s legendary hit of the same name (written by Jimmy Jam & Terry Lewis) and showcases Tank’s signature precision and sensuality. Tank recently promoted the single on the Tamron Hall Show, where his charisma and comedic timing captivated the audience. He also delivered a stunning performance of “If I Ain’t Got You” alongside co-star Amanda Reid. Currently, Tank is back on Broadway for a limited two-week engagement in Alicia Keys’ hit musical, Hell’s Kitchen. Reprising his role as Davis, he continues to prove himself as a magnetic stage presence. Adding to the excitement, the R&B Money Podcast has returned with co-host J. Valentine. The new season kicks off with an intimate interview with Alicia Keys, covering her journey in music and Broadway. The post Tank Returns With New Single “Control” appeared first on New R&B Music, Songs & Interviews | YouKnowIGotSoul.com.

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Featured, Music

Erykah Badu Announces Special Performances of “Mama’s Gun” To Celebrate Album’s 25th Anniversary

Erykah Badu Announces ‘Mama’s Gun’ 25th Anniversary Livestream on VEEPS VEEPS has announced it will present Erykah Badu: Mama’s Gun | Live from King’s Theater on Saturday, December 6, 2025, at 9:00 PM ET. This exclusive global livestream captures a special performance celebrating the 25th anniversary of Badu’s seminal neo-soul masterpiece. Fans can expect an intimate, up-close experience as Badu performs the album in its entirety, featuring her signature arrangements and storytelling. The event comes amidst a busy year for the singer, who has been touring in support of the anniversary while working on new collaborative projects. Ticket Information: Advance: $19.99 Day-of-Show: $24.99 VEEPS All Access Subscribers: Free Tickets are available now at baduworldmarket.com and veeps.com. The stream will be available globally, with on-demand replay available for ticket holders following the live broadcast. The post Erykah Badu Announces Special Performances of “Mama’s Gun” To Celebrate Album’s 25th Anniversary appeared first on New R&B Music, Songs & Interviews | YouKnowIGotSoul.com.

Featured, Music

Raheem DeVaughn Celebrates 20th Anniversary of Debut Album

To celebrate the 20th anniversary of his debut album, “The Love Experience”, Grammy Award-winning singer, songwriter, and radio host Raheem DeVaughn is launching a special collection of new singles this month. DeVaughn describes this moment as a “love letter to my fans,” noting, “Twenty years later, I’m still inspired by love—its lessons, its highs, its healing, and its power.” The celebration begins with a high-energy return for the fan-favorite “You,” released as the Terry Hunter Club Remix, which is out now. A re-recorded 20th Anniversary Edition of the track will follow on November 18. Fans can look forward to more of his signature romantic and soulful artistry with two new tracks: “20 Lessons of Love” (November 24) and the seasonal single “Snowed In” (November 27). These releases set the stage for his highly anticipated 2026 project, “The Quiet Storm Lover”, which will house the two versions of “You” and “20 Lessons of Love.” The anniversary is also being celebrated live on DeVaughn’s 20 Lessons Of Love Tour with City Winery. “Love is the common thread that unites us all,” says DeVaughn. “With this tour, I want to create a space where people can not only celebrate love, but also learn, grow, and heal through it.” The post Raheem DeVaughn Celebrates 20th Anniversary of Debut Album + Preps Upcoming Album “The Quiet Storm Lover” appeared first on New R&B Music, Songs & Interviews | YouKnowIGotSoul.com.

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Music

Kevin Ross Releases New Holiday Single “This Winter”

Award-winning singer-songwriter and preeminent voice of contemporary R&B Kevin Ross ushers in the holiday season with the release of his lush, soul-stirring new single, “This Winter.” The track, available today via Rolling Out Music, promises to be the definitive romantic anthem for the holidays, blending vocal brilliance, warmth, and timeless romance into the season’s soundtrack. “This Winter” delivers a classic, heartfelt performance anchored by the poignant and simple refrain, “All I need is love for Christmas.” Ross successfully crafts a timeless melody that feels as intimate as a fireside embrace yet as grand as a holiday stage production. He adds: “This song is really about love being the greatest gift of all. No matter where you are or who you’re with, the heart of the holidays is connection. ‘This Winter’ is my way of wrapping that feeling in melody and soul. It’s the kind of record I hope people return to year after year.” With “This Winter,” Ross channels the spirit of classic soul while creating a modern holiday anthem defined by cinematic beauty and profound emotional depth. The accompanying music video enhances the song’s sultry mood. Kevin Ross is joined by television personality Deelishis (from VH1) for a highly anticipated cinematic moment that radiates palpable romance. Set against a backdrop of soft lighting, luxe textures, and subtle nods to the holidays, the visuals bring a sophisticated, modern R&B allure to the season that is truly unforgettable. The single marks Ross’s first collaboration with Rolling Out Music, the newly launched record label from the esteemed media platform Rolling Out. The partnership aims to deliver music that captures what listeners crave most this time of year: love, connection, and a melody that lingers long after the lights fade. “This Winter” is available now on all digital streaming platforms. The post Kevin Ross Releases New Holiday Single “This Winter” appeared first on New R&B Music, Songs & Interviews | YouKnowIGotSoul.com.

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Featured, Music

Summer Walker Releases New Album “Finally Over It” (Stream)

R&B superstar Summer Walker has just released her third studio album “Finally Over It” via Love Renaissance (LVRN) and Interscope Records. The 18-track double-album concludes the singer’s critically acclaimed trilogy—which began with 2019’s platinum-selling “Over It” and continued with 2021’s chart-topping “Still Over It”. “Finally Over It” is Summer Walker’s ultimate declaration of self-love and growth, capturing the final, raw stages of healing from heartbreak. The project is split into two distinct, thematic discs: Disc 1: FOR BETTER – A collection of tracks focusing on self-chosen happiness, emotional clarity, and finding love within. Disc 2: FOR WORSE – The final, honest confrontation with past hurts, the “red flags,” and the journey to refusing anything less than “princess treatment.” The double album is a massive sonic landscape, featuring a constellation of collaborators that bridge R&B, Hip-Hop, and Pop, including: Chris Brown, Anderson .Paak, Bryson Tiller, Brent Faiyaz, Mariah the Scientist, Teddy Swims, SAILORR, Latto, GloRilla, Sexyy Red, Monaleo, and 21 Savage. The project includes the fan-favorite, ’90s-inspired slow jam, “Heart of a Woman,” which has already garnered two Grammy nominations for Best R&B Song and Best R&B Performance. The release was preceded by a series of iconic, viral moments, including a celebrity-filled, wedding-themed features reveal and the infamous “Finally Over It” Lie Detector test video confirming the release date. The album’s final aesthetic, inspired by a wedding, symbolizes the ultimate commitment to self. “I’ve loved too hard, ignored red flags and tried to fix things that were beyond repair. The difference now is I love myself that deeply, I’ve grown, I’ve healed and I refuse to accept anything less than princess treatment,” says Walker about the album’s core message. “Finally Over It” is a vibrant blueprint for the next evolution of Summer Walker. The project is available now on all digital streaming platforms and for physical pre-order, including limited edition vinyl and box sets. The post Summer Walker Releases New Album “Finally Over It” (Stream) appeared first on New R&B Music, Songs & Interviews | YouKnowIGotSoul.com.

Featured, Music

Q. Parker Releases New Solo Album “Evolution of Romance, Volume One” (Stream)

R&B veteran, GRAMMY-winning founding member of the legendary group 112, Q. PARKER has just released his highly anticipated second solo album, “Evolution of Romance, Volume One”. The project relased via his label Paramount Collective Ventures in partnership with ONErpm. The 11-track project is a soulful and grown-man return to the core of R&B: true romance, courtship, and emotional intimacy. Having spent years helping to define the sound of contemporary R&B, Q. Parker steps into his new era as the self-proclaimed “Romance Dealer,” intent on filling a crucial void in today’s music landscape. He adds: “As an artist, I have always been a fan of romance and what it communicates… It occurred to me that we (R&B singers) haven’t been paying the right kind of attention to the ladies for a while,” states Parker. “I want this project to be a conversation between men and women about affection, courtship, support, love and all the things that true romance encompasses. I have become a ‘Romance Dealer’ and I’m serving it up on a silver platter.” “Evolution of Romance, Volume One” showcases Parker’s maturity and transparent storytelling, bridging the classic R&B sound he pioneered with a refreshing modern sensibility. The project’s momentum was launched by the success of the single “BEG,” an acronym for “Bringing Endless Gratitude,” which soared into the Top 10 on the Billboard Adult R&B Airplay chart, marking Parker’s first solo Top 10 hit. The album features the standout single “Keep on Lovin’,” a collaboration with R&B powerhouse Rico Love and Dondria, which pays homage to The Deele’s iconic “Two Occasions.” Parker recently introduced the new single “fff.”, a confident anthem where he embraces being a proud provider for his woman, requesting only three things in return: “F me, feed me, be a fan of me.” This album is not just music; it’s a mission to be the “soundtrack of your romantic evenings” and “the voice of those who may not articulate what they need to express to their partner.” Evolution of Romance, Volume One is a statement that genuine love, heartfelt serenades, and emotional connection are timeless—and are now officially back on the R&B airwaves. The post Q. Parker Releases New Solo Album “Evolution of Romance, Volume One” (Stream) appeared first on New R&B Music, Songs & Interviews | YouKnowIGotSoul.com.

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Featured, Music

Tonio Armani, Mike Clark Jr. Re-ignite Atlanta’s Southern Soul Scene

Southern soul is the blues and the rhythm. The country and the western. The Sunday church sermon and the choir. The line dance and the celebration. It’s Otis Redding and Ray Charles. Little Richard and Sam Cooke. But, for singer Tonio Armani, the musical subgenre boils down to a more literal phrase: “Soul from the southern point of view.” Over the past year, Southern soul — a mix of blues, country and gospel that originated in the 1960s — has received a giant boost, mainly thanks to the virality of “Boots on the Ground” by South Carolina native 803Fresh. The December 2024 song and its accompanying line dancing routine became a staple everywhere this year, from summer block parties to Beyoncé concerts. In Georgia, two rising stars are helping to sustain the sound’s popularity: Armani and Mike Clark Jr. But, for singer Tonio Armani, the musical subgenre boils down to a more literal phrase: “Soul from the southern point of view.” Over the past year, Southern soul — a mix of blues, country and gospel that originated in the 1960s — has received a giant boost, mainly thanks to the virality of “Boots on the Ground” by South Carolina native 803Fresh. The December 2024 song and its accompanying line dancing routine became a staple everywhere this year, from summer block parties to Beyoncé concerts. In Georgia, two rising stars are helping to sustain the sound’s popularity: Armani and Mike Clark Jr. Both will make their One Musicfest debut on Sunday at the event’s first “trailride” set, featuring music inspired by trailride culture.

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Jimmy Kimmel bandleader Cleto Escobar III dies

Heartbroken Jimmy Kimmel has announced the death of his childhood friend and Jimmy Kimmel Live! bandleader, Cleto Escobedo III. Writing on Instagram, Kimmel shared: ‘Early this morning, we lost a great friend, father, son, musician and man, my longtime bandleader Cleto Escobedo III.’ ‘To say that we are heartbroken is an understatement. Cleto and I have been inseparable since I was nine years old,’ the late night host said in a statement. ‘The fact that we got to work together every day is a dream neither of us could ever have imagined would come true,’ Kimmel added. ‘Cherish your friends and please keep Cleto’s wife, children and parents in your prayers.’ Escobeda’s death Tuesday aged, 59, explains the reason why Kimmel abruptly canceled his show last Thursday.Kimmel was reportedly seen at a hospital after missing that show, exchanging emotional hugs outside a Los Angeles hospital, with his long-time friend’s father Cleto Escobedo Jr., a musician in his house band Cleto and the Cletones, outside a hospital in Los Angeles on November 6. Read More

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Wendy Williams Neurologist Denies Frontotemporal Dementia Diagnosis

A medical professional is backing up Wendy Williams’ claims that she’s not cognitively impaired, and fans of the former talk show host are rejoicing.  The former talk show host reportedly does not have frontotemporal dementia, the medical condition a judge has used to justify keeping her in a guardianship for more than 3 years. According to reports from TMZ, sources with direct knowledge told the outlet that a top neurologist concluded she does not have the disorder that primarily affects the frontal and temporal lobes of the brain. Williams recently completed a battery of tests in NYC, which reportedly led to the neurologist concluding she does not have frontotemporal dementia. These findings conflict with an earlier test where she tested positive for the condition, according to Wendy’s guardian. The outlet spoke to multiple experts about frontotemporal dementia, who all said that the condition never gets better, only worse. Williams’ legal team is preparing to file legal documents with the court in the next 2 weeks, which will pave the way for a hearing where they will ask the judge to terminate her guardianship. If the judge refuses to end the guardianship, lawyer Joe Tacopina will then demand a jury trial to ask jurors to free Wendy. The National Radio Hall of Famer has been speaking out against her guardianship for years now, insisting she’s far from cognitively impaired. Back in January, Wendy called into The Breakfast Club with her niece, Alex Finnie, saying she was unable to leave her current location due to her being under conservatorship. “I am not cognitively impaired. But I feel like I am in prison,” Williams said about her current situation. “I’m in this place where the people are in their 90s and their 80s and their 70s. There’s something wrong with these people here on this floor.” Her niece added that the facility where Wendy is staying is highly secured and that her guardian, Sabrina Morrissey, has full control over her communications. “This system is broken,” Wendy went on to say at the time. “What they’re doing to me is emotional abuse.” The post Wendy Williams’ Neurologist Denies Frontotemporal Dementia Diagnosis, Fans Say She Should Be ‘Freed’ From Conservatorship appeared first on Bossip.

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Facts About The Wilmington Massacre Of 1898

In the wake of the Civil War, Reconstruction resulted in Black people making significant economic and political gains throughout the South. Wilmington, N.C., was seen as an ideal local government, where Black and white people worked together to improve the lives of their residents. This movement was sadly short-lived, as a group of white elites used the media to incite a white supremacist movement that culminated in several Black men being killed, businesses being torched, and the fusionist government being overthrown. Below you’ll find four facts about the hidden history of the Wilmington massacre. Wilmington Had A “Fusionist” Legislature In the lead-up to the Wilmington Massacre, Wilmington’s city legislature was largely run by “fusionist” politicians and representatives. White populists and Black Republicans often ran on fusionist tickets, as they had similar positions and political priorities. With 8,000 Black men eligible to vote, Wilmington’s Black population had significant representation in local government. Three of Wilmington’s 10 aldermen were Black, and 10 of the city’s 26 policemen were Black. There were Black magistrates, postmasters, and the city even had a Black-owned newspaper, “The Daily Record.” Wilmington was unusual for the South, as it was a predominantly Black city with a strong economy. Wilmington’s wealthy white men were threatened by the gains made by the city’s Black population, and thus, they forged a plot to overthrow the city’s fusionist government. The Massacre Was Initially Conducted Through The Press The build-up to the Wilmington was largely conducted through a prolonged campaign in the press. White supremacists (their words, not mine) spread their message through the News & Observer, the state’s most powerful newspaper. They stoked panic over “Negro rule,” using racist cartoons and framing Black men as rapists who were too incompetent to lead. Rebecca Felton, a white woman from Georgia, gave a speech earlier in the year, lambasting white men for not doing enough to combat the “Black beast rapist.” “If it needs lynching to protect women’s dearest possession from ravening human beasts, then I say lynch—a thousand times a week if necessary,”  Felton said in her speech. The News & Observer reprinted the speech, to which The Daily Record responded by saying white men had long raped Black women to no consequence. This further incensed the white elites, who would recruit “Red Shirts,” racists from South Carolina. The red shirts would pull Black men from their homes and threaten them with violence if they tried to vote. The Wilmington massacre occurred during election day on Nov. 10, 1898. A mob of thousands of white people killed several innocent Black people, though a definitive number was never found. The mob held Black politicians at gunpoint and forced them to resign their seats, and burned down “The Daily Record.” In addition to the deaths, 2,000 Black people were forcibly displaced from Wilmington. The effects of that displacement are still felt today as the city went from Black people making up 56% of the population, to only 16% in the current day. Upon taking control of the city government, Wilmington became a model for how Jim Crow laws would be implemented throughout the South in the 1900s. The Wilmington Massacre Was A Coup D’Etat While the Wilmington massacre was quite obviously racially motivated, the purpose of the violence was to take control of the city’s government from the fusionist government. The white supremacist coalition made Black men trying to vote the target of their violence. While that’s easy to intuit by simply taking a cursory look at the facts, for years, the Wilmington Massacre was labeled a “Black Uprising,” as if the Black population decided to torch their businesses and kill themselves. It took until 2006 for a state-commissioned report to properly frame the Wilmington massacre as a coup. A Museum Is Being Built To Acknowledge The History of the Wilmington Massacre Like most of America’s historical sins, the Wilmington massacre has sadly been an under-discussed tragedy. Thankfully, a museum is currently being built in Wilmington to ensure this tragedy doesn’t become forgotten history. The Wilmington 1898 Museum for Healing, Education, and Democracy is expected to open in spring 2028, marking the 130th anniversary of the massacre. SEE ALSO: 5 Race Riots In America That You Were Never Taught In School 100 Years After Tulsa, The Equity Fight Continues

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SZA, Black Farmers & Others Keep Working To SNAP Save The Day When The Feds Won’t

When the government turned its back on hungry families, Black farmers stepped up. Not only that, but celebs like SZA are also working to feed families after the abrupt pause in federal food aid that millions rely on to eat. According to Capital B News, Black owned farms like Deep Roots CPS Farm in Charlotte, North Carolina, have been giving away free produce and doubling food credits while the Supplemental Nutrition Assistance Program remains caught in federal gridlock. Capital B News reports that the funding freeze, triggered by the October 1 government shutdown, left about one in eight Americans uncertain when or if their benefits would arrive. SNAP serves roughly 41 million people nationwide, many of them Black families, single parents, and seniors on fixed incomes. Capital B reports that a court ruling briefly ordered the administration to use contingency funds, but partial payments covering only 65 percent of benefits were released. In Capital B, the Center for American Progress, that shortfall jeopardized not just households but also the small retailers, corner stores, and markets that depend on SNAP redemptions to stay open. “We have always been rooted in the community,” said Cherie Jzar, who runs Deep Roots CPS Farm with her family. “We will never stop doing that, no matter if SNAP is paused or continues to go on.” Her words echo far beyond Charlotte’s Historic West End. According to Capital B News, in Oakland, Mississippi, a Black owned nonprofit grocer is boxing and delivering food to elders and children who have gone weeks without aid.  Across the country, grassroots organizers are making sure no one goes hungry while the nation’s wealthiest lawmakers debate budgets. In Capital B, Jzar and her family are offering free produce to seniors hit hardest by the funding freeze.  “The ones that are most vulnerable are our seniors who are on fixed incomes,” Jzar said. “They don’t have the means to adjust their budgets because of high food prices at times. And so what do we just do? Turn our backs to them?” Programs like Double Up Bucks, operated through the Charlotte Mecklenburg Food Policy Council, are stretching dollars further. According to Capital B, shoppers using EBT cards can double their spending power at local farmers markets, spend forty dollars, get forty more, keeping the community fed and local growers paid. Capital B News adds that members of the Congressional Black Caucus condemned the administration’s partial payments, calling them “reckless and illegal inaction” that “simply isn’t sufficient to keep food on the tables of American families.” SZA, Tyler Perry & Keith Lee Work To Feed Families In addition to the farmers, several celebs are stepping in to make sure families don’t go hungry, including SZA, Keith Lee, and Tyler Perry. In Los Angeles, SZA teamed up with beloved restaurant Jon & Vinny’s through her NOT Charity initiative to provide 1,400 free meals to residents relying on SNAP. From November 11–17, the restaurant’s Slauson location will distribute 100 dinners for two each day, offering much-needed relief amid the chaos. Jon & Vinny’s praised SZA for “inspiring all of us to be there for our neighbors,” as the SOS singer continues to use her influence to nourish the community and uplift others. Meanwhile, viral TikTok food critic Keith Lee launched his own nationwide effort to feed families, with some saying he’s “doing more than the President” for the American people. “It’s the holidays coming up… I want brands to comment that are willing to give away meals with me,” Lee told his 17 million followers. “I refuse to take any money. I don’t want money.” Lee, who’s been open about once relying on SNAP to feed his family, received an overwhelming response from the business community. Within days, more than 40 major brands, including DoorDash, Cracker Barrel, Top Golf, and Impossible Foods, along with 60 small businesses, signed on to partner with him. In a follow-up video, he said, “I’m coming to say thank you from the bottom of my heart because I’m honored to be part of this in any capacity,” adding that participating small businesses would be paid for their meals instead of being asked to donate. And in Atlanta, Tyler Perry has pledged nearly $1.5 million to help fill the gap left by stalled federal funding. As previously reported, his donations will support organizations like the Atlanta Community Food Bank, Meals on Wheels Atlanta, Baby2Baby, Caring for Others, All for Lunch, the Ron Clark Academy, and Goodr, which focuses on distributing fresh produce to families in need. The post Self-Sustainability: SZA, Black Farmers & Others Keep Working To SNAP Save The Day When The Feds Won’t appeared first on Bossip.

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Government Says It Will Only Pay SNAP Recipients Half Their Benefits For November, Defying Judges’ Orders

Last week, not one, but two federal judges ordered the Trump administration to use the government’s contingency funds to continue the funding of the Supplemental Nutrition Assistance Program (SNAP) amid the ongoing government shutdown, ruling against the White House’s previous claim that those funds couldn’t be used for SNAP. Days later, the administration that hates poor people and loves convincing other poor people to hate poor people revealed its plan to send partial payments this month to the roughly 42 million Americans who receive food stamps, brazenly defying the judges’ rulings. From the New York Times: But the roughly one in eight families that receive SNAP may still be at risk of imminent hunger and financial hardship. The Trump administration opted against using its full stable of available funds — totaling into the billions of dollars — to sustain the nation’s largest anti-hunger program in full this month. As a result, eligible households may receive only half as much in benefits compared with their usual amounts, officials said. It also remained unclear when food stamp recipients would actually receive their aid. The Trump administration had previously warned that it could take weeks to provision benefits on a partial basis, further underscoring the consequences of its budgetary decision on Monday. So, basically, two separate judges ruled that the federal government must keep paying SNAP recipients their full benefits, and here’s live footage of how the government responded. In fact, according to a sworn statement from a US Department of Agriculture official that was submitted in federal court, $4.65 billion of the contingency fund will “be obligated to cover 50% of eligible households’ current allotments” for November, which means SNAP recipients will only receive half of what they are owed. Not only that, but USDA official Patrick Penn told CNN that because partial payments will require states to reprogram their systems to adjust for the reduced allotments, SNAP recipients in some states may not see their November benefits for weeks or even months. “Given the variation among state systems, some of which are decades old, it is unclear how many States will complete the changes in an automated manner with minimal disruption versus manual overrides or computations that could lead to payment errors and significant delays,” Penn said. Nah — don’t be out here blaming state systems because the federal government, under President Donald Trump, is so janky and ghetto that it’s about to owe its citizens back payments for food assistance. Actually, CNN noted that “states stopped the process of issuing benefits for November after the USDA sent them a letter on October 10 ordering them to do so” because “it does not have the funds to pay November’s assistance amid the federal government shutdown, which began October 1.” So, states had already stopped the payments, but then two judges ordered the government to proceed with those payments in full, and now the government is essentially telling those states, “Here’s half, and you can tell your lower-income people that now is a good time to take up fasting.” It’s no wonder the Trump administration has been so desperate to blame the shutdown on Democrats. This is just a shameful, embarrassing way to run a government. While Republican officials and right-wing media are doing their best to demonize people who lack food security, the MAGA-fied government seems to be content with letting them starve. Sad. SEE ALSO: What Happens If SNAP Stops? What You Should Know And Do To Protect Yourself Judges Rule Trump Administration Must Continue To Fund SNAP 25 States Sue Trump Administration Over SNAP Benefits Restaurants In Several Major Cities Offering Free Food To People Losing SNAP Racist Newsmax Host Says SNAP Recipients Use Benefits To ‘Get Their Weaves’ And Nails Done If SNAP Benefits Get Cut Off, White Grievance Will Eat Itself When The Government Starves Us: How SNAP Cuts Target Black Survival

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ACA Open Enrollment Reveals Drastic Increase In Monthly Premiums Nationwide

COVID-era subsidies for Affordable Care Act (ACA) insurance have been a hot-button issue in recent months. So much so that the entire federal government is shut down over the GOP’s refusal to extend them. Senate Democrats have argued that without the subsidies, millions will become uninsured in the upcoming year due to being priced out. The open enrollment period for ACA insurance began over the weekend, and the price increases have driven home exactly why the subsidies are necessary. According to Politico, the price increases aren’t uniform from state to state. While premiums have increased 101% in Colorado, it’s even worse in New Jersey, where that rate has increased by over 175%. The sad part is, this isn’t surprising news. There have been several reports this year detailing what would happen if the GOP allowed the subsidies to expire, and yet they still let it happen, despite Republican voters making up a large portion of those who rely on ACA insurance. From Politico: Residents of the 30 states that use the federally run HealthCare.gov will see an average 26 percent premium rise in 2026 for an average ACA plan, according to the analysis. Residents of the 20 states with their own exchanges will see an average 17 percent hike. These numbers include everyone on the exchanges. However, that figure doesn’t reflect what a person who gets a subsidy might pay. “There is what the insurance company charges but since nine out of 10 [ACA customers] get a subsidy they don’t pay that,” Cynthia Cox, vice president and director of KFF’s ACA program, said in an interview. “They pay a certain amount of their income.” Without the enhanced subsidies, ACA customers will pay a lot more out of pocket. KFF estimates that customers on HealthCare.gov and in state-run exchanges will see their monthly out-of-pocket premium payments increase by 114 percent on average.  Even if the GOP manages to come around on extending the subsidies, it’s unclear how soon they could be implemented in the current open enrollment period, if they could even be implemented at all. If someone signed up for a more expensive plan, would the subsidies be retroactively applied? It’s almost like they should’ve just extended the subsidies ahead of time. Of course, that’d be too much like doing the right thing, and we all know the modern GOP is allergic to that concept. ABC News spoke to several people who are facing being uninsured as a result of the expiring ACA subsidies. Beth Dryer, a Virginia resident, told ABC that she knew her ACA plan would likely have a price increase, but she was shocked by how much. Her $80 monthly premium increased to $425. “I thought maybe it would double, but this is more than quadrupled in cost for me,” Dryer said. “So it’s just straight out — there’s no way I would be able to afford this next year.” “The Republicans aren’t going to budge on the tax credits, and they’re happy to watch people die. I mean, that’s essentially what it is,” Dryer added. “You cut these tax credits, people are dying. People are already dying because they don’t have quality health care. People are already dying because they have food insecurity.” Stacy Cox, a photographer in Utah, told ABC News that she and her husband were paying $495 for coverage this year. She received a letter in the mail informing her that if she stayed on that plan, her monthly premium would skyrocket to $2,168.68. “It’s devastating because we can’t afford that. Just that bill right there, that’s more than our mortgage, our insurance, most of our food,” Cox said. “This will devastate us if we tried to pay it.” I get my insurance through the ACA and filled out my application this weekend when open enrollment opened. I knew I wouldn’t be able to keep my current plan because my provider is no longer offering insurance in Arizona. The ACA marketplace still showed me what a comparable plan would cost, and my monthly premium went from $40 to $400. While yes, I’m making a bit more money now than I was last year, I’m still not at what I would call the “straight balling” threshold, so that’s out of the question. In addition to the price increases, the site also feels less useful. I can’t pay what my current plan has increased to, but there are plans somewhat more in my price range (somewhat is doing a lot of work here, y’all). I have asthma, and my priority is largely on keeping my inhaler prescriptions reasonable. Instead of organizing the plan list by the medications I’ve input, I have to go through plan after plan to find the intersection of what I can afford and what covers my medications. I’ve used the ACA for insurance for several years, and I don’t recall it ever being this much work to find a workable plan. What’s truly baffling is that Trump ran on keeping prices low, yet every move made by the GOP, from tariffs, the big, beautiful bill, and now ACA subsidies, is increasing prices for people across the board. They’ve exacerbated the cost-of-living crisis to such an extent that even despite their best efforts to gerrymander the midterms, they may wind up pushing people to vote Blue. SEE ALSO: Affordable Care Act Insurance Could Be 75% More Expensive Next Year Rising Health Insurance Premiums And Expiring Subsidies Demand Action

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Here’s Why We Can Thank Beyoncé’s Head Honcho Blue Ivy For ‘Brown Skin Girl’

Unbeknownst to many, one of Beyoncé’s biggest hits owes its existence to a little nudge from her head honcho, Blue Ivy—another managerial moment of genius we’re all thankful for. Beyoncé’s hit song “BROWN SKIN GIRL” became a fan favorite when it was released in 2019 as part of The Lion King soundtrack, earning a Grammy Award for Best Music Video in 2021. The massive tune was also historic for the legendary singer’s eldest daughter, Blue Ivy, who received a writing credit for the track, making her the second youngest person ever to win a Grammy. Interestingly, Blue was the reason the song made it onto the album in the first place, as Beyoncé wasn’t initially keen on it, according to a new interview with Warner Records President of A&R, Steve Carless. On the latest episode of One of One: A PLLRS Podcast, released on Oct. 31, the Grammy Award-winning executive shared with host Reginald Calixte some behind-the-scenes details of his iconic role at the label, including how Blue Ivy helped convince Beyoncé to embrace the now-legendary song “BROWN SKIN GIRL.” Carless explained that while Beyoncé was working on The Lion King: The Gift album in 2019, he was tasked with pitching songs for inclusion. When he submitted the demo version of “BROWN SKIN GIRL” — made by SAINt JHN and producer P2J — he was certain that Beyoncé would approve the track for the album, but he was surprised when she flat-out rejected it during a listening session. Despite this, Carless continued to play it for her at the insistence of her longtime A&R, Mariel Gomerez, who thought the song was “fire,” but Bey made it abundantly clear that it was a hard pass. “We keep playing the song, keep playing the song, and she’s like, ‘No, that’s not it. Stop playing me that sh*t,’” he recalled. According to Carless, Beyoncé is always respectful; however, he noted that she “holds court” when it comes to her creative vision. He was certain she wouldn’t budge, but he didn’t give up just yet. Three weeks later, in a meeting with the Renaissance hitmaker, Disney executives, Jay-Z, and others involved in the soundtrack, Carless decided to play the song one last time, admittedly nervous as they were getting close to the deadline. That’s when Blue Ivy stepped in to save the day. “Blue Ivy’s in the meeting. She starts singing the hook: ‘Your skin’s just like pearls. The best thing in the world,’” Carless told Reginald Calixte. “Now, [Beyoncé’s] like, ‘Play it again.’ Now, we’re in the room for 15 minutes listening to this song,” He added. “She’s like, ‘Alright, I like it. I’ll take it. It’s going to be the single.’” Blue Ivy put her manager hat on and saved the day. Imagine what The Lion King: The Gift soundtrack would have been without this special song? Watch Steve Carless’s full interview on the One of One: A PLLRS Podcast below. RELATED: Creative Arts Emmys 2025: Beyoncé, Kendrick, Obama & ‘SNL’ Shine The post Manager Knows Best! Here’s Why We Can Thank Beyoncé’s Head Honcho Blue Ivy For ‘Brown Skin Girl’ appeared first on Bossip.

