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The Top 10 Best Charlie Wilson Songs

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In the history of R&B, there are legends, and then there is “Uncle Charlie” Wilson. His trajectory is one of the most remarkable stories of resilience and creative rebirth in American music. While many of his peers from the funk era saw their careers plateau as the decades shifted, Charlie Wilson successfully staged a second act that didn’t just sustain his relevance—it amplified it. Emerging from the formidable shadow of The Gap Band’s multi-platinum legacy, he transformed himself into the definitive voice of the Adult Contemporary R&B era. He is the rare artist who can claim a seat at the table with both the architects of 70s funk and the superstars of 21st-century hip-hop, serving as a vital bridge between the groove-heavy past and the sleek, melodic present. Charlie Wilson’s solo discography is characterized by a “joyous soul” aesthetic. Whether he is navigating the intricate, sample-heavy production of the 2000s or the polished, organic arrangements of the 2020s, his voice remains an immutable force—a rich, gospel-trained baritone that possesses an ageless quality. He has become the “standard” for vocal stamina, consistently topping the charts and selling out arenas well into his fifth decade in the spotlight. To listen to a Charlie Wilson record is to hear a masterclass in vocal arrangement, charisma, and the enduring power of the R&B tradition. Presented in chronological order, we have looked back through his solo journey to identify the tracks that defined his evolution. Here are the Top 10 best Charlie Wilson solo songs. “Without You” Album: Bridging the Gap (2000) After years of navigating the industry, “Without You” signaled the formal arrival of Charlie Wilson as a solo powerhouse. The track captured a smooth, early-2000s R&B vibe that allowed his veteran vocals to mesh with the contemporary sound of the time. It was a clear indication that his voice was as resilient and relevant as ever. “Charlie, Last Name Wilson” Album: Charlie, Last Name Wilson (2005) Produced by R. Kelly, this track served as a re-introduction to the world. It’s a quintessential mid-tempo groove that cleverly played on his name and status, instantly becoming a signature song. The record successfully introduced “Uncle Charlie” to a younger generation while giving his long-time fans exactly what they wanted: a smooth, sophisticated, and undeniably catchy R&B hit. “There Goes My Baby” Album: Uncle Charlie (2009) This song is a masterclass in modern soul. “There Goes My Baby” became a massive #1 hit on the Urban AC charts, largely because of its timeless feel. Co-written by Babyface, the track is a celebratory, mid-tempo anthem that captures the feeling of being in love. It’s a staple in his live sets and arguably one of the most successful R&B records of its decade. “You Are” Album: Just Charlie (2010) If there is one song that defines Charlie Wilson’s solo career for many, it’s “You Are.” This heartfelt ballad showcases his incredible vocal range and his ability to convey deep emotion. The song spent 13 weeks at #1 on the Billboard Adult R&B chart, cementing his status as the king of Adult Contemporary R&B. It’s a powerful, piano-led record that has become a wedding classic. “My Love Is All I Have” Album: Love, Charlie (2013) By the time Love, Charlie arrived, Wilson had mastered the formula for soulful, uplifting R&B. “My Love Is All I Have” features a bright, infectious production that highlights his vocal clarity. The song is a testament to his enduring positivity and his ability to craft a melody that feels both fresh and nostalgic. “Goodnight Kisses” Album: Forever Charlie (2015) “Goodnight Kisses” is a smooth, doo-wop-inspired record that pays homage to the classic vocal groups of the past. It’s a charming, mid-tempo track that highlights the “sweet” side of his baritone. The song’s simplicity is its strength, allowing the melody and his vocal performance to take center stage. “I’m Blessed” (feat. T.I.) Album: In It to Win It (2017) Charlie Wilson has always been adept at collaborating with younger artists to keep his sound current. “I’m Blessed” is an uplifting, high-energy track that blends R&B with a touch of gospel and hip-hop. The collaboration with T.I. helped the song reach a wider audience, proving that Uncle Charlie could still dominate the charts and the airwaves well into his fourth decade in the game. “One I Got” Album: Non-Album Single (2020) Even in recent years, Charlie Wilson has continued to churn out hits. “One I Got” features a modern, sleek production that sees him leaning into a contemporary R&B pocket. The song was a major success at R&B radio, proving that his voice remains one of the most reliable and beloved instruments in the genre. “Superman” Album: Non-Album Single (2023) One of his most recent offerings, “Superman” is a mid-tempo groove that deals with the themes of strength and devotion. The track showcases his signature vocal layering and his ability to deliver a hook that sticks with you. It’s a polished, modern soul record that shows Uncle Charlie isn’t slowing down anytime soon. “Keep Me In Love” Album: Non-Album Single (2025) Released in July 2025, “Keep Me In Love” became Wilson’s record-breaking 11th #1 hit on Billboard’s Adult R&B Airplay chart. The track is a “heartwarming anthem” that radiates positivity, blending his signature feel-good sound with modern production. It served as the lead single for his Uncle Charlie’s R&B Cookout Tour, reaffirming his role as a consistent leader in the genre. Honorable Mentions: “Realize” (You Turn My Life Around, 1992) “Can’t Live Without You” (Uncle Charlie, 2009) “Magic” (Charlie, Last Name Wilson, 2005) “Life of the Party” (Just Charlie, 2010) “If I Believe” (Love, Charlie, 2013) “Touched By An Angel” (Forever Charlie, 2015) “Chills” (In It to Win It, 2017) “Forever Valentine” (2020) “No Stoppin’ Us” (feat. Babyface, K-Ci & Johnny Gill) (2022) Charlie Wilson’s solo career is a masterclass in longevity and artistic evolution. From his signature mid-tempo grooves to his soaring ballads, Uncle Charlie remains one of the most essential voices in R&B history.

Music

The Top 10 Best Songs Babyface Wrote For Other Artists

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While Kenneth “Babyface” Edmonds is a legendary performer in his own right, his most profound impact on the musical landscape often came from behind the scenes. Throughout the 80s and 90s, he crafted a sonic identity for the world’s biggest icons, defining the “Golden Era” of contemporary R&B. His ability to write from the heart with a focus on melody and romantic vulnerability made him the most sought-after songwriter of his generation. Presented in chronological order, this list highlights ten of the most essential records Babyface penned for other artists, illustrating his role as the primary architect of modern soul. Bobby Brown – “Rock Wit’cha” Album: Don’t Be Cruel (1988) As Bobby Brown transitioned from teen idol to solo superstar, Babyface provided the smooth, melodic anchor to his “bad boy” persona. “Rock Wit’cha” is a masterclass in late-80s balladry, blending a gentle New Jack Swing beat with an irresistible hook. It showcased Babyface’s ability to write for a younger, street-conscious audience without losing the sophisticated soul that became his trademark. The Whispers – “Rock Steady” Album: Just Gets Better with Time (1987) Proving he could revitalize legacy acts, Babyface co-wrote this high-energy funk-soul classic for The Whispers. “Rock Steady” featured a driving bassline and a repetitive, infectious chorus that dominated both R&B and Pop airwaves. It remains one of the most successful examples of Babyface’s ability to craft uptempo grooves that retain a classic soul feel. Johnny Gill – “My, My, My” Album: Johnny Gill (1990) This record is often cited as the ultimate R&B slow jam. Babyface wrote a song that allowed Johnny Gill to showcase his powerful, gravelly baritone while maintaining a polished, romantic atmosphere. The track’s dramatic production and passionate lyrics made it a #1 R&B hit and a permanent staple in the pantheon of romantic soul music. Boyz II Men – “End of the Road” Album: Boomerang Soundtrack (1992) Originally written for the Boomerang soundtrack, “End of the Road” became a global phenomenon, breaking the record for the most weeks at #1 on the Billboard Hot 100 at the time. Babyface’s writing perfectly leveraged the group’s four-part harmonies, creating a heartbreaking anthem of finality. This collaboration defined the vocal group sound of the 1990s. Toni Braxton – “Another Sad Love Song” Album: Toni Braxton (1993) As the flagship artist of LaFace Records, Toni Braxton was the perfect canvas for Babyface’s songwriting. Her debut single introduced her smoky contralto to the world through a lyric that was both relatable and musically complex. Babyface captured the specific “sad love song” aesthetic that would define Braxton’s career and lead to multiple Grammy wins. Tevin Campbell – “Can We Talk” Album: I’m Ready (1993) Babyface successfully captured the innocence and excitement of teenage love with this smash