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Trymaine Lee Calls Out The Media’s Lack Of Coverage As Violence Against Black People Rises

This year marked the fifth anniversaries of the deaths of George Floyd, Breonna Taylor, Ahmaud Arbery, and 280 other Black people who died at the hands of police. Worldwide protests and nationwide promises seemed to signal a shift — if not for real change, at least more awareness around these stories. But between the Trump administration’s renewed attack on anyone not white and male and fewer Black journalists in consistently shrinking newsrooms, there’s been noticeably less coverage around violence against Black people. And that isn’t due to a decrease in these cases. In fact, since 2020, the number of Black people killed by police has increased. In 2024, that number was 341, according to Mapping Police Violence. Pulitzer Prize-winning journalist Trymaine Lee said in an interview that this speaks to “the precarity of our existence.” “What’s insane is that from George Floyd’s very public murder, we saw an organized movement worldwide that we’ve never seen before in the name of Black life,” Lee said. “The number has continued to rise, but the coverage has been diminished. We are still at the whims of the media powers, right? So we’re being there more people and more Black people being killed by police, but the coverage is lower, because they’ve decided that that’s not the story that matters, right? That’s not the one that matters. They’ve tired of it. They’re fatigued of it, and now with this administration in particular, they don’t have to.” This speaks directly to Lee’s debut book, A Thousand Ways To Die, which was released Sept 9. In it, he breaks down the generational cost gun violence has had on Black people in America. The foundation of the book was inspired by Kevin Johnson, who was shot and paralyzed at 19 during a robbery attempt for his Allen Iverson Jersey. Lee was an intern covering the case for the Philadelphia Daily News back then. For more than 20 years, Lee has spent his career covering stories of gun violence against Black people, including Trayvon Martin. The cost of his work came to a head after he suffered from a serious heart attack that made him face his own mortality. “It forced me to consider my own mortality, but also to widen the aperture on what violence actually is and the broad ripples of violence, and how we’re all touched by them in different ways,” Lee said. As much as this is a book about gun violence, Lee said this is also a book about journalism. The author used old newspaper articles and Census data to give context of what societal conditions were when his grandfather, Horace, was gunned down. Throughout history, Black journalists and activists have been pivotal in ensuring stories of racist acts are brought to the forefront. That can be a heavy burden to bear, Lee said. “We already have these pressures of this capitalist society that’s built to exploit us and exploit the labor, and what happens when that exploitation of labor comes when we’re telling our stories,” he asked. “It’s about Black journalists and how we approach the craft and how we satisfy delivering the stories for an audience, while also grappling with the pain that our people experience and that we experience, and then having to engage with the white gatekeepers who are in control of telling these stories through the media and helping define us?” So far in 2025, 205 Black people have been killed by police in the United States. Within the past year, there have been several cases of suspected lynchings, with Delta State University student Trey Reed’s death being the latest. Through A Thousand Ways To Die, Lee said he wants readers to understand how we got here instead of blaming the Black community on the violence it experiences. “Let’s point to it and name the source of it, because without naming the source, society will have us thinking that we’re the problem, that there’s something innately wrong or violent about us, and so we’ll own in a way that isn’t healthy or true or honest,” Lee said. “Ain’t nothing wrong with us. Let’s look at the machinery built around us.” Taryn Finley is an award-winning journalist, host, and producer based in Brooklyn, specializing in storytelling that intersects race, culture, and identity. Originally from Dayton, Ohio, Taryn’s career spans over a decade of impactful work, writing for HuffPost, Refinery29, Essence, and The New York Times. She also hosted HuffPost’s podcast I Know That’s Right and co-hosted MadameNoire’s digital series Listen to Black Women. SEE ALSO: Another Ferguson Voice Silenced: Dorian Johnson’s Death Raises Painful Questions [Op-Ed] Police Kill Black People, Congress Couldn’t Care Less

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Halloween Parade Canceled In Chicago Because ICE Is Still Deploying Tear Gas And Running Wild

In today’s episode of Everybody Haaaaaates ICE (you were supposed to read that in the tune of Everybody Hates Chris), the ongoing situation in Chicago — where Border Patrol and Immigration and Customs Enforcement agents keep running wild like rabid dogs off their leashes, and residents keep responding by, well, not having it at all — seems to be getting worse as clashes intensify between agents, protesters and, often, people who were just trying to get to work or school. As we’ve noted previously, while the Trump administration has claimed repeatedly that its immigration crackdown is about ridding America of the worst kinds of “criminal illegal aliens,” we’re not seeing evidence that hardened criminals represent the bulk of who is being accosted by agents, arrested, and disappeared to who knows where. Instead, immigration officers seem to be going after any and everyone who they think looks wrong, and subsequently arresting workers and people raising families, who may or may not have all their paperwork in order, and they seem to be dumbfounded by the lack of support they’re getting from the community, including the protesters they seem to be attacking first and vilifying as agitators later. For example, according to the Chicago Sun-Times,  a Halloween costume parade for children that was supposed to take place on a usually quiet residential block has been canceled because just hours before it was scheduled to begin, tear gas had been deployed by agents moved to detain Luis Villegas, a construction worker who agents chased down the 3700 block of North Kildare Avenue and tackled on a lawn. It was reportedly the first of two incidents in the same area where agents deployed tear gas, purportedly to defend themselves against enraged bystanders who took issue with ICE agents behaving more like criminals than the “criminal illegal aliens” they claim to be arresting. From the Sun-Times: Ald. Ruth Cruz (30th) called the two uses of tear gas in her ward “unprovoked and deeply troubling attacks on our communities.” She said Villegas has been in the United States since he was 4 years old. The Department of Homeland Security said he had been accused and arrested — not convicted — of assault. “This is home for him,” Cruz told the Sun-Times Sunday. “He has built his education, his family and his life here in Chicago.” Brian Kolp, a former prosecutor with the Cook County state’s attorney’s office and counsel for the city of Chicago who once defended Chicago police officers in lawsuits, was watching news about a temporary restraining order issued against federal agents when agents pursuing Villegas subdued and detained him on Kolp’s front lawn. Kolp was barefoot and wearing Blackhawks pajama pants as he stepped from his front door to yell “Nazi” and “Gestapo” at the agents who dragged Villegas to a vehicle. Kolp said the agents pulled his 70-year-old neighbor out of his vehicle and slammed him to the ground as he arrived home. He saw another person on a bicycle also get detained. Of course, the Department of Homeland Security is claiming agents were “boxed in by agitators,” a claim the department has made about previous incidents, only for witnesses and video footage to contradict the narrative. “These weren’t activists, these weren’t paid protesters, these were literally my neighbors coming out of their homes at 10 o’clock in the morning because they saw lawless agents acting in violent ways,” Kolp said, claiming the people officers deployed tear gas on were mostly neighbors who had stepped out of their homes to film and shout at agents. “There are only so many ways we can hold these folks accountable. If the courts can’t do it, Congress can’t do it, then it’s up to the community to do it.” Erin Sarris, a resident who has lived in the neighborhood for eight years, said she was on her way to the Halloween parade with her two 8-year-old daughters and 6-year-old son when she saw the cloud of tear gas from down the street. “It’s impossible to explain the concept of this to school-age kids like that and make them feel OK about it, because it’s not OK,” Sarris said. “It shatters their worldview of what’s right, fair, and appropriate in witnessing this.” Again, this was only the first incident involving ICE agents seemingly ignoring a federal judge’s previous order limiting their use of tear gas near schools and residential areas. More from the Sun-Times: Less than a mile away and around the same time Saturday, at Roscoe Street and Harding Avenue, federal agents again deployed tear gas as residents shouted at them. Two of Cruz’s staffers were hit by the tear gas as they responded, though she said they had recovered and were “more eager than ever to ask what more they can do to protect their communities.” She said her staffers witnessed a woman thrown to the ground by agents, but they said no one was detained. “Seeing it in person really emphasized there’s nothing calculated or organized about it,” one resident who witnessed the tear-gas deployment said of the ICE agents’ tactics. “It’s obvious what they’re doing is just evil.” These clashes between citizens and border cops are not limited to Chicago, of course. In large cities across the country, video footage of federal agents swarming citizens and non-citizens alike as angry onlookers heckle them and, sometimes, get themselves personally involved is being shared across social media on a daily basis. Recently, rumors have been swirling, especially in the world of right-wing media — including bootlicking op-ed writers who believe the “thin blue line” is something that needs to be protected — that the Chicago Police Department has been ordering its officers not to respond to calls about ICE agents needing their help while under attack by protesters. And while the CPD has denied these allegations, honestly, could you blame the department if it were true? After all, we’re talking about a city where officials had already made it explicitly clear that federal officers

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Trump Claims Jasmine Crockett And AOC Would Fail His Cognitive Test

President Donald Trump told reporters on Monday that he underwent an MRI and a cognitive test during his “secondary” physical at Walter Reed earlier this year, and like every other medical examination he has told the public about, he claimed the results were “perfect” and proceeded to talk as if doctors confirmed he’s some kind of living, breathing medical miracle, the likes of which the world hasn’t seen in. In fact, Trump’s cognitive test turned out so great, he is now suggesting Congress’ most prominent women of color, Reps Jasmine Crockett and  Alexandria Ocasio-Cortez, should also be tested — as if they’re the ones who think windmills cause cancer, Lysol is an injectable COVID cure, boat batteries cause shock attacks and that President Joe Biden was in charge of the FBI on Jan. 6, when Trump was still president. Also, Crockett and AOC aren’t the ones who seem unsure on whether to rule in or rule out the clearly unconstitutional idea of a president running for a third term. Actually, let’s talk about that first. According to the Guardian, Trump was on Air Force One while traveling from Kuala Lumpur, Malaysia, to Tokyo, Japan, when he told reporters he would rule out running for the vice-presidency in 2028, so whoever actually ran for president could drop out and make him president again, which many of his supporters have floated around as idea for their MAGA messiah to weasel his way into a third term in 2028. “I’d be allowed to do that,” Trump said. “I wouldn’t do that. I think it’s too cute. Yeah, I would rule that out because it’s too cute. I think the people wouldn’t like that … It’s not – it wouldn’t be right.” First of all, “I’d be allowed to do that,” followed up immediately by, “I wouldn’t do that,” doesn’t sound like a man with “perfect” cognitive abilities, but it does sound like a guy who would declare that he’s “not a dictator” in the same rant during which he mused that many Americans would “rather have a dictator.” Also, “too cute”? Nah, it would be “too cute” if Trump’s stubby, little baby hands were on an actual baby. Nothing would be cute about Trump ordering one of his loyal stooges to run for president and make him their running mate just so they can win and drop out, in order to keep the guy who’s totally not a dictator in power without being democratically elected. But at least Trump has ruled out serving a third term altogether, right? Or has he? From the Guardian: Referring to the possibility of a third term, however, Trump said: “I would love to do it. I have my best numbers ever.” When pressed by a reporter whether he was not ruling out a third term, he said: “Am I not ruling it out? I mean you’ll have to tell me.” He added: “All I can tell you is that we have a great group of people, which they [the Democrats] don’t.” No, no — the man who is asking reporters to tell him whether or not he has ruled out the completely illegal act of serving for a third term definitely sounds like he aced any test on how well his mind works. So, let’s get back to that. “I got an MRI, it was perfect,” Trump told reporters during that same flight to Japan, according to the Hill. “Nobody has ever given you reports like I gave you, and if I didn’t think it was going to be good, either, I would let you know negatively,” he continued. “I wouldn’t run, I’d do something. But the doctors said some of the best reports for the age, some of the best reports they’ve ever seen.” I mean, the man can’t even string together coherent sentences while boasting about how coherent he is. Now, Trump could have just stopped there, and we all could have rolled our eyes and moved on like we usually do, but he hadn’t even said anything racist or misogynistic yet, or hit his political opponents with unprovoked insults, which brings us back to Crockett and AOC. “You give her an IQ test. Have her pass, like, the exams that I decided to take when I was at Walter Reed,” Trump said, referring to Ocasio-Cortez. “I took — those are very hard — they’re really aptitude tests, I guess, in a certain way.” “The first couple of questions are easy. A tiger, an elephant, a giraffe, you know. When you get up to about five or six, and then when you get up to 10 and 20 and 25, they couldn’t come close to answering any of those questions,” he added. As I wrote previously, “Don’t get me wrong, Trump pivots to personal insults on everyone who he’s up against, but there are certain insults — typically the ones that involve intelligence or gender-related bodily functions — he reserves for women, and, more specifically, Black women and women of color.” I wrote that when the guy who thinks “groceries” is a brand new word because he, apparently, just discovered it this year was calling Kamala Harris “dumb as a rock.” Again, nobody asked Trump about Crockett, Ocasio-Cortez, or literally any of the Democrats in Congress, who clearly live rent-free in Trump’s head, despite his claims that the Democratic Party is essentially over. It’s almost as if no time is an inappropriate time for Trump to relay the unsolicited information that his own insecurity as a white, fragile, and aggressively mediocre male causes him to hate accomplished, intelligent, and far more articulate Black and brown women uncontrollably. You kinda have to admit, though, that it’s often difficult to tell if Trump is truly declining cognitively, or if he’s the same delusional idiot he has always been. Because as much as it does seem that his elevator is permanently stuck on the non-existent 13th floor, it’s his usual refusal to accept reality that has him

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Soulja Boy Apologizes To Kandi After Interview With Ex-Employee Who Alleged He Spit In His Food

In a plot twist nobody saw coming, Soulja Boy is cranking dat apology to Kandi Burruss, putting an end to their unexpected back-and-forth. The about-face follows his egregiously explicit tirade after an episode of Burruss’ “Speak On It” podcast, where his former videographer shared a story about the rapper allegedly spitting in his food. According to the Grio, the incident in question dates back to 2007, when videographer Charlie Rocket claimed he worked for Soulja Boy in Las Vegas. “Soulja Boy called me to his room,” Rocket began on “Speak On It.” “We’re staying at the Bellagio, and he wanted to make a really viral video. He said, ‘Come to my room. I’m about to order some room service,’ and he ordered $1,000 worth of room service. When he was done, there was so much food left over. I was excited. I saw some chicken fingers and I was like, ‘Can I get those? Cuz I’m hungry, I’m really really hungry.’” Rocket alleged that Soulja told him he could have whatever he wanted—before allegedly spitting on the food. After the podcast clip went viral, Soulja Boy unleashed a furious, profanity-laced livestream targeting both Rocket and Burruss. The rapper denied the claims and threatened legal action, demanding an apology from Kandi for hosting the interview. He insulted the former #RHOA star, calling her names and demanding her address since he was in Atlanta, stating he would “pull up.” “Aye, somebody tag this b*** Kandi too,” Soulja demanded. “B****, why the fk you got this fat n*** on your platform? I’m about to sue the f*** out of Kandi. Somebody tag Kandi. You on the motherf**** Internet claiming I spit in your food, you’sa b***. Who the f*** somebody go on the road with somebody and not eat for three days? And Kandi, f**k you too, you lil’ bald-headed b***,” he stated. Kandi, however, refused to be intimidated, and she quickly turned the threat into an opportunity. “I heard @souljaboy was cussing me out on his live and said he wanted to pull up… Well, I would love for you to pull up. Let’s speak on it!” she wrote on X. Soulja Boy Apologizes, Admits He Overreacted Ultimately, the threats subsided, and Soulja Boy apologized for his behavior. In a subsequent livestream, the rapper walked back his comments, admitting his emotions got the better of him. “Man, I’m sending out an apology to Kandi…You know, I overreact sometimes; I see stuff on the internet. Much love to Kandi. If you can find it in your heart, please accept my apology—much love to you, much respect to you.” He clarified that his true anger was directed at the videographer for “lying” on him, admitting that his friends had advised him, “You should have gotten mad at the dude, you shouldn’t have gotten mad at her. I’ma just let that rock, man.” The post Crank Dat Damage Control: Soulja Boy Apologizes To Kandi After Interview With Ex-Employee Who Alleged He Spit In His Food appeared first on Bossip.

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Hakeem Jeffries Is Wrong About Many Things, But Redistricting Is Not One Of Them

In a recent Zoom meeting with House Minority Leader Hakeem Jeffries, members of the Illinois Senate Black Caucus reminded him of one major obstacle in the ongoing congressional redistricting war between Democrats and Republicans: Black politicians unwilling to sacrifice their power and Black political power collectively for an alleged greater good. This should have long been foreseen by Jeffries and other Democratic leaders, but it is never surprising for Democrats, even the Black ones, to ignore the concerns of Black folks often until it’s damn near too late – and the same goes for the mainstream press corps that covers them. For months now, in addition to efforts led by California Governor Gavin Newsom, Jeffries has reportedly joined other national Democratic officials in pushing legislative leaders in the states of Illinois, Virginia, and Maryland to proceed with plans to redraw their maps to counter efforts in GOP-controlled states like Texas, North Carolina, and Missouri. However, select members of those caucuses were said to have expressed serious reservations, if not flat-out declarations of refusal to sign on, rooted in the belief that the Democratic Party’s plans to block the GOP gerrymandering their way to total seizure of Congress would disproportionally harm Black lawmakers by dismantling their districts. Then came the public warning to Jeffries from state Senator Willie Preston, chair of the Illinois Senate Black Caucus, who told a reporter the caucus won’t back any map that dilutes the Black vote in any historically Black district. “We’re going to fight back,” Preston said. “We just won’t do so at the expense of our own power.” Preston is running to replace Democratic Congresswoman Robin Kelly, who is running for Senate, in one of those districts. It’s not hard to understand why Preston would be pressed about the potential chance of him going to Congress being eradicated for the benefit of some politician who will likely not bear the same shade as him or the majority of his potential constituents. On Monday morning, House Minority Leader Hakeem Jeffries traveled to Illinois to meet with state Democratic lawmakers to urge them to consider a mid-decade redistricting, all the same. While protecting Black representation is absolutely a legitimate concern, true power requires strategic sacrifice, and in the long term, real investment in states across the South. As former Attorney General Eric Holder, who has worked with former President Barack Obama on nonpartisan map-drawing efforts in recent years, explained to the Washington Post recently, “We’re doing things that kind of go against what we talked about [because] we have to preserve our democracy if ultimately we’re going to heal it.” Still, there is a real reason to worry about what the Democrats’ plans mean for Black political power writ large. Former Ohio State Senator Nina Turner warned in August that if both parties engage in partisan redistricting battles, “Black Americans—split between 23 Republican-controlled states (44-45% of the Black population) and 15 Democratic ones (30%)—will see their collective political power diluted.” The looming Supreme Court case, Louisiana v. Callais,  where Supreme Court Justice John Roberts may finally achieve his decades-long crusade to kill the Voting Rights Act, only compounds these fears, as Democrats would be in danger of losing around a dozen majority-minority districts across the South. But that ruling won’t affect the next midterms, and if Democrats retake the House, they can fight whatever terrible decision SCOTUS issues. I question the logic of refusing to relinquish any power when that refusal renders your entire party powerless for a generation. What good is a safe seat in a permanent minority? Furthermore, when it comes to the dilution of Black political power in the South, much as we can blame the GOP for gerrymandering, voter suppression efforts of every variety, and so on, we can also fault the Democrats for not even bothering to do much with the huge Black populations existing within the South. For decades at that! Have writers like me for years not complained about why the Democratic Party hasn’t invested in Black candidates in statewide races in places like Mississippi and North Carolina? Have the candidates themselves, such as former Louisiana Senate candidate and activist Gary Chambers, not pointed out the flawed strategy of ignoring Black voters in the South? Just recently, Chambers told Joy Reid: “There are a million Black folks in Mississippi — you only need 480,000 to show up to flip the state, which $25 million could accomplish.”’ “If Greg Abbott can spend $90 million on one county in Texas,” he argued, “Democrats can’t keep saying the South isn’t worth it.” He is right to argue to Democrats, “If you’re not investing in Louisiana and Mississippi after all the losses everywhere else, you’re not serious about winning.” I’m still old enough to remember a Democratic governor of Texas, and I strongly believe we can bolster Black political power by investing in states where Black people live and are moving to. Given the direction of the next census and the maps that will be drawn thereafter in the coming years, this is the surest survivalist strategy for Democrats anyway. As for what power that might be lost in the meantime, I suspect much of this is rooted in individual politicians and their fears of losing their personal political power, or, if nothing else, having to work a whole lot harder for it. Most politicians of all parties enjoy gerrymandering because it makes it easier for them, and while such luxuries aren’t often afforded to Black people, I couldn’t care less about any Black politician ultimately pressed about their power at the expense of everyone else’s. It’s OK for members of the CBC who have had cushy seats for decades that have largely gone unchallenged to work a bit harder. I don’t have a lot of faith in the charms of Hakeem Jeffries to convince those in doubt about all this, but for all the many-many-many-many political stances I disagree with him on, redistricting isn’t it. This is a one-time opportunity to

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White Man In Full Nazi Uniform Arrested After Video Shows Him Striking Female UGA Student With Beer Mug

Here’s a question — a series of questions, actually: Are white men OK? Is the white supremacy in the air just extra thick this Halloween? Has the current administration made the Gestapo look cool again? It’s almost 2026 — what’s with all the self-proclaimed Nazis? Last Thursday night, a white man showed up to an off-campus bar near the University of Georgia in Athens dressed in full Nazi regalia, and now he’s been arrested for striking a female student in the face with a beer mug after being confronted by patrons who did not want the Nazi cosplayer entering the bar. It simply can’t be emphasized more that 33-year-old Kenneth Leland Morgan — who, according to NBC News, was first identified by the victim, 23-year-old UGA student Grace Lang— didn’t just show up outside Cutters Pub in plain clothes, waving a swastika flag and drunkenly shouting out “Heil Hitler” like a normal 21st-century Nazi. Nah, this guy came out in a full, seemingly authentic Nazi officer’s uniform, looking like he came straight from the set of Quentin Tarantino’s “Inglorious Basterds.” Where does one even get a real Nazi uniform in 2025? Either there’s some kind of “Third Reichs ‘R’ Us” store open in Georgia, or somebody’s grandpa who somehow escaped the Nuremberg trials after World War II needs to check their closet to see what’s missing. What does seem to be perfectly clear is that Morgan was out with the sole intention of pissing people off by wearing his white supremacist bigotry literally right on his sleeve. From NBC: Lang said she knows of Morgan through a friend of a friend and that he is known in her circles and around town. Lang said two of her friends, one of whom is Jewish, first confronted the man. “She was mainly just telling him he needed to leave and needed to go home,” Lang said. Video of the encounter shows the man walking around with a beer mug and swinging it at a woman, seemingly striking her in the face as she goes down.Lang said she got hit by the beer mug after trying to grab the man’s swastika armband. “He was just feeling very proud of himself for what he was wearing,” said Lang, who said she got four stitches for cuts to her face. If you listen closely, you can already hear the sounds of millions of basement-dwelling, incellustrious, Nazi-loving MAGA bros tapping away at their keyboards to say the Nazi acted in self-defense and the woman deserved to get hit for reaching for his swastika-clad arm. Considering the fact that even top members of the Trump administration have shown that they will stretch themselves into noose knots to justify the activities of white supremacists and then complain about being called white supremacists, we shouldn’t be surprised if Morgan is the next white guy over 30 to have Vice President JD Vance claiming he was just doing “what kids do.“ Anyway, according to Athens-Clarke County jail records, Morgan was arrested early Friday and booked on suspicion of two misdemeanor counts of simple battery and one felony count of aggravated assault. It’s unclear if he has a lawyer. In a statement, UGA accused Morgan of “heinous antisemitic behavior,” NBC reported. “We are horrified by the actions of an individual who, while in downtown Athens wearing a Nazi uniform, assaulted a female University of Georgia student,” the statement read. “The man is not a student and is not affiliated with the University. His actions, which were caught on videotape, are appalling, and we are grateful to Athens-Clarke County police officers for swiftly apprehending and arresting him.” It’s a shame. American white supremacy inspired Germany’s Nazi movement, and now America clearly has a Nazi problem it just doesn’t want to confront head-on. Sad. SEE ALSO: ‘What Up, My Nazi?’ Is Fox News Mimicking Black Reclamation Professor Posts Blackface Photo And Keeps Her Job  

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Student Fears Dominate Washington, D.C., Education

What began as a routine discussion over how to spend a $30,000 student engagement budget quickly turned into a sobering look at fear, mistrust, and the limits of safety in Washington, D.C., schools. At a recent meeting of the D.C. State Board of Education’s Committee on Student Experience and Engagement, the conversation veered sharply when students described feeling anxious about the presence of Immigration and Customs Enforcement (ICE) near school grounds. Students told the board that seeing ICE agents near their schools makes them panic, even when they’re not the target. They described the presence of law enforcement as a constant source of anxiety. One student representative said that “a majority of the emojis students created expressed negative emotions. Students feel upset, concerned, or unsafe when ICE is around our schools.” The comment struck a nerve. Committee chair Eric Goulet said the reaction was “not surprising,” warning that the presence of masked federal agents “erodes trust” between students and institutions. He cited reports of ICE detaining parents near Bancroft Elementary as particularly alarming. Those fears aren’t unfounded. In March 2025, federal agents attempted to detain a health-care worker at H.D. Cooke Elementary School while students were arriving. The agents left only after administrators demanded a warrant. Earlier this year, parents and daycare staff in Northwest D.C. reported unmarked SUVs and plain-clothes officers outside bilingual childcare centers, sparking panic among immigrant families. While D.C. has recently shown modest progress on attendance — its in-seat rate climbed to 87.4% last school year, and chronic absenteeism dropped to 36.9%— more than 1 in 4 students across the district still miss significant class time. Nationally, studies show that immigration enforcement can drive attendance even lower. In districts hit by ICE raids, daily absences spiked by about 22%, with the sharpest increases among elementary-age students. Research from the Kaiser Family Foundation and the Learning Policy Institute confirms that heightened immigration enforcement correlates with chronic absenteeism, school withdrawals, and declines in academic performance. In other words, the panic students describe in D.C. isn’t isolated; it’s part of a measurable, nationwide chilling effect that turns fear into lost learning. Some neighborhoods have even organized “walking school buses,” community escorts to help children travel safely to class after witnessing federal agents detain a parent in front of students. Educators say the heightened enforcement has already begun affecting attendance and the sense of security inside classrooms, according to WTOP News. “The way to make students feel safer is to build trust,” Goulet said. “Actions like these do the opposite.” Across the country, similar stories are unfolding in immigrant communities where schools are meant to be sanctuaries but often feel like extensions of law enforcement. In D.C., where foreign-born residents make up nearly 14% of the population, students say the presence of ICE near schools fuels anxiety. Studies suggest that enforcement near schools can reduce attendance, especially among Latino students. The ICE discussion overshadowed what was supposed to be a planning session about student engagement and safety initiatives. The committee, working with a $30,000 budget, had been debating how to increase student participation in civic events, from listening sessions to a possible citywide student summit in March. Only three students had shown up to the previous town hall, despite 18 signing up, a turnout that underscored how mistrust and fatigue are already eroding civic involvement. The attendance failure is evidence of the deeper emotional disengagement created by fear and disillusionment. It’s not just that students are afraid of ICE; it’s that the system built to hear them is operating on a shoestring and struggling to get them in the room. Student Representative Kayla Chamberlin suggested offering community service hours as an incentive to draw more young people in. Others proposed smaller ward-based meetings, partnerships with youth groups, and translation services for families who don’t speak English. “We’d hit the whole city,” said Ward 8 Representative Lajoy Johnson, arguing for events in every ward. But beneath the logistics and policy talk was a more existential question: how do schools protect students from fear when the threat isn’t inside the classroom but waiting just beyond its doors? The conversation expanded to youth curfews and law enforcement visibility—issues that carry similar undertones of mistrust. “We don’t want young people encountering the criminal justice system just for returning from a school event,” Goulet said. By the meeting’s end, members had pledged to translate student feedback into tangible action to ensure that safety planning addresses not just physical threats but emotional ones. “It’s about making sure what students say doesn’t just get heard and it gets acted on,” said Rep. Dinkins. For D.C. students, that action can’t come soon enough. The challenge now facing the city, and districts nationwide, is proving that safety and belonging can’t be legislated into existence; they have to be built. Zoe Cummings is a senior honors journalism major, Spanish minor at Howard University, covering HBCU news, politics, and culture. You can follow her on Instagram @zoesxphia. Grant Roundtree is a senior journalism major, political science minor at Howard University. He is interested in stories about culture, sports, politics, and issues affecting local communities. He can be reached on Instagram at @grantroundtree. SEE ALSO: Ethiopian Immigrants Live With Fear, Anxiety In Washington Howard Students Hustle To Stay Enrolled After Federal Aid Cap

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Featured

Boris Kodjoe Talks Dealing With Racism As A Child In Germany

Boris Kodjoe may be eternally fine, but his experiences as a visibly Black biracial child were anything but. In a sit-down on the Pivot podcast, the actor opened up about his difficult upbringing in Germany. In response to a question about what his experience was like being raised by his white mother in a predominantly white country, Kodjoe gave a vulnerable and honest answer. “There’s ignorance and misinformation and fear,” he said. “Because that’s really where it comes from. I was faced with racism and bullies every single day growing up in Germany because I was different. Kids reaching out grabbing my hair, rubbing your skin to see if it’s real, asking if we live on trees in Africa. Just the most ignorant, dumb things based on, again, misinformation and fear.” He continued, “On top of it, my mother’s white. My father’s from Ghana. But my dad left when I was between three and four years old. So, it was just my mom and me and my brother. So, I always felt different and you know when you’re a child, all you want is to be just like everybody else. You want to belong. You want to fit in. And without my father there, it made it so much harder because I didn’t have anybody to relate to. I didn’t have somebody to protect me. I didn’t have somebody to explain to me what this was. I think my mother did an extremely admirable job in putting a sense of pride and a sense of confidence in us.” He also chatted about how he felt when his father abandoned their family and how it shaped his approach to both manhood and parenting. “When I was in first grade, in maybe kindergarten, they tell you to paint a picture of what you want to be when you get old and become an adult,” he said. “Everybody wanted to be firefighters and athletes, I wrote down I wanted to be a father. So, that was my goal. I didn’t have one present and I knew what it felt like to be disappointed and to feel abandoned.” He continued, “When my father left, he told me ‘take care of your mother and your brother’, I was five years old and I took that to heart. And it f***ed me up for 30 years because I thought if I do a good job, he’ll come back. And he never came back. So, I thought, ‘oh, this is my fault, I didn’t do a good job.’ I carried that with me for a long time. So, all of that had a huge impact on me as a father because I knew how important it was to be present for the kids at all time and I wanted them to feel safe. I wanted them to feel loved. I wanted them to feel validated. I wanted them to feel empowered. Thankfully, we got a second chance with my dad because my daughter had these issues and he was a doctor. My mother called him and the next day he showed up to my house in LA. Kodjoe went on to say that though he hadn’t seen his father since the day he left their family, that he would spend the final 10 years of his life making up for the lost time and forging a relationship with his and Nicole Ari Parker’s children. Watch the touching episode below: The post ‘Rubbing Your Skin To See If It’s Real’: Boris Kodjoe Talks Dealing With Racism As A Child In Germany appeared first on Bossip.