hit for Tevin Campbell. The song’s melody is bright and accessible, yet it possesses the rhythmic depth that allowed it to resonate across all age groups. It remains one of the most enduring R&B radio staples of the early 90s. Madonna – “Take a Bow” Album: Bedtime Stories (1994) In a notable crossover moment, Babyface co-wrote and produced this sophisticated ballad for Madonna. He successfully integrated his soulful sensibilities into her pop world, resulting in a #1 hit that stayed at the top of the charts for seven weeks. The song’s poetic lyrics and orchestral arrangement proved Babyface’s versatility as a writer for global pop superstars. Boyz II Men – “I’ll Make Love to You” Album: II (1994) Following the success of “End of the Road,” Babyface delivered another massive #1 hit for Boyz II Men. This track is the quintessential 90s R&B ballad, known for its lush arrangement and the group’s signature smooth delivery. It held the #1 spot on the Billboard Hot 100 for 14 weeks, matching the record set by Whitney Houston’s “I Will Always Love You.” Whitney Houston – “Exhale (Shoop Shoop)” Album: Waiting to Exhale Soundtrack (1995) Writing for the Waiting to Exhale soundtrack, Babyface provided Whitney Houston with one of her most understated yet powerful hits. The song avoids over-singing, focusing instead on a rhythmic, breathy delivery that mirrors the title’s theme of letting go. It debuted at #1 on the Billboard Hot 100, further solidifying the Babyface-Houston creative partnership. Boyz II Men – “A Song for Mama” Album: Soul Food Soundtrack (1997) Few songwriters can craft a tribute that feels sincere without becoming overly sentimental, but Babyface achieved this with “A Song for Mama.” Written for the Soul Food soundtrack, the track became the definitive anthem for Mother’s Day and family celebrations. Its simplicity and heartfelt message have given it a permanent place in the cultural fabric. Honorable Mentions Pebbles – “Girlfriend” (Pebbles, 1987) The Deele – “Two Occasions” (Eyes of a Stranger, 1987) Karyn White – “Superwoman” (Karyn White, 1988) After 7 – “Ready or Not” (After 7, 1989) After 7 – “Can’t Stop” (After 7, 1989) Whitney Houston – “I’m Your Baby Tonight” (I’m Your Baby Tonight, 1990) Johnny Gill – “Fairweather Friend” (Johnny Gill, 1990) Whitney Houston – “Queen of the Night” (The Bodyguard Soundtrack, 1992) Toni Braxton – “You Mean The World To Me” (Toni Braxton, 1993) Boyz II Men – “I’ll Make Love to You” (II, 1994) TLC – “Red Light Special” (CrazySexyCool, 1994) TLC – “Diggin’ On You” (CrazySexyCool, 1994) Brandy – “Sitting Up in My Room” (Waiting to Exhale Soundtrack, 1995) Toni Braxton – “You’re Makin’ Me High” (Secrets, 1996) Toni Braxton – “Let It Flow” (Secrets, 1996) Az Yet – “Last Night” (Az Yet, 1996) Dru Hill – “We’re Not Making Love No More” (Soul Food Soundtrack, 1997) Dru Hill – “These Are the Times” (Enter the Dru, 1998) Mariah Carey – “Never Forget You” (Music Box, 1993) Toni Braxton – “Seven Whole Days” (Toni Braxton, 1993)