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King George: The Southern Soul Voice You Need to Know

Introduction If you’re into soulful grooves, authentic R&B energy, and the pure feel of the South, then King George is one artist you should have on your radar. Based in Hopkins, South Carolina, he combines old-school flair with contemporary southern soul energy. iHeart+1 In this post, we’ll dive into: his background, signature sound, standout tracks, why he matters in southern soul today, and how to stay connected with his music. Background & Journey Growing up in Mississippi and relocating to South Carolina, King George has deep roots in the traditions of gospel-tinged soul and the Southern music scene. Famous Birthdays+2Facebook+2He officially began releasing music around 2020, quickly gaining traction with songs like “Leave & Party” and “Friday Night.” iHeart+1His breakout moment came with the single “Keep On Rollin” (2022), which amassed millions of streams and introduced his vibe to a wider audience. YouTube+1 Signature Style & Sound What makes King George distinct: A smooth vocal delivery that nods to the past while feeling fresh. iHeart Lyrics centered around good times, relationships, and the kind of weekend energy you feel in the South. iHeart+1 Production that blends party-centric R&B with the emotional weight of southern soul—making his tracks both fun and deeply resonant. Apple Music – Web Player+1 Must-Listen Tracks Here are a few standout songs to get started with: “Keep On Rollin” – The 2022 single that helped put him on the map. YouTube+1 “Too Long” – A heartfelt track that showcases his emotional range. YouTube+1 “Leave & Party” – A feel-good weekend anthem rooted in southern soul energy. YouTube+1 “Baby If I” – A newer release, smooth and soulful, perfect for slower moods. YouTube Why He Matters in Southern Soul Today The southern soul genre has always been about authenticity, feeling, and connection. And King George is carrying that tradition forward by: Reviving the sound of 1990s influenced R&B mixed with modern southern soul vibes. iHeart+1 Bridging the gap between party tracks and emotional ballads—making his music versatile for both feel-good and introspective moods. Gaining traction in an era where soul and R&B can sometimes get overly polished, he brings back rawness and realness. On Reddit one fan noted: “One of the top (if not the top) southern soul artist, King George, is getting more and more popular…” reddit.com Where to Find Him & What’s Next Streaming platforms: His catalog is available on major services via Apple Music and others. Apple Music – Web Player Social media: Instagram handle @803kinggeorge for updates, behind-the-scenes content, and show info. Instagram+1 Live shows: He’s touring and appearing at southern soul events; keep an eye on ticketing sites for upcoming dates. Ticketmaster Final Thoughts If you’re exploring the world of modern southern soul and want an artist who combines party energy with emotional depth, King George is a worthy listen. His tracks feel rooted in tradition yet fresh for today’s scene. Add his music to your rotation, and keep an ear out—he’s one of the voices pushing southern soul forward.

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Keke Palmer & Nakia Stephens Speak Out Amid Backlash Over HBCU-Centered Show

Keke Palmer and screenwriter Nakia Stephens have joined forces to bring a new original series, Southern Fried Rice, to Palmer’s KeyTV platform, a digital media network dedicated to uplifting Black stories and creatives. But since the show’s release, social media users have been divided over its unique plotline, which centers on an Asian American character. Premiering its first two episodes on Oct. 22, Southern Fried Rice follows an Asian American woman, Koko Johnson, played by Page Yang, as she explores her identity and culture while growing up with Southern Black parents. The themes collide when Koko attends Wright University, a prestigious fictional HBCU in Atlanta, and her late father’s alma mater. There, she faces questions of belonging and self-discovery, according to Complex. The cast also includes Kordell Beckham, Choyce Brown, Ashley India, Jada Lewis, and Shaun Rose. Palmer described the project as embodying her network’s mission— a story that celebrates “diverse realities while still being full of humor, love, and heart.” Yet, not everyone online agreed with the actress’s ethos. Reactions to Southern Fried Rice have been mixed. After the trailer and first two episodes dropped, some social media users voiced frustration. On X, one user wrote that the show’s lead should have been a Black actress, given its HBCU setting and KeyTV’s mission to center Black stories. “Black women aren’t a monolith; they could’ve easily made it about the transformation you go through experiencing an HBCU. Esp if said BW went to a PWI. This just looks like a sloppy attempt to force diversity in a show when black people have to beg for one supp-role elsewhere,” the user penned. Another added: “I think the obvious issue is, there is literally no need for the main character at an HBCU to be asian???” Some users said the show pulled influence from the real-life story of Cindy Wilson. Some users also pointed out similarities between Stephens’ show and the real-life story of writer Cindy Wilson, a Korean-born woman adopted by a Black family in Mississippi. Wilson, who detailed her journey in her 2018 memoir Too Much Soul, wrote about growing up in Jackson, Mississippi, after being adopted from Seoul, South Korea. “See how she fights and loves her way through life as she searches for her identity and discovers her place in the world despite the strongholds that society tries to place on her,” the book’s description reads. Several people online accused Stephens of failing to give Wilson proper credit. Still, other viewers embraced the series’ unconventional storyline. One person on X wrote: “I know plenty of non POC that went to HBCUs that received scholarships for being a minority, so I’m interested in seeing how this turns out.” Another viewer appreciated the show’s approach to cultural representation, saying: “Am I the only one open to the idea of this? I watched the trailer and the main character is tastefully written (w/o a Blaccent) and there are plenty of Black women and men within the show.” Keke Palmer and Nakia Stephens chimed in on the discourse. As the controversy spread, both Palmer and Stephens addressed the conversation directly. In a video shared on Oct. 23, Palmer spoke out to clarify the intentions behind Southern Fried Rice and to spotlight the Black creatives involved in the project, including Stephens, whom she has invested almost half a million dollars in over the years for previous shows on KeyTV. “I wanted to chop it up real quick about this series called ‘Southern Fried Rice’ that’s premiering on KeyTV, which is receiving some controversial feedback. Now, Southern Fried Rice was created by Nakia Stephens. While I can’t speak to her inspiration for the show, I can speak to her dedication as a creative,” Palmer said in a video posted on social media. “Nakia has written, showran, and produced four shows alongside her Damn Write Originals team with KeyTV, and KeyTV has proudly invested over half a million dollars in her creations. And I say that because it’s not easy to obtain that kind of investment.” She continued: “[At] KeyTV, that is the ethos of the company. It’s a network, not just because it has stars and shows or has talent, but because it’s about the people who create the shows and connecting them.” Keke Palmer went on to name other Black creatives KeyTV has supported, including Antwan Lawshe, Eric & Rosero McCoy, and Chelsea Sanders, adding: “Look, what you like is subjective, but the support of Black creatives is not, and it’s a task that KeyTV takes on with pride. Because if you want to be a creative, you have to be able to create, and that takes money, and it’s KeyTV’s mission to find the funds for you to be in practice, for you to experience trial and error, and to take your projects off the page and get more than one chance to do it in action. So, whether you like it all or some or none, I say, give these creators a chance to grow as we continue to grow in supporting them.” Stephens also spoke up, posting a message on Instagram that same day. “I welcome conversation. I welcome curiosity,” she shared. “Our ultimate goal was to spark conversation around culture, around belonging and identity, and so that’s what I think I’ve done.” She added that the show had been a decade in the making and was deeply personal: “Southern Fried Rice is 10-plus years in the making, and it was inspired by my own HBCU experience and observations as a student at Savannah State University, the first public HBCU in Georgia,” she explained. “I had friends at Savannah State University. And people in my orbit who were non-Black and had to navigate a historically Black space, and I saw how hard and challenging and fun and beautiful it was for them to do so, and that sparked my curiosity and honestly planted the seed for Southern Fried Rice.” Have you seen Southern Fried Rice yet? Tell us your thoughts about

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What Happens If SNAP Stops? What You Should Know And Do To Protect Yourself

The U.S. Department of Agriculture’s Food and Nutrition Services has warned that there may be insufficient funds to pay November benefits through the federal Supplemental Nutrition Assistance Program (SNAP), which provides food assistance to roughly 42 million Americans nationwide. On Oct. 10, the USDA informed every state that, because of the government shutdown, it must pause sending November SNAP payments. This means states can’t send payment files to the companies that load money onto Electronic Benefit Transfer (EBT) cards until they get new instructions. The order applies to all SNAP benefits, including regular monthly payments and any daily updates. That means, beginning Nov. 1, SNAP recipients may not be able to access any unused benefits on their EBT cards or receive new benefits. Some states, like New Hampshire and Louisiana, have advised recipients to use their remaining funds before Oct. 31, should the shutdown continue past the deadline. If the shutdown continues, the risk is severe. November SNAP benefits could be delayed, reduced, or canceled altogether nationwide, leaving millions of low-income families without funds to purchase food. The impending deadline also impacts schools. As previously reported, schools that rely on federal funding to provide free or reduced-price lunches to students are at risk. While the USDA sent states a contingency plan ahead of the shutdown outlining which funds could be used to provide meals, it has not confirmed whether it will advance additional funds if the shutdown stretches into November. How are states responding to the impending SNAP pause caused by the government shutdown? The funding crisis has already caused major disruptions. According to CNN, 17 states have stopped accepting new SNAP applications because their systems cannot merge partial October payments with November’s benefits. States able to separate the two months are continuing to issue October assistance to new enrollees, but most are bracing for major delays. State responses vary depending on local resources. States like New Jersey, California, and Texas have already warned that November benefits may be delayed or canceled if the government shutdown continues past Nov. 1. In Pennsylvania, recipients have been notified that no November benefits will be distributed until the government reopens. In New York, officials say the shutdown will not immediately impact SNAP benefits, and households will continue receiving assistance as usual through the end of October 2025. Applications remain open online and in person, and recipients can use their EBT cards at any participating retailer or farmers market. The state has not yet received federal guidance about November benefits, but promises to update residents as soon as possible. New Hampshire, meanwhile, has partnered with the state food bank to expand its mobile food pantry program to as many as 20 locations for SNAP participants, amid the crisis. These additional food pantries will operate for five weeks or until benefits resume. The state has also secured extra funding to sustain the Women, Infants, and Children (WIC) program until at least Nov. 7, though some locations may be forced to pause services if the shutdown continues into November. The government is required to use “lapse funding” if the shutdown extends past Nov. 1 to keep SNAP benefits available.  Federal agencies typically develop “lapse of funding” plans to prepare for shutdowns, and the USDA’s current plan indicates that contingency funds could be used to temporarily sustain SNAP, according to the Center on Budget and Policy Priorities. However, the agency has not confirmed whether it will tap into these funds, which are estimated to total between $5 billion and $6 billion—enough to cover most, but not all, of the roughly $8 billion needed to fund November benefits. The federal government is legally obligated to release these contingency funds, but unless that happens soon, millions of Americans could face food insecurity within weeks. What can you do to protect yourself? Overall, the situation is dire. If the shutdown persists and funding remains frozen, SNAP recipients may lose access to their benefits, schools could struggle to provide meals, and local food banks will face mounting pressure to fill the gap. States continue to urge residents to use existing benefits before the end of October, monitor official updates, and seek community food assistance if needed. Joining a local food bank could also help to supplement if SNAP benefits pause during the shutdown. Find a local food bank near you, using Feeding America’s search engine here.  SEE MORE: When The Government Starves Us: How SNAP Cuts Target Black Survival SNAP Benefits Ending As Hunger Cliff Looms

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Stephen A. Smith, The Aaron Burr Of Black Men, Apologizes To Jasmine Crockett

Stephen A. Smith is the Aaron Burr of Black men. OK, admittedly, I don’t know anything about Aaron Burr that I didn’t either learn from Lin-Manuel Miranda’s Broadway musical Hamilton or that one “Got Milk?” commercial from the ’90s. So, when I say famed sports analyst Stephen A. Smith is the Aaron Burr of Black men, I’m assuming the real-life Aaron Burr is similar to the go-which-ever-way-the-political-wind-blows version of Aaron Burr in Miranda’s play, who is actually played by a Black man. But, anyway, what I’m really trying to say here is I wish Stephen A. Smith would STFU forever and always. During a special edition of his podcast show Straight Shooter with Stephen A., Smith apologized to Rep. Jasmine Crockett, whom he scolded earlier this month for how she “expresses herself” regarding President Donald Trump and his policies, and then later doubled down on his criticism of her “rhetoric for the streets.” “Is that gonna help your district in Texas? Aren’t you there to find a way to get stuff done, as opposed to just being an impediment to what…Trump wants? How much work goes into that? I’m just going to go off about Trump, cuss him out every chance I get, say the most derogatory, incendiary things imaginable, and that’s my day’s work,” Smith said at the time. “That ain’t work,” he continued. “Work is saying that’s the man in power. I know what his agenda is. I’m not exactly in a position to stop him, since the Republicans have the Senate and the House, but maybe if I’m willing to work with this man, I might get something out of it for my constituency.” Smith should absolutely be ashamed of being this loud and wrong with his chest poked out further than his forehead. Imagine paying so little attention to the current political landscape that you believe, in the first place, that an authoritarian ruler like Trump — who has expressed out loud his intent to shut down and defund all things Democrat — can be worked with. Secondly, is this man really going to stand there and speak about Crockett’s straightforwardness and refusal to mince words with Trump, who has, for as long as he has been in the political arena, never passed up a chance to chuck personal insults and crass language at his political rivals, reserving the most racist, misogynistic and intellectually demeaning insults for Black women who are observably much smarter than him? Well, it appears Smith has come to glory on that part. “I saw something disturbing in regards to President Donald Trump and how he came at Representative Jasmine Crockett…I get it now with Trump feeding into that nonsense, giving him ammunition to continue to go out there and talk about our Black women that way—I got it,” Smith said, without getting into any specifics about which of the numerous times Trump has come at Crockett changed his thick-a** mind. “When Trump came at her like that, I said, ‘Damn it.’ I was pissed off because I said that’s what they’re talking about when they’re saying, ‘You know what, when you question something about her, it’s going to invite that,’” Smith explained, again, without specifying which remarks he’s even talking about. “I can look Jasmine Crockett in the face and say I’m sorry for any…kind of noise I caused in your direction, because she is accomplished, and she is smart, and she does have an incredible, incredible challenge working in this political climate on Capitol Hill,” Smith continued. Nah, let’s be real about what’s going on here. Smith popped off at Crockett, armed with misogynoir, respectability politics, and his typical, observable cluelessness about what kind of man our president is, and instead of getting the public agreement he was shooting for, he’s been getting dragged by the negro-net for more than a week. So now, Smith is bringing his tap dance back around, full circle, and apologizing to Crockett, while probably hoping we all forget this is far from the first time he has thrown on a cape for the orangey-white nationalist who is currently demolishing the White House both literally and symbolically. This is where the Aaron Burr comparison comes in. Depending on which position is more popular and convenient at the moment, Smith will be defending Trump against allegations of anti-Black racism one day, and calling out Black conservatives like professed “MAGA guy” Jason Whitlock for being the self-loathing “piece of sh*t” grifter he is the next. The man is just plain wishy-washy. Stephen A. Smith is the Van Jones of Black men who manage to have even more useless political takes than Van Jones. And, look, we can’t let Smith slide for piling on to the mountain of racist, Black woman-hating vitriol that is already spewed against Crockett by white bigots of the MAGA world on a daily basis. In the last year alone, Crockett has been called “ghetto,” a “fake ghetto hoodrat,” a “ghetto Black b*tch,” a wannabe “gangsta” who “wants you to think she’s from the hood,” and a “fraud” who is only pretending to be of the Black community, but is too educated to actually be of the Black community. She’s been called all of these things by racist white people who are only speaking about her like this because she’s a blunt, outspoken Black woman who sounds authentically like a Black woman when she speaks. Smith, on the other hand, is a Black man who was birthed and presumably raised by a Black woman in a family and community full of Black women, and he should know better. Nah, let him keep his apology. He’ll be back on the other side next week anyway. SEE ALSO: Loud & Wrong? Stephen A. Smith Dragged On X For Defending Donald Trump’s Claims Of ‘Black People Relating To Him‘ Why Stephen A. Smith’s Rant About Jason Whitlock Didn’t Go Far Enough

News

Federal Workers Line Up For Food Drive Amid Government Shutdown

The government shutdown has entered its third week, and federal workers are feeling the strain more and more. On Tuesday, a food drive intended to help furloughed federal workers had lines wrapped around the building as they go nearly a month without pay. According to CNN, Capital Area Food Bank partnered with No Limits Outreach Ministries to host the food drive in Landover, Maryland. The event was exclusively for federal workers and required participants to show their work ID to receive food. Capital Area Food Bank said they helped 370 households, which was double the number of federal workers they were expecting. “I’m overwhelmed by the line,” Oliver Carter, the pastor at No Limits Outreach Ministries and organizer of the event, told CNN. “I didn’t think we were going to have this many federal employees.” The timing was less than ideal for the food bank, as some of their federal funding has been slashed this year. “It’s a perfect storm of increased need in our community and throughout the country,” the food bank CEO, Radha Muthiah, told WAMU. “At the very same time, we’ve got reduced sources of food supply.” “I can’t believe I’m here,” Rolanda Williams, who works in the Social Security Administration, told CNN while standing in line at the food drive. “You always thought that getting a government job or you know, a federal job, that that’s security, and it’s not,” Williams added. The government shutdown began at the beginning of October as a result of Senate Democrats refusing to vote in favor of a short-term spending bill unless Republicans extended insurance subsidies provided through the Affordable Care Act (ACA). While Republicans currently hold the majority in the House and Senate, spending bills need 60 votes to pass. With Republicans only controlling 53 seats in the Senate, Democrats have rare leverage to negotiate with the ruling party. Republicans have refused to even negotiate extending the subsidies. Senate Majority Leader John Thune has only offered a potential vote on extending the subsidies after the shutdown ends. Considering the fact that Republicans let the subsidies expire and that repealing the ACA has long been one of their goals, the offer isn’t really a compromise when the outcome is likely to be a no. Without the subsidies in place, monthly premiums for ACA insurance are projected to go up by 75%. As a result, millions of Americans are projected to become uninsured next year as a result of being unable to afford the monthly payments. As of Wednesday, this has officially become the second-longest government shutdown. With no clear end in sight, the situation has only grown more stressful for the affected federal workers, many of whom are expected to work without pay through the government shutdown. “I’ve not been in this predicament ever. I served 21 years in the military. I’ve been a federal government employee for the past two years. The reason I wanted to become a federal government employee was stability. That stability, that rug, if you will, has been snatched away from us,” a federal employee who asked to remain anonymous for fear of losing her job told NBC News. “With my rent due next week, I can take anything I can get,” Summer Kerksick, a federal contractor and market research analyst with the Rural Export Center in the U.S. Department of Commerce, told CNN. “I haven’t gotten a paycheck this month, so the free groceries is very important, very helpful,” she added. “I’ve got to save every dime at this point.” So we’ve got federal workers being unable to feed their families as a result of the GOP being unwilling to make health care affordable for millions of Americans. But America first, right? SEE ALSO: Here’s Where We Are In The Current Government Shutdown Federal Workforce Layoffs Begin Amid Government Shutdown Mike Johnson Says Government Shutdown Could Be Longest Ever Food Stamps At Risk As Government Shutdown Continues When The Government Starves Us: How SNAP Cuts Target Black Survival

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Featured

Summer Walker Gets Real About Catching Lil Meech Creepin

Summer Walker hopped on 360 with Speedy and gave us the real, raw, and slightly petty tea we’ve all been waiting for. The R&B songstress sat down with host Speedy Morman for Complex’s long-form interview series and didn’t hold back about her infamous situationship with BMF actor Lil Meech, her viral pose and why she’s done being a “ride or die.” Fans know about the “it’s my cousin” debacle that had social media in shambles and birthed one of the most memeable breakup poses of all time. Now, Summer’s speaking out about her relationship with the actor. When Speedy brought up love and loyalty, Summer got straight to the point. “You just look dumb,” she laughed, keeping it as transparent as ever. Fans immediately recognized the callback to her viral breakup moment, when she caught Meech allegedly cheating and later hit Instagram with that body language that screamed, “I’m good off this.” The clip from the new interview spread like wildfire on social media, especially after being reposted by @Glock_Topickz on X, where fans praised her for the ultimate glow-up moment. Check out the post here: In the Complex convo, the “Girls Need Love” singer reflected on how she used to bend over backward in the name of being a “ride or die.” Now? She’s retired from that role. “I was trying to be solid for people who weren’t solid for me,” she admitted. Check out the viral clip below: That one line hit home for every woman who’s ever had to learn that lesson the hard way. Summer also let her humor shine through, joking about her new outlook on relationships. In another viral Instagram reel, she said she’s over men altogether and just wants “peace, quiet, and a good meal.”The clip had fans in the comments saying, “Sis, we felt that in our soul.” Summer also addressed her viral red carpet pose. She quotes one of her favorite movies, Talladega Nights: The Ballad of Ricky Bobby, starring Will Ferrell. One of the legendary lines is Ferrell’s character saying, “I don’t know what to do with my hands,” when posing during his win. Walker attributes it to being “awkward” and not knowing what to do with her body during red carpet moments. Beyond the headlines, Summer’s growth is undeniable. From cleaning houses and working fast food to headlining tours and topping R&B charts, she’s living proof that healing and hustling can coexist. Whether she’s making hit records or making us laugh through heartbreak, Summer Walker remains that girl. She’s unfiltered, unbothered, and unfazed. Catch the full interview and all the hilarious gems on Complex’s 360 with Speedy here. RELATED: Chris Brown Takes Down Summer Walker In Las Vegas Breezy Bowl Shenanigans The post Summer Walker Gets Real About Catching Lil Meech Creepin’, That Viral Pose & Why She’s Done Being ‘Ride or Die’ appeared first on Bossip.

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ICE Arrests Pennsylvania Man Right After His Exoneration For A Murder He Spent 43 Years In Prison For

It can never be emphasized enough that while the Trump administration has sold its massive deportation crackdown as an agenda to save America from violent criminals who entered the country illegally, we’re not seeing those perp walks. Instead, we’re seeing stories about citizens, including laborers, Hyundai plant workers, green card holders, cops, education officials, journalists and social media influencers — some of whom have been in the U.S. for decades and raised families here — being detained, arrested and deported for allegedly overstaying their visas or not having all their paper work in order, and, in some cases, simply promoting ideologies the president doesn’t like. And, often, it seems the cruelty is the point. An Indian man from Pennsylvania, who was recently exonerated after spending more than four decades in prison for a crime he didn’t commit, is now in ICE custody, facing deportation based on a decades-old order that was tied to his false conviction. Earlier this month, the district attorney for Centre County dismissed murder charges against 64-year-old Subramanyam “Subu” Vedam, who, in 1983, was convicted of the murder of Tom Kinser, a 19-year-old college student who went missing from State College three years prior. From the Guardian: Kinser and Vedam were former classmates and had lived together briefly as roommates. On the day Kinser disappeared, Vedam asked for a ride. Kinser’s car was later found parked in its usual spot, though no one saw it being returned. Vedam, who was born in India and arrived in the US at nine months old, was charged with Kinser’s murder and had his passport and green card seized by authorities. He was also denied bail as he was labeled a “foreigner likely to flee”. In 1983, Vedam was convicted of murder and sentenced to life in prison. A year later, Vedam received an additional sentence of two and a half to five years for a drug offense as part of a plea deal that was to be served simultaneously with his life sentence. While in prison, Vedam maintained his innocence of the murder charges and continued to appeal against his conviction on circumstantial evidence. In 2021, new evidence in Kinser’s murder case surfaced, leading to Vedam’s exoneration earlier this month. The Centre county district attorney also announced it will not seek a new trial against Vedam, USA Today reported. It should have been a joyous — albeit bittersweet — moment for Vedam to finally be free again after spending most of his life with his freedom stripped away over something he didn’t do. But that moment would be short-lived, because upon his exoneration, Vedam was taken into custody by immigration officers. According to the Miami Herald, an ICE rep accused Vedam of being a “career criminal with a rap sheet dating back to 1980,” as well as “a convicted controlled substance trafficker.” USA Today reported that ICE officials cited a 1988 deportation order for the murder conviction and a drug crime, and the legal technicality that the murder exoneration doesn’t cancel out the drug charge. Now, you see, there’s a pattern here. The federal government, under President Donald Trump, arrests someone who doesn’t quite fit its narrative of the dangerous, violent threats to America that the administration has promised to keep us safe from, so they immediately move to vilify them by calling them criminals — whether they already have criminal records or not, as ICE’s own database shows most of them don’t — and using language intended to paint them in the worst light possible. In Vedam’s case, any crime he may have been convicted of in his life is at least four decades old and no longer includes the murder for which he was exonerated. To present this man as a current “career criminal” to justify deporting him right after he was exonerated and released isn’t just disingenuous; it’s flat-out heartless. “All we want is for him to be home with us and to be able to move forward in life,” Vedam’s niece, Zoë Miller-Vedam, who lives in California, told USA Today. Vedam’s lawyer, Ava Benach, told the outlet, “Subu has lived in the U.S. since he was a nine-month-old infant when he and his family arrived as lawful permanent residents of the United States. “He was still a lawful permanent resident, and his application for citizenship had been accepted, when he was arrested in 1982,” she added. Yeah — none of this is about keeping America safe. It’s about a vehemently xenophobic administration carrying out the will of the most vehemently xenophobic members of the American populace. Sometimes, you just have to know when you’re the villain in a story. SEE ALSO: Federal Judge Places Restrictions On ICE Arrests In Chicago Federal Judge Rules ICE Racially Profiles

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Food Stamps At Risk As Government Shutdown Becomes 2nd Longest In History

As of Wednesday, the government has been shut down for 22 days, making it the second-longest government shutdown in U.S. history. As millions of Americans are at risk of losing their food stamps, Democrats and Republicans seem no closer to a deal that would bring the government shutdown to an end. According to the Washington Post, over 42 million Americans receive benefits from the Supplemental Nutrition Assistance Program (SNAP), commonly known as food stamps. Food stamps help lower-income Americans supplement their food budget to ensure their families have adequate access to food. New Jersey, California, Texas, and several other states have warned that November SNAP benefits will be delayed or entirely canceled if the government shutdown continues past Oct. 27. Some states, like Pennsylvania, have already notified SNAP recipients that November benefits will not be distributed until the government reopens. “You’re talking about millions and millions of vulnerable families — of hungry families—that are not going to have access to these programs because of this shutdown,” Agriculture Secretary Brooke Rollins said last week. There’s also concern that schools won’t be able to provide federally funded free lunches to students, according to NPR. While the USDA sent states a contingency plan ahead of the shutdown to inform them of funds they could tap into to provide free lunches, they haven’t said if they would be willing to advance funds to provide free lunches should the shutdown continue into November. While the Senate has held several failed votes on funding the government, it’s unclear if a vote will be held on Wednesday, as CBS News reports that Sen. Jeff Merkley (D-Ore.) has been speaking on the Senate floor for over 18 hours. Merkley, whose state is one of several where Trump has deployed the National Guard, has largely been speaking out against Trump’s descent into authoritarianism. “I’ve come to the Senate floor tonight to ring the alarm bells,” Merkley said at the start of his speech. “We’re in the most perilous moment, the biggest threat to our republic since the Civil War. President Trump is shredding our Constitution.” The government shutdown began at the start of October when Senate Democrats refused to vote on a spending bill that would keep the government open. While Republicans hold the majority in the House and Senate, spending bills require 60 votes in the Senate to pass. As the Republicans have a 53-45 majority, Senate Democrats have some rare leverage in the shutdown. At the heart of the shutdown are expiring subsidies for the Affordable Care Act (ACA), which will result in significantly increased health care premiums for millions of Americans. Republicans have refused to negotiate on the issue until the government is reopened, and Democrats refuse to reopen the government until the issue is negotiated. House Majority Speaker John Thune offered the Senate Democrats a vote on extending the subsidies, but they have scoffed at the offer, as it’s fairly obvious Republicans will likely vote no on the measure. It’s crazy how the GOP will look the other way when we send billions of taxpayer dollars to bail out Argentina, fund a genocide in Palestine, and spend millions on private jets for Kristi Noem and her DHS lackeys, but making health care affordable for working Americans is where they draw the line. It’s really not a complicated issue: the Republican Party hates the working class. Federal employees have been expected to work without pay through the shutdown, with this Friday being the first full paycheck they’ll miss due to the shutdown. Legally, federal employees are supposed to be paid once the shutdown ends, but the Trump administration has tried to argue that some federal employees shouldn’t be paid. Clearly, the beliefs of a man who only has the best interests of all Americans at heart. Democrats and Republicans are calling on Trump to negotiate a deal, as he has mostly been hands-off through the shutdown. “If he gets involved, he can move it,” GOP Sen. Tommy Tuberville told CNN of Trump. “He can make a decision on what we do.” “At the end of the day, to move this needle and get this thing off the bubble, President Trump will have to get involved,” said GOP Sen. Jim Justice of West Virginia. “That’s probably what will have to happen.” Democrats Sen. Chuck Schumer and Rep. Hakeem Jeffries have also called on Trump to come to the negotiating table so they can strike a deal. Despite both parties believing that President Trump should step in to negotiate a deal, he doesn’t seem particularly incentivized to do so. Trump has taken advantage of the shutdown to conduct mass layoffs, end several programs, and cut funding for what he perceives as Democratic initiatives. Two key factors may bring Trump to the negotiating table, though. While the federal government used unspent research funds to cover military paychecks earlier this month, it was only enough for one pay period. Considering that President Trump has been adamant about deploying the National Guard in several Democratic cities, a missed paycheck could severely hurt the already dwindling morale of the deployed Guardsmen. The second factor is that the open enrollment period for the ACA begins Nov. 1, which is when states will begin informing people how much their insurance premiums will increase without the subsidies. The open enrollment period has already begun in Iowa, where thousands of Iowans are expected to be uninsured next year, as they can no longer afford the monthly payments. As more and more people realize that they can no longer afford their health insurance, it may put pressure on the Republicans to strike a deal extending the subsidies. SEE ALSO: Here’s Where We Are In The Current Government Shutdown Mike Johnson Says Government Shutdown Could Be Longest Ever

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For Black Caregivers, The Fight For Democracy Is About Health And Community

Another weekend of mass actions in the books, but the momentum behind the second No Kings Day continues through cross-issue organizing and everyday workers lifting up their voices and taking action. With the increasing concern over rising health care costs and cuts to necessary programs, SEIU member home care workers like Athena Jones and Phyllis Pride see an opportunity beyond one-off days of action. Speaking with NewsOne, Jones called the issues affecting home care workers central to the provision of care itself and impact many families and communities who could lose access to care, food, and dignity. As an example, she pointed to a proposed federal rule that would allow people to be reclassified as “companions” so they could be paid lower wages, in some cases, less than $7.25 an hour. “The fight for democracy lives in our hands, the same hands that bathe, clean, feed, and care for those who cannot care for themselves or who choose to live at home with dignity,” Jones said. “As home care providers, we do the work that keeps this country standing, yet our labor is often invisible. No one should survive on less than a living wage.” Jones said that while she did not participate in a local gathering, she carried the spirit of the day of action with her as she knocked on doors for Abigail Spanberger, a candidate for Virginia governor. She said that people cannot sit by and allow self-proclaimed kings to take power without repercussions. “Protecting workers, preventing authoritarian overreach, and demanding rights for all are achieved through collective bargaining for home care providers and all workers,” Jones said. “Every knock I make, every conversation I have, is a stand against unchecked power. Care work is political, and each vote is a declaration that compassion, labor, and community matter more than kings or rulers who refuse to listen.” A Homecare Chapter Chair with SEIU Virginia 512, Jones reflected on the historical importance of Black labor organizing, calling it “political and transformative.” “Labor organizing has always been a critical tool for Black communities to claim dignity, voice, and power. Historically, unions were not just about wages,” she said. “They were about who gets heard, who gets to vote, and who gets to live with dignity.” According to Jones, care work becomes political action through deep organizing and advocacy. Given the central nature of care to our economy and communities, it is a major aspect of having a representative democracy. “Organizing care workers ensures protections, fair wages, and the political voice that safeguards communities,” she said. “Democracy is impossible if those who sustain it cannot live with dignity.” Michigan home health worker Phyllis Pride echoed similar sentiments about the innate nature of political advocacy in care work. “Healthcare workers —especially home care workers — are advocates through and through,” she said. “We not only fight for the rights of other caregivers, but for the people we care for, too.” Pride said that much of the work of home care workers involves the right to life, liberty, and the pursuit of happiness. The very tenets of democracy are built into their charge. Organizing with Michigan Home Care Workers United and SEIU has helped Pride expand her advocacy and elevate her voice further. “I’ve spoken to elected leaders at the federal and state levels on behalf of all Michigan caregivers and the people we care for to show just how important long-term care is in our communities,” she said.  “Caregivers have to speak up every chance we get. If we don’t, who will?” She also pointed to the necessity for collective action and building power, citing as a recent source of inspiration the over 32,000 Michigan home care workers who voted to unionize, joining the SEIU ranks. Nationally, home health workers are overwhelmingly Black and other women of color and often have low wages and no benefits. Under the leadership of President April Verritt, SEIU has positioned itself as a visible leader within the national coalition fighting at the intersection of democracy and economic justice. With the need for home health caregivers expected to grow within the next 10 years, cuts to funding programs, including Medicaid and Medicare, could impact the services offered to those in need. The cuts enacted earlier this summer through the Trump administration’s OBBBA legislation are estimated to have disastrous impacts on those relying on care and the providers who serve them. Jones and Pride share that these issues aren’t simply policy issues or a matter of politics, but directly impact racial and economic justice. Whether they are fighting for better wages and conditions for home health care workers or advocating for funding and resources for long-term care, Jones and Pride see the current moment as requiring a transformation of systems to respect workers, families, and communities. “We honor this work by advancing democracy, not crowning kings, and by demanding a system that respects our labor,” Jones said. “I am inspired by thousands of care workers who organize, fight for a living wage, share their stories, and speak truth to power. Together, we transform individual care into collective strength.” SEE ALSO:  Chicago Mayor Evokes Black History In ‘General Strike’ Call At No Kings 2.0 The Silence Of The Gavel: Why The Fight For Section 2 Of The Voting Rights Act Is The Fight For Our Republic 

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Joy Reid Content Creator Speak Out After DHS Uses Allegedly Altered Video To Portray ICE Threat

Journalist Joy Reid is crying foul after the Department of Homeland Security used an allegedly altered social media sketch to seemingly make it look like a threat to federal immigration agents. The content creator whose footage was used is also speaking out and considering his legal options after DHS’ post allegedly sparked harassment and even death threats. Homeland Security’s post issued a warning to the TikTok creator and others to “FAFO” or “f*** around and find out” if they planned on attacking law enforcement. Viral Video Sparks Outrage According to Baller Alert, the Department of Homeland Security’s official X account initially shared a clip of a Black man wearing a ski mask and standing in front of a group of young Black men. The background appears to show a basketball court with pavement markings and fencing. The caption on the DHS post read, “ICE we’re on the way. Word in the streets cartels put a $50K bounty on y’all.” The alarming message spread quickly, leading viewers to believe the group was threatening Immigration and Customs Enforcement. However, social media users later uncovered that the clip was not new and that its caption had been changed. Side-by-side comparisons revealed the DHS version appeared to be altered and AI-enhanced, and the unedited clip, filmed months earlier as part of a “U.S. vs. Iran” TikTok trend, contained no references to ICE or law enforcement. In the original version, the background also appears to show a paved walkway with street lights and a city skyline—a completely different location from the basketball court shown in the alleged DHS edit. The Creator Speaks Out The man in the video has since been identified as TikTok user @mrfloridajhit, who says he had nothing to do with the caption DHS attached to the post. He told followers that his account was hacked and that he never uploaded or approved the version federal officials shared. On Instagram, he wrote, “I did not post that video or the caption on that video. My account was hacked… I have no clue how they were able to get that video.” Allegedly, the previous post was the one below. The creator told followers that the other men in the clip were simply friends participating in a TikTok trend. None of them knew the footage would later be used out of context or paired with a false caption. Joy Reid Speaks Out, Blasts DHS For Alleged AI Video Joy-Ann Reid also called out the Department of Homeland Security for the post, describing it as an alarming example of how technology and anti-Black bias can intersect in dangerous ways. “They essentially used this man’s video to create a fake threat against ICE from young Black men,” Reid said in a TikTok video. “They’ve weaponized antiblackness—they’ve weaponized a lie that these federal agents are being threatened and that there’s a bounty on their heads.” Reid also pointed to the irony of the timing, noting that the Trump administration has faced widespread criticism for its handling of immigration raids and viral clips showing families detained or separated. “These people are out of control, and yet they want you to believe that the real threat is young Black men,” she continued. “If your government can steal your content to weaponize a falsity against Americans, threatening their lives, what else could they do using your social media?” Takeaway: Be Careful On the Internet  It is unnecessary for the government to use a video of young men to weaponize fear. Government platforms should be used to uplift and inform. ICE should be composed of trained individuals who act accordingly in person, not to an online video—unless addressing verified entities. The Trump administration already describes its tactics as “the Department of War.” There are plenty of people who disagree with how ICE has handled recent matters, from Los Angeles to Chicago. Regardless, people have the right to free speech. That said, whoever is running the government account and engaging in fear-mongering should be fired or redirected, because leadership should do just that: lead. In situations like these, all negativity does is add to the continued distrust in the current administration. The post Joy Reid & Content Creator Speak Out After DHS Uses Allegedly Altered Video To Portray ICE Threat appeared first on Bossip.

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Diddy’s Team To Appeal Conviction

Sean “Diddy” Combs isn’t backing down, and is officially appealing his conviction after being found guilty on two prostitution-related charges this summer. This news comes amid conflicting reports that the White House could commute his sentence as early as this week. According to ABC News, Diddy’s legal team filed a notice of appeal in New York’s Federal District Court this week. His lawyer, Alexandra Shapiro, confirmed the move but didn’t outline the grounds of the appeal just yet. The 55-year-old music icon has already spent a year behind bars at Brooklyn’s Metropolitan Detention Center. While his sentence totals 50 months, he’s hoping his next move could cut that time down significantly. Diddy’s defense has long argued that the charges, which include “transportation for the purposes of prostitution,” shouldn’t even apply to him. At sentencing, he reportedly broke down in tears, apologizing for “the hurt that I caused” but standing firm that his mistakes don’t define who he is today. Meanwhile, social media was buzzing after TMZ reported that Trump was considering commuting Diddy’s sentence, but the White House quickly shut those rumors down. Officials clarified that there’s “no truth” to claims of a pending commutation. But, TMZ immediately pushed back in an update to their reporting, claiming that their story about the commuting rumors was true. “The White House Communications Office is saying our story is not true, TMZ wrote. ” We stand by our story. Our story is accurate.” This also comes amid one of the attorneys on Combs’ defense team previously revealing that they approached Trump’s administration for a pardon. “It’s my understanding that we’ve reached out and had conversations in reference to a pardon,” Nicole Westmoreland, a member of Combs’ defense team, told CNN on Tuesday, Aug. 5. When she was asked how the Bad Boy founder feels about his chances for a pardon, Westmoreland told the outlet that Diddy “is a very hopeful person and I believe that he remains hopeful.” Trump Previously Spoke On The Possibility Of Pardoning Diddy As previously reported, Trump, himself, hasn’t been shy about addressing their past relationship, noting that he took issue with how “hostile” Diddy was to him during his Presidential bid. “Well, he was essentially, I guess, sort of half-innocent,” Trump said to NewsMax. “I don’t know what they do, still in jail or something. But he was celebrating a victory, but I guess it wasn’t as good of a victory.” “We’re human beings. We don’t like to have things cloud our judgment, right? But when you knew someone and you were fine and then you run for office and he made some terrible statements,” he continued. “So, I don’t know. It’s more difficult. Makes it more, I’m being honest, makes it more difficult to do.” RELATED: Here’s What Happened When Sean ‘Diddy’ Combs Was Sentenced To More Than 4 Years In Prison The post Diddy’s Team To Appeal Conviction & Prison Sentence Amid The White House Denying Trump Commutation Claims appeared first on Bossip.

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Angela ‘Blac Chyna’ White Gushes Over ‘My Person’ Rob Kardashian Amid Reconciliation Rumors

Blac Chyna can’t keep her composure while talking about the possibility of rekindling her relationship with ex Rob Kardashian. After sparking reconciliation rumors last week, the model—who now goes by her birth name, Angela White— was asked about the status of her relationship with the former reality star during an appearance at the Los Angeles Women’s Expo on Saturday, October 18. While talking about wanting to have more children, Chyna admitted that she would rather welcome more kids with Kardashian than her other ex, Tyga, in a video obtained by TMZ. Chyna and Kardashian are parents to daughter Dream, 8, while she and Tyga share 13-year-old son King Cairo. When asked point-blank whether she and Kardashian are back together, the model giggled and took some time to think before explaining that they are both “healing” and “communicating.” “We’re just going with the flow,” she said. “And if it’s God’s [will] then it will be something.” The model went on to gush that Kardashian is “hilarious,” adding, “We’re just taking our time. I’m excited…He’s my person. I just gotta work on myself, and he’s gotta work on himself.” This comes after Chyna first sparked reconciliation rumors last week, uploading a series of photos to Instagram along with the caption, “This love is forever .” She tagged Rob in the caption, who “liked” the post. While a source revealed to Page Six at the time that the exes were not back together, it looks like they’re doing their best to make it happen. Rob and Chyna got engaged in 2016 after a rollercoaster romance, but their relationship ended shortly after, in 2017. In the years since their split, the former couple has had their fair share of drama, with Chyna suing Rob’s mother, Kris Jenner, and his sisters Kim Kardashian, Khloe Kardashian and Kylie Jenner for defamation. At the height of their breakup in 2017, things got even worse, with Kardashian exposing naked pictures of his ex, causing Chyna to enlist powerhouse lawyer Lisa Bloom for a “revenge porn” lawsuit. That same year, Rob claimed Blac Chyna attempted to choke him with an iPhone charger during an intense fight last at sister Kylie Jenner’s house. The reality star and his sister filed a lawsuit against Rob’s ex-fiancé for battery, assault and vandalism. Things between the former couple have been quiet over the last few years–until now. If you need to catch up on their history amid their suspected rekindling, check out a timeline of their relationship here. The post Angela ‘Blac Chyna’ White Gushes Over ‘My Person’ Rob Kardashian Amid Reconciliation Rumors: ‘We’re Just Going With The Flow’ appeared first on Bossip.

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Why The Fight For Section 2 Of The Voting Rights Act Is The Fight For Our Republic 

I’m struggling to find the words to capture the sheer panic I feel right now, but it’s a panic born of truth: the very foundation of our representative democracy is under threat. What’s unfolding before the U.S. Supreme Court over Section 2 of the Voting Rights Act of 1965 isn’t a procedural argument; it’s an existential crisis that could permanently reshape the political landscape and silence the voices of millions of Americans—particularly those of color. On Wednesday, justices from the highest court in the land began weighing in on a case that will determine whether democracy is going to continue to weaken and be dismantled by questioning one of the most critical safeguards of the civil rights era, Section 2 of the Voting Rights Act of 1965; an act that ensures the government must continue to take proactive steps to ensure fair representation for Black and Brown people. The case sparking the review, Louisiana v. Callais, stems from a dispute over a single congressional district in Louisiana, drawn after the 2020 Census to ensure that African American voters could elect a candidate of their choice. The state initially drew maps that featured only one majority-Black congressional district, rejecting seven more racially fair maps. Voters sued, and federal courts ordered Louisiana to comply with the Voting Rights Act by drawing new maps in which Black voters would be a majority in a second district, thereby reflecting their share of the population and giving Black Louisianans an equal opportunity to elect representatives of their choice. The current case, presented by a group of people identifying themselves as “non-African-American voters” have sued to get those racially proportionate maps thrown out, arguing that enforcement of the VRA violates their own rights under the 14th and 15th amendments, claiming that the maps drawn to remedy racial discrimination against Black people instead constitutes racial discrimination against non-Black (aka: white) people. While the case appears to be localized, it will affect voting on the national level because, at the core, the case is about whether state governments can continue to address discrimination, both historic and ongoing, by taking intentional action to ensure fairness and representation. “Section 2 has had a major impact, definitely in the South, but really nationwide on improving political representation opportunities for voters in a lot of different communities of color and all around the country,” Kareem Crayton, vice president of the Brennan Center for Justice’s office in Washington, D.C., said. “A decision that leaves the current understanding of Section 2 in grave doubt opens up, unfortunately, a lot of chaos throughout the country in a lot of different jurisdictions.” For decades, the landmark ruling has served as the precedent and legal tool to combat racial gerrymandering, especially in states with racially polarized voting patterns, like Texas, and their controversial decision to redistrict to find 5 Republican seats for the Trump administration to continue their reign of incompetence. The Court’s conservative majority, however, has signaled skepticism toward the continued use of race-conscious districting, seemingly siding with the plaintiffs. During recent oral arguments, several justices questioned whether such measures should have an “endpoint,” suggesting discomfort with what they view as race-based policymaking. Justice Brett Kavanaugh echoed that sentiment, stating that “race-based remedies are permissible for a period of time… but they should not be indefinite.” “The issue, as you know, is that this court’s cases in a variety of contexts have said that race-based remedies are permissible for a period time – sometimes for a long period of time, decades in some cases – but that they should not be indefinite and should have an end point,” Kavanaugh told the attorney representing a group of Black voters who successfully challenged Louisiana’s first map. Civil rights advocates argue that this framing ignores the persistence of racial polarization in American elections. Justice Ketanji Brown Jackson underscored that point, reminding the Court that Section 2 “is not a remedy in and of itself but the mechanism by which the law determines whether a remedy is necessary.” In her view, the law’s enduring application is not a distortion of equality but an affirmation of it. During oral arguments, the plaintiffs’ attorney suggested that the defense were demanding a second majority-Black district, prompting Jackson to interject: “No, it’s not,” clarifying that the litigation was about addressing proven vote dilution, not entitlement to a specific remedy; underscoring the constitutional interest in remedying racial discrimination, a point echoed by Justice Elena Kagan earlier in the session. Alanah Odoms, executive director of the ACLU of Louisiana, highlighted the significance of the ruling and why the reversal would adversely affect communities of color’s ability to fully and fairly participate in democracy. “The United States Court of Appeals for the Fifth Circuit has affirmed what we’ve always known: Black voters in Louisiana deserve equal representation,” Alanah Odoms, executive director of the ACLU of Louisiana, said. “This is a vital step toward correcting generations of injustice, and we will not stop until every Black Louisianan has the full and fair representation guaranteed to all Americans.” The political consequences of a ruling against Section 2 could be profound. According to a report by the Black Voters Matter Fund and Fair Fight Action, if Section 2 is overturned, Republican-controlled states could redraw at least 19 additional congressional districts to their advantage. The impact would be immediate in states such as Texas, Georgia, Florida, Louisiana, and North Carolina, all regions with significant minority populations and deeply polarized voting patterns. Freed from the obligation to draw “minority opportunity districts,” lawmakers could fracture Black and Latino communities across the country in multiple districts by isolating them into single heavily Democratic districts and reducing their overall influence. According to the report, as much as 30% of the Congressional Black Caucus and 11% of the Congressional Hispanic Caucus could lose their seats. In states such as Alabama, Mississippi, South Carolina, and Tennessee, Black voters could lose all federal representation. Cliff Albright, co-founder and executive director of Black Voters Matter Fund, warned that

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Zohran Mamdani: NYC Mayoral Debate Shows How He Plans To Lead City

Political experts and fans alike believe, Democratic Mayoral candidate Zohran Mamdani emerged victorious from his first NYC mayoral debate on Oct. 16. Facing off against former Governor Andrew Cuomo and Republican politician Curtis Sliwa, Zohran Mamdani appeared confident and composed as he tackled a wide range of issues, from policing New York City and addressing the mental health crisis to unveiling an ambitious plan to tax the wealthy to make the city more affordable for millions. “Well, really, what happened is you had Zohran Mamdani going into this as the clear frontrunner in nearly every poll that we have seen since his upset Democratic primary win back in June. And quite frankly, he left this debate as the clear frontrunner,” said Nick Reisman, a political reporter with Politico, during an interview with CBS News on Oct. 17. “Mamdani did not have really any major mistakes that he made,” Reisman continued. “Andrew Cuomo tried to trip him up on a few key issues that have been really kind of difficult for Mamdani during this campaign, like Israel and public safety, and Mamdani, for the most part, was able to parry a lot of those attacks, and he got through on his message about affordability and the cost of living.”   Zohran Mamdani On Israel And Hamas The NYC mayoral debate began with Mamdani addressing his position on the conflict between Israel and Hamas and responding to questions about the recent ceasefire agreement. Earlier in his campaign, Mamdani had said he didn’t hold “opinions about the future of Hamas and Israel beyond the question of justice and safety,” but on Thursday night, the 33-year-old made his position clear. “Of course, I believe that they should lay down their arms. I’m proud to be one of the first elected officials in the state who called for a ceasefire,” he told the moderators. “Calling for a ceasefire means seizing fire. That means all parties have to cease fire and put down their weapons. And the reason that we call for that is not only for the end of the genocide, but also an unimpeded access of humanitarian aid. I, like many New Yorkers, am hopeful that this ceasefire will hold.” On Policing And Mental Health When it came to tackling the issue of policing in NYC and the city’s mental health crisis, Mamdani stressed that he does not support defunding the NYPD, but instead advocates for reforming the system by implementing a multi-layered response model for mental health crises. He referenced the approach taken in Eugene, Oregon, where mental health professionals are dispatched alongside police during certain emergency calls. Under his plan, operators would be specially trained to assess crises and involve law enforcement only when necessary. He also made it clear that he would oppose any use of the National Guard in NYC for public safety purposes, contrasting his stance with what’s being done in cities like Chicago and Los Angeles by the Trump administration. “We do not need the National Guard here in New York City. We do not need them for the purpose of safety, because if it was safety that President Trump was so concerned about, he would send them to the eight out of 10 states that have the highest levels of crime in this country, but he won’t, because they’re all run by Republicans,” Mamdani said. “What New Yorkers need is a mayor who can stand up to Donald Trump and actually deliver on that safety. When Donald Trump sent ICE agents on people in Los Angeles, Andrew Cuomo said that New Yorkers need not overreact. That is the furthest answer that New Yorkers are looking for. They are looking for someone who will lead.” On How He Plans To Fund His Vision For The City Mamdani’s platform includes approximately $10 billion in proposed new spending, which he says will be funded through increased taxes on the wealthy and large corporations. Despite Governor Kathy Hochul’s stance against raising income taxes on millionaires, Mamdani remained firm on his plan during the NYC mayoral debate. “A lot of people have called even my campaign a non-starter when we first began, and now I stand before you proud to be the Democratic nominee who got the most votes in city primary history. And I believe we will see the same thing with our push to ensure that we are taxing the wealthiest and the most profitable corporations the fair amount that they should pay,” he said with conviction. The Democrat added, “Now there are those who will say that, because it will be hard, you should give up. We saw what giving up looked like when Andrew Cuomo was the governor. He gave up on fighting for working-class New Yorkers and instead caved in to his billionaire donors.” On Making New York City Affordable Again Mamdani outlined several ways to ease the cost of living in the city, with proposals like free and faster bus service, universal childcare, and freezing rents, all while increasing revenue through tax reforms and budget efficiency. “Look, I’ve said very clearly, making buses fast and free costs about $700 million a year. Making universal child care a reality costs about $5 or $6 billion a year. If you raise the state’s top corporate tax rate to match that of New Jersey, you’ll be raising $5 billion in of itself,” he explained. “We have also put forward a plan to save money here in New York City with a billion dollars in savings through procurement reform, through following the independent Budget Office’s assessment about hiring more fiscal auditors, and an action to collect the fines and fees from bad landlords,” he continued. “Freezing the rent doesn’t require any fiscal infusion, so that will be something we’ll be pursuing immediately. And universal childcare—after housing—is the second cost. Childcare is the second cost pushing New Yorkers out of this city, twenty and a half thousand dollars a year is the estimate we’ve seen. That will be a priority.” Social

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Featured

Kim Kardashian On The Breaking Point In Her ‘Toxic’ Ye Marriage

Kim Kardashian is pulling back the curtain on her “toxic” marriage and kurrent ko-parenting life with her ex-husband, Ye, and she’s not sugarcoating a thing. In a candid sit-down on the Call Her Daddy podcast, Kimmy Kakes got real about the highs, lows, and hard lessons learned while raising four children with the rap mogul. According to The Hollywood Reporter, Kim opened up about the early days of her relationship with Ye, describing him as “larger than life,” before admitting that his first public mental health struggles were a turning point for their marriage. The pair first tied the knot in 2014, had four kids, and finalized their divorce in 2022, but co-parenting after such a public split hasn’t been easy, according to the SKIMS founder. “I mean, I raise the kids full-time. They live with me,” Kim shared, explaining that while she encourages a healthy relationship between Ye and their children, things haven’t been smooth. “It’s probably been a couple months since we’ve heard from him.” In the Call Her Daddy interview, Kim added that the kids have grown used to their father’s fast-paced, globe-trotting lifestyle, noting: “They always knew that he had a big life traveling before and was always on tour and all of that…and that he lives in different countries all the time.” Still, Kardashian said she’s worked hard to protect her kids’ peace. “Every time he has asked, I will always let them see their father,” she emphasized. “I just grew up seeing my family co-parent so great…I welcome healthy relationships, but it’s not easy.” When asked how she deals with public narratives, often started by Ye, that accuse her of keeping the kids away, Kim didn’t hold back: “It’s not a kidnapping, it’s a divorce,” she said. Despite the rollercoaster, Kim made it clear she has no regrets about her decade-long relationship with Ye. Co-parenting is just another chapter in the Kardashian-West saga; Kim also discussed divorcing the rapper after their marriage turned “toxic.” Kim Kardashian Details Ending “Toxic” Ye Marriage When asked about a breaking point in her marriage, Kim cited Kanye’s erratic behavior and financial decisions, as well as his kopious komments about her mom and sisters. “Just not feeling safe, you know, not even physically, just like maybe emotionally or even, you know, financially,” she said on Call Her Daddy. “I would like come home, and we had like five Lamborghinis and I’d come home and they’d all be gone if he was in an episode. And I’d be like, ‘Oh, wait. Where’s all our cars? Like, my new car?’ And it would be like, oh, he gave them away to all of his friends.” She also noted that Ye’s mental health struggles were affecting her ability to parent their children; North, 12, Saint, 9, Chicago, 7, and Psalm, 6. “Once my mental health starts to get affected and then I can’t parent the way that I need to and I can’t be present and focused, then there’s gotta be one of us that can,” she said. “And I had to save myself in order to be a better mom for everyone. And I think, like, when everyone’s older, they’ll be able to understand it and see that all.” What do YOU think about Kimmy Kakes’ kandid komments? Check out the full episode of Call Her Daddy with Kim Kardashian below. RELATED: Real Life Angel: Baller Babe Angel Reese Makes Her Catwalk Debut At The 2025 Victoria’s Secret Fashion Show, Stunner’s Gorgeous Gams Garner Rave Reviews The post Kimmy Kakes Kandidly Komments On The Breaking Point In Her ‘Toxic’ Ye Marriage—’I Had To Save Myself’ appeared first on Bossip.

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Baller Babe Angel Reese Makes Her Catwalk Debut At The 2025 Victoria’s Secret Fashion Show

Whether she’s on the court or on the catwalk, Angel Reese is always the star of the show. The Chicago Sky star made her way down the runway for the very first time on Wednesday, October 15, wearing two all-pink ensembles as she got her Victoria’s Secret Angel wings. For her first look, Reese walked like a pro in a coordinating white bra, garter, and panties set, completely embellished with pink flowers. She also had a pink shawl draped over her arms, which was covered in even more flowers to complete the look. For her second ensemble, the WNBA star rocked a simpler set, making her bombshell silver-and-white wings the star of the show. She wore a pink tee with a cheeky cut-out around her chest and a slit above her waist. The slits unveiled a matching pink bra and underwear, completing the look with strappy silver sandals and an undeniable mug. A week before stepping on the iconic stage, Reese opened up about her feelings leading up to the big moment, telling PEOPLE: “I’m ready to swap my Angel Reese 1s for heels on Wednesday night!” She also recalled her reaction to when she first got the news that she would be a Victoria’s Secret Angel, admitting, “I literally could not stop smiling!” “It’s such a surreal and full-circle moment — just last year I was in the audience manifesting being on that runway, completely inspired and in awe of all the powerful women walking down the runway, and now I get to return as an Angel,” she continued. “This will be an unforgettable night that I’ll forever be grateful for.” Reese went on to say that she was “so proud and excited” to become the first professional athlete to participate in the show. Another star who made their debut at last night’s show was Missy Elliott, who took to the runway to perform a medley of her songs, including the smash hit, “Work It.” She rocked an all-black, sparkly look for the occasion, contrasting all of the pink and white on the catwalk. Law Roach and Jodie Turner-Smith were also in attendance, sitting front row to watch Missy’s performance. The actress looked absolutely stunning in an ethereal white ensemble and clean girl glam, all tied up in a bow with a slick-back ponytail. The first model to take the runway was pregnant Jasmine Tookes, who looked absolutely ethereal in a netted dress and Victoria’s Secret’s wings made to look like a seashell. The star, who is pregnant with her second child, a boy, with her husband, Juan David Borrero, showed off all her curves while strutting down the runway, making her growing baby bump the star of the show. Former WNBA player Kysre Gondrezick has been embracing other opportunities since her departure from the Chicago Sky, walking the red carpet wearing vintage Mugler. The baller was there to show her support for fellow athletes Suni Lee and, of course, her former teammate Angel Reese. Another beauty who walked the iconic stage was model Anok Yai, who likened her preparation for the show to how an athlete trains. “I’ve been getting my ass handed to me seven days a week by my trainer,” she said in an Oct. 14 Instagram post. “I’m getting my back muscles ready for the wings. I’m passing my walk, and my ass is going to be nice and round.” Precious Lee also made her Victoria’s Secret Fashion Show debut, wearing a lacy pink set with black accents, complete with a fluffy, showgirl-esque headpiece. To see more looks, watch the Victoria’s Secret Fashion Show, in full, down below: Source: @angelreese 5 The post Real Life Angel: Baller Babe Angel Reese Makes Her Catwalk Debut At The 2025 Victoria’s Secret Fashion Show, Stunner’s Gorgeous Gams Garner Rave Reviews appeared first on Bossip.

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Lauryn Hill Pens Heartfelt Tribute Letter To ‘Beacon Of A Generation’ D’Angelo

Grammy-award-winning singer and songwriter Lauryn Hill took to Instagram to pay tribute to D’Angelo after news broke of his untimely passing. Hill Called D’Angelo An ‘Undeniable Beauty And Talent’ In Her Emotional Tribute Letter Hill, 50, collaborated with the neo-soul legend—who passed away after a private battle with pancreatic cancer—on the beloved track “Nothing Even Matters,” where he appeared as a guest vocalist. The soulful duet became a standout on her critically acclaimed, five-time Grammy-winning album, The Miseducation of Lauryn Hill. “People need reflection,” the music veteran began her emotional tribute letter. “I regret not having more time with you. Your undeniable beauty and talent were not of this world, and a presence not of this world needs protection in a world that covets light and the anointing of God. You sir, moved us, stirred us, inspired and even intimidated others to action with your genius.” The music giant thanked D’Angelo for “being a beacon of light to a generation and beyond who had no remembrance of the legacy that preceded us.” She continued, “Thank you for charting the course and for making space during a time when no similar space really existed. You imaged a unity of strength and sensitivity in Black manhood to a generation that only saw itself as having to be one or the other. It is my earnest prayer that you are in peace, far away from selfishness, fear, and/or controlling interests. Far from possessiveness, far from greed, far from manipulation, far from exploitation, far from intentionally designed chaos, and that you, Brother, are in peace, in bliss, and in eternal light and fulfillment with our Father in heaven.” Hill concluded her emotional tribute letter, “I love you and I miss you. May God grant peace and shelter to your family, true friends, and genuine appreciators, Brother, King.” D’Angelo Reflected On Working With Lauryn Hill During A 2008 Interview During an interview with Rolling Stone in 2008, D’Angelo reflected on his time working with Hill on “Nothing Even Matters,” calling his collaborative relationship with the songstress “warm and sweet.” “Originally, we were going to swap tunes for each other’s projects because I was working on Voodoo at the same time and my keyboardist James Poyser was also working with her,” D’Angelo told the publication. “I went to her house in New Jersey, she played a lot of songs for me, and gave me a rough copy to listen to. When Lauryn and I went into the studio together, I laid down my vocals in the course of an hour.” Jill Scott And Missy Elliott Also Paid Tribute Hill wasn’t the only celeb to write a tribute in honor of D’Angelo on Tuesday, Oct. 14. Jill Scott, another neo-soul titan, took to X to honor the singer’s legacy. She revealed that a mutual friend had informed her that the star was “unwell” a few days before his death. “I didn’t know he was leaving us TODAY” she added. “Oooooooh my condolences to his family, his musical fam and fans. I am a fan and I mourn. D. Keaton & now D’Angelo. Hurts.” In a follow-up post, she added, “I never met D’Angelo but I love him, respect him, admire his gift. This loss HURTS!! Love to my family that are family to him. I’m so sorry.  R.I.P. GENIUS.” Missy Elliott shared heartfelt condolences for D’Angelo’s son, Michael Archer II, whose mother, Angie Stone, tragically died in a car crash just seven months before D’Angelo’s passing. “Rest Peacefully D’Angelo,” The Rain singer wrote on X. “No parent wants to see their children go, but it’s painful for children to see their parents go too so send prayers up for his son, who also lost his mom this year, for strength.” RELATED: Remembering A Legend: 10 D’Angelo Songs That Shaped Neo-Soul The post Lauryn Hill Pens Heartfelt Tribute Letter To ‘Beacon Of A Generation’ D’Angelo—’May God Grant Peace & Shelter To Your Family’ appeared first on Bossip.