Artist Spotlight

The Top 10 Best Babyface Songs

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Kenneth “Babyface” Edmonds is arguably the most influential architect of modern R&B. As a singer, songwriter, and producer, he defined the sound of the late 80s and 90s, blending romantic lyricism with polished, melodic production. While he has penned hundreds of hits for other legends, his solo discography remains a gold standard for the genre. Rather than ranking these tracks, we are presenting them in chronological order. This list tracks Babyface’s evolution from a rising star in the late 80s to a global R&B icon. Here are the Top 10 Best Babyface songs. “Whip Appeal” Album: Tender Lover (1989) Coming off his breakthrough sophomore album, “Whip Appeal” became an instant classic and a staple of the New Jack Swing era. The track showcased Babyface’s ability to blend a hard-hitting groove with smooth, seductive vocals. It remains one of his most recognizable records and set the stage for his dominance in the decade that followed. “Soon As I Get Home” Album: Tender Lover (1989) This ballad is a masterclass in R&B storytelling. “Soon As I Get Home” highlighted Babyface’s signature vulnerability, focusing on the themes of devotion and making amends. The song’s production is quintessential late-80s soul, utilizing lush synthesizers and a steady rhythm that allowed his vocal performance to take center stage. “For The Cool In You” Album: For the Cool in You (1993) The title track from his 1993 album signaled a shift toward a more acoustic and organic sound. With its infectious bassline and cool, effortless delivery, “For The Cool In You” proved that Babyface could create uptempo records that felt sophisticated and timeless. It remains one of the most beloved grooves in his catalog. “When Can I See You” Album: For the Cool in You (1993) This acoustic guitar-driven ballad was a departure from the heavily produced R&B of the time. “When Can I See You” earned Babyface a Grammy Award for Best Male R&B Vocal Performance and showed his range as a folk-soul artist. The simplicity of the arrangement underscored the raw emotion in the lyrics, making it a universal heartbreak anthem. “Every Time I Close My Eyes” Album: The Day (1996) A massive collaboration featuring Mariah Carey on backing vocals and Kenny G on the saxophone, this track is the definition of 90s R&B excellence. It is a lush, romantic production that perfectly captured the “Babyface sound” that every artist in the industry was seeking at the time. The song’s soaring bridge and polished finish made it a global hit. “This Is For The Lover In You” (feat. LL Cool J, Howard Hewett, Jody Watley & Jeffrey Daniel) Album: The Day (1996) Babyface’s cover of the Shalamar classic was a brilliant bridge between old-school soul and the hip-hop soul of the mid-90s. By bringing in members of the original group alongside LL Cool J, he created a record that appealed to multiple generations. It remains one of the most successful covers in R&B history. “What If” Album: Face2Face (2001) As a standout single from the Face2Face project, “What If” represents Babyface’s transition into a more contemporary 2000s R&B sound. The track maintains his signature melodic sensibility while incorporating the slicker production trends of the era. It serves as a powerful narrative on the “what ifs” of past relationships, featuring a vocal performance that remains one of his most technically refined. “The Loneliness” Album: Face2Face (2001) Returning to the emotional territory his fans loved, “The Loneliness” is a standout ballad from the Face2Face era. The song captures the stark, quiet pain of isolation after a breakup. Its minor-chord progression and haunting vocal delivery make it one of the more underrated gems in his discography. “I Only Wanted One” Album: Playlist (2007) Featured on his acoustic-focused album Playlist, this track is a return to the “When Can I See You” aesthetic. It is a stripped-back, honest reflection on love and regret. The song highlights Babyface’s enduring ability to connect through simple, effective songwriting and a voice that has only grown richer with time. “We’ve Got Love” Album: Return of the Tender Lover (2015) The lead single from his first solo album in eight years, “We’ve Got Love” served as a triumphant return to form. The track is an uplifting, mid-tempo celebration of positivity and connection, featuring a bright, live-band arrangement. It proved that Babyface could still craft a radio-ready hit that felt modern while staying true to his soulful roots. Honorable Mentions “Two Occasions” (The Deele) (Eyes of a Stranger, 1987) “It’s No Crime” (Tender Lover, 1989) “My Kinda Girl” (Tender Lover, 1989) “Never Keeping Secrets” (For the Cool in You, 1993) “Lady, Lady” (For the Cool in You, 1993) “And Our Feelings” (For the Cool in You, 1993) “How Come, How Long” (feat. Stevie Wonder) (The Day, 1996) “Stress Out” (Face2Face, 2001) “Sorry For The Stupid Things” (Grown & Sexy, 2005) “Mad Sexy Cool” (Grown & Sexy, 2005) “Exceptional” (Return of the Tender Lover, 2015)