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Featured, News

Federal Judge Rules Trump Admin’s RIF Layoffs Amid Government Shutdown Are ‘Illegal’

Just last Friday, White House budget director and Project 2025 architect Russell Vought announced that reductions-in-force (RIF) layoffs had begun across federal government agencies amid the government shutdown that GOP leaders and White House officials have desperately tried to pin on the Democratic Party, despite Republicans having a stranglehold on just about all three branches of government. Well, on Wednesday, the Trump administration ran into its first roadblock in its agenda to purge the federal government’s workforce, which it had already talked extensively about doing long before the shutdown. Yet another federal judge has told the Trump administration no. According to NBC News, U.S. District Judge Susan Yvonne Illston of the Northern District of California ruled in favor of two unions that sued the Trump administration last month, ahead of the shutdown, and after White House officials began issuing public warnings about its plan to start RIF layoffs. “The activities that are being undertaken here are contrary to the laws,” Illston said. “You can’t do this in a nation of laws.” Illston said that the Trump administration had “taken advantage of the lapse in government spending and government functioning to assume that all bets are off, the laws don’t apply to them anymore, and they can impose the structures that they like on the government situation that they don’t like” — and, boy, was she spot on about that. As we previously reported, during a Cabinet meeting last Thursday, President Donald Trump explicitly said he would be using the shutdown to target government programs started by Democrats. “We’re only cutting Democrat programs, I hate to tell you, but we are cutting Democrat programs,” Trump reportedly said. “We will be cutting some very popular Democrat programs that aren’t popular with Republicans, frankly.” So, not because the programs are wasteful. Not because he can prove Democrats are wiping their butts with American taxpayer money. Trump is simply gambling the livelihoods of federal workers and the greater good of the American people in a partisan political game where the house, the White House to be exact, makes all of the rules. From NBC: Illston said that she believed the plaintiffs can demonstrate that the Trump administration’s actions were illegal, in excess of authority and “arbitrary and capricious.” Assistant U.S. Attorney Elizabeth Themins Hedges argued that employment-related harms were “reparable” and that losing employment was not an “irreparable harm.” But the judge issued a temporary restraining order, saying it would go into effect immediately. She said she plans to issue the order in writing later Wednesday. An earlier filing from the government stated that the administration had begun laying off at least 4,000 workers. Skye Perryman, president and CEO of Democracy Forward, said that Trump “seems to think his government shutdown is distracting people from the harmful and lawlessness actions of his administration, but the American people are holding him accountable, including in the courts.” Perryman rightfully said Trump’s bid to target federal workers is “a move straight out of Project 2025’s playbook,” referring to the Heritage Foundation’s plan for America that Trump often claimed he “had nothing to do with” before implementing virtually all of its policies, and then, eventually, introducing Vought as his Cabinet member “of PROJECT 2025 Fame.“ Shout out to the good judge for standing with the workers and against this anti-worker administration. We’re going to need more like her to stand up, especially during this shutdown, which House Majority Speaker Mike Johnson recently warned barreling toward one of the longest shutdowns in American history” — which, if true, means it would surpass the longest government shutdown in nearly half a century, which came during the first term of, you guessed it, Donald J. Trump. SEE ALSO: Federal Workforce Layoffs Begin Amid Government Shutdown The Government Shutdown Has Officially Happened: What Happens Now, And Who Is To Blame?

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News

ICE Agents Violently Cuff, Arrest WGN Employee They Claim Assaulted Them

Maybe there’s a reason the people of Chicago have been rebelling against ICE agents and other feds who have been deployed into their neighborhoods, supposedly, to arrest violent, undocumented criminals. Perhaps Chicagoans simply don’t believe the Trump administration is trying to make their streets safer by ridding them of dangerous migrants, because these agents keep snatching up day laborers and U.S. citizens whom they think are “illegals.” It could also be that folks are having a difficult time believing that it’s ICE that is “under siege” when what we see is agents detaining people for no discernible reason, deploying tear gas near schools and residential areas, beating up on protesters, bystanders, and media personnel, and, occasionally, shooting people. Also, why should we believe a word that comes out of a Border Patrol cop’s mouth when they keep lying about what led to so many of these incidents? According to the Guardian, last week, Debbie Brockman, a U.S. citizen and employee at Chicago’s WGN TV station, was temporarily detained during an ICE operation in Chicago’s Lincoln Square neighborhood. Video footage of the arrest that has since gone viral on social media shows Brockman being forced to the ground by two agents, whom she can be heard identifying herself to before telling them where she works. It also appears that, for whatever reason, her pants were pulled down. In one video, a person off-camera can be heard asking the masked agents, “Do you guys want to share your names too, or you just gonna cover your face?” Brockman was reportedly handcuffed and put in a van, but then she was released without charges, which is odd, considering ICE agents accused her of throwing “objects at Border Patrol’s car” before she was “placed under arrest for assault on a federal law enforcement officer,” according to a DHS official. Yeah, because — you know — a person being released without charges after attacking an officer is totally a thing that happens. (To be fair, you can do it at the Capitol to stop Democratic votes from being certified, and the current president will issue you a pardon and contemplate paying you reparations.) Brockman’s attorneys denied their client did anything she was accused of, which, again, is believable because it’s the kind of thing people typically go to jail for. From the Guardian: In a news release issued by attorneys representing Brockman on Tuesday, which was sent to the Guardian as well as several Chicago news outlets, her lawyers disputed the government’s account. They said they “adamantly deny any allegation that she assaulted anyone” and that “Brockman was the one who was violently assaulted by federal agents on her way to work” on 10 October. Her lawyers say that at the time of the arrest, Brockman was “not acting in any professional capacity as an employee for WGN” but that she was just “walking to the bus stop as part of her morning commute when she was attacked by Border Patrol agents. “Brockman, who is a US Citizen born in this country, was violently detained on Foster Avenue,” the statement continues. “As this occurred, individuals on the street began recording the incident and asked Ms Brockman her name.” The statement says that she told the bystanders her name and that she worked at WGN, in the hopes that “someone would notify her employer so coworkers would know that she would not be arriving at work that day”, her attorneys said. According to her lawyers, Brockman was held in federal custody for about seven hours before being released. “She has not been charged with any crimes and she intends to pursue all legal avenues available to her to vindicate her rights and hold the federal authorities accountable for their actions,” the statement adds. One of Brockman’s lawyers, Brad Thomson, probably said it best: “If armed, masked, federal agents are snatching U.S. citizens off the street as they walk to work and throwing them in unmarked vehicles, you can only imagine what these agents must be willing to do to our immigrant neighbors and people who dare to speak out against them.” Only we don’t need to imagine it, because we’ve seen it on camera. Here’s a video we reported on earlier this month that shows federal immigration agents confronting and attempting to detain a man in the West Lawn neighborhood on the Southwest Side. Here’s what I wrote about that incident at the time: The man in question refused to go with the men willingly, which, normally, would result in a resisting arrest charge in addition to whatever the civilian was being arrested for in the first place. However, in this case, the scene ended with the men who appeared to be officers appearing to give up on arresting the man altogether and leaving the man alone after being confronted by angry bystanders. Bootlickers, of course, claimed it was an example of ICE being harassed just for doing their jobs, but those at the scene, including the man who recorded the video, said it was an example of the neighborhood stepping in to defend a human being from the Trump administration’s Gestapo. According to CBS News Chicago, a DHS spokesperson declined to explain why agents would simply leave the scene without taking the man into custody, which is a good question to ask, because, again, it just wouldn’t happen if the agents had a legitimate reason to arrest the man in the first place. As scary as it is to be confronted, roughed up, and arrested by ICE agents — who are often doing so without a proper warrant or probable cause — it becomes even more alarming once you realize not all people who are wrongfully arrested are simply released. Earlier this month, Mario Guevara, an award-winning, Spanish-language journalist, was deported to El Salvador, despite being in the U.S. legally, after he was arrested in June for livestreaming an anti-Trump “No Kings” protest near Atlanta. Guevara, who had been in the U.S. for more than two decades and has

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The Unanswered Questions Surrounding De’Martravion “Trey” Reed’s Death: A Call for Truth and Compassion

Source: Alexis Reed / Alexis Reed The Waiting and the Weight of Uncertainty Weeks have passed since the death of De’Martravion “Trey” Reed, and still, there is no definitive verdict. The public waits for answers: the release of the second autopsy, official statements from authorities, and words that might bring comfort to a grieving family. In the absence of clarity, rumors, mistrust, and speculation have filled the void. Online conversations, often driven by grief and outrage, have turned into a whirlwind of misinformation that adds pain to those already mourning. A History That Shapes Our Doubt For many Black Americans, disbelief in the face of a reported suicide by hanging is not mere suspicion—it’s a historical reflex born of centuries of racial violence. During the lynching era, it was not uncommon for the deaths of Black men to be ruled as suicides to cover up murders committed by white mobs or law enforcement. The Civil Rights and Restorative Justice Project at Northeastern University has documented dozens of such cases between 1930 and 1956. This collective memory lingers. When Trey Reed’s death was announced as a “suicide,” it resonated with a painful pattern—one that reminds us how often Black death has been misrepresented, minimized, or dismissed. The Modern Spectacle of Grief and Rumor In 2025, the public square has moved from courthouse steps to social media feeds. Unverified details, viral posts, and sensational headlines spread rapidly. Claims of “broken bones,” “foul play,” or “cover-ups” circulate before facts are confirmed. This digital rumor mill, while fueled by legitimate pain and distrust, often overshadows the victim and the family’s humanity. The story becomes a spectacle—one that extracts grief for clicks and shares, rather than centering compassion and truth. If Foul Play Is Found—Justice Must Follow Should the second autopsy confirm evidence inconsistent with suicide—signs of trauma, struggle, or manipulation—the call for justice must be loud and sustained. Accountability would need to reach beyond individuals to include institutions: law enforcement, campus security, and the media. Who shaped the initial narrative? Who withheld evidence or delayed transparency? These questions demand answers, not for the sake of outrage, but for truth and reform. If Suicide Is Confirmed—We Must Confront the Stigma If the autopsy confirms that Trey Reed took his own life, that truth carries its own urgent call. It would require a collective reckoning with the realities of mental health in Black communities. For too long, discussions of depression, trauma, and suicide among Black men have been shrouded in silence and stigma. Accepting the possibility of suicide does not diminish the tragedy—it expands it. It challenges us to confront despair, alienation, and the systemic pressures that weigh heavily on young Black lives. Rejecting Silence and Spectacle Alike Regardless of the final report, one thing must remain central: Trey Reed was a son, a student, and a human being. His life deserves dignity beyond rumor or sensationalism. As a society, we must resist both erasure and exploitation—the twin dangers of silence and spectacle. Whether this tragedy stems from violence or internal pain, the path forward demands transparency, empathy, and care. Let Grief Lead, Not Speculation When the full truth of Trey Reed’s death emerges, may it be met with mourning before judgment. Let the rumors end, the lies fall away, and the healing begin. Grief, when acknowledged and shared with honesty, can be the starting point of justice. Before we frame explanations or assign blame, we must first recognize the humanity that was lost—and the community that continues to ache for truth. By Dr. Stacey PattonAward-winning journalist and author of “Spare The Kids: Why Whupping Children Won’t Save Black America” and the forthcoming “Strung Up: The Lynching of Black Children in Jim Crow America.” SEE ALSO: When Humbling Black Women Is A Political Game Black Unemployment Is Not An Accident, It Is A Racial Purge

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Blac Chyna Sparks Rob Kardashian Reconciliation Rumors With Mysterious Social Media Post

Blac Chyna took to Instagram to post a carousel of pictures of herself in an all-white outfit posing by a Ferrari on the side of the road. What caught her followers off guard, however, is the caption, tagging her ex, Rob Kardashian, even though the photos don’t seem to have anything to do with him. The model—who now goes by her birth name, Angela White—didn’t say anything further about her confusing decision to tag Kardashian, but he did give the post a like, seemingly approving whatever message she’s trying to send. Chyna, 37, and Kardashian, 38, are co-parents to their 8-year-old daughter, Dream. The pair got engaged in 2016 after a rollercoaster romance, but their relationship ended shortly after, in 2017. In the years since their split, the former couple has had their fair share of drama, with Chyna suing Rob’s mother, Kris Jenner, and his sisters Kim Kardashian, Khloe Kardashian and Kylie Jenner for defamation. She alleged in her $140 million lawsuit that E! did not renew their reality series, Rob & Chyna, for a second season because of his family’s influence at the network. Eventually, a judge ruled in favor of the Kardashian and Jenner family, saying they did not unjustly harm Chyna’s career. At the height of their breakup in 2017, things got even worse, with Kardashian exposing naked pictures of his ex, causing Chyna to enlist powerhouse lawyer Lisa Bloom for a “revenge porn” lawsuit. The case ended up being settled privately in June 2022, just before it was scheduled to go to trial. That same year, Rob claimed Blac Chyna attempted to choke him with an iPhone charger during an intense fight last at sister Kylie Jenner’s house. The reality star and his sister filed a lawsuit against Rob’s ex-fiancé for battery, assault and vandalism. Rob ultimately filed to dismiss the case in 2022 to focus on co-parenting their daughter, Dream. Things between the couple have been quiet over the last few years, which (hopefully) means the drama was officially put to rest. But, now that they’ve seemingly figured out how to coparent together, they may be spinning the block in an attempt to bring their family back together. If you need to catch up on all of Rob and Chyna lore amid their suspected rekindling, check out a timeline of their relationship here. The post Run It Back?! Blac Chyna Sparks Rob Kardashian Reconciliation Rumors With Mysterious Social Media Post appeared first on Bossip.

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Music

Leaked Young Republicans Group Chat Exposes Racist and Violent Messages

A major political scandal has erupted after thousands of leaked group chat messages exposed racist, antisemitic, and violent content allegedly shared by members and leaders of Young Republican chapters across multiple states. Leaked Messages Reveal Disturbing Racism and Hate Speech The leak, first reported by Politico and The Guardian, includes more than 2,900 pages of Telegram messages shared among individuals tied to Young Republican groups. The content includes: – Repeated use of racial slurs, including the N-word – Antisemitic jokes about gas chambers and the Holocaust – Supportive comments about Adolf Hitler – Sexually violent jokes referencing rape and slavery – Use of extremist and white supremacist codes such as “1488” Individuals Named in the Leaked Chats Among those identified are: – William Hendrix, Vice Chair of the Kansas Young Republicans, accused of using racial and antisemitic slurs. – Samuel Douglass, a Vermont state senator and Young Republican leader, who also appeared in several of the leaked exchanges. Both individuals have faced calls for resignation following the revelations. Political Fallout and Public Response The Kansas Young Republicans chapter has been deactivated as a direct result of the scandal. National Young Republican leaders issued a statement condemning the messages and promising to review chapter conduct. Meanwhile, several politicians, including Vice President J.D. Vance, attempted to downplay the situation, describing the chats as “edgy jokes” made by “young guys saying stupid things.” However, civil rights organizations and political analysts have pushed back, calling the language dangerous and unacceptable in public life. Ongoing Investigation and Repercussions Multiple news outlets — including The Guardian, Time, Politico, and The Daily Beast — are tracking the story as more individuals are identified. Some members have lost jobs or political positions as screenshots continue to circulate across social media. The Young Republicans’ national organization has emphasized that the views expressed in these private chats do not represent the broader party or its mission. What Happens Next? While several individuals deny the authenticity of portions of the leaks, evidence from multiple verified accounts suggests the messages are genuine. Investigations are ongoing, and more resignations may follow as political pressure mounts. Final Thoughts The Young Republicans racist group chat leak highlights a deeper problem with extremist language and online behavior within political youth organizations. Whether the group can rebuild trust will depend on transparency, accountability, and leadership willing to confront hate directly. Sources The Guardian Politico Time The Daily Beast KCUR

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Nicki Minaj Denies Losing Her Home and Calls Out Roc Nation in Fiery Response

Nicki Minaj is setting the record straight after reports claimed that her Los Angeles mansion was at risk of being sold over an unpaid debt. The “Super Bass” rapper fired back at the allegations — and took aim at Roc Nation once again. Reports Claim Nicki Minaj’s Home Is in Jeopardy On October 14, Us Weekly reported that Nicki Minaj and her husband, Kenneth Petty, were allegedly facing the possible sale of their Los Angeles mansion due to an unpaid legal debt. The situation stems from a lawsuit filed by Thomas Weidenmuller, who was reportedly awarded $503,000 earlier this month after alleging that Petty assaulted him during a 2019 concert. According to court documents, Weidenmuller asked the court to order Minaj’s home to be sold to collect the money owed. The 2019 Incident That Sparked the Lawsuit Weidenmuller’s lawsuit claims that the incident occurred on March 22, 2019, while he was working security at one of Nicki’s shows. He alleges that a fan broke through the barricade and reached the stage, leading to a heated exchange between Minaj and a female guard. When Weidenmuller tried to calm the situation, Nicki allegedly became upset and informed Petty about the incident. The lawsuit claims that Petty later summoned Weidenmuller to Minaj’s dressing room, where Petty allegedly struck him “without warning,” causing severe facial injuries that required jaw surgery. Weidenmuller’s attorney said, “Although it is regrettable that the extraordinary measure of forcing the sale of Minaj’s dwelling is required, that result is entirely the product of her intransigence in not making payment.” He added that Minaj’s estimated net worth of $150–190 million makes her “highly capable” of paying the judgment. Nicki Minaj Fires Back: “Roc Nation’s Behind This” Following the reports, Nicki Minaj took to TikTok and X (formerly Twitter) to respond — and once again accused Roc Nation and its CEO Desiree Perez of being behind a smear campaign. On TikTok, she posted a screenshot of Page Six’s coverage with a bold caption directed at Perez: “DESIREE PEREZ YOU GOT BIGGER FISH TO FRY BOOKIE. Conspiracy. False imprisonment. Civil rights violation. Oh cock nation y’all suck.” She continued her rant, claiming media outlets like Us Weekly and Page Six were “on Roc Nation’s payroll.” Later on X, Minaj tweeted: “Dear US WEEKLY & PAGE 6, you just f**ked yourselves.” Fans Rally Behind Nicki Minaj Minaj retweeted fans defending her, including one who wrote: “I will NEVER trust a newspaper or blog who allows fabricated stories just because they’re on someone’s payroll.” She continued firing off posts criticizing Desiree Perez and Jay-Z, and later shocked fans by saying she’s done with music: “Ok I’m not going to put out the album anymore. No more music. Hope you’re happy now. Bye Barbz. Love you for life.” Nicki Minaj Denies Being Served in the Lawsuit In her final posts, Nicki Minaj claimed she was never personally served with court papers and blamed a former business manager for the confusion. “The papers were given to a business manager who never told me,” she wrote. “That same business manager STOLE from me many times… then was accused of killing a woman and leaving her in a hotel room.” Minaj added that she has “evidence” to back up her claim and suggested that misinformation has fueled the controversy. Final Thoughts While the legal case continues, Nicki Minaj is adamant that the reports are false and that her home is not in jeopardy. The rapper’s latest outburst reignites her long-standing feud with Roc Nation, proving once again that she’s not afraid to call out her industry rivals.

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The White Media’s Latest Lie: Pretending Black Unemployment Is An Accident, Not A Racial Purge

For months, we’ve been flooded with stories about the sudden rise in Black unemployment. Nearly every one of them, from Politico to Axios to Time Magazine to MSNBC News, has focused on Black women. We’ve seen the same template: sympathetic portraits of college-educated women juggling multiple jobs, stuck in low-wage positions, or pushed out of professional spaces they helped build. Each piece comes wrapped in the same language of concern with phrases like “economic headwinds,” “policy shifts,” and “labor market cooling.” But beneath that polite vocabulary lies a truth most of these outlets refuse to say out loud: what’s happening to Black workers isn’t a downturn, it’s a pattern hiding in plain sight and a deliberate racial targeting. The latest example came from the New York Times in a piece titled Black Unemployment Is Surging Again. This Time Is Different. The article, published over the weekend, walks readers through a familiar scene featuring a young Black woman with a degree and drive, struggling to find a job that matches her education. Her story is framed in soft light and muted tones, a tragic inevitability rather than a predictable outcome of racist economic policy. The Times offers the usual explanations: high prices, expired subsidies, and slow hiring. But these aren’t natural forces. They’re choices. The Trump administration deliberately ended pandemic-era subsidies that had cushioned working families, froze federal hiring, and ordered federal contractors to stop pursuing racial equity. Each of those moves directly undercut the modest racial gains made during the recovery when Black wages rose, unemployment dropped to record lows, and household wealth briefly ticked upward. Now, in just four months, Black unemployment has jumped from 6% to 7.5%, while white unemployment has dipped slightly to 3.7%. That’s not an economic “imbalance.” That’s a recalibration. The Old Game with New Excuses Every time Black Americans start to inch toward economic stability, when homeownership increases, wages climb, and the wealth gap narrows, white America finds a new excuse to hit the brakes. Sometimes it’s “budget restraint.” Sometimes it’s “fiscal responsibility.” Sometimes it’s “market correction.” But the meaning never changes: Black progress must be temporary. Every economic cycle becomes a racial reset. Every recovery becomes a reminder of where we’re allowed to stand. The federal government has historically been one of the few employers where Black workers could thrive without the open discrimination of the private sector. Those jobs provided stability, pensions, and a path into the middle class. So when this administration cuts over 200,000 federal positions, it isn’t trimming fat, it’s gutting one of the few remaining ladders of upward mobility for Black families. A July “deferred-resignation” program had already nudged over 154,000 federal employees to resign under the guise of voluntary departure.  Now, overlay that with a government shutdown that is being used as legal cover to fire thousands more. The White House has begun executing substantial layoffs amidst the funding impasse, formally initiating Reduction-in-Force (RIF) procedures that target more than 4,000 federal workers so far. Many agencies like Health and Human Services, Education, Treasury, and Homeland Security are being told to identify roles deemed non-essential and purge them. It’s a multi-front assault: resignations, firings, reclassifications, freezes—in total, shrinking the federal civil service by design. Let’s keep it real, this isn’t a temporary furlough. These are job eliminations, on top of the sweeping federal purge that’s already erased hundreds of thousands of government workers from payrolls. And there’s no credible talk of restoring them. Even as Vice President Vance warned of “deeper cuts ahead,” there’s no plan on the table to rebuild. In practice, the shutdown is intensifying the racial purge. When the shuttering of government becomes the pretext for targeting Black federal workers, the very people who relied on these jobs as anchors, this is not governance. It’s racial culling. And by refusing to speak of these cuts in racial terms, the institutional press lets the purge pass as procedural. None of this is accidental. It’s economic retribution, wrapped in the language of governance. Journalism That Washes Away Intent What’s most infuriating isn’t just the policy itself.  It’s how the press covers it. The Times and other legacy outlets document the pain while protecting the perpetrators. They don’t name them.  They don’t call a thing a thing. They use neutral verbs for violent acts. Black unemployment “surged.” Wages “stagnated.” Conditions “deteriorated.” The story writes itself as if no one made these decisions and as if racism were an atmospheric condition instead of an agenda. Behind every “freeze” is a signature. Behind every “cut” is a hand. Behind every “policy shift” is an ideology that sees Black labor as expendable and Black stability as an economic threat. That’s why these stories always end the same way: a photo of a Black woman looking out a window, a quote about resilience, and no mention of rage. The coverage humanizes suffering but sanitizes the cause. But that truth doesn’t make it into the paper. Instead, we get a familiar tableau: a photo of a young Black woman, eyes soft, framed by natural light, gazing out of a window into the distance of her uncertainty. Her name becomes a headline prop, her anxiety converted into empathy content. She’s presented as a symbol of endurance, not a casualty of political violence. This is how the New York Times uses Black pain as texture, as visual proof that it cares enough to notice but not enough to indict. The story centers her struggle while erasing the system that caused it. It teaches readers to admire her perseverance while accepting her suffering as natural. The camera lingers on her posture, not her power. The quotes chosen make her sound hopeful, humble, never furious. Rage would make the story too complicated. Rage would demand accountability. And what does that do to us, the readers, the people living inside the crisis instead of reading about it? Each of these stories, dressed in sympathy but stripped of politics, becomes another drip in the slow psychological erosion of

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D’Angelo & Angie Stone’s Son Michael Shares Heartfelt Message

Just hours after his father D’Angelo’s unfortunate passing was confirmed, Michael Archer II paid tribute to his dad while reflecting on losing his mother, Angie Stone, just 7 months ago. Source: Angie Stone, D’Angelo, and Michael Archer II – Michael Archer II’s own photo “I am grateful for your thoughts and prayers during these very difficult times, as it has been a very rough and sad year for me,” said Archer in a statement shared with BOSSIP. “I ask that you please continue to keep me in your thoughts as it will not be easy, but one thing that both my parents thought [sic] me was to be strong, and I intend to do just that.” As previously reported, Archer’s Neo-Soul legend dad, D’Angelo (born Michael Eugene Archer), died on Tuesday, Oct. 14, after being diagnosed with pancreatic cancer. He was 51.   In a statement shared with BOSSIP, a representative for the D’Angelo Estate said, “The shining star of our family has dimmed his light for us in this life…After a prolonged and courageous battle with cancer, we are heartbroken to announce that Michael D’Angelo Archer, known to his fans around the world as D’Angelo, has been called home, departing this life today, October 14th, 2025.” The statement continued: “We are saddened that he can only leave dear memories with his family, but we are eternally grateful for the legacy of extraordinarily moving music he leaves behind. We ask that you respect our privacy during this difficult time but invite you all join us in mourning his passing while also celebrating the gift of song that he has left for the world.” PEOPLE magazine offered an update on D’Angelo’s passing after speaking with a source confirming that his declined in recent weeks. “He was in hospice for two weeks but had been in the hospital for months.” Angie Stone Was Killed In A Car Crash In March D’Angelo’s passing comes just months after the death of his former partner and Michael’s mother, singer Angie Stone, who tragically died earlier this year.   In March, Stone was involved in a fatal car accident following a performance in Mobile, Alabama. As previously reported, she and several others were en route to Atlanta when the Mercedes-Benz Sprinter van they were traveling in reportedly lost control in Montgomery County, Alabama. Stone’s death was just one day before Michael’s birthday. BOSSIP is sending sincere thoughts and prayers to Michael Archer II.  

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How Christian Slaveholders Used the Bible to Justify Slavery: A Dark Chapter in Religious History

Religion has always played a powerful role in shaping societies. Unfortunately, it has also been used to defend injustice. One of the darkest examples in American history is how Christian slaveholders used the Bible to justify slavery. By twisting scripture, they built a false moral foundation for one of humanity’s greatest crimes. Biblical Justifications for Slavery During the 18th and 19th centuries, pro-slavery Christians repeatedly quoted certain Bible verses to defend their position. They often cited Ephesians 6:5, which reads: “Slaves, obey your earthly masters with respect and fear, and with sincerity of heart, just as you would obey Christ.” Another verse used was Colossians 3:22, which reinforced similar language. These passages, taken out of context, were interpreted to mean that slavery was sanctioned by God. Even more troubling, many white preachers referenced Genesis 9:25–27, known as the “Curse of Ham.” They claimed Africans were descendants of Ham and thus destined to be servants. This distorted reading provided false moral and religious justification for racial enslavement. In reality, these interpretations ignored the broader Biblical message of love, mercy, and equality. They reduced a complex, ancient text into a tool of control and exploitation. Religion as a Tool of Control Christianity was not only a justification for slavery — it became a means to control the enslaved. Many enslaved Africans were converted to Christianity, but their exposure to scripture was heavily censored. Slaveholders promoted a version of the Gospel that emphasized obedience and submission while erasing verses about freedom and justice. For example, slave Bibles were printed with major portions of the Old and New Testaments removed — especially any stories about liberation, like the Exodus or Galatians 3:28, which says: “There is neither slave nor free, for you are all one in Christ Jesus.” These omissions weren’t accidental. They were part of a deliberate effort to prevent enslaved people from finding spiritual or social empowerment through faith. By controlling what scriptures were taught, slaveholders weaponized religion to maintain power and suppress rebellion. Abolitionist Christianity and the Fight for Truth Not all Christians accepted this corrupted theology. In fact, many abolitionist leaders used the same Bible to argue for freedom and equality. Figures like Frederick Douglass, Harriet Beecher Stowe, and William Lloyd Garrison saw slavery as a direct violation of Christian morality. Douglass, who escaped from slavery, famously said there was a difference between “the Christianity of this land” and “the Christianity of Christ.” He condemned the hypocrisy of those who prayed on Sunday and whipped slaves on Monday. Abolitionist preachers pointed to scriptures that celebrated liberation and condemned oppression — from Isaiah’s call for justice to Christ’s teachings about love and mercy. Their voices helped awaken the moral conscience of the nation. The Lasting Impact on American Christianity The use of the Bible to justify slavery left deep scars on American Christianity. Churches in the South and North split over the issue, and those divisions have echoed for generations. Even today, scholars and theologians continue to examine how these distorted interpretations contributed to systemic racism and inequality within religious institutions. Understanding this painful history allows believers to confront and dismantle the lingering effects of theological racism. What We Can Learn Today The story of how Christian slaveholders used the Bible to justify slavery is more than a history lesson — it’s a warning. It shows how sacred texts can be misused when people seek to justify their own power and prejudice. True faith, rooted in love and compassion, challenges oppression rather than supports it. When read in full context, the Bible calls for justice, mercy, and equality — values that stand in direct opposition to slavery and racism. Conclusion The Bible was never meant to be a weapon of oppression. Yet, for centuries, Christian slaveholders turned it into one. By understanding this dark chapter in history, modern readers can ensure that scripture is interpreted through the lens of truth and love. Faith should unite, not divide. It should liberate, not enslave. That’s the enduring message that outlives even the darkest distortions of the past.

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Soul legend and “Brown Sugar” hitmaker D’Angelo has died. He was 51.

Soul legend and “Brown Sugar” hitmaker D’Angelo has died. He was 51. On Tuesday, Oct. 14, TMZ reported that D’Angelo (born Michael Eugene Archer) confirmed news of his death after a private battle with pancreatic cancer. DJ Premier, who collaborated with him on the 1998 track “Devil’s Pie,” shared a post via X on Oct. 14 confirming the news.”Such a sad loss to the passing of D’angelo. We have so many great times. Gonna miss you so much. Sleep Peacefully D’ Love You KING,” he wrote. The Richmond-born son of a Pentecostal minister began playing the piano at the age of 3 and by 5 years old, he was playing the instrument with his father at church. A few years later, he began playing the piano at his grandfather’s Pentecostal church. Growing up, he and his two cousins formed the group Three of a Kind and began performing at local talent shows. By 16, he formed another band called Michael Archer and Precise with his brother, Luther. That year, D’Angelo landed a slot during Amateur Night at the Apollo, where he sang “Feel the Fire” by Peabo Bryson. While he didn’t win at the time, he returned to the stage the following year to perform “Rub You the Right Way” by Johnny Gill in 1991 and took the first place. With his monetary prize, he returned to Richmond, bought a four-track recorder and started writing what would become most of the songs that made up his 1995 debut album Brown Sugar. He landed a record deal two years later. Brown Sugar peaked at No. 4 on the U.S. Billboard Top R&B Albums chart went platinum within a year of its release. It also earned D’Angleo four Grammy Award nominations. In 2000, D’Angelo released his sophomore album Voodoo, which peaked at No. 1 on the U.S. Billboard Top R&B Albums chart and the U.S. Billboard 200 chart. The album also won a Grammy Award for Best R&B Album and his song “Untitled (How Does It Feel)” received Best Male R&B Vocal Performance, along with a nomination for Best R&B Song.

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News

Man Arrested After Vandalizing MLK’s Eternal Flame, Urinating In King Center Reflective Pool

Atlanta Police arrested a 26-year-old man identified as Brent Jones early Saturday morning after he allegedly vandalized one of the city’s most sacred landmarks: the Eternal Flame at the Martin Luther King Jr. Center for Nonviolent Social Change. Authorities told 11 Alive, they arrived at the historic site on Auburn Avenue around 4:30 a.m. and caught Jones urinating in the reflective pool outside the King Center before stomping on the Eternal Flame, causing what officials described as “significant damage.” Source: Raymond Boyd / Getty The Eternal Flame, which has burned continuously for decades, stands as a symbol of Dr. King’s enduring legacy and his vision of the “Beloved Community,” a world built on justice, peace, and equality for all people, as noted by the King Center’s official website. Police Detail the Charges In 11Alive, Atlanta Police state Jones was taken into custody without further incident and later booked into the Fulton County Jail. He faces multiple charges, including criminal damage to property in the second degree, criminal trespass, public indecency, and obstruction of law enforcement. Officials have not released details on the estimated cost of the damage, but the act has sparked strong emotions across Atlanta’s civil rights community and beyond. Many have expressed outrage over the blatant disrespect toward a space that represents the heart of the city and the nation’s moral and cultural history. “The Eternal Flame symbolizes the continuing effort to realize Dr. King’s dream of the ‘Beloved Community,’” the King Center website states, reminding the public that this flame is not just a tourist attraction, it’s a living monument to the struggle for equality that Dr. King gave his life for. A Pattern of Desecration As 11Alive reports, this isn’t the first time someone has targeted the property tied to Dr. King’s legacy. In a separate 2023 incident, police arrested a woman accused of attempting to burn down Martin Luther King Jr.’s birth home. Witnesses told authorities they saw her pouring gasoline on the porch before she was stopped and taken into custody. The recurrence of such acts has reignited discussions about the security and preservation of Atlanta’s civil rights landmarks, many of which sit within the Sweet Auburn Historic District, a national treasure recognized for its role in the Black freedom movement. A Disrespect to the Dream The vandalism of the Eternal Flame cuts deeper than simple property damage. It’s an affront to the ideals it represents. For decades, the flame has served as a metaphor for the enduring pursuit of justice and the light that Dr. King sought to keep burning in a world darkened by hate and division. To desecrate it, and in such a vulgar manner, feels like a direct slap in the face to that mission.  

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Music

NLE Choppa Fires Back At Jonathan Majors After He Questioned His Christianity Comprehension

It’s safe to say none of us had Jonathan Majors vs NLE Choppa on our 2025 Bingo cards, but the universe continues to surprise us. A clip of an unexpected interaction between the two stars went viral after Majors corrected the rapper during a Den of Kings discussion on Christianity. During the roundtable conversation, Choppa discussed his problems with religion, arguing that many Christians focus too much on Jesus rather than God. He said “We are made in the likeness of Jesus Christ,” before asked why people “praise their brother instead of their father.” In response to this, Majors interjected, insisting he “just gotta say something” before asking, “Have you read the Bible?” Choppa replied, “I’ve read it, listened to it, and received from source,” which is when Majors swiftly told him: “I would say read it again.” That comment made for some uncomfortable laughter from the rapper, and after the clip went viral, NLE Choppa had more to say. The Memphis native took to Instagram to address the situation, posting a series of photos including a screenshot of three Bible verses, a photo of himself praying, and a behind-the-scenes shot of Majors speaking with the rapper. In his caption, he referenced the actor’s comments, writing: “READ IT AGAIN.” Choppa went on to post the photo of himself and Majors on his Instagram Story, choosing a photo that seems to show the latter passionately talking about the subject and looking somewhat distressed. Over this photo, he wrote, “The eyes. They never lie Chico .” The rapper has since deleted the posts from his page, but it’s unclear whether the unlikely rivals squashed their beef, or if NLE Choppa was over the conversations surrounding it on social media. You can watch the entire conversation for yourself down below:  

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Lawsuit Filed After Black Postal Worker Dies In Police Custody After Officers Ignored Signs of Stroke

The family of Kingsley Fifi Bimpong has filed a lawsuit against the city of Eagan after the 50-year-old Black U.S. postal worker was not provided medical care for a stroke and died while in police custody. The newly filed federal lawsuit accuses Eagan, Minnesota, police and Dakota County jail staff of demonstrating “deliberate indifference” after officers ignored clear signs that Bimpong was having a massive stroke — instead assuming he was intoxicated. According to the complaint, Bimpong left his shift with the U.S. Postal Service early, around 10:42 p.m. on Nov. 16, 2024, due to a headache and decreased vision. While driving home, he attempted a left turn at a red light and drove into oncoming traffic, hitting the center median in the process. When officers approached Bimpong, who was still wearing his USPS uniform, he was reportedly confused, disoriented, and unable to state where he lived or worked—the classic and undeniable symptoms of a severe stroke. Despite the medical emergency, Bimpong was arrested and accused of being under the influence before being thrown in jail, spending nearly six hours in custody as his symptoms continued to worsen and his body and mind shut down. According to the lawsuit filed by civil rights attorney Katie Bennett, Sergeant Joseph Moseng summoned Officer Martin Jensen, a certified Drug Recognition Evaluator (DRE) trained to tell the difference between intoxication and medical crises, who allegedly dismissed his training, telling another officer that a full evaluation would be “a whole bunch of time wasted.” DRE protocol involves a 12-step evaluation to determine a person’s cause of impairment, which includes a check for vital signs and three separate checks for pulse. However, when Moseng requested this evaluation, Jensen only partially completed three of the steps and did not take Bimpong’s pulse once, the complaint alleges. When asked whether Bimpong should be taken to a hospital, he allegedly replied, “For what?” Instead of helping Bimpong receive medical attention he desperately needed, the officers arrested Bimpong on suspicion of DWI, a decision that transformed a medical crisis into a fatal torture. At the police station, his condition worsened as his signs of distress were continuously ignored. An emergency medical provider asked officers if they were planning to take him to the hospital, but the responding officer declined, saying, “It’s a whole thing.” Instead, officers transported Bimpong to the Dakota County Jail, the lawsuit says. Body camera footage captures Moseng starting to ask, “Is this dude having a stro—” before Jensen muted his mic—cutting off the word “stroke.” The lawsuit states that when Bimpong arrived at the jail, he lost his balance and had trouble walking, but his booking paperwork said he did not require further evaluation. Bimpong was reportedly placed in a cell with floor-to-ceiling windows, giving officers a clear view of Bimpong. Video surveillance from inside his cell shows him stumbling to the toilet, where he sat for several minutes before falling backward onto the floor. He remained there, rolling around in distress for hours. “He’s having more difficulty walking, he has muscle issues, he’s drooling, just continues to deteriorate, and then gets taken to jail and spirals as he’s lying on the floor, clearly suffering in front of the corrections officers, it’s just heartbreaking to see,” Katie Bennet said. Dakota County Jail procedure requires that all inmates be observed by a staff member at least once every 30 minutes. Multiple officers are recorded as observing Bimpong struggling on the ground for hours, while marking his status as “OK” in the jail’s system, the lawsuit says. “[He] ends up losing control of his bladder, rolling around in his own urine,” Bennett continued. “Clearly in pain and struggling for hours when no one is helping him.” After three hours of negligence, a nurse entered Bimpong’s cell, where he was found cold to the touch and unresponsive, the lawsuit states. The nurse administered Narcan three times with no effect, believing he’d overdosed. When paramedics finally arrived, Bimpong’s blood pressure was a deadly 240/216, signaling a hypertensive crisis. By the time the father of one was transported to the Dakota County Jail around 1 a.m., his stroke was catastrophic. His alcohol and drug screens came back negative, and a CT scan showed a hemorrhage and swelling in his brain. Bimpong was declared brain dead on Nov. 18, 2024, and taken off a ventilator the next day. Attorney Katie Bennett described the case as “one of the worst jail deaths we’ve ever seen,” adding, “The police and correctional officers acted on incorrect and unfounded assumptions about Kingsley as justification for treating a person suffering from classic stroke symptoms with callous indifference that resulted in his death. The shocking, deliberate indifference from local authorities stripped Kingsley of his last safeguard: the right to basic medical care. No one should lose their life in custody simply because those responsible choose silence and neglect over compassion and responsibility. A jail cell should never become a death sentence simply because cries for help were ignored.” Following Bimpong’s death, an investigation by the Minnesota Department of Corrections found that jail staff were behind on mandatory CPR and first-aid training, and that well-being checks were performed improperly. The jail also violated state law by failing to document medical information or conduct a mental health screening. Despite the overwhelming evidence of negligence, the City of Eagan defended its officers, releasing a statement claiming Bimpong “was not exhibiting an objectively serious medical condition that was obvious to lay persons at the time he was in custody.” That statement stands in stark contrast to video evidence and witness accounts describing his visible distress. The family’s federal lawsuit, filed by Robins Kaplan LLP, seeks $120 million in damages and policy changes within both the Eagan Police Department and Dakota County Jail. The suit names three Eagan officers and seven correctional officers as defendants, citing violations of Bimpong’s Eighth and Fourteenth Amendment rights. Kingsley Bimpong’s story is not an anomaly — it’s a symptom of a national crisis. Studies repeatedly show

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Airports Reject Trump Administration Propaganda Video Blaming Democrats for Government Shutdown

The Rise of Real-Life Political Propaganda We’ve all seen dystopian movies where governments flood citizens with propaganda through giant screens and endless video loops. Usually, the person on those screens is not the hero. Yet, the Trump administration seems unaware of how closely current events in the U.S. resemble those fictional worlds. Fortunately, not everyone is willing to participate in this kind of authoritarian messaging. Many local officials and airports are drawing a line in the sand. Trump Administration Pushes Blame for Shutdown Earlier this month, reports surfaced that the Trump administration had ordered nearly every federal agency’s website to pin the government shutdown on the Democratic Party and “the radical left.” Now, according to the Washington Post, the administration wants airports nationwide to air a video featuring Homeland Security Secretary Kristi Noem, who blames Democrats for the ongoing shutdown. “Democrats in Congress refuse to fund the federal government,” Noem says in the video. “Because of this, many of our operations are impacted.” She adds that while TSA is doing its best to minimize travel delays, the department hopes Democrats will “soon recognize the importance of opening the government.” Airports Refuse to Air the Propaganda Video Thankfully, many airport officials across the country recognize how inappropriate this messaging is. Airports in Buffalo, Charlotte, Cleveland, Los Angeles, Phoenix, Seattle, and Portland have all refused to broadcast the video. Officials say showing the video could violate internal policies and even state and federal laws against using public resources for political activity. “We believe the Hatch Act clearly prohibits use of public assets for political purposes and messaging,” said Molly Prescott, spokesperson for the Port of Portland. The Hatch Act, enacted in 1939, prevents federal employees from engaging in political activity while on the job. Oregon law also bars public employees from promoting or opposing political parties during work hours. In Westchester County, New York, County Executive Ken Jenkins echoed the sentiment, calling the video “inconsistent with the values we expect from our nation’s top public officials” and “unnecessarily alarmist.” Why the Administration Is Pushing the Message The timing of this campaign isn’t accidental. With the midterm elections approaching, polls show most voters blame Republicans—not Democrats—for the shutdown. Despite the Trump administration’s messaging efforts, the public largely views the party in power as responsible. That perception could spell trouble for congressional Republicans and the White House. Meanwhile, the shutdown continues to wreak havoc on U.S. travelers and workers. Airport Delays and Worker Hardship The longer the shutdown drags on, the more it impacts everyday Americans. Airlines and airports are facing staffing shortages, especially among air traffic controllers and TSA agents who are being forced to work without pay. According to CNBC, these shortages have delayed flights in Burbank, California, and Nashville, Tennessee. “It is safe to fly, but staffing shortages strain the system,” said a statement from Airlines for America, which represents major carriers such as Delta, United, and American Airlines. On one Sunday alone, the flight-tracking site FlightAware reported 8,000 flight delays and 271 cancellations nationwide. Still, only one political party created a taxpayer-funded video to shift blame onto the other—something critics say crosses both legal and ethical lines. Final Thoughts: Remember in the Midterms As the government shutdown drags on, the Trump administration’s attempts to rewrite the narrative grow more desperate. But Americans are paying attention. Officials at airports across the country are standing up for integrity, neutrality, and democracy—reminding us that propaganda has no place

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ICE Raids in Chicago Spark Outrage as Residents Resist Federal Agents

Ongoing Tension Between ICE and Chicago Communities Federal immigration agents continue to face fierce resistance in Chicago as residents protest what they call aggressive and unjust enforcement tactics. Since the beginning of the Trump administration, the city has been a focal point for federal operations targeting undocumented immigrants. Community members, however, have made it clear they will not tolerate what they describe as intimidation and overreach by federal authorities. Tear Gas Used in Albany Park According to the Chicago Sun-Times, on Sunday federal agents deployed tear gas in the Albany Park neighborhood after detaining a man. Witnesses say onlookers tried to intervene, leading to a chaotic and violent scene. At around 12:30 p.m., dozens of residents gathered, shouting “traitor” and “Nazi” as ICE agents detained a man. Attorney Samay Gheewala, a local resident, said he tried to verify whether the agents had a warrant but was shoved and restrained. “They completely stonewalled me,” Gheewala said. “They refused to identify themselves.” Witnesses described federal agents pushing residents to the ground. Gheewala was injured but declined medical attention. Another resident said he joined the confrontation after seeing agents “bearing down on a man.” Comparing the actions to authoritarian regimes, he stated, “This is Nazi sh*t. When the state is failing, this is what they do.” Federal Court Restrictions Ignored A federal judge had previously issued a temporary restraining order requiring agents to issue at least two warnings before using riot control weapons like tear gas or pepper spray. However, witnesses say no such warnings were given — and none can be heard in videos circulating online. This order was just one of several recent judicial restrictions on the Trump administration, including limits on warrantless arrests and the deployment of the National Guard to U.S. cities such as Portland and Chicago. Logan Square Incident Near a School Earlier this month, another ICE operation in Chicago’s Logan Square neighborhood led to tear gas being deployed near an elementary school. Students reportedly ran for safety as teachers and staff formed a human barrier between the children and federal officers. Mayor Brandon Johnson condemned the action: “The escalation of ICE raids does nothing to keep our young people safe; it makes them afraid and disrupts their learning,” Johnson said at a press conference. Federal Response to Community Outrage In a statement, Assistant Secretary Tricia McLaughlin defended the agents, claiming they were impeded by protesters during a “targeted immigration enforcement operation.” She said officers used tear gas and pepper balls only after protesters refused to disperse. McLaughlin added that agents face “a surge in assaults, including sniper attacks and cars being used as weapons.” However, no concrete evidence has been provided to support those claims. Community Organizers and Officials Take Action In response to the repeated ICE raids, local volunteers—self-described as “guardian angels”—are now patrolling Chicago schools with whistles and know-your-rights pamphlets. Their mission: to protect children and families from surprise enforcement actions. At the Albany Park protest, community leaders and elected officials joined residents in standing up to ICE agents. Ald. Rossana Rodriguez-Sanchez (33rd) and State Sen. Graciela Guzmán led rapid response groups, rushing to locations where ICE vehicles were spotted. While they managed to prevent some detentions, at least one person was reportedly taken by agents. “This is part of the chaos they like to bring to our communities,” Guzmán said. “Somebody was still kidnapped from our neighborhood today.” Chicago Pushes Back Against Federal Overreach Despite federal attempts to increase enforcement, Chicago’s residents and officials continue to resist what they see as politically motivated intimidation. As one protester put it: “We chased federal agents out of Albany Park today.” The city’s defiance has become a symbol of community resilience and local solidarity in the face of federal aggression.  

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Arthur Blank Foundation Donates $50M To HBCUs In Atlanta

Arthur Blank’s latest move is nothing short of monumental. Through the Arthur Blank Foundation, he has pledged $50 million over the next 10 years to support four of Atlanta’s most storied HBCUs (Clark Atlanta University, Morehouse College, Morris Brown College, Spelman College) with “gap scholarships” for students who are nearing graduation but have exhausted other financial aid. The idea is to lift the burden from students who are academically qualified but financially stuck, helping nearly 10,000 learners complete their degrees. To understand the depth of this move, it is helpful to examine the Arthur Blank Foundation itself. Blank, co-founder of Home Depot and owner of the Atlanta Falcons and Atlanta United, has committed to giving away more than half of his wealth and has already funneled over $1.5 billion into causes across education, the arts, health, and infrastructure. In Georgia, his foundation has already supported HBCUs through previous gifts, including $10 million directed to Spelman for an innovation lab and $6 million to upgrade athletic facilities at various campuses. In this context, the new $50 million pledge represents the single most significant gift to HBCUs made by the Arthur Blank Foundation to date. HBCUs hold a legacy that is both rich and resilient. For over a century, they have been institutions of opportunity, educating generations, cultivating leadership, fueling movements, and evolving despite systemic underfunding and external barriers. Many of their students come from low-income households, first-generation college families, or areas with fewer resources. A large part of the attrition (students dropping out before finishing) is due not to capability, but to gaps in funding near the finish line when all other forms of aid have run out. The new scholarship pledge is precisely calibrated to address that “last mile” struggle. So how might this incoming money be used in practice? Gap scholarships would enable students to focus full-time on completing their coursework, rather than juggling extra jobs or accumulating debt. Funds could underwrite costs such as fees, textbooks, or living expenses that are often overlooked. Beyond direct student support, campuses might allocate portions towards administrative capacity to better manage retention, counseling and advising services, bridge programs, or improved infrastructure because making graduation easier is about more than covering tuition. When more students cross the finish line, alumni networks strengthen, institutional prestige grows, enrollment stabilizes, and the long-term cycle of reinvestment gains momentum. This gift is more than charity. It’s a strategic reinvestment in legacy, promise, and future leaders. It also emphasizes a truth long known: when HBCUs succeed, communities succeed. Shout out to Arthur Blank for making a difference!  

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Artist Spotlight

Avail Hollywood: Rising Southern Soul Star You Need to Know

https://youtu.be/knk2v4Wrujg?si=SLYiCRZpb688iqZy Avail Hollywood is a name steadily gaining traction in the Southern Soul and R&B scenes. Born Christopher Estell in Texarkana, Texas, he blends raw emotion, soulful vocals, and gritty storytelling to craft songs that resonate deeply with fans of grown-folk music. In this post, we’ll walk through his background, signature sound, discography, and what makes him a standout in Southern Soul. Background & Early Life Christopher Estell was born on July 24, 1983, in Texarkana, Texas. Last.fm+1 He comes from a musical family: his father, Collins Estell Sr., was a musician and guitarist, and his sisters also sang gospel. soulbluesmusic.com+1 Avail’s first musical gigs were in gospel: he served as a drummer for the group Shades of Ebony. soulbluesmusic.com+1 His stage name “Avail Hollywood” was inspired by a poster he once saw that read “Elvis Presley, Now Available in Hollywood.” soulbluesmusic.com+1 Musical Style & Signature Themes Avail Hollywood’s music is steeped in the Southern Soul tradition, but he brings his own flavor through several recurring elements: Emotional vulnerability: Many of his songs tackle pain, heartbreak, and personal struggle — especially “drinking” or “wasted” themes. Southern Soul RNB+3soulbluesmusic.com+3ReverbNation+3 Grown-folk appeal: His voice and subject matter are often tailored to adult relationships, maturity, and real-life challenges. N I C C project promotion+1 Blend of mid-tempo and slow ballads: He navigates between club-ready tracks and heart-wrenching ballads. soulbluesmusic.com+1 Instrumentation & production: He frequently uses horns, guitar riffs, soulful backing tracks, and polished production to frame his vocals. Southern Soul RNB+2soulbluesmusic.com+2 Discography & Key Albums Here are some of Avail Hollywood’s notable releases: Year Album Standout Tracks / Notes 2009 The Young Gunn Of Southern Soul “Don’t Leave Me,” “Show Me What U Working With” soulbluesmusic.com 2011 Drinking Again Title track helped cement his identity in the circuit soulbluesmusic.com+1 2013 Country Road Included “Club in the Woods” and “Halle Berry” soulbluesmusic.com 2014 Rehab Features “Rehab Ain’t Working,” “Kiss My Southern Soul” soulbluesmusic.com 2015 Wasted Confessions Explores relational conflict & honesty soulbluesmusic.com 2016 Old Skool Kinda Girl “Twenty Five and Up” was a fan favorite soulbluesmusic.com 2017 Good Whiskey Title track “Good Whiskey,” several singles charted soulbluesmusic.com+1 2019 Still King Includes “Girl You Bad,” “Unbelievable Booty” soulbluesmusic.com+2Southern Soul RNB+2 2020 Black Locomotive Tracks like “Box Top Chevy,” “Love Train” soulbluesmusic.com+2Southern Soul RNB+2 2021 Mississippi River Explores love, faith, and personal growth soulbluesmusic.com+1 2022 Love, Lies, Loyalty Continues his themes, showcasing maturity Southern Soul RNB 2024 King of Grown Folks Music His latest, reinforcing his “grown-folks” positioning soulbluesmusic.com+2N I C C project promotion+2 He maintains his own label, NLightn Records, and has released much of his work independently. soulbluesmusic.com+1 Notable Songs & Chart Impact “Girl You Bad” is one of his more popular singles and is often cited for its appealing hook and production. Southern Soul RNB+1 “I Had To Lie” charted in Daddy B. Nice’s Top 10 for September 2022. Southern Soul RNB His albums have made appearances on Southern Soul & R&B charts, gaining stronger recognition over time. soulbluesmusic.com+1 Challenges & Artistic Growth Over the years, Avail Hollywood has faced the tension between staying true to his core Southern Soul sound and expanding into newer territory. Critics and fans have noted: He briefly left the Southern Soul circuit in 2016 to explore songwriting opportunities in Nashville. Southern Soul RNB+1 But he returned and recommitted to building his catalog and presence among Southern Soul fans. Southern Soul RNB+2soulbluesmusic.com+2 His recent albums display more range and balance — combining love songs, reflective tracks, and upbeat numbers without losing emotional depth. Southern Soul RNB+1 Why Avail Hollywood Matters in Southern Soul Authentic voice & relatability — His willingness to be raw about mistakes, love, and personal struggles sets him apart. Longevity & consistency — Over a decade of releasing albums shows commitment and growth. Independent success — He’s built much of his career through self-reliance rather than big label backing. Blending traditions & modern sounds — While rooted in Southern Soul, he experiments with production and arrangement to stay fresh.

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Featured

John Legend-arily Roasts Donald Trump Over His Thirst To Win Nobel Peace Prize

Donald Trump was THIRSTY to win the Nobel Peace Prize. Everyone with the good sense that God gave ‘em knew good and damn well that there was no chance in hell that it would ever happen. However, that didn’t stop some of MAGAs most obsequious cheek-smoochers to campaign on his behalf and whine like school children when the prestigious awards was given to a more worthy honoree. Last night, Grammy-award winning singer, songwriter, composer John Legend trolled the Führer-in-chief by offering him some “advice” on how to become worthy and make himself more eligible for consideration for Alfred Nobel’s coveted award. Via DailyMail: “Stop declaring war on the American people, stop sending the military intro our cities simply because they’re run by Democrats.” “He’d have to stop all this authoritarian dictator sh*t, all the fascist sh*t, all the inhumane sh*t he’s been trying to do,’ Legend added.” Apparently, conservatives, who aren’t always that sharpest pencils in the box, aren’t able to detect sarcasm. All across social media, right-wingers are framing Legend’s comments as “support’ for the Orange Man. Again, these are people who think that Donald Trump is a devout Christian and loves the Lord. Only the slowest of the slow and the cultist of the cults could come to that conclusion. Despite Legend’s sarcasm, he did give Trump earnest praise for his efforts to end the genocide in Gaza by brokering an alleged “peace deal” between the two sides according to Daily Mail. ‘We all want to see peace in Gaza, in the West Bank,’ he declared in the video. ‘And President Trump has been instrumental in bringing about this new peace deal.’ And he added, ‘Let’s all pray that this deal is actually lasting, that it’s long-term. The people of Gaza have had their lives and their communities destroyed for the past two years.’ Many are inclined to believe that Trump’s “work” is in vain because Israeli Prime Minister Benjamin Netanyahu will continue to bomb Gaza until his cruelty has been satisfied. We shall see. The post Sure, Jan: John Legend-arily Roasts Donald Trump Over His Thirst To Win Nobel Peace Prize appeared first on Bossip.

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Featured

NewsOne And Howard University’s Cathy Hughes School Of Communications Launch Groundbreaking Media Partnership

Now, just as it has been during all consequential periods throughout this nation’s history, it is critical that Black journalists committed to excavating intersectional truths and holding them up to the light are supported and platformed. But that isn’t what is happening in mainstream media, nor has it ever fully been. Instead, our voices are suppressed, distorted, and criminalized, while Artificial Intelligence dominates the media landscape and misinformation and disinformation continue to be unleashed. Let there be no mistake: The United States of America, as a white settler colonial project rooted in land theft, slavery, genocide, and rape, is unraveling at the seams. And those seams, sewn with injustice and interwoven with hate, are being stretched in ways that are unsustainable. Some people may find it comforting to blame all of this on the authoritarian, fascist regime currently occupying the White House, as well as a growing number of cities across the country occupied by Donald Trump’s militarized forces; but we did not arrive here by happenstance, nor as the result of one presidential election. Black people and other targeted communities are not shocked by these travesties even as we brace against the brazenness of the malevolent political actors enforcing them. Why? Because this nation’s past is its prologue. How, then, does one curate an unflinching truth about a country that has lied about the depth and quality of its character since its inception? As I’ve said previously, you begin by rooting the work in the tradition of the Black journalists who have come before, such as Ida B. Wells-Barnett, who taught us through her work at the Memphis Free Speech and beyond, to be both righteous and rigorous. You think of the Freedom’s Journal and the Woman’s Era, of the Chicago Defender and the New York Amsterdam News, of the Los Angeles Sentinel and Negro World. You think of all the Black journalists who have risked their lives to tell the truth. “Having lost my paper, had a price put on my life, and been made an exile from home for hinting at the truth, I felt I owed it to myself and to my race to tell the whole truth.” — Ida B. Wells-Barnett In service to that mission, I have long nurtured a vision of paving the way for young, Black journalists—the truth-tellers and cultural curators of our time—just as others have paved the way for me. Today, I am proud to announce the launch of the Bison ONE Newsroom, NewsOne’s exclusive partnership with student journalists under the tutelage of renowned, award-winning journalist, author, and professor Dr. Stacey Patton at Howard University’s Cathy Hughes School of Communications, named for the Founder & Chairperson of Urban One, NewsOne’s parent company and the largest Black-owned media company in the United States. Expanding on our iONE Digital NewsOne x Bison 2024 Election coverage, the Bison ONE Newsroom is a groundbreaking, first-of-its-kind partnership between a national media corporation and an HBCU journalism program—a partnership that honors the power of HBCUs as incubators of cultural and political transformation. Blending in-depth journalism, real-time coverage, and heartfelt storytelling, this multi-media experience will serve as a pioneering blueprint for how narratives that attempt to obscure the humanity of Black people can be disrupted when Black institutions stand together and create something innovative, something lasting, something that is ours. Join us in celebrating and supporting these student leaders as they join the sacred tradition of Black journalism. Absorb their words and videos; respect their perspectives; listen to their hearts. Though times are perilous, and the road ahead treacherous, we have always had each other. We may face hate, but we still love. We may encounter lies, but our truths are unbreakable. Those in power may attempt to intimidate us into silence, but they can never imprison our thoughts, nor incarcerate our voices—voices that echo generations of freedom fighters who have come before and breathe life into all those who will come after. Because this is what legacy looks like—what resistance, revolution, and audacious, Black brilliance looks like. As our collective futures unfold, NewsOne is honored to pass the mic to emerging journalists who will shape the ways in which history will remember this urgent moment. We are the authors of our own stories. Let it be written. In solidarity, Kirsten West Savali, Vice President of Content, iONE Digital  

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Featured

Cardi Says She’s Pressing Pause On BIA Beef Amid Rapper’s Album Release

The gloves may be off, but the social media posts are on pause between Cardi B and BIA—for now, at least. “I’m not that bad person that people think I am,” said benevolent Belcalis. Source: Steve Granitz/FilmMagic/ Jason Kempin/Getty Images for MTV / Getty As previously reported, the conflict between Cardi B and BIA originated when it seemed like the entire industry was beefing. It heated up after BIA released tracks that seemed to take shots at Cardi, who eventually clapped back with the diss track “Pretty & Petty,” on Am I the Drama? The mother of (almost) four didn’t hold back, hitting BIA with lines about everything from her looks and body to her industry relevance, even referring to her as “diarrhea BIA.” The tension was heightened when BIA was promoting her own latest project, Bianca, which dropped on Friday, October 10. Duriing a Hot 97 interview, BIA attempted to wave the white flag, denying that her debut album was dedicated to coming for Cardi. While she threw some subtle shade at Cardi’s lyrics, she stated that continuing the beef with an expecting mother was beneath her. “I can go get on your a** again, but it’s like, girl, enjoy your pregnancy. My mother didn’t raise me to be dragging a pregnant lady. That’s out,” BIA told Nessa. Cardi B And BIA: The ‘Bully’ And The Backstabbing Claims BIA’s attempt at ending the feud by stating “dragging a pregnant lady” quickly drew a fierce response from Cardi. As BOSSIP reported, Cardi took to X (formerly Twitter) Spaces to call BIA a “p***y” for conveniently moving on from the beef now that she’s winning. Cardi also accused BIA of sabotage, claiming BIA had thrown accusations about Cardi cheating on her estranged husband, Offset, with a gang member while Cardi was “five months pregnant with Blossom last year.” Cardi stated that the producer BIA allegedly spoke to confirmed the rumor, but Cardi dismissed it as completely false, stating that type of “hood n***a” wasn’t her type. Now, even with these backstabbing claims fresh in the air, Cardi is taking the “high road”—but only for the moment. During a recent livestream, Cardi confirmed that she had video ready for “Pretty & Petty,” but chose not to release it on the day BIA’s Bianca album dropped. She explained that she recognized the stress of releasing an album and didn’t want to add to it. “I know how stressful it is to put an album out and I know how fucked up you be in the mind when you put an album out and sh*t, so I feel like if I do a video to ‘Pretty & Petty as F***’ this week or today, I feel like I would be bullying,” Cardi told fans. Cardi then added a reason for her restraint, “I don’t wanna feel like a bully. Because when I bully, then God takes from me,” she said. She clarified that if BIA wasn’t actively “messing” with her and hadn’t mentioned her in her album, she wouldn’t do the video at all. However, she confirmed that she plans to release the video soon, saying, “Probably next week, I’ll do a video for ‘Pretty & Petty as F***.’ I’mma be nice to you because it’s your album day. I don’t wanna add to your stress. I’m not that bad person that people think I am.” The post Benevolent Belcalis: Cardi Says She’s Pressing Pause On BIA Beef Amid Rapper’s Album Release–‘I Feel Like I Would Be Bullying’ appeared first on Bossip.