New Releases

Producer Camper Releases His Debut Album “Campilation” (Stream)

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Grammy Award–winning producer and songwriter Camper has officially released his debut artist album, Campilation, across all major streaming platforms. After a decade of production work for artists such as Usher, Brandy, H.E.R., and Kanye West, this project marks Camper’s first full-length body of work as a primary artist. The album focuses on traditional R&B musicianship, utilizing live piano arrangements, intricate basslines, and layered percussion. Campilation features a collaborative roster of prominent vocalists including Stevie Wonder, Brandy, Victoria Monét, Lucky Daye, Ari Lennox, Syd, Tank, Jill Scott, Ty Dolla $ign, Tone Stith, and Alex Isley. The 11-track project is led by the focus single “Tonight,” featuring Lucky Daye. Another key track, “Waiting On You” featuring Tone Stith, recently reached the Top 5 on the R&B Airplay Chart and received public acknowledgment from Stevie Wonder via KJLH radio. Prior to the full album launch, the project’s singles accumulated over 7.5 million streams. Camper, who won a Grammy for Best R&B Album for his work on H.E.R.’s 2019 debut, held a VIP listening event at Paramount Studios in Los Angeles last month to preview the material for industry executives and collaborators. To further support the release, a special album event is scheduled for January 27 at Verse LA, which will include a live jam session and appearances from the album’s featured guests.

New Releases

Moonchild Releases New Single “Fear (Hey Friend)” Featuring PJ Morton

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The Grammy-nominated Los Angeles trio Moonchild—composed of Amber Navran, Andris Mattson, and Max Bryk—has released their latest single, “Fear (Hey Friend),” featuring Grammy-winning artist PJ Morton. Available on all major streaming platforms as of today, the track utilizes the group’s established blend of soul and jazz to address themes of anxiety and personal development. The song’s lyrical narrative reframes self-doubt as a functional component of growth, specifically referencing the Joseph Campbell adage regarding the treasure found in feared spaces. “Fear (Hey Friend)” serves as the latest preview for the trio’s forthcoming sixth studio album, titled WAVES, which is scheduled for release on February 20, 2026, via ONErpm. The album is entirely written, arranged, and produced by the trio and includes a series of previously released singles. These include “Up From Here,” featuring Robert Glasper and D Smoke; the double release “Strong” / “For Yourself,” featuring Lalah Hathaway and Chris Dave; “Not Sorry,” featuring Jill Scott and Rapsody; and “Ride The Wave,” which features Astyn Turr. The upcoming album is described as an exploration of healing and self-worth, characterized by the collaborative songwriting and lush arrangements that have defined the group’s discography. In conjunction with the album launch, Moonchild has announced the WAVES headlining tour. The United States leg of the tour is set to begin on March 5, 2026, in Houston, Texas, with additional dates scheduled across the country to support the new material.

New Releases

Joyce Wrice Releases New Single “Break Me In”

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R&B recording artist Joyce Wrice has officially released her latest single, “Break Me In,” today through BMG. This track serves as her first major release following her previous project cycles and acts as a precursor to a larger body of work scheduled for release later in 2026. The single was produced by Malik Ninety Five and Mike Baretz. Musically, the track utilizes a mid-tempo, rhythmic production style characterized by atmospheric arrangements. Wrice’s vocal performance focuses on themes of directness and emotional surrender, with lyrics such as “I hate it when you make me wait… I need you to break me in” and “If you can make me rain and thunderstorm / Baby, I’m all yours.” While her debut album, Overgrown, focused on themes of personal growth and resilience, “Break Me In” represents a shift toward more assertive and romantic lyrical narratives. Outside of her studio recordings, Wrice has recently expanded her commercial presence through several high-profile brand collaborations. These include: JD Sports x Adidas: Participation in recent apparel campaigns & Gap, Featured involvement in the brand’s contemporary marketing initiatives. Since the release of her critically acclaimed debut and subsequent EP, Motive, Wrice has maintained a consistent presence in the R&B genre through live performances and notable featured appearances. This new release under BMG signals a strategic rollout for her upcoming sophomore album, which aims to further establish her position within the contemporary R&B landscape.

drake/Kendrick
Featured, News

Drake Appeals Dismissal Of Lawsuit Over Kendrick Lamar’s ‘Not Like Us’

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Drake thinks the lower court has created an “unprecedented” rule that rap diss tracks can never be actionable with their dismissal of his lawsuit. The Canadian rapper has officially moved to appeal the dismissal of his lawsuit against Universal Music Group (UMG) tied to Kendrick Lamar’s diss track “Not Like Us.” He originally sued UMG last year, alleging the company defamed him by distributing Lamar’s viral diss track, which branded him a “certified pedophile.” However, a federal judge ruled in October that listeners wouldn’t interpret jabs exchanged in a rap feud as literal, factual claims. Rolling Stone reports that in his long-anticipated appeal filed Wednesday, Drake’s legal team argues the opposite is true: That audiences absolutely took the lyrics at face value. “Millions of people understood [Not Like Us] to convey factual information, causing countless individuals around the globe to believe that Drake was a pedophile.” According to the rapper’s attorneys, dismissing the case in spite of that public reaction amounted to the court establishing an “unprecedented” and “dangerous” legal doctrine, one that suggests statements in rap songs can never be defamatory. “It is hard to imagine a statement more damaging to one’s reputation and safety than being labeled a ‘certified pedophile,’ which elicits intense vitriol, and can spur violent retaliation,” Drake’s attorney Michael J. Gottlieb writes in the appeal, obtained by Billboard. “The court’s rule brushes aside the risk of concrete reputational harms that can and here, did spill over into violence.” This appeal serves as the latest turn in a legal saga that caught much of the music world off guard. Very few anticipated that a rap beef would escalate into a lawsuit, leading to some corners of hip-hop culture taunting Drake for taking it there. Lamar dropped “Not Like Us” in May 2024 as the final blow in a fierce back-and-forth between the two artists. Beyond being viewed as Lamar’s lyrical knockout, the song also dominated the charts. It went on to win five Grammy Awards, including record and song of the year, and became a centerpiece of Lamar’s Super Bowl halftime performance. By January, Drake answered not with another track, but with legal action, claiming UMG had defamed him by aggressively amplifying the song’s reach, allegedly through bots and other questionable promotional tactics. While Lamar himself was not named in the suit, Drake accused UMG of having “waged a campaign” against its own star to spread a “malicious narrative.” The post Lawbrey Lawyers Up…Again: Drake Appeals Dismissal Of Lawsuit Over Kendrick Lamar’s ‘Not Like Us’ appeared first on Bossip.

New Releases

Ari Lennox Releases New Album “Vacancy” (Stream)