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Megan Thee Stallion Named Mental Health Champion of the Year by The Trevor Project

Megan Thee Stallion just added another major honor to her growing list of achievements. The Grammy Award–winning rapper has been named Mental Health Champion of the Year by The Trevor Project, recognizing her continued advocacy for mental health awareness, particularly among BIPOC and LGBTQ+ youth. Honoring Mental Health Advocacy According to The Hollywood Reporter, the annual award celebrates public figures who use their platforms to challenge stigma and promote conversations about mental well-being. Megan now joins an inspiring list of past honorees, including Dua Lipa, Dylan Mulvaney, Janelle Monáe, and Lil Nas X. Building Resources and Safe Spaces Through her Pete & Thomas Foundation, named after her late parents, Megan continues to support initiatives that focus on education, housing, health, and wellness for underserved communities. In 2022, she launched BadBitchesHaveBadDaysToo.com, a free online resource connecting visitors to therapy directories, crisis hotlines, and mental health organizations—including The Trevor Project. Leading National Mental Health Campaigns Megan’s advocacy extends far beyond her music. She partnered with the California Department of Public Health for its “Never a Bother” suicide prevention campaign and joined the Ad Council’s “Seize the Awkward” initiative to encourage open dialogue about mental health. She’s also headlined Los Angeles Pride and spoken out against homophobia within the music industry. Megan’s Message of Love and Empathy In her acceptance statement, Megan emphasized her mission to use her platform for change: “My goal has always been to use my platform to help break stigmas around mental health and provide resources for those seeking safe spaces to have honest and heartfelt conversations,” she said. “Mental health impacts all of us, so it’s important to lead with love and empathy. I’m grateful for organizations like The Trevor Project that are committed to spreading awareness and supporting our LGBTQ+ youth in powerful ways.” The Trevor Project’s Praise The Trevor Project’s CEO, Jaymes Black, praised Megan as “an extraordinary role model,” especially for Black LGBTQ+ youth. “Her raw honesty, bold advocacy, and deep love for her community make her an extraordinary role model,” Black said. “Megan’s activism doesn’t just stop at words; she builds real, tangible resources for vulnerable communities that are too often overlooked. As a queer Black person, I wish I had someone like Megan to look up to when I was growing up.” A Well-Deserved Recognition Megan Thee Stallion becomes the fifth honoree to receive The Trevor Project’s Mental Health Champion of the Year Award. Her continued commitment to advocacy, community empowerment, and mental health awareness cements her legacy not just as a performer, but as a true champion for change. Congrats, Hottie Queen! 💅🏽    

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Wendy Williams’ Guardianship Battle: Judge Blocks Kevin Hunter’s Lawsuit

The ongoing legal drama around Wendy Williams’ guardianship has taken another sharp turn. A federal judge has dismissed her ex-husband Kevin Hunter’s attempt to challenge her guardianship—blocking him from representing her in court. Judge Denies Kevin Hunter’s Federal Challenge According to The JasmineBRAND, Hunter filed a federal lawsuit in June claiming Wendy was being “abused, neglected, and defrauded” under the guardianship of Sabrina Morrissey. He sought to act as a “next friend”—a party allowed to represent someone unable to assert their own rights. His filing demanded: A jury trial $250 million in damages Accountability from 30+ defendants, including Wendy’s guardian and the presiding judge But the court rejected his petition, ruling that Hunter cannot legally act on Wendy’s behalf. The judge granted him permission to file an amended suit, but only under his own name. This decision emphasizes the courts’ reluctance to give outsiders automatic standing in guardianship cases. How Wendy Williams’ Guardianship Began Wendy Williams’ financial and personal control was placed under guardianship in 2022 after Wells Fargo froze her accounts, citing concerns about “undue influence and financial exploitation.” She was later diagnosed with primary progressive aphasia and frontotemporal dementia in 2023, but she has consistently denied being mentally impaired. “I am not cognitively impaired,” Wendy declared in a January 2025 interview on The Breakfast Club.“But I feel like I am in prison.” “I Feel Like I’m in Prison”: Inside Wendy’s Daily Life Wendy described her current living conditions as a “luxury prison.” She spends nearly all her time indoors, unable to leave or see family. “I keep the door closed. I watch TV. I listen to the radio. I watch the window. I sit here, and my life goes by.” “They won’t allow you to leave or have visitors,” she added. Her niece Alex has also referred to the facility as overly restrictive, noting that Wendy has lost much of her personal freedom. Wendy Williams’ Rare Public Appearances Since her guardianship began, Wendy has appeared in public only a handful of times. But in March 2025, she was spotted dining out and looking healthy. In a brief statement to Page Six, Wendy said: “I am fabulous. I’m better than good. I am very much alive. I deserve freedom, darling.” What’s Next for Kevin Hunter? With the judge’s dismissal, Kevin Hunter must rethink his legal approach. He can refile his lawsuit—but only as his own action, not as Wendy’s representative. This move distances Wendy from his claims, signaling the court’s intent to protect her autonomy within the guardianship system. Still, the case raises a crucial question:Will Wendy Williams ever regain control of her own life and finances?

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Racism Lawsuit Hits Kansas City Streetcar Project

The Kansas City Streetcar extension project has come under intense scrutiny following a federal racial discrimination lawsuit filed by six Black and Hispanic workers. The workers allege they endured a culture of racial hostility and harassment — including slurs, threats, and intimidation — allegedly fostered by a foreman with ties to the Proud Boys, a far-right extremist group. The lawsuit, initially filed in Jackson County Circuit Court and later moved to U.S. District Court in Kansas City, claims a pattern of racial discrimination, harassment, and retaliation across the project’s job sites. The Plaintiffs and Defendants According to The Kansas City Star, the plaintiffs — Javier Buendia, Jonas Buendia, Oliver Curry, Carl Hunt, Joseph Martin, and Charles Watkins — accuse several contractors and unions of enabling or ignoring racist behavior. The defendants include: Herzog Contracting Corporation Stacey and Witbeck KC Streetcar Constructors (a joint venture of the two firms) International Union of Operating Engineers Local No. 101 Heavy Construction Laborers Local No. 663 Additionally, three individuals — Bryce Shields, Josh Ayres, and Chris Greenwood — are named as defendants. Claims of Racist Abuse and Harassment The lawsuit alleges that the six men faced daily and weekly racial harassment, including slurs, threats, and violence. Lawyers for the plaintiffs wrote that the workers were “at the mercy of the terroristic whims of whomever chose to target them.” The plaintiffs claim that company management and union leaders failed to intervene or enforce anti-harassment policies. The suit seeks damages for emotional distress and workplace discrimination. A Foreman’s Proud Boys Connection According to the lawsuit, at least one foreman involved in the project was allegedly a member of the Proud Boys, a white nationalist group known for violent political extremism. It remains unclear which of the named defendants has that affiliation. The Proud Boys, labeled a terrorist organization in several countries, gained national attention after former President Donald Trump told them to “stand back and stand by” during a 2020 debate. Disturbing Incidents Reported by Workers The lawsuit outlines numerous racist incidents, including racial slurs, threats of lynching, and physical assaults: One foreman allegedly referred to Black workers as “monkeys” and said, “These monkeys I have on my crew ‘bout to drive me crazy.” Oliver Curry, one of the plaintiffs, reported that a white co-worker threatened to “find a tree to put it in,” a comment Curry interpreted as a lynching threat. Curry also claims that when a colleague called him the N-word repeatedly, the Proud Boys–affiliated foreman witnessed the incident but took no action. Another supervisor allegedly remarked that Black men “should end up in a noose.” In addition, the plaintiffs claim Black employees were falsely accused of theft, physically assaulted, and threatened with further violence by white co-workers. Violent Assault Allegations In one 2023 incident described in the suit, white workers allegedly attacked a Black man suspected of breaking into a worksite. The assailants allegedly tied him up, duct-taped his mouth, and beat him, with one shouting, “Back where I’m from, we lynch people like you.” Another allegedly offered to drag the man with his truck. These disturbing details, if true, paint a picture of a deeply hostile and unsafe work environment. Management’s Alleged Cover-Up Despite holding a meeting in November 2023 to discuss racism and harassment complaints, attorneys claim project management failed to discipline any accused employees. Instead, they allege that management covered up records of harassment. According to the lawsuit: “The change in policy and the expungement of employee records indicates an attempt to clear the record of any evidence of racial or sexual harassment.” Attorneys argue that this cover-up demonstrates company knowledge of the racial hostility and a refusal to act. Broader Context: Racism in Construction Workplaces This lawsuit sheds light on a longstanding issue in the construction industry — the prevalence of racial discrimination on job sites. Black and Hispanic workers have long reported being subjected to racist remarks, exclusion, and harassment in predominantly white labor environments. As the case progresses, the Kansas City Streetcar extension — once a symbol of local progress — is now facing questions about accountability, workplace culture, and oversight. Conclusion The allegations against the Kansas City Streetcar project and its contractors represent more than just a legal dispute — they highlight deep racial divisions that continue to plague American workplaces. For the plaintiffs, their case is not only about justice but also about changing a culture of racism and silence. Good luck to the plaintiffs — their fight is one that resonates far beyond Missouri.

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A Timeline Of Donald Trump And Letitia James’ Heated Court Battles

Former President Donald Trump and New York Attorney General Letitia James have been locked in a series of fierce legal showdowns for years. Their ongoing feud—rooted in investigations, lawsuits, and accusations of political retribution—reached a new level on October 9, 2025, when federal prosecutors indicted Letitia James on charges of fraud and false statements. Federal Indictment of Letitia James According to The New York Times, the indictment, filed in the Eastern District of Virginia, alleges that James misrepresented her intent to use a Norfolk, Virginia home as a secondary residence. Prosecutors claim she actually intended to rent it as an investment property, allegedly securing a $19,000 financial advantage through favorable mortgage terms. The indictment came just weeks after former FBI Director James Comey faced charges under similar circumstances, intensifying fears about Trump’s influence over the justice system and what critics call a pattern of political retribution. James, however, denied any wrongdoing, calling the charges “baseless” and politically motivated. “This is nothing more than the president’s weaponization of our justice system,” James said in a statement. “He’s forcing federal agencies to act as his personal enforcers because I held him accountable as New York’s Attorney General.” Trump vs. Letitia James: A Legal History The Trump–James rivalry has unfolded through several major lawsuits and court rulings. Here’s a look at their legal timeline. November 2019: The Trump Foundation Case In June 2018, Letitia James filed a lawsuit against the Donald J. Trump Foundation, alleging that Trump and his children misused charitable funds for personal and political gain. The lawsuit claimed that Trump diverted Foundation money to support his 2016 presidential campaign, including a $2.8 million fundraiser disguised as a charitable event. In 2019, the case ended in a settlement requiring Trump to admit to misusing funds and placing restrictions on future charity activities. His children—Donald Jr., Ivanka, and Eric Trump—were ordered to complete nonprofit governance training, and the Foundation was officially dissolved. December 2021: Trump Sues Letitia James Before James could file her landmark civil fraud case, Donald Trump preemptively sued Letitia James, accusing her of political bias and violating due process. Trump’s lawsuit sought to block her investigation into his business practices. He claimed that James’s probe into the Trump Organization’s asset valuations was unconstitutional and politically motivated. Court documents highlighted James’s public criticism of Trump and her 2018 campaign statements about “having [her] eyes on Trump Tower.” The lawsuit was dismissed in May 2022 by a federal judge, allowing James’s investigation to proceed. September 2022: The Civil Fraud Lawsuit In 2022, James filed a civil fraud lawsuit against Donald Trump, three of his adult children, and top Trump Organization executives. The lawsuit alleged a decade-long scheme to inflate asset values in order to secure loans, reduce taxes, and mislead insurers—a scheme totaling $250 million in fraud. James sought to ban the Trumps from executive positions in New York-based companies and impose heavy financial penalties. The lawsuit became one of the most consequential legal challenges of Trump’s career. February 2024: The Landmark Judgment In 2024, Letitia James secured a major victory when a New York court ruled against Trump, ordering him, his companies, and his sons to pay over $450 million in penalties. The ruling also barred Trump from holding executive roles or seeking loans from New York banks for three years. This decision marked a significant legal and political blow to the former president. August 2025: The Appeals Court Reversal In August 2025, a New York appellate court overturned the civil fraud judgment, waiving the $450 million fine but upholding restrictions preventing Trump and his sons from leading companies in New York. The five-judge panel described the original penalty as “excessive” but agreed that some level of accountability was appropriate. April 2025: James Defends Her Record Earlier in April 2025, Letitia James highlighted her office’s ongoing efforts to challenge Trump administration policies she described as “dangerous and illegal.” She reported joining 15 lawsuits and submitting 22 amicus briefs alongside other Democratic attorneys general, addressing issues like citizenship rights, worker protections, and voting access. “We stopped some of their most unconstitutional policies dead in their tracks,” James said. “If this administration keeps bulldozing the Constitution, they’ll find all of us standing in the way.” Conclusion: An Ongoing Legal Feud The conflict between Donald Trump and Letitia James continues to shape national headlines. What began as a series of lawsuits has evolved into a full-blown political and legal war—testing the limits of American democracy, judicial independence, and political accountability.  

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Letitia, Lisa, Fani, And Marilyn: When Humbling Black Women Is A Political Game

Source: They came for Fani Willis. They came for Marilyn Mosby. They came for Lisa Cook. And now, they’ve come for Letitia James. This is no coincidence. This is a calibrated campaign to strike fear into Black women who dared to occupy power, to question a powerful, corrupt, racist white man, and to hold the pillars of justice and policy. The audacity of Trump and his cronies to frame decent, professional Black women for mortgage fraud as if that’s the mortal sin of political life in a nation built on grift. But why mortgage fraud? Because it’s subtle. It’s technical. It’s the kind of charge that looks clean in a headline and filthy in a courtroom. It doesn’t require a smoking gun, just a signature, a checkbox, and an assumption of intent. Mortgage fraud lives in the gray zone between paperwork and persecution, which is precisely why it’s so useful for political revenge. It’s the perfect weapon for those like Donald Trump who’ve committed real fraud at scale. He and his henchmen can dress up their vengeance in the language of legality. They can say, “We’re just enforcing the law,” while they weaponize bureaucracy to criminalize Black women for daring to own property, power, or narrative space. It all starts in the shadows with whispers in bureaucracy, referrals from regulatory offices, letters stamped “investigation,” paper trails dissected for the faintest discrepancy. Trump’s people, including agencies now under his influence or scrutiny, peer into loan applications, home-residence declarations, and occupancy statements. They search for one misstep, one paperwork inconsistency, to brand a public servant a felon. Because they know that very few cases of mortgage fraud are simple. The lines are blurry. Life complicates residence. Personal decisions, family dynamics, and rental arrangements all create ambiguity. That lack of clarity is fertile ground for accusation. Under that uncertainty, they pounce on the Black women who tried him. Letitia James, the New York Attorney General, a relentless critic of Trump, is now the latest to be indicted by a federal grand jury for alleged bank fraud and false statements tied to a mortgage application. She’s accused of mislabeling one of her properties. James has denied wrongdoing and called the charges politically motivated. The timing is intentional. We are deep in the heart of a political season, and the motive is plain as day: weaken a formidable opponent who previously led a civil fraud case against him. Marilyn Mosby, once a rising star in legal ranks, endured the hammer of justice. Mosby’s mortgage fraud conviction was later overturned by an appeals court, but not before the damage had been done through years of corrosive reputational cost and the shadow of criminality hanging over her name. Mosby was targeted because she dared to do what few prosecutors had ever done: charge police officers for killing a Black man. Her decision to indict the officers involved in Freddie Gray’s death made her a marked woman. The backlash was instant and coordinated through police unions, conservative media, and political operatives who painted her as reckless, radical, and corrupt. When they couldn’t beat her in court, they went after her home. They went after her finances. They wanted to remind her, and every other Black woman in a position of authority, that there are consequences for holding white power accountable. Lisa Cook, a sitting Governor at the Federal Reserve Board, hears whispers that she, too, is under investigation. That somewhere, someone unearthed evidence of her declaring dual properties as primary residence. If true, this is a technical violation. If false or exaggerated, it is pure political sabotage. Trump, with characteristic bombast, calls for her resignation, even attempts to remove her “for cause” by hunting for legal language to justify a purge. And why her?  Because she is the first Black woman ever to sit on the Federal Reserve Board, an institution that, for over a century, was an ivory tower of white male economists shaping the nation’s wealth. Her scholarship exposed how racial violence and discrimination distort economic growth. Her very presence in that chair is a rebuke to the mythology of white meritocracy. By targeting her, they aren’t just questioning her paperwork; they’re questioning whether a Black woman has the right to define economic reality itself. This isn’t about mortgages. It’s about power, intellect, and the terror of seeing a Black woman at the center of America’s financial brain trust. What we’re witnessing in these cases is a web of semantics: “primary residence,” “investment property,” “vacation home,” “occupancy,” “intent.” It’s a world of forms, signatures, disclosures, not the boldface corruption that demands high proof. And that is its weapon: ambiguity. Four Black women in power, each accused or investigated under the same cynical script: dig into their private lives, their homes, their finances, their relationships. Find something—anything—that can be weaponized into a scandal. The charge doesn’t even have to stick. The goal is humiliation. The mission is containment. And the gall of it, my god the freakin’ gall of Donald Trump and his people to come after these women for “fraud.”  This is a real estate mogul who overvalued his assets by hundreds of millions of dollars and is now watching his allies prosecute Black women over line items on loan forms. The man who’s built an empire of theft and deceit dares to point his stubby finger at the very women who have spent their lives cleaning up the wreckage his kind left behind. It’s always the same choreography. First, the whisper of impropriety. Then the “exclusive” leak. Then the congressional hearing, the indictment, or the ethics probe. Trump’s orbit doesn’t need conviction; it just needs confusion because it thrives on spectacle, on smearing Black women’s competence and dignity through the slow grind of bureaucratic cruelty. White theft is enterprise, Black success is suspect. So now, Letitia James gets indicted on bank fraud and false statement charges, accused of mislabeling a Virginia property on loan paperwork. Marilyn Mosby is dragged through years of court battles

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Judge Issues Restraining Order On National Guard Deployment In Chicago, Trump Admin Files Appeal

President Donald Trump just keeps on running into legal roadblocks in his bid to turn the U.S. military and other federal agencies on U.S. citizens in Democrat-run cities. This week alone, federal judges have blocked his attempt to send the National Guard into Portland and placed restrictions on ICE’s ability to make arrests in Chicago without a warrant. On Thursday, yet another federal judge blocked the president from sending the Guard into Chicago, another city where officials and citizens have explicitly expressed they do not need or want them there. According to Politico, U.S. District Judge April Perry issued a restraining order barring the National Guard from carrying out the directives of the Trump administration, which deployed Guard troops to Chicago earlier this week. Why did Judge Perry issue this restraining order? Well, for the same reason Trump was blocked from weaponizing the military against Portland: everyone with half a brain knows Trump is flat-out lying about these cities being “war zones” and ICE facilities being “under siege.” From Politico: She described the narrative of violence as exaggerated and pointed to the use of tear gas and military-style tactics against “mostly peaceful demonstrators” — a group she noted was never more than a few hundred strong. It’s a legal blow for Trump, who’s leaned hard into law-and-order messaging, especially in cities that limit cooperation with Immigration and Customs Enforcement agents. Chicago and nearby Broadview — home to a major ICE facility — have been front and center in the administration’s push. Again, Trump’s so-called “land order messaging” is really just him spreading propaganda about rises in violent crime in cities where violent crime is actually down, as it is across the nation. Perry also noted that National Guard troops are “not trained in de-escalation” or any other aspect of law enforcement that would equip them to handle civil protests appropriately. Of course, Trump, who is never one to let reality get in the way of a false narrative that, in his mind, justifies him dabbling in fascism, has already responded to the ruling by having his administration file a notice of appeal in the Seventh Circuit. Unfortunately, it is in the appellate court that the Trump administration has seen success in reversing the rulings of federal judges who aren’t afraid to stand up against the regime. In fact, according to Axios, a three-judge panel of the 9th Circuit Court of Appeals has signaled it is likely to rule in Trump’s favor on his deployment of the guard in Portland, not because it’s necessary, but because the judges simply believe the president has the right to do it. “What I’m struggling with is, the president gets to direct his resources as he deems fit, and it just seems a little counterintuitive to me that the city of Portland can come in and say ‘No. You need to do it differently,” Judge Ryan Nelson, a Trump appointee, said during oral arguments Thursday. Axios reported that the panel “had tough questions for an attorney for the state, noting the law requires the court give deference to the president when he says troops are needed to protect federal law enforcement and buildings.” So, basically, all a president has to do is claim sending in the military is necessary — lack of evidence be damned — and state sovereignty just goes completely out the window. Still, Chicago and Illinois leaders are counting Perry’s ruling as a win. Gov. JB Pritzker and Chicago Mayor Brandon Johnson both released statements praising the decision. “Donald Trump is not a king — and his administration is not above the law,”  Pritzker tweeted Thursday. “Today, the court confirmed what we all know: there is no credible evidence of a rebellion in the state of Illinois. And no place for the National Guard in the streets of American cities like Chicago.” Johnson was even more blunt, saying in a statement, “The Trump administration is unreliable. They lie, misrepresent, and put people in danger.” Illinois Attorney General Kwame Raoul, who filed the legal challenge against the Trump administration, called the ruling a “victory for the rule of law,” and praised the court for recognizing the administration’s lack of “credibility.” Hopefully, this ruling holds up, but as we have seen, the U.S. “justice” system just doesn’t appear to be equipped to rein in a power-mad ideologue of a commander in chief, who does not care about justice or truth. SEE ALSO: National Guard Arrives In Chicago As Trump Threatens Insurrection Act ‘The Guard Is Not Needed’: Chicago Mayor Pushes Back On Trump’s National Guard Threat Trump Ramps Up Threats To Send Troops To Chicago After Violent Labor Day Weekend Trump Threatens Jail For Chicago Mayor & Illinois Governor

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Indiana Redistricting Push Stalls As Utah Potentially Has ‘Dummymandered’ Map

For the past several months, the Trump administration has been pressuring red-state governors to engage in a rare, mid-decade redistricting process to protect the GOP’s narrow House majority. While Texas and Missouri have successfully implemented new congressional maps, Indiana’s redistricting effort appears to be stalling out, and Utah may have redistricted itself into a “dummymander.” According to Politico, Vice President JD Vance is visiting Indiana to try and whip the state legislature into beginning a redistricting effort. The trip comes after Indiana’s Republican Gov. Mike Braun told the White House he was concerned that the redistricting push didn’t have support in the state Senate. White House deputy chief of staff James Blair, Political Director Matt Brasseaux, and Republican National Committee chief of staff Michael Ambrosini will be joining Vance in Indiana on Thursday. Anonymous Republican insiders who spoke with Politico said that Indiana GOP Senate President Pro Tempore Rodric Bray is behind the stalled redistricting effort. They said Bray “has been doing nothing to help the effort along or encourage his members, but has been really sort of hiding behind them, and maybe even subtly or not so subtly pouring cold water on the idea so that he can say he doesn’t have the votes.” Indiana’s congressional map is already fairly gerrymandered, with Republicans holding seven of the state’s nine seats in the House. A new map would give Republicans total control of the state’s House seats. Despite frequently telling people not to politicize the issue when it comes to school shootings, Republicans have wasted no time politicizing the death of Charlie Kirk to push through a new electoral map of all things. “They killed Charlie Kirk – the least that we can do is go through a legal process and redistrict Indiana into a nine-to-zero map,” Sen. Jim Banks, the Republican of Indiana, told POLITICO last month. Utah has successfully seen through its redistricting process, though there are concerns that its attempt at a gerrymandered map may blow up in its face. Utah already implemented a new map in 2021 that carved the traditionally blue Salt Lake City into four separate districts, with Republicans currently holding those four districts. A lawsuit was filed against that map, with a judge ordering the state legislature to redraw the map. The new map drafted by Utah’s Republican state legislature has split Salt Lake City into two districts. From the New York Times: By doing it this way, rather than grouping most of Salt Lake City into one Democratic stronghold and creating three safely Republican seats, Republicans have an opportunity to maintain control of all four House seats next year. But they have also risked creating a so-called dummymander – a gerrymandered map that backfires against the party it’s intended to favor. Republicans drew two light-red districts – one more competitive than the other – that could both potentially flip toward Democrats in a year that strongly favors them. Along with two safe Republican seats, the new map, which must still be signed by Gov. Spencer Cox and approved by a judge, creates one district that Trump won by about seven percentage points last year, and another district that Trump won by about 2 points. President Donald Trump’s pressure campaign on Republican-led states to begin rare, mid-decade redistricting efforts to protect the GOP’s narrow House majority has seen Texas and Missouri successfully implement new congressional maps that potentially give them a combined total of seven more seats ahead of the 2026 midterms. It’s worth noting that lawsuits have been filed against the Texas map by voting rights groups alleging that the map is racially gerrymandered. California Gov. Gavin Newsom announced the “Election Rigging Response Act” in August to combat the Texas redistricting effort. A special election will be held in California on Nov. 4, where voters will determine whether control of the state’s congressional maps remains with an independent redistricting committee or goes to the state legislature through 2030. Should voters choose to give the state legislature control, Gov. Newsom intends to implement a map that would neutralize Texas’ gains. If the lawsuits in Texas succeed, and California’s voters approve a new map, the map could drastically change for Republicans ahead of the 2026 midterms. SEE ALSO: President Trump Eyes Florida And Indiana In Redistricting Push California Gov. Gavin Newsom Signs Bill Launching Redistricting Effort Missouri Governor Mike Kehoe Sets Special Session For Redistricting Texas Democrats Will Return To State After Special Session Ends Calif. Gov. Gavin Newsom Counters Texas Redistricting Effort With One Of His Own Redistricting: Majority Black Voting Maps Rejected In Louisiana Critics Call Texas Governor’s New Congressional Map Gerrymandering US Senator John Cornyn, FBI Team Up To Hunt Texas Democrats Texas State Dems Break Quorum To Prevent Redistricting Vote Gov. Greg Abbott Orders Arrest Of Texas Democrats Texas Gov. Greg Abbott Sues To Remove Democratic Rep In Redistricting Fight Racial Gerrymandering Lawsuit Filed Over Texas Voting Map

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Houston Restaurant Trump Burger Closes after Boss Deported

Texas-based fast-food chain Trump Burger, known for serving up MAGA politics with its supersized patties, has quietly closed its doors amid ongoing immigration troubles facing its Lebanese-born owner, Roland Mehrez Beainy. When the restaurant first rose to viral fame, it positioned itself as “a patriotic haven for burger lovers” across the Lone Star State, plastered with red, white, and blue décor and dedicated to the 45th president. Now, those same storefronts stand empty, dark, and locked, a dramatic fall from the brand’s once-viral status as the self-proclaimed “home of the Trump Burger.” The Independent reports that Beainy was arrested by U.S. Immigration and Customs Enforcement (ICE) earlier this year for overstaying his visa, which was originally issued in 2019 and set to expire in February 2024. Previously reported by BOSSIP, the arrest sent shockwaves across conservative social media, as the restaurant’s owner had publicly aligned his brand with Trump’s “America First” rhetoric, only to now find himself on the receiving end of the same immigration system that the former president once promised to tighten. From Red Hats To Red Tape: Legal Troubles Mount In the Independent, local outlet KHOU confirmed through an ICE spokesperson that Beainy “does not have any immigration benefits that prevented his arrest or removal from the United States.” The agency identified him as a “28-year-old illegal alien from Lebanon” who entered the U.S. as a non-immigrant visitor in 2019 and “failed to depart by 12 February 2024, as required under the terms of his admission.” Beainy was taken into custody on May 16, 2025, and later granted bond by an immigration judge on June 13 while awaiting further proceedings. But even with his release, the restaurants appear to be stalled — and possibly shuttered for good. The Independent states that Houston Business Journal reportedly visited Trump Burger’s Chimney Rock Road location twice during peak hours this week and found the neon sign switched off, a “closed” notice taped to the door, and a deserted parking lot. On Google, the listing now reads “temporarily closed.” The Journal described the franchise’s current state as one “hanging in the balance,” citing the legal web surrounding Beainy’s ongoing case as a major factor in the shutdown. ICE’s Message: No Exceptions, No Matter Your Politics While Beainy’s supporters online have tried to frame the arrest as politically motivated, ICE officials have made it clear that his political leanings played no part in their decision. In a statement shared with KHOU and cited by The Independent, the agency said: “Under the current administration, ICE is committed to restoring integrity to our nation’s immigration system by holding all individuals accountable who illegally enter the country or overstay the terms of their admission. This is true regardless of what restaurant you own or political beliefs you might have.” That last line cuts sharply, especially for a restaurant that wore its loyalty to Trump like a brand badge. At its height, Beainy’s bold branding drew both crowds and controversy, with lines of supporters taking selfies beside murals of Trump and slogans like “Make America Grill Again.” But that marketing magic has since faded into irony. Now, the very business that prided itself on American pride finds itself facing an identity crisis, and a possible permanent closure, as its owner fights deportation from the country he once marketed as “great again.” What’s Next For Trump Burger? At press time, the Independent reports that emails to the restaurant bounced back undelivered, and no formal statement has been released by the Trump Burger team. ICE confirmed Beainy remains in immigration proceedings, with his future and the future of his MAGA-branded empire uncertain. For now, the patriotic promise of Trump Burger has cooled off faster than a cold fry left under a heat lamp. The post MAGA Meaty Mystery: Houston Restaurant Trump Burger Closes after Boss Deported appeared first on Bossip.

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Megan Thee Stallion Wins New Sanction Against Milagro Gramz In Defamation Case

Megan Thee Stallion is standing ten toes down in her defamation lawsuit against blogger Milagro Gramz, and she just won a major sanction in their case. The two will face off in a Houston court via trial, but in the meantime, Meg’s team won a sanction against Milagro after claiming she “deleted thousands of text messages” despite being told not to. Meg was granted an “adverse inference jury instruction” as well as “monetary” sanctions against Milagro—whose full name is Milagro Elizabeth Cooper—for what the court is calling “spoliation of evidence.” According to the legal documents, Cooper was instructed not to delete any correspondence about Meg, but she did so anyway. Meg’s team said “not so fast” once Milagro was unable to turn over the evidence and requested that the judge make it permissible in court to let the jury know that she attempted to hide things that could have harmed her defense. She is also now responsible for giving Meg back her coins for having to bring the issue up to the court though they have not agreed on what the compensation will be just yet, according to Hot 97. Either way, Milagro is digging herself quite the hole ahead of the trial. She was already ordered to pay $5,000 towards Meg’s lawyer fees back in July for tampering with evidence, and she’s also accused of circulating a deep fake pornographic image of the “Cobra” artist, which is now considered a federal crime. The entire case stems from Milagro’s commitment to allegedly disseminating falsified information in support of Tory Lanez. Meg claims that the blogger participated in fueling a smear campaign against her alongside the imprisoned singer’s father, Sonstar Peterson, that contributed to immeasurable harassment in the years after her shooting. Allegedly, the fake porn video was the final straw on the stallion’s back that led her to march Milagro into court. The post Megan Thee Stallion Wins New Sanction Against Milagro Gramz In Defamation Case, Claims Blogger Deleted Text Message Evidence appeared first on Bossip.

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DDG Releases New Album, Asks Halle Bailey To ‘Drop The Case’ On Lead Single

DDG is committed to keeping everyone in his and Halle Bailey’s business, and his latest album release is giving fans insight into how he feels about their custody battle. On the track “17 more years”, DDG opens up about where the former lovers currently stand as they work to come to an amicable arrangement for their 1-year-old son, Halo. “I don’t wanna fight no more, tired of the court dates,” he raps on the track. “Lawyers getting over on us, watching money go to waste. We should all get together on his birthday, light the cake. If we talk, it’ll get better. Go ahead and drop the case. Used to text your phone, now we speaking through the mail. You don’t even know, I got love for you still. Said you want me gone, is that really how you feel? Might as well get along, we got 17 more years” Well, ok. The track comes after Bailey filed and won a restraining order against DDG claiming physical and emotional abuse at the hands of the popular vlogger/streamer. DDG hit back at Bailey, using her postpartum depression against her, and claimed that Halo was unsafe with his mother who he alleged had communicated having suicidal ideation on more than one occasion. “I have been very vocal about my anxiety, depression, and previous thoughts of suicide,” Bailey wrote in a declaration to the court at the time. “Without waiving the psychotherapist-patient privilege and physician-patient privilege, I have reached out to my doctor and received treatment to address these issues. I have been and remain 100% available and capable as a parent to our son, Halo.” In August, a judge declared that both DDG and Halle were no longer allowed to post their son on social media following a summer in which the Little Mermaid actress claimed that the streamer regularly used their son to incite online violence against her. “Whenever he wishes to cause upset, he starts badmouthing me to his several millions of fans,” Bailey wrote in her declaration at the time. “He claims I am withholding our son and that I am with other men. As a result, I then receive threats and hate on social media. He seems to try to set up drama for his fans. He goes ‘live’ ranting about me and alleges that I am keeping Halo from him. This is false. I have requested a set schedule, which he refuses.” Nonetheless, DDG seems to feel that there’s room for healthy reconciliation or at least he hopes there is. As for Bailey, the six-time Grammy nominee is gearing up to release her debut album, love? or something like it, on Oct. 24. She hasn’t said much about it, but we can only assume that she’ll be opening up in her own way about everything that happened in their relationship. Her track “braveface” seemed to be speak to the pain she learned how to hide during a contentious relationship, while “back and forth”—the track she released ahead of Valentine’s Day—was a flirtatious bop about leaving the passion for the bedroom. Looks like Halle will be giving the girlies a bit of everything on her debut. We’re here for it! The post DDG Releases New Album, Asks Halle Bailey To ‘Drop The Case’ On Lead Single appeared first on Bossip.

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Cardi B Calls BIA A ‘P***y’ For Conveniently Copping Preggo Pleas

The girls are STILL fighting! Cardi B called BIA a “p***y” for copping pleas about beefing during her pregnancy now, but allegedly spreading cheating accusations to Offset’s friend when Bardi was “five months pregnant with Blossom last year.” BIA pulled a J. Cole and waved the white flag as Cardi B’s never-ending feud with Nicki Minaj and rappers who backed up Barbie exploded again last week. While the embattled rap divas traded insults about each other’s parenting skills, the Boston rapper realized she’s not on that type of time. While promoting the Oct. 10 release of Bianca on Hot97, BIA denied dedicating her debut album to coming for Cardi. She threw shade at Cardi’s (and Pardi’s) pen, but told Nessa she didn’t want to compete with Cardi unless they’re getting in the booth together. If you say so, sis! “Why would I? I don’t care about anybody that much to get up and dedicate my life to like, ‘Oh, let me get at her.’ Like, no way, bro, that’s crazy,” the “Whole Lotta Money” mami said. “It’s like a little beneath me because that was a year ago for me,” BIA added about continuing the feud after another diss by Cardi.”So now this album was coming out on Oct. 10 either way, whether she dissed me or not.” On “Pretty & Petty,” Cardi didn’t hold back on “diarrhea BIA” about everything from her body to her relevance. Still, BIA said she charged it to the game rather than taking it personally. “I was like, ‘Well, I’m glad she felt like she’d get that off.’ I knew it was coming because this is rap. I’m competitive so, like, I diss you, you diss me … It’s part of the game,” she explained. BIA didn’t let up on the copycat claims about Really Her and Cardi B’s “Enough,” but she welcomed a creative challenge rather than continuing to beef with an expecting mother. “I can go get on your a** again, but it’s like, girl, enjoy your pregnancy. My mother didn’t raise me to be dragging a pregnant lady. That’s out,” she continued. BIA may have conveniently moved on, but Cardi pulled up to call her out for copping pleas. Check out Cardi B putting BIA on blast for messing with her marriage to Offset after the flip! The post Cardi B Calls BIA A ‘P***y’ For Conveniently Copping Preggo Pleas, Claims BIA Sabotaged Offset Marriage During Pregnancy With Blossom appeared first on Bossip.

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RHOP Cast Reacts To Dr. Wendy Osefo’s Fraud Arrest

The Bravo world is in chaos after The Real Housewives of Potomac star Wendy Osefo and her husband, Eddie Osefo, were indicted on multiple fraud charges in Carroll County, Maryland. Eddie and Wendy Osefo’s charges led to immediate repercussions from Bravo, and the couple now faces a serious legal battle that contradicts Wendy’s carefully curated image. The controversy stems from a reported burglary at the couple’s home in April 2024. According to Variety, the Osefos had been on vacation in Jamaica when they claimed to have returned home to find their bedroom and closets torn apart and designer bags and jewelry stolen. They subsequently submitted three separate insurance claims for an estimated $450,000 worth of goods. Investigators, however, quickly became suspicious. Authorities noted that the Osefos’ ADT alarm system had been activated, but detected no break-in or motion during their absence. Adding fuel to the fire, investigators determined that Osefo had purchased and then returned several of the items that were allegedly stolen from their home. Those items were also included on the insurance claims. Additionally, investigators spotted Wendy Osefo wearing a diamond anniversary ring she had claimed was stolen in a social media photo she posted after the alleged burglary. Wendy Osefo’s Charges: 16 Counts, $450K Claim, and the Bravo Fallout As BOSSIP reported, the police investigation culminated in an indictment on October 9. Wendy Osefo was indicted on 16 total charges, including seven felony counts of insurance fraud, eight counts of conspiracy to insurance fraud, and one count of false statement to a police officer. Her husband, Eddie Osefo, faces the same charges with an additional two, including an extra charge each of insurance fraud and conspiracy to commit insurance fraud. Most of the felony charges carry a maximum penalty of 15 years in prison. The professional fallout was immediate. Bravo was scheduled to premiere the Osefos’ episode of their new series, Wife Swap: The Real Housewives Edition, on October 14. Variety reported that the network pulled the episode, delaying it and replacing it with an episode featuring Real Housewives of Salt Lake City star Angie Katsanevas. The Osefos are tentatively scheduled to appear in court on November 7. Osefo’s charges come as a huge shock to fans, as they stand in stark contrast to the persona Wendy Osefo cultivated on The Real Housewives of Potomac. Known as “Dr. Wendy,” she joined the cast in its fifth season as an assistant professor at Johns Hopkins and made regular appearances on CNN. She often reminded viewers that she has “four degrees.” According to TMZ, after the initial burglary report in April 2024, Wendy appeared on the Gabbing With Gib podcast, doubling down on her story and explaining why she thought she was “targeted” by burglars. However, when confronted with the evidence, Sheriff James T. DeWees, who detailed the charges in a press conference, was unapologetic about the high-profile nature of the case. “I don’t care if she’s real housewife, fake housewife, or whatever she is — we would handle it the same way, regardless of who she was,” he stated. A few of Wendy’s Housewives castmates commented on the news, showing their support. Former castmate Katie Rost commented under a post reporting the arrest, “Wendy, I got a message from someone who asked me to make a statement. I know this is all bullshit. I am going to send a letter to the President. Keep your head up [heart emoji] sending love. Jacqueline Blake wrote, “Wendy was theee only Housewife who called me personally to congratulate me on my pregnancy, and she’s always shown me genuine love and support during my last season on RHOP. Eddie has always been super cool- always respectful and cool with my child’s father. Sending my heart and deepest prayers to the Osefo family.” Original cast member, Ashley Darby, recently made public comments about Ofeso’s arrest and indictment. The two housewives are known to be rivals on the popular reality TV show so it is no surprise that Darby is basking in the news. While performing, Darby stated fans should not be surprised that the couple is being accused of insurance fraud. “This ain’t news to us, this is just news to y’all,” she stated. “We’re making melodies, not felonies,” she added. The Osefos, who were released after each provided a $50,000 bond, issued a statement through a spokesperson: “Dr. Wendy Osefo and her husband, Edward Osefo, are back home safely with their family and in good spirits. They are grateful for the outpouring of concern and support from friends, fans, and colleagues. The Osefos, alongside their legal team, look forward to their day in court. At this time, they respectfully ask for privacy as they focus on their family and the legal process ahead.” The post ‘Zen Wen Is In The Pen!’ Potomac Pettiness Peaks As RHOP Cast Reacts To Dr. Wendy Osefo’s Fraud Arrest appeared first on Bossip.

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Artist Spotlight

Tucka: The Southern Soul “King of Swing” You Need on Your Playlist

https://youtu.be/vQi6hm6pmCs?si=QkkkEcVhv_WElrVp If you love smooth, feel-good R&B with a Gulf Coast flavor, Southern Soul artist Tucka belongs at the top of your list. From steppin’ anthems to slow-jam serenades, Tucka’s laid-back charisma and timeless melodies have made him a fan favorite across juke joints, festivals, and grown-folks playlists. Table of Contents Who Is Tucka? Tucka’s Signature Southern Soul Sound Essential Tucka Tracks Albums & Fan Favorites Live Shows: Why the Hype Is Real Collaborations & Influences Where to Start Listening Frequently Asked Questions Who Is Tucka? Known to many as the “King of Swing”, Tucka is a Southern Soul artist whose music blends classic R&B, bluesy guitar, zydeco-adjacent rhythms, and modern groove. Emerging from the Gulf Coast scene, his records and performances have grown a loyal, cross-generational audience that shows up to dance, two-step, and sing along word for word. While Southern Soul has deep roots in the legends of yesteryear, Tucka keeps the genre fresh—balancing romance and real-life storytelling with hooks that stick. Whether you’re new to the sound or already collecting Southern Soul classics, Tucka’s catalog is a perfect entry point. Tucka’s Signature Southern Soul Sound Laid-back vocals: Effortless delivery that feels intimate and conversational. Grown-folks grooves: Mid-tempo rhythms ideal for stepping, swinging, and slow dancing. Live-band feel: Bass-forward arrangements, tasteful guitar licks, and buttery keys. Storytelling lyrics: Romance, weekend vibes, and feel-good celebration. Add it all up and you get party-ready records that feel classic on first listen—and even better the next time around. Essential Tucka Tracks Queue these up for an instant Southern Soul mood set: “Swing Out” — A crowd-moving anthem that defines his feel-good lane. “Sweet Shop” — Smooth, playful, and irresistibly catchy. “Candy Land” — Grown-and-sexy groove with sing-along hooks. “Forever Girls” — Romantic R&B with Southern Soul warmth. “Work It Out” — A stepper’s favorite with positive energy. Tip: Want more? Search your favorite platform for a “Best of Tucka” playlist to keep the vibes flowing. Albums & Fan Favorites Tucka’s albums play like front-to-back weekend soundtracks—equal parts Saturday-night party and Sunday-morning cruise. Expect soulful mid-tempos, slow-burn ballads, and feel-good anthems that never wear out their welcome. Starter picks: Look for projects featuring “Swing Out,” “Sweet Shop,” and “Candy Land.” Deep cuts: Explore duet versions, live sessions, and regional remixes for extra flavor. Live Shows: Why the Hype Is Real A Tucka show is a party—plain and simple. Expect a tight band, on-point background vocals, and a setlist built for dancing. If you’re planning a grown-folks night out, put Tucka on your must-see list. Pro move: arrive early to claim a good spot on the floor. Comfortable shoes recommended! Collaborations & Influences Tucka’s style nods to classic soul men and blues greats while embracing contemporary Southern scenes. You’ll hear echoes of vintage R&B, Gulf Coast swing, and modern stepper rhythms—making his music feel both familiar and fresh. Where to Start Listening Not sure where to begin? Try this quick path: Spin “Swing Out” and “Sweet Shop” for the signature vibe. Add a few slow jams like “Candy Land” to set the mood. Bookmark a Best-Of playlist and explore full albums from there. Listen on: YouTube · Apple Music · Spotify Frequently Asked Questions What genre is Tucka? Tucka is a Southern Soul artist blending classic R&B, blues influences, and modern stepper grooves. Why is he called the “King of Swing”? The nickname comes from his dance-ready rhythms and smooth, swinging vocal delivery that fans love on the floor. What are Tucka’s most popular songs? Fans often point to “Swing Out,” “Sweet Shop,” “Candy Land,” and “Forever Girls” as must-hear tracks. Where can I see Tucka live? Watch social media and ticket platforms for regional festival dates, club appearances, and Southern Soul concert lineups in your area. Final Take Whether you’re hosting a backyard cookout, planning a date night, or curating a stepper set, Tucka delivers the perfect balance of soul, swing, and romance. Add him to your rotation—you’ll feel the difference from the first groove. Love Southern Soul? Explore more artist spotlights in our Southern Soul archive.

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Artist Spotlight

Sir Charles Jones – The King of Southern Soul

https://youtu.be/iFv02CwVdpM?si=86XnH2mD7AiZf6sY By Media 1 Broadcasting • Updated October 11, 2025 Who Is Sir Charles Jones? Revered as “The King of Southern Soul,” Sir Charles Jones blends smooth R&B vocals, bluesy textures, and heartfelt lyrics that connect across generations. Born in Ohio and raised in Alabama, his music bridges old-school soul with modern Southern rhythms, making him a staple on blues and soul radio. The Rise of a Southern Soul Legend Emerging in the late 1990s, Sir Charles drew inspiration from icons like Johnnie Taylor, Bobby Womack, and Marvin Gaye. His 2000 debut introduced fans to his unmistakable sound, followed by a run of crowd-pleasers that cemented his place in the Southern Soul canon. Signature Sound and Style Jones’ catalog explores love, heartbreak, and celebration—delivered with intimate storytelling and steady, dance-floor-ready grooves. Tracks like “Is There Anybody Lonely?” and “Better Call Jody” showcase his range and genuine connection to real-life experiences. Legacy and Influence A mentor and touchstone for the modern scene, Sir Charles has influenced artists including T.K. Soul, Omar Cunningham, and Bigg Robb. His commitment to the craft keeps the Southern Soul tradition vibrant while pushing it forward. Keep exploring Southern Soul: T.K. Soul • Omar Cunningham • Bigg Robb Popular Songs by Sir Charles Jones Friday Is There Anybody Lonely? Take Care of Mama For Better or Worse Just Can’t Let Go Still in Love Sir Charles Jones: Frequently Asked Questions Why is he called the King of Southern Soul? His prolific catalog and genre-defining sound have shaped the modern Southern Soul movement. What makes his music stand out? Authentic storytelling, smooth vocal delivery, and grooves that blend blues, R&B, and contemporary production. Where should new listeners start? Begin with “Friday,” “Is There Anybody Lonely?,” and “Just Can’t Let Go,” then explore his live performances. Focus Keyphrase: Sir Charles JonesTags: Southern Soul, R&B, Blues, Sir Charles Jones, Soul Singers © 2025 WJOS Jamz Old School — The Plug

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Artist Spotlight

Wendell B: The Soulful Legacy of a Southern Soul Vocalist

https://youtu.be/u1tAnuvvc04?si=2dIhZmHBl_NybL0E   Wendell B brought velvet baritone and real-life storytelling to Southern Soul. Introduction Few voices in Southern Soul carry as much passion, grit, and velvet-smooth delivery as Wendell B, born Wendell Brown in St. Louis, Missouri. Known affectionately as “The Boss of Southern Soul,” he mastered the art of storytelling—turning love, struggle, and joy into timeless R&B. Though he passed away in August 2023, his legacy still moves dance floors, juke joints, and radio airwaves across the South. Early Life & Gospel Roots Raised on gospel, blues, and old-school R&B, Wendell began singing with a local gospel group, The Sensational Wonders, honing the deep baritone that drew comparisons to legends like Barry White and Luther Vandross. Frequent family reunions across Mississippi and Alabama immersed him in Southern culture—the spirituals, the juke-joint groove, and the slow jams that later defined his sound. Finding His Sound Wendell B blended the smooth sophistication of classic R&B with the raw authenticity of Southern Soul. Lyrics centered on grown-folks themes: relationships, commitment, and reflection. Renowned for slow, seductive ballads that never lost the blues-and-gospel edge. A steadfast commitment to authenticity over trends earned him a loyal, multigenerational fanbase. “I make music for people who still believe in love and real feelings.” Career Highlights & Discography Album / Single Release Year Notable Tracks Make It Good for Ya 1998 “You Just Don’t Understand Me” Good Times 2005 “She Didn’t Have to Treat Ya Boy Like That” Time to Relax – Love, Life & Relationships 2007 “This Ain’t Livin’” In Touch With My Southern Soul 2010 “Mississippi Girl,” “The Best Time I Ever Had” Get to Kno’ Me… 2013 “Can We Just Talk” Real Talk 2019 “Beautiful,” “In the Club,” “Still Learning ’Bout Love” Watch & Listen “Beautiful” (Official Video) “In the Club” “Can We Just Talk” “She’s the One That Do It for Me” Passing & Tributes In August 2023, after a private battle with illness, the music community mourned the loss of Wendell B. Fans and fellow artists across the South filled timelines with tributes to his voice, humility, and commitment to real R&B. His passing sparked a renewed appreciation for Southern Soul and introduced his catalog to new listeners. Legacy of a Southern Soul Gentleman Authenticity Over Fame — He built loyalty by staying true to grown-folks themes and emotional honesty. Independent Spirit — Releasing music on his own imprint gave him creative control. Influence — A model for today’s Southern Soul singers seeking vocal depth and independence. Cultural Connection — His songs capture the rhythms of Black Southern life—from Saturday-night sets to Sunday-morning reflection. Where to Hear Wendell B Today Spotify — Full albums & playlists YouTube Music — Official videos & live clips Apple Music — Stream fan favorites Southern Soul radio — Stations like WJOS Jamz Old School: The Plug keep his classics in rotation Final Word Wendell B left more than songs—he left a blueprint for authentic Southern Soul. With a voice like velvet and lyrics rooted in real life, his influence keeps growing as new audiences discover the Boss of Southern Soul. Published by Media 1 Broadcasting  

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Artist Spotlight

Myia B Music | Southern Soul & Gospel Inspiration

https://youtu.be/QHEYZFWWPdA?si=D2f5x4P_LoZ01fl- Myia B Music | Southern Soul & Gospel Inspiration 🎤 Myia B Music: Uplifting Souls Through Song Who Is Myia B? Myia B, born Armyia Amelia Bryant on June 22, 1989, is a Georgia-born soul and gospel artist known for her rich, emotive voice and message-driven music. Raised in Dooly County by educators Arney and Lisa Bryant, Myia began singing at age six and later performed with a southern gospel quartet before launching her solo career. In 2020, she became a Top 20 finalist on BET’s Sunday Best while working as a nurse — proof of her talent and determination. Influenced by greats like Whitney Houston, Lauryn Hill, Mariah Carey, The Clark Sisters, and Rod Stewart, Myia B brings a classic yet contemporary feel to every note. Musical Style & Sound Myia B’s music blends southern soul, R&B, and gospel, grounded in honesty and faith. Her tracks feature: 🎶 Soulful vocals filled with emotion and power 💫 Inspirational lyrics about love, resilience, and faith 🎚️ A balance of modern R&B production with gospel roots 🌈 A unique blend appealing to both spiritual and mainstream audiences Notable Songs & Projects Song / EP Highlights Stand on Business Breakout hit making waves in Southern Soul circles for its bold storytelling and soulful production. Hold My Hand A heartfelt song showcasing Myia’s vocal depth and emotional connection with listeners. Toe Up (feat. Charmeka Joquelle) A collaboration that fuses playful energy with smooth R&B vibes. The Soul Buffet (EP) Her latest release, blending gospel truth with southern flavor and a modern twist. Why Myia B Stands Out Authentic storytelling: Myia shares her real-life experiences through every lyric. Breaking boundaries: Her work in Stand on Business opened discussions in the southern soul genre. Grassroots success: Built her audience organically through YouTube, social media, and live shows. Genre fusion: Seamlessly bridges gospel, R&B, and inspirational soul for broad appeal. Why She Matters in Today’s Music Scene In an era dominated by digital trends, Myia B Music reminds us that soul and sincerity never go out of style. She stands as a powerful representation of inclusivity and artistic integrity within gospel and southern soul spaces, connecting with fans who crave truth and passion in their music. How to Support Myia B Music 🎧 Stream her music on Spotify or Apple Music. 📺 Subscribe to her YouTube channel and share videos like Stand on Business and Hold My Hand. 📱 Follow @myiab.music on Instagram and Facebook._

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Artist Spotlight

Omar Cunningham: The Soulful Voice Redefining Southern R&B

https://youtu.be/4QS0LVgpZ1w?si=yPPzgqhcVyDwsBpZ A Southern Soul Original In the world of Southern soul and contemporary R&B, few voices carry the authenticity and warmth of Omar Cunningham. Born and raised in Gadsden, Alabama, Cunningham has carved out a space that celebrates the roots of Southern soul — mixing heartfelt storytelling, gospel-infused melodies, and a down-home sound that resonates deeply with everyday listeners. Long before he became a mainstay on the Southern soul circuit, Cunningham was a young boy singing in church, his earliest stage and most formative classroom. That spiritual foundation laid the groundwork for a career defined by both vocal power and lyrical honesty. From Local Talent to National Recognition Cunningham’s journey into professional music began modestly, fronting local Alabama bands like Daybreak and Small Town Boys. His early performances built a reputation for smooth delivery and an instinctive feel for live audiences — qualities that would soon catch the attention of Southern soul producers and promoters. In 2003, Cunningham released his debut album, Hell at the House, a breakout success that reached #53 on the Billboard Top R&B/Hip-Hop Albums chart. The record introduced audiences to a sound both classic and modern — think vintage soul storytelling wrapped in sleek 2000s R&B production. Tracks like “Check to Check” and “Hell at the House” became regional anthems, proving that Southern soul was far from fading — it was evolving. The Pen Behind the Music Beyond his work as a performer, Omar Cunningham is also a respected songwriter. His pen has crafted songs for some of the most beloved names in the genre, including Willie Clayton, Shirley Brown, Karen Wolfe, Vick Allen, and the late Mel Waiters. His writing blends humor, heartbreak, and humanity — often exploring the complexities of love, loyalty, and real-life relationships. Cunningham’s knack for capturing everyday struggles in song has helped him connect with audiences that see their own stories in his lyrics. Songs like “I’m in Love With a Married Woman” and “Beauty Shop” showcase his ability to balance soulful confession with witty, relatable storytelling. An Evolving Catalog Cunningham’s discography reflects both consistency and growth. Over two decades, he’s released a string of acclaimed albums, including: Omar Cunningham (2004) Worth the Wait (2006) Time Served (2008) Growing Pains (2011) Certified (2020) Each release deepens his musical range, with themes of faith, perseverance, and love woven throughout. While many R&B artists chase mainstream trends, Cunningham stays loyal to his Southern soul roots — delivering music that feels lived-in and true. Legacy and Impact Today, Omar Cunningham stands as one of the defining voices of modern Southern soul. His influence spans well beyond the Deep South, reaching fans across the U.S. and abroad who crave authenticity in their R&B. With his mix of gospel roots, blues grit, and smooth R&B delivery, Cunningham continues to prove that Southern soul is not just a sound — it’s a story, a feeling, and a legacy that thrives through artists who live it. Final Thoughts In an era where digital trends often overshadow timeless artistry, Omar Cunningham’s music reminds listeners that soul never goes out of style. His commitment to truth-telling through melody and message keeps Southern soul alive and evolving — one song at a time.

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Music

The Story Of Skyy

Skyy (sometimes stylized as SKYY) is an American R&B, funk, and disco group formed in Brooklyn, New York, in the late 1970s. They’re best known for their smooth blend of funk grooves, soulful harmonies, and dancefloor-ready beats — a sound that made them staples of both the disco and early-’80s R&B scenes. The group was founded by Randy Muller, who also worked with Brass Construction and BT Express. The vocal trio at the front consisted of the Dunning sisters — Denise, Delores, and Bonnie Dunning — whose harmonies became a Skyy trademark. Other key members included Solomon Roberts Jr., Tommy McConnell, Anibal “Booche” Sierra, Larry Greenberg, and Gerald Lebon. Notable Hits:“Call Me” (1981) — their biggest hit, reaching the Billboard R&B Top 10 and crossing over to the Hot 100. “Let’s Celebrate” (1981) “Start of a Romance” (1989) — marked a major comeback in the late ’80s. “Real Love” (1989) “High” (1980) Key Albums: Skyy (1979) – debut album with a funkier, more instrumental edge Skyway (1980) Skyy Line (1981) – includes “Call Me” Start of a Romance (1989) – their big late-decade comeback Skyy Released on March 23, 1979. “Skyy” is the debut self-titled album released by New York City based group Skyy released in 1979 on Salsoul Records. The album reached #40 on the U.S. Billboard Soul LP’s chart and at #177 on the U.S. Billboard Top LPs & Tapes chart. Two songs were released as singles from the album “First Time Around” and “Let’s Turn It Out”. “First Time Around” reached #20 on the U.S. Billboard Hot Soul Singles chart and at #50 on the U.S. Billboard Hot Dance/Disco Club Play chart. “Let’s Turn It Out” reached #65 on the U.S. Billboard Hot Soul Singles chart Track-list 1. This Groove Is Bad 2. First Time Around  3. Let’s Turn It Out  4. Fallin’ In Love Again  5. Stand By Me  6. Disco Dancin’  7. Let’s Get Up (S-k-y-y) Skyway Released January 31, 1980. Skyway is the second album by New York City based group Skyy released in 1980 on Salsoul Records. The album peaked #17 on the Billboard US Top R&B/Hip-Hop Albums chart and at #61 on the US Billboard 200 chart. The album released two singles “High” and “Skyyzoo”. “High” reached #13 on the Billboard Hot R&B Songs chart and #26 on the Billboard Dance Club Songs chart. “Skyyzoo” reached #32 on the Billboard Hot R&B Songs chart and #41 on the Billboard Dance Club Songs chart. Track-listing 1. “High”  2. “Skyyzoo”  03. “Dance”  4. “Don’t Stop”  5. “Love Plane”  6. “You Got Me Up”  7. “Who’s Gonna Love Me”  8. “Music, Music” Skyylight “Skyylight” is the sixth studio album by New York City soul, funk band Skyy released in 1983 on Salsoul Records. The album reached #44 on the U.S. Billboard Soul LP’s chart, and at #183 on the U.S. Billboard Top LPs & Tapes chart. Three songs were released as singles from the album, “Bad Boy”, “Show Me the Way” and “Married Man”. “Bad Boy” reached #33 on the U.S. Billboard Hot Black Singles chart. Show Me the Way” peaked at #10 on the U.S. Billboard Dance Club Songs chart, and reached #35 on the U.S. Billboard Hot Black Singles chart. In the mid-1980s, the band signed with Capitol Records and released their next album, From the Left Side in 1986. Track-listing 1. Bad Boy  2. Married Man . Questions No Answers  4. Now That We’ve Found Love  5. Hey Girl  6. Show Me The Way  7. She’s Gone  8. Swing It Start Of A Romance Originally Released On January 13, 1989. Start of a Romance is the ninth album by the New York-based R&B/soul band Skyy. The album was released on Atlantic Record in 1989. The album peaked at #16 on the Billboard R&B Album charts and at #155 on the Billboard Pop Album charts. The album became a major comeback success for the group, featuring two number 1 R&B singles, the title track (“Start of a Romance”) and “Real Love.” “Real Love” also returned Skyy to the pop charts, where it became a top-50 hit. An additional single, released between the two above mentioned tunes, “Love All the Way” also became a top-50 R&B hit. Track-listing 1. Start of a Romance  2. Love All the Way  3. Sendin’ a Message  4. Sexy Minded  5. Feelin’ it Now  6. Real Love  7. Let’s Touch  8. Sunshine

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