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Grammy-nominated artist Ari Lennox has officially released her third studio album, Vacancy, through Dreamville and Interscope Records. The project follows her 2022 release, age/sex/location, and serves as a continuation of her work within the neo-soul and contemporary R&B genres. The album features executive production from Dreamville co-founder Ibrahim Hamad and long-time collaborator Elite, alongside contributions from several prominent R&B producers. The project maintains Lennox’s signature live-instrumentation aesthetic, utilizing analog synthesizers, crisp percussion, and layered vocal harmonies to explore themes of modern solitude, emotional availability, and self-actualization. Prior to the full album launch, the rollout was anchored by the lead single “Under the Moon,” which gained significant traction on Urban AC radio and streaming platforms. The track highlighted the album’s thematic focus on “filling the void” within oneself rather than seeking external validation. While largely a solo effort designed to highlight her vocal range, Vacancy includes a curated selection of guest appearances that align with Lennox’s soulful delivery. The tracklist features previously released singles: “Twin Flame”, “Vacancy” (Title Track), “Under the Moon”, “Smoke & Mirrors” & “Room for One”. The album’s songwriting remains deeply personal, with Lennox credited as a primary writer on every track. The lyrical content often leans into the “honest and raw” storytelling that defined her breakout debut, Shea Butter Baby. The debut of Vacancy was accompanied by a series of visualizers and an official music video for the title track, which utilized a minimalist, cinematic style to reflect the album’s introspective nature. Since its release, the project has seen strong performance on R&B-specific charts, reinforcing Lennox’s position as a central figure in the modern soul revival. To support the release, Lennox has announced a series of intimate “unplugged” performances, focusing on high-fidelity vocal delivery in smaller jazz-club settings—a nod to her artistic roots.

Artist Spotlight

What happened To Confunkshun

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🎶 What Happened to Them 1. Original Success & Breakup Con Funk Shun rose to fame in the 1970s and ’80s with hits like “Ffun,” “Shake and Dance,” “Chase Me,” and “Love’s Train.” Internal tensions and changing musical tastes led to the group breaking up in 1987 after disappointing sales on their last album, and members pursued solo careers. 2. Reunion and Continuing Career They reunited in the early ’90s and have been performing in various lineups since then. Today the group still tours and performs live shows, often featuring original members like Michael Cooper, Felton Pilate, and Karl Fuller alongside newer players. They’ve been part of nostalgia and funk/R&B festival circuits, cruise events (like the Soul Train Cruise), and anniversary tours celebrating their legacy. 3. New Music and Legacy The band has put out new music in recent years, including singles tied to a 2023/2024 project (“Text Me Tomorrow,” Smooth Jukebox). They released an album in 2015 (More Than Love), marking their first new studio record in over two decades. 4. “Love’s Train” Revival Their ballad “Love’s Train” wasn’t a single originally but became one of their most enduring songs. Silk Sonic (Bruno Mars & Anderson .Paak) covered it and hit #1 on the charts in the 2020s, bringing renewed attention to the band’s catalog. 5. Honors & Recognition Founders Michael Cooper and Felton Pilate have received honorary doctorates and Presidential Lifetime Achievement awards, reflecting their impact on music. 🎤 In Summary So Con Funk Shun didn’t disappear — they broke up in the late ’80s, reformed later, and continue to perform and release music even today. Their classic hits still get play, and the modern homage from Silk Sonic has helped introduce them to new audiences. 1970–1975 Formed in Vallejo, California Started as Project Soul Discovered by Mercury Records 1976–1983 (Peak Years) Renamed Con Funk Shun Released a string of gold & platinum albums Became one of the tightest live funk/R&B bands of the era Regulars on Soul Train 1984–1987 Musical trends shift Internal pressures + declining sales Group disbands in 1987 Early 1990s Reunion for touring Begin performing on the “classic soul/funk” circuit 2010s–Present Still touring with key original members 2015: More Than Love (first new album in 20+ years) 2022: “Love’s Train” revived by Silk Sonic Continue festival, cruise, and international shows 🎧 Essential Con Funk Shun Songs (Starter Playlist) 🔥 Funk & Dance Classics Ffun – Their signature party anthem Shake and Dance – Pure dance-floor energy Chase Me – Slick, upbeat funk Too Tight – Groove-heavy with attitude By Your Side – Smooth but funky ❤️ Slow Jams & Ballads Love’s Train – Timeless soul ballad Straight From the Heart – Deep romantic groove Baby I’m Hooked (Right Into Your Love) So Easy – Underrated gem 🎼 Albums to Start With Secrets (1977) – Breakthrough album Loveshine (1978) – Polished funk & soul Spirit of Love (1980) – Peak popularity Touch (1980) – Includes “Love’s Train”

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